Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.726986 By Mannheim Steamroller. By Chip Davis. Arranged by Kay Bromert. A Cappella,New Age. Octavo. 6 pages. Kay Bromert #4291155. Published by Kay Bromert (A0.726986). Mannheim Steamroller's beautiful Christmas song, SSAA, A Cappella, barbershop style arrangement, solo voice with arpeggio accompaniment, arranged in B minor, 6 pages.

SSAA Chorus,Voice - Level 2 - Digital Download SKU: A0.1493616 By Dua Lipa. By Andrew Wyatt Blakemore, Caroline Ailin, Dua Lipa, and Mark Ronson. Arranged by Rebecca (Boo) de Bruin. A Cappella,Barbershop,Disco,Pop. Barbershop Quartet. 8 pages. Rebecca de Bruin #1070309. Published by Rebecca de Bruin (A0.1493616). Dance the Night is a disco / synth-pop song by Dua Lipa from the soundtrack to the 2023 movie, Barbie. It was co-written with Caroline Ailin, Andrew Wyatt and Mark Ronson, with the Picard Brothers also contributing to production. It is inspired by a dance sequence in the movie, and is about always trying to appear perfect.Arranged in 2024 by Rebecca (Boo) de Bruin. 8 pages for Sweet Adelines (ladies' barbershop) quartet. (Tenor, lead, baritone, bass are roughly equivalent to SSAA). Please note: in keeping with normal barbershop practice, an octave-shifted bass clef is used for the baritone and bass parts (roughly equivalent to alto 1 and alto 2).Vocal ranges are:Tenor (S1): F#4 - D5 (F# above middle C to D above high C)Lead (S2): A3 - B4 (A below middle C to B above middle C). Baritone (A1): B3 - A5 (B below middle C to A above middle C)Bass: D3 - F#4 (D below middle C to F# above middle C). NB the only low D is sung in octaves with the higher parts, and the bass could sing in unison. Alternatively, the entire arrangement sits quite low and could easily be pitched up.

Choral Choir (SSAA) - Level 2 - Digital Download SKU: A0.881167 By Sara Bareilles. By Sara Bareilles. Arranged by Rebecca de Bruin. Pop. Octavo. 7 pages. Rebecca de Bruin #6492785. Published by Rebecca de Bruin (A0.881167). Words and Music by Sara Bareilles. Arranged in 2020 by Boo de Bruin. 7 pages for Sweet Adelines (ladies' barbershop) quartet. (Tenor, lead, baritone, bass are roughly equivalent to SSAA).Love Song was Sara Bareilles' debut single, reaching number four in the Billboard chart. It received Grammy Award nominations for Song of the Year and Best Female Pop Vocal Performance.This arrangement was written for a barbershop quartet, and as such the lowest voice part has a lower range than is custom for choral SSAA writing. However, the range of the entire arrangement is quite narrow, and so it could be sung in a higher tessitura without undo strain on the upper voices. Please note: in keeping with normal barbershop practice the men's barbershop voicing names are used (tenor, lead, baritone and bass) and an octave-shifted bass clef is used for the baritone and bass parts. Vocal ranges are:Tenor: F4 - E5 (F above middle C to E above high C)Lead: G3 - D5 (Gb below middle C to D above high C)Baritone: B3 - A4 (B below middle C to A above middle C)Bass: D3 - G4 (D below middle C to G above middle C)

Choral Choir (SSAA) - Level 2 - Digital Download SKU: A0.881168 By Miley Cyrus. By Robert Hazard. Arranged by Rebecca de Bruin. Film/TV. Octavo. 9 pages. Rebecca de Bruin #6497333. Published by Rebecca de Bruin (A0.881168). Words and Music by Robert Hazard. Arranged in 2013 by Boo de Bruin (nee Lewis). 9 pages for Sweet Adelines (ladies' barbershop) chorus or girls' choir. Girls just want to have fun was Cyndi Lauper's break through single as a solo artist, reaching number one in ten countries including Australia, Canada and New Zealand. It is a feminist reimagining of the 1979 song by Robert Hazard. It received Grammy nominations for Best Female Pop Vocal Performance and Record of the Year.This arrangement was written for a chorus of young women, and as such the ranges are relatively narrow. Vocal ranges are:Soprano 1: Eb4 - F#5 (Eb above middle C to F# above high C)Soprano 2: Bb3 - E5 (Bb below middle C to E above high C)Alto 1: B3 - B4 (B below middle C to B above middle C)Alto 2: F3 - G4 (F below middle C to G above middle C)For four bars in the penultimate chorus, there is one split in the parts, to allow for the girls they wanna, wanna have fun call back. In a quartet, this line could be omitted. 

Choral Choir,Choral,SSAA Chorus - Level 2 - Digital Download SKU: A0.1494121 By Dua Lipa. By Andrew Wyatt Blakemore, Caroline Ailin, Dua Lipa, and Mark Ronson. Arranged by Rebecca (Boo) de Bruin. A Cappella,Barbershop,Disco,Pop. 8 pages. Rebecca de Bruin #1070731. Published by Rebecca de Bruin (A0.1494121). Dance the Night is a disco / synth-pop song by Dua Lipa from the soundtrack to the 2023 movie, Barbie. It was co-written with Caroline Ailin, Andrew Wyatt and Mark Ronson, with the Picard Brothers also contributing to production. It is inspired by a dance sequence in the movie, and is about always trying to appear perfect.Arranged in 2024 by Rebecca (Boo) de Bruin. 8 pages for Sweet Adelines (ladies' barbershop) quartet. (Tenor, lead, baritone, bass are roughly equivalent to SSAA). Please note: in keeping with normal barbershop practice, an octave-shifted bass clef is used for the baritone and bass parts (roughly equivalent to alto 1 and alto 2).Vocal ranges are:Tenor (S1): F#4 - D5 (F# above middle C to D above high C)Lead (S2): A3 - B4 (A below middle C to B above middle C). Baritone (A1): B3 - A5 (B below middle C to A above middle C)Bass: D3 - F#4 (D below middle C to F# above middle C). NB the only low D is sung in octaves with the higher parts, and the bass could sing in unison. Alternatively, the entire arrangement sits quite low and could easily be pitched up.

Choral Choir (SSAA) - Level 4 - Digital Download SKU: A0.1111174 By Neil Sedaka. By Neil Sedaka. Arranged by Rebecca (Boo) de Bruin. A Cappella,Barbershop,Contemporary,Pop. Octavo. 11 pages. Rebecca de Bruin #713452. Published by Rebecca de Bruin (A0.1111174). Words and Music by Neil Sedaka in 1972. Arranged in 2022 by Boo de Bruin. 11 pages for Sweet Adelines (ladies' barbershop) chorus. (Tenor, lead, baritone, bass are roughly equivalent to SSAA, although lead and baritone have similar ranges, but perform different functions). That's when the music takes me is taken from Neil Sedaka's Solitaire LP. The song was notable as it was one of the only songs for which Sedaka wrote the lyrics in addition to the music. He often finishes his song using the song. (The ending of the arrangement is inspired by how he performs the song live, rather than the recording edit). It reached #18 on the UK singles chart, #27 on the US Billboard Hot 100, and #7 on the US Billboard Easy Listening chart. This arrangement was written for a barbershop chorus, and as such the lowest voice part has a lower range than is custom for choral SSAA writing. The melody sits with the lead for the vast majority of the song, but with the bass part taking a few of the lowest notes. Please note: in keeping with normal barbershop practice the men's barbershop voicing names are used (tenor, lead, baritone and bass) and an octave-shifted bass clef is used for the baritone and bass parts. Vocal ranges are: Tenor: D4 - G5 (D above middle C to G above high C) Lead: B3 - D5 (B below middle C to D above high C) Baritone: G3 - C5 (G below middle C to D above high C) Bass: D3 - D4 (D below middle C to D above middle C).

Choral Choir,Choral (SSAA) - Level 3 - Digital Download SKU: A0.1349236 By Ballroom. By Alan Bergman, Billy Goldenberg, and Marilyn Bergman. Arranged by Rebecca (Boo) de Bruin. Barbershop,Broadway,Musical/Show. 4 pages. Rebecca de Bruin #933981. Published by Rebecca de Bruin (A0.1349236). Music by Billy Goldenberg and lyrics by Alan and Marilyn Bergman. Arranged in 2023 by Rebecca (Boo) de Bruin. 4 pages for Sweet Adelines (ladies' barbershop) quartet. (Tenor, lead, baritone, bass are roughly equivalent to SSAA). Please note: in keeping with normal barbershop practice, an octave-shifted bass clef is used for the baritone and bass parts (roughly equivalent to alto 1 and alto 2).Fifty Percent is a defiant ballad taken from the 1978 Tony-nominated stage musical by Jerome Kass, Billy Goldenberg and Alan and Marilyn Bergman. Having fallen for a married man, Bea sings of how she would rather have fifty percent of him, or any percent of him than all of anyone else at all. Vocal ranges are:Tenor (S1): Eb4 - F5 (Eb above middle C to F above high C)Lead (S2): Bb3 - D5 (Bb below middle C to D above high C). (Until the tag the highest note is C, and an alternative tag is included)Baritone (A1): C4 - C5 (Middle C to high C)Bass: Db3 - F4 (Db below middle C to F above middle C)NB It's entirely possible to sing this in E / F# rather than Eb / F (as my quartet does) provided you have a relatively high lead: but it makes it much harder to read!Learning tracks are available from NewVoice Studio.

Choral Choir (SSAA) - Level 2 - Digital Download SKU: A0.1087101 By Erasure. By Andy Bell and Vince Clarke. Arranged by Rebecca (Boo) de Bruin. A Cappella,Contemporary,Pop. Octavo. 13 pages. Rebecca de Bruin #691297. Published by Rebecca de Bruin (A0.1087101). Words and Music by Vince Clarke and Andy Bell in 1988. Arranged in 2021 by Boo de Bruin. 13 pages for Sweet Adelines (ladies' barbershop) chorus. (Tenor, lead, baritone, bass are roughly equivalent to SSAA, although lead and baritone have similar - in this case, identical! - ranges, but perform different functions). A Little Respect was written and recorded by English synth-pop duo Erasure, and is known as one of their signature songs. It reached #4 on the UK singles chart, #14 on the US Billboard Hot 100, and #2 on the US Hot Dance Club Songs chart. This arrangement uses words from the song in place of neutral vowels to create an early ostinato (without boring the harmony parts!) before expanding into homorhythm in verse 2. The melody is mainly in the lead part, with the final motif from the chorus passed to the tenors. In the final verse, a key change moves the melody to the basses and baritones, with the leads taking the final phrase. This arrangement was written for a barbershop chorus, and as such the lowest voice part has a lower range than is custom for choral SSAA writing. However, the range of the entire arrangement is quite narrow, and so it could be sung in a higher tessitura without undo strain on the upper voices. Please note: in keeping with normal barbershop practice the men's barbershop voicing names are used (tenor, lead, baritone and bass) and an octave-shifted bass clef is used for the baritone and bass parts. Vocal ranges are: Tenor: D4 - F5 (D above middle C to F above high C) Lead: G3 - C5 (G below middle C to high C) Baritone: G3 - C5 (G below middle C to high C) Bass: D3 - F4 (D below middle C to F above middle C).

Choral Choir (SSAA) - Level 2 - Digital Download SKU: A0.1172806 Composed by Joseph Parry. Arranged by Chandra Grover. Traditional. Octavo. 3 pages. Chandra Grover #773043. Published by Chandra Grover (A0.1172806). A Beautiful and Haunting Traditional Welsh Song - with English lyricsMyfanwy tells the tragic story of the unfulfilled love of a poor young poet for a beautiful young noblewoman who lived in Dinas Bran castle. The remains of the castle stand above the Welsh town of Llangollen and is the scene setting for the sad love story of Myfanwy. It was first published in 1875.The song has featured in many films and television programmes and has been sung by almost, if not every single Welsh male voice choir. In modern times, it is still a favourite as sung by Cerys Mathews, and Bryn Terfel and is also sung without exception at every Welsh Rugby Union international in the National Stadium, Cardiff.This arrangement for SSAA was requested by a singer in an English female vocal group. It was her Mother's favourite song. The lyrics have been translated to English although the original Welsh lyrics are shown on the last page. The melody is sung by Soprano 2.  Soprano 1 sings in harmony above the melody although joins the melody at the beginning of each verse.

Choral Choir (SSAA) - Level 5 - Digital Download SKU: A0.856207 By Mika. By Dan Warner, Jodi Marr, John Merchant, and Mika. Arranged by Liz Garnett. Dance,Pop. Octavo. 6 pages. Liz Garnett #4312139. Published by Liz Garnett (A0.856207). Mika's hit from 2007 is an exuberant (and at times petulant) critique of the way the music industry seeks out individuality and talent, then insists on working it over into safely commercial products. (Of course, that he had such success with it suggests that things aren't quite as bad as the song makes out.) But the song also works as a more general statement about everyone's personal stand against the tyranny of our peers' expectations.The original has a very rangy melody, which carries a considerable variety of vocal characterisation. The arrangement unfolds this onto the four different parts, each taking on certain aspects of the line's mercurial identity. Sharing the melody's vocal demands around does not necessarily make either the characterisation or the ranges easier, however, since it also means that every part is switching between lead and accompanying roles, at times quite quickly. So it needs generous ranges, quick-wittedness and - above all - performative swagger to carry it off.There is space for the snippets of dialogue from the original track; but whether (and how much) to use it would depend on the performance situation. My own feeling would be that the middle one ('getting angry won't solve anything') works just fine slotted in between the verses, but that the snippets at start and end would need more setting up to make sense to an audience unfamiliar with Mika's recording.N.B. This arrangement is notated in treble and bass alta (i.e. sung an octave higher than written) clefs.Vocal Ranges:Tenor: E flat 4 - F5Lead: F3 - F5Bari: G3 - C5Bass: E flat 3 - B flat 4NB - the list price includes 4 copies of the music

Choral Choir,Choral (SSAA) - Level 3 - Digital Download SKU: A0.1398246 By Crosby Stills and Nash. By Stephen Stills. Arranged by Erica Kelch-Slesnick. 20th Century,A Cappella,Barbershop,Folk,Pop. 6 pages. Erica Kelch-Slesnick #981517. Published by Erica Kelch-Slesnick (A0.1398246). This is a four-part women/treble/SSAA a cappella arrangement of the Crosby Stills and Nash favorite Helplessly Hoping.  It's written in the barbershop format, so please note that the bass clef is sung an octave above what is written.  Learning tracks are available from the arranger at EKSarrangements@gmail.com.

Choral Choir,Choral (SSAA) - Level 3 - Digital Download SKU: A0.1337793 By Boygenius. By Julien Baker, Lucy Dacus, and Phoebe Bridgers. Arranged by Joseph Knox. A Cappella,Folk,Rock,Singer/Songwriter. 13 pages. Joseph Knox #923536. Published by Joseph Knox (A0.1337793). This delicate arrangement reinterprets boygenius' breakout indie rock hit into a soft, lush choral ballad. Recommended for intermediate singers or above who want a different and emotional take on a widely known modern classic. Arranged for treble voices.Ensemble:- Soprano Soloist- Mezzo Soloist- Alto Soloist- Soprano 1+2- Mezzo 1+2- Alto 1+2.

Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.849925 By Keane. By Richard Hughes, Tim Rice-Oxley, and Tom Chaplin. Arranged by Sam Hubbard. Film/TV. Octavo. 6 pages. Sam Hubbard #6616279. Published by Sam Hubbard (A0.849925). This is a barbershop arrangement written for SSAA ensembles. Note that the traditional barbershop part names (Tenor, Lead, Baritone & Bass) are used, despite the SSAA ranges.Duration c.4:10.Originally arranged for The Red Rosettes.Visit https://www.facebook.com/SamHubbardVocalArrangements/ for more information.The audio sample is an excerpt from a set of learning tracks produced by me. Get in touch via email or Facebook page (above) to go about purchasing them.

Choral Choir,Choral,SSAA Chorus - Level 3 - Digital Download SKU: A0.1417372 By A Great Big World. By Chad Vaccarino and Ian Axel. Arranged by Gloria Price Moser. A Cappella,Barbershop,Comedy,Pop. 10 pages. Gloria Price Moser #998906. Published by Gloria Price Moser (A0.1417372). Originally arranged for Take Note!, the select a cappella ensemble of the Denver Women's Chorus, a GALA member chorus. This piece is for SSAA a cappella ensembles with two to four solo opportunities. This quick, bright, cheeky song is perfect for most age groups and skill levels intermediate and above.

SSAA chorus and percussion - Digital Download SKU: BJ.1144 Composed by Susanna Lindmark. Secular, Folk. Octavo. 12 pages. Bo Ejeby Forlag - Digital #1144. Published by Bo Ejeby Forlag - Digital (BJ.1144). 8.27 x 11.7 inches.A playful song that takes inspiration from the light from places above the Arctic Circle. From a more meditative intro the piece evolves to a majestic and rhythmic soundscape. A solo part is based on a traditional Scandinavian kind of herding call (kulning). Song composed for the vocal ensemble Arctic Light.