Choral Choir,Choral,SSAA Chorus - Digital Download

SKU: A0.1407111

By Billy Joel. By Billy Joel. Arranged by Brandon C Stanley. 21st Century,A Cappella,Barbershop,Broadway,Musical/Show,Rock. 15 pages. Brandon C Stanley #989780. Published by Brandon C Stanley (A0.1407111).

In 1983 Billy Joel released his 9th studio album, “An Innocent Man�. This concept album pays tribute to the popular music of Joel’s teenage years in the 50’s and 60’s. Side One, Track #3 of that album is “The Longest Time�, which pays homage to doo-wop groups such as The Teenagers. This song has become a time-less classic sung by barbershop quartets around the world.

Duration: 4 minutes

This arrangement for beautyshop quartet matches the original piece in length. It has been transposed up to C Major to better suit a female ensemble. Note that if no bass guitar is present, the Bass 2 (opt.) part can be sung in it’s place.

ARRANGEMENT:
Tenor 1 (Soprano)
Tenor 2 (Soprano)
LEAD (Soloist)
Baritone (Alto)
Bass (Alto)
Bass 2 (optional) (Alto)
Bass Guitar

WHAT IS INCLUDED:
Score (in C)
Choir
Bass Guitar

**Note that the recording is a barbershop quartet (male) that has been pitched up to the key of C Major. A beautyshop quartet will most certaintly not sound like this in timbre. 

Choral Choir (SSAA) - Level 4 - Digital Download

SKU: A0.1178138

Composed by Adrienne Inglis (ASCAP). Christian,Classical,Early Music,Sacred,Spiritual. Octavo. 14 pages. Adrienne Inglis (ASCAP) #778101. Published by Adrienne Inglis (ASCAP) (A0.1178138).

Gorgeous sacred piece in Middle English for SSAA and Bb clarinet! Perfect for Holy Week, Easter, Good Friday, Maundy Thursday, environmental, nature, mystical, contemplative concerts!
 
Julian’s Hazelnut (2022) by Adrienne Inglis (ASCAP)
SSA treble chorus and B flat clarinet
Text: The Shewings of Julian of Norwich, Part 1 Lines 148-154 by Julian of Norwich (about 1343 - after 1416)
Commissioned by Inversion Ensemble for Da Capo’s Origins concert
Duration 3:50 minutes
Difficulty 4 (Auditioned Chorus)
Language — Middle English (with Original Pronunciation from David Crystal)

Original Pronunciation
http://originalpronunciation.com/GBR/Home 

The perusal score video will be included on this YouTube playlist soon.
https://www.youtube.com/playlist?list=PLY9Jh0jT7VQvcM78yozLNYpIXeWzJjMPs

Performances:
21 Jan 2023 at 7 PM Inversion Ensemble and clarinetist Brendan Fairleigh (world premiere) in Austin, Texas

Commissioned by Inversion Ensemble for Da Capo’s January 2023 Origins concert, Julian’s Hazelnut (2022) by Adrienne Inglis sets text by Julian of Norwich for treble voices and B flat clarinet. Born in about 1343 in Norwich, England, Julian survived the Black Plague as a girl of six. She became an anchoress at St. Julian’s Church in Norwich where she lived in prayerful seclusion. In 1373, she became very sick at age 30. Near the point of death, a curate showed her a crucifix for comfort. She then experienced a series of intense visions of Christ and recovered from her illness to write eloquently about her “shewings.� The beautiful Medieval English text for this piece is from The Shewings of Julian of Norwich, Part I lines 148-154 in which Julian reflects on the vision she experienced about a hazelnut in the palm of her hand. She comes to understand that God loves even a small, ordinary thing like a hazelnut, such that it will not disintegrate but last forever because of God’s love for it. In Julian’s vision, the hazelnut symbolizes all that is made — all of Creation that God made and loves forever. The music combines Medieval sounds and counterpoint with lush, modern harmonies, woven together with the smooth color and elegant lines of the clarinet. Singers use Original Pronunciation to capture the lyricism of Julian’s words. May this piece inspire the same awe and amazement at God’s beloved Creation that Julian felt centuries ago.

http://adrienneinglis.com.

SSAA choir, keyboard (organ or piano) - Moderately Easy - Digital Download

SKU: MQ.50-3100-E

Composed by Edwin T. Childs. Triduum/Three Days. 7 pages. MorningStar Music Publishers - Digital Sheet Music #50-3100-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.50-3100-E).

This best seller in its original SATB version is now available in SSAA and TTBB settings. Edwin Childs' hymn tune GUNNAR, and Samuel Crossman's 17th century text invoke thoughtful, reflective, and pensive reverence, making this anthem useful for Lent, Good Friday, and Communion.

SSAA choir (a cappella) - Moderately Difficult - Digital Download

SKU: MQ.50-0450-E

Composed by Paul Manz. Advent. 7 pages. MorningStar Music Publishers - Digital Sheet Music #50-0450-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.50-0450-E).

Revelation 22.

Considered one of the finest 20th century American sacred choral anthems, reissued for treble voices. Text from Rev. 22. Appropriate beyond Advent.

Voice (SSAA) - Level 2 - Digital Download

SKU: A0.1281238

By Doris Day. By Richard Adler and Robert Allen. Arranged by Joey Minshall. 20th Century,A Cappella,Barbershop,Contest,Festival,Pop. Barbershop Quartet. 4 pages. Joey Minshall #872582. Published by Joey Minshall (A0.1281238).

SSAA barbershop, very accessible contestable chart of this light-hearted 50's swing song made popular by Doris Day.
Published in Barbershop Quartet format. Purchase of one full score permits making 4 copies for your quartet. Larger ensembles please purchase Choral format.

SSAA choir and piano, with optional cello or brass, strings, and percussion - Medium - Digital Download Composed by Grant Cochran. Christmas, 21st Century. Downloadable choral score. 16 pages. MorningStar Music Publishers #50-1141-E. Published by MorningStar Music Publishers

Choral Choir,Choral,SSAA Chorus - Level 3 - Digital Download

SKU: A0.1466540

By Supertramp. By Rick Davies and Roger Hodgson. Arranged by John Bouwmans. 20th Century,Pop. 13 pages. Music4voices #1045092. Published by Music4voices (A0.1466540).

Give a little bit is a 1977 song by the British band Supertramp. This arrangement is for women's choir SSAA with piano accompaniment. The saxophone solo has been left out and the end is shortened. Arranged by John Bouwmans. Full Score (7 pages) and Choral Score (4 pages). Performance time approx. 2:50. SMP-129V.