Choral Choir,Choral (SSAA) - Level 3 - Digital Download SKU: A0.1396982 By Simon And Garfunkel. By Paul Simon. Arranged by Elise Letourneau. Folk,Pop,Rock,Singer/Songwriter. 12 pages. Elise Letourneau #980323. Published by Elise Letourneau (A0.1396982). As sung by Vox Eclectica Women's Choir. Stirring SSAA arrangement of the poignant song composed by Paul Simon, recorded by Simon and Garfunkel on their debut studio album . Rich harmonies, with lines carefully considered for approachability. Five-stave system with chord symbols and optional bass line. 12 pages. Duration about 4:25. Programming themes include: sparrows, birds, nature, human nature, refugees, Earth, good global citizenshipElise Letourneau is a multiple award-winning composer, and an accomplished songwriter, multi-instrumentalist performer, arranger, producer, choir director, and educator. Her compositions and arrangements have been performed around the globe. www.eliseletourneau.com

Choral Choir (SSAA) - Level 2 - Digital Download SKU: A0.1151372 By Leapy Lee. By Albert Hammond and Mike Hazelwood. Arranged by Kim Brittain. A Cappella,Barbershop,Contemporary,Pop. Octavo. 3 pages. HKB Music #751559. Published by HKB Music (A0.1151372). Originally recorded by Leapy Lee, this 4-part women's arrangement makes for a peppy and fun Valentine serenade or anytime showpiece. The catchy tune will linger in the ear.

Choral Choir,Choral (SSAA) - Level 4 - Digital Download SKU: A0.1379729 Composed by Traditional. Arranged by Karen Ivana. A Cappella,Classical,Folk. 4 pages. Karen Ivana #964429. Published by Karen Ivana (A0.1379729). The poem by Longfellow is set to the beautiful tune of the English folk song Fanny Blair. The music has a modal feel, and owes much to the early 20th century English song composers, Vaughan Williams, Butterworth and others.This arrangement is for unaccompanied four part women's choir.I also have an version for SSA choir and piano available, which is a little easier.

Choral Choir (SSAA) - Level 2 - Digital Download SKU: A0.727025 Composed by Charles H. Gabriel, Lyrics, Music, and and Civilla D. Martin. Arranged by Kay Bromert. A Cappella,Christian,Gospel,Sacred,Spiritual. Octavo. 6 pages. Kay Bromert #4728035. Published by Kay Bromert (A0.727025). Favorite old Hymn by Charles H. Gabriel and Civilla D. Martin, SSAA, A Cappella, barbershop style arrangement, three verses with melody moving to a different part for each verse, arranged in Bb Major with one key change to Eb Major, then back to Bb Major, 6 pages.

Choral Choir (SSAA) - Level 2 - Digital Download SKU: A0.727023 Composed by Charles H. Gabriel, Lyrics, and Music and Civilla D. Martin. Arranged by Kay Bromert. A Cappella,Christian,Gospel,Praise & Worship,Sacred. Octavo. 6 pages. Kay Bromert #4728033. Published by Kay Bromert (A0.727023). Favorite old Hymn by Charles H. Gabriel and Civilla D. Martin, SSAA, A Cappella, barbershop style arrangement, three verses with melody moving to a different part for each verse, arranged in Bb Major with one key change to Eb Major, then back to Bb Major, 6 pages.

Composed by Charles H. Gabriel. Arranged by Anthony Giamanco. 20th Century,Christian,Praise & Worship,Religious,Sacred. Octavo. 16 pages. Whole Tone Press #731608. Published by Whole Tone Press

Choral Choir (SSAA) - Level 5 - Digital Download SKU: A0.940780 By Dolly Parton. By Dolly Parton. Arranged by Ross Hansen. Country. Octavo. 6 pages. Hansen Music Press #4283145. Published by Hansen Music Press (A0.940780). Scored for SSAA and suitable for women's barbershop (not contestable). This arrangement is difficult and should be done in a small group for the full effect.  .

Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.948665 Composed by Ira D Sankey. Arranged by Jamie Farrow. 20th Century,Contemporary. Octavo. 9 pages. Jamie Farrow #3621845. Published by Jamie Farrow (A0.948665). A Re-arrangement of the best selling Only Remembered for TTBB with Tenor Solo, that was originally written for the Budleigh Salterton Male Voice Choir.

Voice (SSAA) - Level 4 - Digital Download SKU: A0.1044123 By Jessica Darrow. By Lin-Manuel Miranda. Arranged by CAROLE PRIETTO. A Cappella,Contemporary,Film/TV. Barbershop Quartet. 36 pages. Carole Prietto #648854. Published by Carole Prietto (A0.1044123). Megahit from Encanto, with features for bass and tenor, and all the excitement of the original. A Capella, four-part harmony, barbershop style. Arranger's website: https://caroleprietto.com.

By Jessica Darrow. By Lin- Manuel Miranda (1980-). Arranged by CAROLE PRIETTO. A Cappella, Contemporary, Film/TV. Octavo. 9 pages. Carole Prietto #648851. Published by Carole Prietto

Choral Choir (SSAA) - Level 4 - Digital Download SKU: A0.1040536 By Alan Wagstaff. By Alan Wagstaff. Arranged by Alan Wagstaff. Celtic,Folk,Irish,Traditional. Octavo. 45 pages. Alan Wagstaff #639233. Published by Alan Wagstaff (A0.1040536). 'Do As You Will' is a folksy, Celtic feel choral song arranged for SSAA -with harp, flute, fiddle, and accordion accompaniment. Its shifting tonality adds complexity. The lyric is female point of view: Do As You Will Once I had a soldier lad who swore he’d love me truly. Ah! But now those days are gone! When the battle raged he turned his heel and followed duly. I gave him the salute and soldiered on. The wind’s about the barley and the mice are in the meal, so rise up bright and early all young lasses if you would do as you will. Then I loved a farmer’s son whose trinkets were his kisses. Ah! But now those days are gone! But on the road to market he had scores of narrow misses. I tossed him out for chaff and ploughed straight on. The wind’s about the barley and the mice are in the meal, so rise up bright and early all young lasses if you would do as you will. Next I had a blacksmith who was swarthy, dark, and handsome. Ah! But now those days are gone! He stole away my store of coin and ran off with the ransom. I hope he finds the fires! I’m forging on! The wind’s about the barley and the mice are in the meal, so rise up bright and early all young lasses if you would do as you will. Jack the Tinker courted me, and he was ever willing. Ah! But now those days are gone! Everywhere he plied his trade he fell to Jack and Jilling. I rattled his old pans and wandered on. The wind’s about the barley and the mice are in the meal, so rise up bright and early all young lasses if you would do as you will. There’s no faith in any man, not even my own brother. Ah! But would those days were gone! Girls, if you but would, or can, you’d best love one another and leave them all behind and carry on! The wind’s about the barley and the mice are in the meal, so rise up bright and early all young lasses if you would do as you will.

Choral Choir (SSAA) - Level 2 - Digital Download SKU: A0.881168 By Miley Cyrus. By Robert Hazard. Arranged by Rebecca de Bruin. Film/TV. Octavo. 9 pages. Rebecca de Bruin #6497333. Published by Rebecca de Bruin (A0.881168). Words and Music by Robert Hazard. Arranged in 2013 by Boo de Bruin (nee Lewis). 9 pages for Sweet Adelines (ladies' barbershop) chorus or girls' choir. Girls just want to have fun was Cyndi Lauper's break through single as a solo artist, reaching number one in ten countries including Australia, Canada and New Zealand. It is a feminist reimagining of the 1979 song by Robert Hazard. It received Grammy nominations for Best Female Pop Vocal Performance and Record of the Year.This arrangement was written for a chorus of young women, and as such the ranges are relatively narrow. Vocal ranges are:Soprano 1: Eb4 - F#5 (Eb above middle C to F# above high C)Soprano 2: Bb3 - E5 (Bb below middle C to E above high C)Alto 1: B3 - B4 (B below middle C to B above middle C)Alto 2: F3 - G4 (F below middle C to G above middle C)For four bars in the penultimate chorus, there is one split in the parts, to allow for the girls they wanna, wanna have fun call back. In a quartet, this line could be omitted. 

Choral Choir (SSAA) - Level 2 - Digital Download SKU: A0.1087101 By Erasure. By Andy Bell and Vince Clarke. Arranged by Rebecca (Boo) de Bruin. A Cappella,Contemporary,Pop. Octavo. 13 pages. Rebecca de Bruin #691297. Published by Rebecca de Bruin (A0.1087101). Words and Music by Vince Clarke and Andy Bell in 1988. Arranged in 2021 by Boo de Bruin. 13 pages for Sweet Adelines (ladies' barbershop) chorus. (Tenor, lead, baritone, bass are roughly equivalent to SSAA, although lead and baritone have similar - in this case, identical! - ranges, but perform different functions). A Little Respect was written and recorded by English synth-pop duo Erasure, and is known as one of their signature songs. It reached #4 on the UK singles chart, #14 on the US Billboard Hot 100, and #2 on the US Hot Dance Club Songs chart. This arrangement uses words from the song in place of neutral vowels to create an early ostinato (without boring the harmony parts!) before expanding into homorhythm in verse 2. The melody is mainly in the lead part, with the final motif from the chorus passed to the tenors. In the final verse, a key change moves the melody to the basses and baritones, with the leads taking the final phrase. This arrangement was written for a barbershop chorus, and as such the lowest voice part has a lower range than is custom for choral SSAA writing. However, the range of the entire arrangement is quite narrow, and so it could be sung in a higher tessitura without undo strain on the upper voices. Please note: in keeping with normal barbershop practice the men's barbershop voicing names are used (tenor, lead, baritone and bass) and an octave-shifted bass clef is used for the baritone and bass parts. Vocal ranges are: Tenor: D4 - F5 (D above middle C to F above high C) Lead: G3 - C5 (G below middle C to high C) Baritone: G3 - C5 (G below middle C to high C) Bass: D3 - F4 (D below middle C to F above middle C).

Choral Choir (SSAA) - Level 2 - Digital Download SKU: A0.881167 By Sara Bareilles. By Sara Bareilles. Arranged by Rebecca de Bruin. Pop. Octavo. 7 pages. Rebecca de Bruin #6492785. Published by Rebecca de Bruin (A0.881167). Words and Music by Sara Bareilles. Arranged in 2020 by Boo de Bruin. 7 pages for Sweet Adelines (ladies' barbershop) quartet. (Tenor, lead, baritone, bass are roughly equivalent to SSAA).Love Song was Sara Bareilles' debut single, reaching number four in the Billboard chart. It received Grammy Award nominations for Song of the Year and Best Female Pop Vocal Performance.This arrangement was written for a barbershop quartet, and as such the lowest voice part has a lower range than is custom for choral SSAA writing. However, the range of the entire arrangement is quite narrow, and so it could be sung in a higher tessitura without undo strain on the upper voices. Please note: in keeping with normal barbershop practice the men's barbershop voicing names are used (tenor, lead, baritone and bass) and an octave-shifted bass clef is used for the baritone and bass parts. Vocal ranges are:Tenor: F4 - E5 (F above middle C to E above high C)Lead: G3 - D5 (Gb below middle C to D above high C)Baritone: B3 - A4 (B below middle C to A above middle C)Bass: D3 - G4 (D below middle C to G above middle C)