SSAA choir unaccompanied - Moderately Difficult - Digital Download SKU: MQ.7351-E Composed by Steven Sametz. Wedding. 8 pages. Duration 2 minutes, 30 seconds. E. C. Schirmer Music Company - Digital #7351-E. Published by E. C. Schirmer Music Company - Digital (MQ.7351-E). Spanish.Set to the poetry of the 16th-century Spanish Carmelite priest, San Juan de la Cruz (St. John of the Cross,) this piece (and its companion, 7350) can appear to be a secular love song. But it is actually religious allegory in which the Soul is singing to God. He is strong and magnificent as a mountain; comforting as the cool, shady woods; filled with unexpected delights like an exotic island; possesses her powerfully like a roaring river; thrills her with a touch like a breeze on the skin; fills her and satisfies her like a delicious meal; opens her eyes to the unexpected, like the dawn. As they rest together in the tranquil night, the soul delights in these feelings like being filled with glorious music that can truly be heard only in silence. In that moment, we are given a luxurious silence, surrounded by gorgeous music, in which we, too, may simply breathe, delight and rest in the presence of Love.Duration: 2:30.

Choral Choir,Choral,SSAA Chorus - Level 4 - Digital Download SKU: A0.1435772 By BYU Women's Chorus. By John Goss (1800-1880). Arranged by Lane Johnson. Christian,Sacred. 26 pages. Lane Johnson Music #1015864. Published by Lane Johnson Music (A0.1435772). A stirring arrangement of Praise, My Soul, the King of Heaven, the beloved Christian hymn. It draws its text from Psalm 103 and was written by Anglican clergyman Henry Francis Lyte. It was first published in 1834. The hymn endures in modern hymnals to a setting written by John Goss in 1868, and remains one of the most popular hymns in English-speaking denominations.This arrangement was commissioned by the BYU Women's Chorus under the direction of Dr. Sonja Poulter and was premiered in the Salt Lake Tabernacle with the accompaniment on the famous Tabernacle organ.Purchase includes both Organ and Piano accompaniment versions.

Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.752240 By Elvis Presley. By George David Weiss, Hugo Peretti, and Luigi Creatore. Arranged by Glenda Lloyd. A Cappella,Rock. Octavo. 4 pages. Glenda Lloyd #3877491. Published by Glenda Lloyd (A0.752240). Four part a cappella harmony in the barbershop style.This beautiful ballad, originally sung by Elvis Presley, will be a wonderful arrangement to your ensemble's repertoire. The arrangement creates plenty of variety between the verses of what is quite a simple song, but without becoming too difficult for the average singer to perform. A lovely four part a cappella vocal arrangement for women's voices. Visit www.lloydsong.com to see more of my work, or see me on Facebook at https://www.facebook.com/Glenda.LloydSong/.

Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.1041330 Composed by Alan Bullard. Classical,Contemporary,Contest,Festival,Sacred. Octavo. 8 pages. Colne Edition / BullardMusic #646070. Published by Colne Edition / BullardMusic (A0.1041330). This expressive and colourful song is a setting of a poem by Robert Bridges with a Christian message of love, which is suitable for concert and church performance. This is the version for SSAA and piano: a version for SATB and piano is also available from www.colneedition.co.ukAlan Bullard’s choral works are performed worldwide, and many have been recorded and broadcast. He has a growing reputation for music that choirs enjoy performing, and which speaks directly to audiences. The Colne Choral Series contains a range of Bullard’s pieces for adult and youth choirs of all types, including cantatas and choral suites as well as individual movements. For full details please visit www.colneedition.co.uk or www.alanbullard.co.uk.

Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.929363 Composed by Unknown. Arranged by Dianne Goldrick. A Cappella,Folk,Praise & Worship,Sacred. Octavo. 3 pages. Dianne Goldrick #3418931. Published by Dianne Goldrick (A0.929363). An American Folk Song. SSAA a cappella, barbershop style, Advanced Intermediate.Lovely and moving, Christian.

Choral Choir (SSAA) - Level 2 - Digital Download SKU: A0.501569 By Elvis Presley, Michael Buble, The Pet Shop Boys, and Willie Nelson. By Johnny Christopher, Mark James, and Wayne Thompson. Arranged by Hazel Hannam. 20th Century,A Cappella,Contest,Country,Festival,Pop. Octavo. 6 pages. Hazel Hannam #114388. Published by Hazel Hannam (A0.501569). This arrangement has been set for SSAA. It is a beautiful song and will go down a storm at concerts. My choirs loved singing this too! The melody is shared mainly between Soprano 1 and Alto 1 but is full of interest for the other parts. It is also available for SSAT and SSAB. You can hear the parts on the youtube link and see for yourself if it will be suitable for your singers. I would put the level of this arrangement at easy to intermediate and suitable for community and other types of non-auditioned choirs as well as for auditioned choirs.

SSAA choir, a cappella - Digital Download SKU: LX.15-3727H Composed by Lloyd Alvin Pfautsch. General. Octavo. 4 pages. Heritage Music Press #e15/3727H. Published by Heritage Music Press (LX.15-3727H). ISBN 9780787768577.Sir Philip Sidney's classic love ballad, Song from Arcadia, is cast in this splendid, harmonically rich setting by the distinguished American choral composer Lloyd Pfautsch. Though written for four-part women's ensemble, the individual vocal parts sing easily from the score. Use this piece to highlight the women of your mixed ensemble in concert. It is also an excellent choice to program as your middle contest title.

Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.856211 By Madness. By Labi Siffre. Arranged by Liz Garnett. Oldies. Octavo. 6 pages. Liz Garnett #4313717. Published by Liz Garnett (A0.856211). This song was made famous for people of my generation by Madness, but those just a little older may remember the original version as sung by Labbi Siffre himself.This arrangement draws on the Madness version in the rhythmic feel of its riffs, but honours the song-writer's request to use all the correct lyrics (and I've highlighted the place where Madness don't so you can make sure to get it right too).N.B. This arrangement is notated in treble and bass alta (i.e. sung an octave higher than written) clefs.Vocal RangesTenor: E flat 4 - F5Lead: B flat 3 - C5Bari: B flat 3 - B flat 4Bass: E flat 3 - F4www.HelpingYouHarmonise.com

Piano Accompaniment, Voice, Soprano Voice, Alto Voice, Choir, SSAA, female chorus, Womens choir - Intermediate - Digital Download By Lewis Capaldi. Arranged by Laura Murray. Score. 11 pages. Published by Laura Murray

Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.1040537 By Alan Wagstaff. By Alan Wagstaff. Arranged by Alan Wagstaff. Celtic,Folk,Irish,Traditional. Octavo. 36 pages. Alan Wagstaff #645329. Published by Alan Wagstaff (A0.1040537). This haunting, new song, in the mixolydian mode (Bb), is in the Irish tradition. It is written for a female choir (SSAA) with an additional solo part; the accompaniment is for harp, accordion, flute, fiddle, and bass. This song was inspired by J.M. Synge's 1904 play 'Riders of the Storm' and quotes a line from it. The chorus quotes from the Irish version of 'Fhir a Bhartain' a song written in the late 19th century by Sìne NicFhionnlaigh of Tong, Lewis, Scotland. Fear A Bháta The Boatman A fhir a bháta is na horó eile Man of the boat and no one else. A fhir a bháta is na horó eile Man of the boat and no one else. A fhir a bháta is na horó eile Man of the boat and no one else. Mo shoraid slán leat gach áit a dtéid thú. My safe blessing with you everywhere you go. Lyrics O, Bryan McCauley the boats are still moored. and down in Kilronan only ghosts are aboard. The calico is furled and the tide is still low, so rest a while longer, till the time comes to go. It’s the life of a young man to be fishing far from shore. For there’s scant other work on the wild Inishmore. Fhir a bharta na horo – fhir a bharta is-na eile. Mo shor slan leat gach ait a dteid thu. The herring are sleeping and safe from the net. So rest my fisher lad - do not rise yet. The hillcrests of Galway are scarce tinged with red. O, sleep a while longer and keep to your bed. It’s the life of a young man to be fishing far from shore. For there’s scant other work on the wild Inishmore. Fhir a bharta na horo – fhir a bharta is-na eile. Mo shor slan leat gach ait a dteid thu. The cold-hearted Ocean knows nothing of men; it takes them or leaves them, with no heed where or when. The candles are out in the homes round the Bay, so stay in my arms, love, till the first light of day. It’s the life of a young man to be fishing far from shore. For there’s scant other work on the wild Inishmore. Fhir a bharta na horo – fhir a bharta is-na eile. Mo shor slan leat gach ait a dteid thu.

Choral Choir,Choral,SSAA Chorus - Level 3 - Digital Download SKU: A0.1475304 Composed by Jocelyn Scofield. 21st Century,A Cappella,Singer/Songwriter. 33 pages. Bilsco Music #1052847. Published by Bilsco Music (A0.1475304). SCORES INCLUDED:Full Score & Parts Scores: Solo+Sopranos, Mezzos+Altos, CajonPERFORMANCE NOTES FROM THE COMPOSER:I AM is a singing meditation. It is both a piece that honors the individual and the whole. It is meant to affirm an individual's worth, as well as the whole collective. When a choir prepares for a performance, they rehearse a piece dozens if not hundreds of times. I wanted the experience of rehearsing I AM to be an ongoing declaration of the singer’s value. Therefore, every phrase in this piece is an affirmation. When a singer finds themselves singing the piece outside of rehearsal, they will be singing words that are positive and affirming. I cannot express how much joy that brings me as a composer.Musically, I AM is both complex, with its 7-part vocal split, contrasting rhythms, and varying accents, yet simple in its repetition, lyrics, and tonality. Each of the 7 parts sings a unique affirmation throughout the piece. They are simple statements like, I am enough and I am love, but can hold so much complexity depending on an individual's relationship with the statement. In the middle of the piece, there is an aleatoric section where each singer contributes their unique affirming statement. It creates a chaotic building of sound before coming together for the first and only time in the piece to sing I AM as a whole choir in block chords.  It is one of my favorite moments in the piece because simple and complex are just a beat apart.I AM was commissioned by the Grand Rapids Women's Chorus and premiered on May 10, 2024.  If you would like to hear more about the creation of the piece, you can hear the composer's original explantions on Youtube.

Choral Choir (SSAA) - Level 4 - Digital Download SKU: A0.1040536 By Alan Wagstaff. By Alan Wagstaff. Arranged by Alan Wagstaff. Celtic,Folk,Irish,Traditional. Octavo. 45 pages. Alan Wagstaff #639233. Published by Alan Wagstaff (A0.1040536). 'Do As You Will' is a folksy, Celtic feel choral song arranged for SSAA -with harp, flute, fiddle, and accordion accompaniment. Its shifting tonality adds complexity. The lyric is female point of view: Do As You Will Once I had a soldier lad who swore he’d love me truly. Ah! But now those days are gone! When the battle raged he turned his heel and followed duly. I gave him the salute and soldiered on. The wind’s about the barley and the mice are in the meal, so rise up bright and early all young lasses if you would do as you will. Then I loved a farmer’s son whose trinkets were his kisses. Ah! But now those days are gone! But on the road to market he had scores of narrow misses. I tossed him out for chaff and ploughed straight on. The wind’s about the barley and the mice are in the meal, so rise up bright and early all young lasses if you would do as you will. Next I had a blacksmith who was swarthy, dark, and handsome. Ah! But now those days are gone! He stole away my store of coin and ran off with the ransom. I hope he finds the fires! I’m forging on! The wind’s about the barley and the mice are in the meal, so rise up bright and early all young lasses if you would do as you will. Jack the Tinker courted me, and he was ever willing. Ah! But now those days are gone! Everywhere he plied his trade he fell to Jack and Jilling. I rattled his old pans and wandered on. The wind’s about the barley and the mice are in the meal, so rise up bright and early all young lasses if you would do as you will. There’s no faith in any man, not even my own brother. Ah! But would those days were gone! Girls, if you but would, or can, you’d best love one another and leave them all behind and carry on! The wind’s about the barley and the mice are in the meal, so rise up bright and early all young lasses if you would do as you will.

Choral Choir,Choral (SSAA) - Level 5 - Digital Download SKU: A0.1397081 Composed by Stephen Smith. 21st Century,A Cappella,Classical. 9 pages. Stephen Smith #980409. Published by Stephen Smith (A0.1397081). This richly-expressive setting, for soprano solo and a cappella SSAA choir, of a much-loved poem written in 1928 by a young Elizabeth Bishop, is a reworking of my earlier setting of this poem for TTBB chorus and string quartet (also available on this site, under the title Sonnet). The treble version was created for Vancouver's award-winning women's choir, Elektra, to perform with the eminent Canadian soprano Suzie LeBlanc when she was Elektra's featured guest artist at concerts in May of 2019. The accompanying audio file, which is used with permission, is a live recording of the work's première, under the direction of Morna Edmundson. Duration: ca. 5 minutes.