Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.726986 By Mannheim Steamroller. By Chip Davis. Arranged by Kay Bromert. A Cappella,New Age. Octavo. 6 pages. Kay Bromert #4291155. Published by Kay Bromert (A0.726986). Mannheim Steamroller's beautiful Christmas song, SSAA, A Cappella, barbershop style arrangement, solo voice with arpeggio accompaniment, arranged in B minor, 6 pages.

Choral Choir (SSAA) - Level 4 - Digital Download SKU: A0.1111174 By Neil Sedaka. By Neil Sedaka. Arranged by Rebecca (Boo) de Bruin. A Cappella,Barbershop,Contemporary,Pop. Octavo. 11 pages. Rebecca de Bruin #713452. Published by Rebecca de Bruin (A0.1111174). Words and Music by Neil Sedaka in 1972. Arranged in 2022 by Boo de Bruin. 11 pages for Sweet Adelines (ladies' barbershop) chorus. (Tenor, lead, baritone, bass are roughly equivalent to SSAA, although lead and baritone have similar ranges, but perform different functions). That's when the music takes me is taken from Neil Sedaka's Solitaire LP. The song was notable as it was one of the only songs for which Sedaka wrote the lyrics in addition to the music. He often finishes his song using the song. (The ending of the arrangement is inspired by how he performs the song live, rather than the recording edit). It reached #18 on the UK singles chart, #27 on the US Billboard Hot 100, and #7 on the US Billboard Easy Listening chart. This arrangement was written for a barbershop chorus, and as such the lowest voice part has a lower range than is custom for choral SSAA writing. The melody sits with the lead for the vast majority of the song, but with the bass part taking a few of the lowest notes. Please note: in keeping with normal barbershop practice the men's barbershop voicing names are used (tenor, lead, baritone and bass) and an octave-shifted bass clef is used for the baritone and bass parts. Vocal ranges are: Tenor: D4 - G5 (D above middle C to G above high C) Lead: B3 - D5 (B below middle C to D above high C) Baritone: G3 - C5 (G below middle C to D above high C) Bass: D3 - D4 (D below middle C to D above middle C).

Choral Choir (SSAA) - Level 2 - Digital Download SKU: A0.881168 By Miley Cyrus. By Robert Hazard. Arranged by Rebecca de Bruin. Film/TV. Octavo. 9 pages. Rebecca de Bruin #6497333. Published by Rebecca de Bruin (A0.881168). Words and Music by Robert Hazard. Arranged in 2013 by Boo de Bruin (nee Lewis). 9 pages for Sweet Adelines (ladies' barbershop) chorus or girls' choir. Girls just want to have fun was Cyndi Lauper's break through single as a solo artist, reaching number one in ten countries including Australia, Canada and New Zealand. It is a feminist reimagining of the 1979 song by Robert Hazard. It received Grammy nominations for Best Female Pop Vocal Performance and Record of the Year.This arrangement was written for a chorus of young women, and as such the ranges are relatively narrow. Vocal ranges are:Soprano 1: Eb4 - F#5 (Eb above middle C to F# above high C)Soprano 2: Bb3 - E5 (Bb below middle C to E above high C)Alto 1: B3 - B4 (B below middle C to B above middle C)Alto 2: F3 - G4 (F below middle C to G above middle C)For four bars in the penultimate chorus, there is one split in the parts, to allow for the girls they wanna, wanna have fun call back. In a quartet, this line could be omitted. 

Choral Choir (SSAA) - Level 2 - Digital Download SKU: A0.881167 By Sara Bareilles. By Sara Bareilles. Arranged by Rebecca de Bruin. Pop. Octavo. 7 pages. Rebecca de Bruin #6492785. Published by Rebecca de Bruin (A0.881167). Words and Music by Sara Bareilles. Arranged in 2020 by Boo de Bruin. 7 pages for Sweet Adelines (ladies' barbershop) quartet. (Tenor, lead, baritone, bass are roughly equivalent to SSAA).Love Song was Sara Bareilles' debut single, reaching number four in the Billboard chart. It received Grammy Award nominations for Song of the Year and Best Female Pop Vocal Performance.This arrangement was written for a barbershop quartet, and as such the lowest voice part has a lower range than is custom for choral SSAA writing. However, the range of the entire arrangement is quite narrow, and so it could be sung in a higher tessitura without undo strain on the upper voices. Please note: in keeping with normal barbershop practice the men's barbershop voicing names are used (tenor, lead, baritone and bass) and an octave-shifted bass clef is used for the baritone and bass parts. Vocal ranges are:Tenor: F4 - E5 (F above middle C to E above high C)Lead: G3 - D5 (Gb below middle C to D above high C)Baritone: B3 - A4 (B below middle C to A above middle C)Bass: D3 - G4 (D below middle C to G above middle C)

Choral Choir,Choral,SSAA Chorus - Level 2 - Digital Download SKU: A0.1494121 By Dua Lipa. By Andrew Wyatt Blakemore, Caroline Ailin, Dua Lipa, and Mark Ronson. Arranged by Rebecca (Boo) de Bruin. A Cappella,Barbershop,Disco,Pop. 8 pages. Rebecca de Bruin #1070731. Published by Rebecca de Bruin (A0.1494121). Dance the Night is a disco / synth-pop song by Dua Lipa from the soundtrack to the 2023 movie, Barbie. It was co-written with Caroline Ailin, Andrew Wyatt and Mark Ronson, with the Picard Brothers also contributing to production. It is inspired by a dance sequence in the movie, and is about always trying to appear perfect.Arranged in 2024 by Rebecca (Boo) de Bruin. 8 pages for Sweet Adelines (ladies' barbershop) quartet. (Tenor, lead, baritone, bass are roughly equivalent to SSAA). Please note: in keeping with normal barbershop practice, an octave-shifted bass clef is used for the baritone and bass parts (roughly equivalent to alto 1 and alto 2).Vocal ranges are:Tenor (S1): F#4 - D5 (F# above middle C to D above high C)Lead (S2): A3 - B4 (A below middle C to B above middle C). Baritone (A1): B3 - A5 (B below middle C to A above middle C)Bass: D3 - F#4 (D below middle C to F# above middle C). NB the only low D is sung in octaves with the higher parts, and the bass could sing in unison. Alternatively, the entire arrangement sits quite low and could easily be pitched up.

SSAA Chorus,Voice - Level 2 - Digital Download SKU: A0.1493616 By Dua Lipa. By Andrew Wyatt Blakemore, Caroline Ailin, Dua Lipa, and Mark Ronson. Arranged by Rebecca (Boo) de Bruin. A Cappella,Barbershop,Disco,Pop. Barbershop Quartet. 8 pages. Rebecca de Bruin #1070309. Published by Rebecca de Bruin (A0.1493616). Dance the Night is a disco / synth-pop song by Dua Lipa from the soundtrack to the 2023 movie, Barbie. It was co-written with Caroline Ailin, Andrew Wyatt and Mark Ronson, with the Picard Brothers also contributing to production. It is inspired by a dance sequence in the movie, and is about always trying to appear perfect.Arranged in 2024 by Rebecca (Boo) de Bruin. 8 pages for Sweet Adelines (ladies' barbershop) quartet. (Tenor, lead, baritone, bass are roughly equivalent to SSAA). Please note: in keeping with normal barbershop practice, an octave-shifted bass clef is used for the baritone and bass parts (roughly equivalent to alto 1 and alto 2).Vocal ranges are:Tenor (S1): F#4 - D5 (F# above middle C to D above high C)Lead (S2): A3 - B4 (A below middle C to B above middle C). Baritone (A1): B3 - A5 (B below middle C to A above middle C)Bass: D3 - F#4 (D below middle C to F# above middle C). NB the only low D is sung in octaves with the higher parts, and the bass could sing in unison. Alternatively, the entire arrangement sits quite low and could easily be pitched up.

Choral Choir,Choral (SSAA) - Level 3 - Digital Download SKU: A0.1349236 By Ballroom. By Alan Bergman, Billy Goldenberg, and Marilyn Bergman. Arranged by Rebecca (Boo) de Bruin. Barbershop,Broadway,Musical/Show. 4 pages. Rebecca de Bruin #933981. Published by Rebecca de Bruin (A0.1349236). Music by Billy Goldenberg and lyrics by Alan and Marilyn Bergman. Arranged in 2023 by Rebecca (Boo) de Bruin. 4 pages for Sweet Adelines (ladies' barbershop) quartet. (Tenor, lead, baritone, bass are roughly equivalent to SSAA). Please note: in keeping with normal barbershop practice, an octave-shifted bass clef is used for the baritone and bass parts (roughly equivalent to alto 1 and alto 2).Fifty Percent is a defiant ballad taken from the 1978 Tony-nominated stage musical by Jerome Kass, Billy Goldenberg and Alan and Marilyn Bergman. Having fallen for a married man, Bea sings of how she would rather have fifty percent of him, or any percent of him than all of anyone else at all. Vocal ranges are:Tenor (S1): Eb4 - F5 (Eb above middle C to F above high C)Lead (S2): Bb3 - D5 (Bb below middle C to D above high C). (Until the tag the highest note is C, and an alternative tag is included)Baritone (A1): C4 - C5 (Middle C to high C)Bass: Db3 - F4 (Db below middle C to F above middle C)NB It's entirely possible to sing this in E / F# rather than Eb / F (as my quartet does) provided you have a relatively high lead: but it makes it much harder to read!Learning tracks are available from NewVoice Studio.

Choral Choir (SSAA) - Level 2 - Digital Download SKU: A0.1087101 By Erasure. By Andy Bell and Vince Clarke. Arranged by Rebecca (Boo) de Bruin. A Cappella,Contemporary,Pop. Octavo. 13 pages. Rebecca de Bruin #691297. Published by Rebecca de Bruin (A0.1087101). Words and Music by Vince Clarke and Andy Bell in 1988. Arranged in 2021 by Boo de Bruin. 13 pages for Sweet Adelines (ladies' barbershop) chorus. (Tenor, lead, baritone, bass are roughly equivalent to SSAA, although lead and baritone have similar - in this case, identical! - ranges, but perform different functions). A Little Respect was written and recorded by English synth-pop duo Erasure, and is known as one of their signature songs. It reached #4 on the UK singles chart, #14 on the US Billboard Hot 100, and #2 on the US Hot Dance Club Songs chart. This arrangement uses words from the song in place of neutral vowels to create an early ostinato (without boring the harmony parts!) before expanding into homorhythm in verse 2. The melody is mainly in the lead part, with the final motif from the chorus passed to the tenors. In the final verse, a key change moves the melody to the basses and baritones, with the leads taking the final phrase. This arrangement was written for a barbershop chorus, and as such the lowest voice part has a lower range than is custom for choral SSAA writing. However, the range of the entire arrangement is quite narrow, and so it could be sung in a higher tessitura without undo strain on the upper voices. Please note: in keeping with normal barbershop practice the men's barbershop voicing names are used (tenor, lead, baritone and bass) and an octave-shifted bass clef is used for the baritone and bass parts. Vocal ranges are: Tenor: D4 - F5 (D above middle C to F above high C) Lead: G3 - C5 (G below middle C to high C) Baritone: G3 - C5 (G below middle C to high C) Bass: D3 - F4 (D below middle C to F above middle C).

Choral Choir (SSAA) - Level 2 - Digital Download SKU: A0.1172806 Composed by Joseph Parry. Arranged by Chandra Grover. Traditional. Octavo. 3 pages. Chandra Grover #773043. Published by Chandra Grover (A0.1172806). A Beautiful and Haunting Traditional Welsh Song - with English lyricsMyfanwy tells the tragic story of the unfulfilled love of a poor young poet for a beautiful young noblewoman who lived in Dinas Bran castle. The remains of the castle stand above the Welsh town of Llangollen and is the scene setting for the sad love story of Myfanwy. It was first published in 1875.The song has featured in many films and television programmes and has been sung by almost, if not every single Welsh male voice choir. In modern times, it is still a favourite as sung by Cerys Mathews, and Bryn Terfel and is also sung without exception at every Welsh Rugby Union international in the National Stadium, Cardiff.This arrangement for SSAA was requested by a singer in an English female vocal group. It was her Mother's favourite song. The lyrics have been translated to English although the original Welsh lyrics are shown on the last page. The melody is sung by Soprano 2.  Soprano 1 sings in harmony above the melody although joins the melody at the beginning of each verse.

Choral Choir (SSAA) - Digital Download SKU: A0.762525 By Imagine Dragons. By Alexander Grant, Benjamin McKee, Daniel Reynolds, Daniel Sermon, and Josh Mosser. Arranged by Carolyn Goates. Rock. Octavo. 5 pages. Carolyn Goates #3627041. Published by Carolyn Goates (A0.762525). This chart-topping song has been covered many times. I hope you like this arrangement for 4 voices. It is in the original key of Eb major, so if you already know the song it is a very familiar sing-along in a familiar place for the voice.  The melody starts with Sopranos while Altos provide rhythmic accompaniment. As the song develops the melody splits into 3 and then 4 part harmony, with the tune taken by different parts here and there. Soprano 1s have a soaring descant over the tune towards the end. (Top note G a twelfth above middle C for a short while)SAB and TTBB soon to follow.  .

Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.787093 Composed by Lewis Redner and Phillips Brooks. Arranged by Matt Lammin. Christmas,Pop. Octavo. 5 pages. Matthew Lammin #3591509. Published by Matthew Lammin (A0.787093). An original and re-harmonised interpretation of a classic Christmas carol.This piece should be accompanied by piano and/or guitar; chords are included above the stave for this purpose. The arrangement is written out in open score.Arranged by Matt Lammin (mattlammin.com).

Choral Choir,Choral (SSAA) - Level 4 - Digital Download SKU: A0.887112 Composed by Marilena Zlatanou. A Cappella,Contemporary. 8 pages. Marilena Zlatanou #6866239. Published by Marilena Zlatanou (A0.887112). Duration 5'10''. The texts used in this composition are fragments of poetry by ancient Greek poet Sappho. Latin tranliteration is provided below the original Greek lyrics and English translation right above the staves in the score. The piece has been repeatedly performed and excellently received by Acta Musicae, conductor: Liv Hukkelberg. The mp3 file is made straight from the sibelius file. The composer is a member of the Norwegian copyright org. TONO. For more information on her work please visit website www.zlatanou.net

SSAA choir and piano - Moderately Difficult - Digital Download SKU: MQ.AHM-22-E Composed by Christopher Aspaas. Christmas. Instrument part. 16 pages. Aspen Hill Music - Digital #AHM-22-E. Published by Aspen Hill Music - Digital (MQ.AHM-22-E). English.This setting of ‘Twas in the Moon of Wintertime was created for the Manitou Singers of St. Olaf College and their conductor, Dr. Therees Tkach Hibbard. I was asked to re-arrange my SATB setting of the same tune and text (published by earthsongs) but could not come up with a workable solution. Instead, I started over with a setting for accompanied treble choir and viola knowing the skill and musicianship of violist Dr. Charles Gray, Professor of Music (Viola, Violin, String Literature and Pedagogy). Three tunes are incorporated in this arrangement: Une Jeune Pucelle; Vom Himmel Hoch; and, Veni, Emmanuel. The first tune, Une Jeune Pucelle, is the ‘Twas in the Moon of Wintertime melody, and first appears in fragments within the opening viola solo. The second theme, Vom Himmel Hoch, is found in the viola part in measure 30, and implies the text, “From heaven above to earth I come To bear good news to every home; Glad tidings of great joy I bring, Whereof I now will say and sing...� which matches the unfolding drama of the ‘Twas in the Moon story. The third tune, Veni, Emmanuel, comes in response to the viola solo with the interjection: “Rejoice, rejoice, Emmanuel, shall come to you, O Israel.�.

Choral Choir (SSAA) - Digital Download SKU: A0.934883 By K'naan. By Andrew Bloch, Bruno Mars, Edward Dunne, Jean Daval, Jean Guillaume Daval, Keinan Abdi Warsame, Keinan Warsame, Peter Gene Hernandez, Philip Lawrence, and Philip Martin Lawrence. Arranged by Joel Forth. Contemporary. Octavo. 13 pages. Joel Forth #4326185. Published by Joel Forth (A0.934883). This uplifting song of rising above struggle will make a great addition to your treble choir's program. Includes accompaniment parts for piano, guitar, and percussion which are easy to mix and match and customize to your ensemble.

Choral Choir,Choral (SSAA) - Level 2 - Digital Download SKU: A0.1292232 Composed by John La Touche, Ted Fetter, and Vernon Duke. Arranged by Susan Kegley C.M.A. A Cappella,Barbershop,Broadway,Musical/Show,Pop,Standards. 4 pages. Susan Kegley A Cappella #882844. Published by Susan Kegley A Cappella (A0.1292232). This fun, swingy up-tune, arranged for SSAA voices in the barbershop style, will have your audience tapping their toes and snapping their fingers along with you!  Barbershop voicing is labeled Tenor, Lead, Bari, Bass and notes in the bass clef are sung an octave higher than written.  Suitable for contest in SAI, BHS, HI and should be very singable by C and C+ level ensembles and above.