Voice (SSAA) - Level 5 - Digital Download SKU: A0.762502 By Sia. By Greg Kurstin and Sia. Arranged by Rowena Harper. A Cappella,Barbershop,Pop. Barbershop Quartet. 13 pages. Rowena Harper #5711721. Published by Rowena Harper (A0.762502). As cute as a bugs ear, this ultra-happy Christmas ditty by Sia is a true joy. Every theme seems unusually familiar, and they are presented by the lead one at a time, excepting the colour theme which is taken by the basses. The four themes are then masterfully woven together in counterpoint in the last stretch of the arrangement. The tenors have the final post whilst the leads finish their theme and the baritones noodle around them, concluding with a very jazzy, very christmassy baritone solo to polish the arrangement off. This is the perfect ear-worm for your Christmas season!Range (Lowest-Highest): Bass E-E, Baritone C-D, Lead C-D, Tenor G#-F.Key = CThis price is for a set of parts (four copies). Available also as a per copy price - minimum 10 copies.(Note: This sheet music is notated in barbershop format: Tenor (S.1) and Lead (S.2) in treble clef , Baritone (A.1) and Bass (A.2) in bass clef. The bass clef parts are sung an octave higher than written.Contact: acappellatenor@gmail.com.

Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.973284 By The Beatles. By John Lennon and Paul McCartney. Arranged by Liz Hah. A Cappella,Rock. Octavo. 5 pages. Elizabeth Hah #6266155. Published by Elizabeth Hah (A0.973284). Arranged for female voices, the basses and leads share the melody in this Beatles song. There's repetition to make learning easier plus a short scat section for fun. Range of parts (lowest to highest): Bass F - F, Baritone C - B, Lead Bb - C, Tenor F - EThis is a per copy price. Also available as a set of parts (4 copies - quartet)Note: This sheet music is notated in female barbershop format (tenors & leads in treble clef, baritones & basses in bass clef). SSAA format is also available.Learning tracks are available. Contact Liz at lizhah303@gmail.com  

Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.973291 By Linkin Park. By Brad Delson, Chester Bennington, David Farrell, Francis White, Joseph Hahn, Mike Shinoda, and Robert Bourdon. Arranged by Liz Hah. A Cappella,Metal,Rock. Octavo. 9 pages. Elizabeth Hah #6529411. Published by Elizabeth Hah (A0.973291). Arranged for female voices, the lead part sings the melody throughout this emotive song.Range of parts (lowest to highest): Bass E - F, Baritone C - C, Lead C - C, Tenor F - FThis is a per copy price. Also available as a set of parts (4 copies - quartet)Note: This sheet music is notated in SSAA format (SSA in treble clef, A2 in bass clef). Women's barbershop notation is also available (tenors & leads in treble clef, baritones & basses in bass clef).

Choral Choir (SSAA) - Level 2 - Digital Download SKU: A0.1087101 By Erasure. By Andy Bell and Vince Clarke. Arranged by Rebecca (Boo) de Bruin. A Cappella,Contemporary,Pop. Octavo. 13 pages. Rebecca de Bruin #691297. Published by Rebecca de Bruin (A0.1087101). Words and Music by Vince Clarke and Andy Bell in 1988. Arranged in 2021 by Boo de Bruin. 13 pages for Sweet Adelines (ladies' barbershop) chorus. (Tenor, lead, baritone, bass are roughly equivalent to SSAA, although lead and baritone have similar - in this case, identical! - ranges, but perform different functions). A Little Respect was written and recorded by English synth-pop duo Erasure, and is known as one of their signature songs. It reached #4 on the UK singles chart, #14 on the US Billboard Hot 100, and #2 on the US Hot Dance Club Songs chart. This arrangement uses words from the song in place of neutral vowels to create an early ostinato (without boring the harmony parts!) before expanding into homorhythm in verse 2. The melody is mainly in the lead part, with the final motif from the chorus passed to the tenors. In the final verse, a key change moves the melody to the basses and baritones, with the leads taking the final phrase. This arrangement was written for a barbershop chorus, and as such the lowest voice part has a lower range than is custom for choral SSAA writing. However, the range of the entire arrangement is quite narrow, and so it could be sung in a higher tessitura without undo strain on the upper voices. Please note: in keeping with normal barbershop practice the men's barbershop voicing names are used (tenor, lead, baritone and bass) and an octave-shifted bass clef is used for the baritone and bass parts. Vocal ranges are: Tenor: D4 - F5 (D above middle C to F above high C) Lead: G3 - C5 (G below middle C to high C) Baritone: G3 - C5 (G below middle C to high C) Bass: D3 - F4 (D below middle C to F above middle C).

Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.973293 By Linkin Park. By Brad Delson, Chester Bennington, David Farrell, Francis White, Joseph Hahn, Mike Shinoda, and Robert Bourdon. Arranged by Liz Hah. A Cappella,Metal,Rock. Octavo. 6 pages. Elizabeth Hah #6529415. Published by Elizabeth Hah (A0.973293). Arranged for female voices, the lead part sings the melody throughout this emotive song.Range of parts (lowest to highest): Bass E - F, Baritone C - C, Lead C - C, Tenor F - FThis is a per copy price. Also available as a set of parts (4 copies - quartet)Note: This sheet music is notated in female barbershop format (tenors & leads in treble clef, baritones & basses in bass clef). SSAA format is also available.

Choir, SSAA, female barbershop - Digital Download By Meghan Trainor. Arranged by Liz Garnett. 2 pages. Published by Helping You Harmonise

Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.973287 By The Beatles. By John Lennon and Paul McCartney. Arranged by Liz Hah. A Cappella,Rock. Octavo. 7 pages. Elizabeth Hah #6266191. Published by Elizabeth Hah (A0.973287). Arranged for female voices, Sop 2 and Alto 2 share the melody in this Beatles song. There's repetition to make learning easier plus a short scat section for fun.Range of parts (lowest to highest): A2 F - F, A1 C - B, S2 Bb - C, S1 F - EThis is priced for quartets (4 copies may be made). Choir pricing is in a separate listing.Note: This sheet music is notated in SSAA format (SSA in treble clef, A2 in bass clef). Women's barbershop notation is also available (tenors & leads in treble clef, baritones & basses in bass clef).Learning tracks are available. Contact Liz at lizhah303@gmail.com  .

Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.973285 By The Beatles. By John Lennon and Paul McCartney. Arranged by Liz Hah. A Cappella,Rock. Octavo. 7 pages. Elizabeth Hah #6266183. Published by Elizabeth Hah (A0.973285). Arranged for female voices, Sop 2 and Alto 2 share the melody in this Beatles song. There's repetition to make learning easier plus a short scat section for fun. Range of parts (lowest to highest): A2 F - F, A1 C - B, S2 Bb - C, S1 F - EThis is a per copy price. Also available as a set of parts (4 copies - quartet)Note: This sheet music is notated in SSAA format (SSA in treble clef, A2 in bass clef). Women's barbershop notation is also available (tenors & leads in treble clef, baritones & basses in bass clef).Learning tracks are available. Contact Liz at lizhah303@gmail.com  .

Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.973289 By Linkin Park. By Brad Delson, Chester Bennington, David Farrell, Francis White, Joseph Hahn, Mike Shinoda, and Robert Bourdon. Arranged by Liz Hah. A Cappella,Metal,Rock. Octavo. 9 pages. Elizabeth Hah #6529407. Published by Elizabeth Hah (A0.973289). Arranged for female voices, S2 has the melody throughout this emotive Linkin Park song.Range of parts (lowest to highest): A2 E - F, A1 C - C, S2 C - C, S1 F - FThis is priced for quartets (4 copies may be made). Choir pricing is in a separate listing.Note: This sheet music is notated in SSAA format (SSA in treble clef, A2 in bass clef). Women's barbershop notation is also available (tenors & leads in treble clef, baritones & basses in bass clef).

Choral Choir (SSAA) - Level 5 - Digital Download SKU: A0.762491 By Elle King. By Dave Bassett and Tanner Schneider. Arranged by Rowena Harper. A Cappella,Barbershop,Pop. Octavo. 9 pages. Rowena Harper #4330565. Published by Rowena Harper (A0.762491). A challenging rhythmic arrangement with some fun characterisation and comical lyrics discussing Elle King's previous lovers!  Where the guitar lead would do a solo / lead break, in this arrangement the baritone sings a cameo with her own contribution to the list of lovers adding further comic appeal to the song.  This cameo also includes some four part triplets that have real attitude, however this section could also be easily cut out to suit the performers, instead going directly to the chorus.  Purchasing allows printing of one copy, and one copy per singer is required.Range (Lowest-Highest): Bass E-E, Baritone B-B, Lead B-B, Tenor G-G.The price is for a set of parts (four copies).  Also available priced at the large ensemble rate - see my other listings.(Note: This sheet music is notated in barbershop format: Tenor (S.1) and Lead (S.2) in treble clef , Baritone (A.1) and Bass (A.2) in bass clef. The Bass clef parts are sung an octave higher than written.) Contact: acappellatenor@gmail.com or on FB Rowena Harper Arrangements.

Choral Choir,Choral (SSAA) - Level 3 - Digital Download SKU: A0.1213616 By Crowded House. By Neil Finn. Arranged by Rowena Harper. A Cappella,Barbershop,Contemporary,Pop. 8 pages. Rowena Harper #810810. Published by Rowena Harper (A0.1213616). This arrangement is inspired by Stan Walker's very special rendition of this classic Crowded House song.  You can hear the accoustic guitar rhythms and the rich harmonies of Stan's backup singers replicated in this arrangement, as well as Te Reo Maori - a welcome twist to the original song, now arranged in a barbershop / a cappella style.Range (Lowest-Highest): Bass D3-F#4 (with alternative options for higher basses - E4 lowest), Baritone B3-C#5, Lead C#4-C#5, Tenor G4-E5. Key = A.This is a a per copy price - minimum 10 copies. Also available as a set of parts (four copies).  Purchasing allows printing of one copy, and one copy per singer is required. (Note: This sheet music is notated in barbershop format: Tenor (S.1) and Lead (S.2) in treble clef, Baritone (A.1) and Bass (A.2) in bass clef. The bass clef parts are sung an octave higher than written. Please contact the arranger if you require a strict SSAA format.) Contact: acappellatenor@gmail.com

Choral Choir (SSAA) - Level 2 - Digital Download SKU: A0.928363 By Andy Grammer. By Andy Grammer and Nolan Sipe. Arranged by Thomas J. West. A Cappella,Barbershop,Country. Octavo. 15 pages. Thomas J. West #5871579. Published by Thomas J. West (A0.928363). This SSAA a cappella arrangement of Andy Grammar's hit song was originally commissioned for an American treble voices barbershop quartet to expand their repertoire past the traditional barbershop homophonic style. It features a contemporary a cappella approach to the backgrounds that is still palatable by the avid barbershopper. Also a great piece to showcase your strong treble singers in a high school choral program. The word sass can be substituted in measure 69 to make the lyrics appropriate for a high school setting. Parts are labeled in traditional barbershop style (tenor, lead, baritone, bass) but apply to the SSAA vocal ranges using the standard barbershop clefs (bass clef for alto parts). The bass part range is from F3 to F4. Tenor part range is from D4 to F5. www.thomasjwestmusic.com .

Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.928361 By Sheppard. By Amy Louise Sheppard, George Josef Sheppard, and Jason Bovino. Arranged by Thomas J. West. A Cappella,Pop. Octavo. 14 pages. Thomas J. West #5869349. Published by Thomas J. West (A0.928361). This SSAA a cappella arrangement of the hit song by Australian band Sheppard was originally commissioned for an American treble voices barbershop quartet to expand their repertoire past the traditional barbershop homophonic style. The arrangement features a contemporary a cappella approach to the backgrounds that is still palatable by the avid barbershopper. Also a great piece to showcase your strong treble singers in a high school choral program. Parts are labeled in traditional barbershop style (tenor, lead, baritone, bass) but apply to the SSAA vocal ranges using the standard barbershop clefs (bass clef for alto parts). The bass part range is from E3 to G4. Tenor part range is from D4 to E5. www.thomasjwestmusic.com .

Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.928358 By The Temptations. By Barrett Strong and Norman Whitfield. Arranged by Thomas J. West. A Cappella,Hip-Hop,R & B. Octavo. 11 pages. Thomas J. West #5801575. Published by Thomas J. West (A0.928358). This SSAA a cappella arrangement of The Temptations classic was originally commissioned for an American treble voices barbershop quartet to expand their repertoire past the traditional barbershop homophonic style. It features lead lines for all four singers reminiscent of the original Temptations recording, with a contemporary a cappella approach to the backgrounds that is still palatable by the avid barbershopper. Also a great piece to showcase your strong treble singers in a high school choral program. Parts are labeled in traditional barbershop style (tenor, lead, baritone, bass) but apply to the SSAA vocal ranges using the standard barbershop clefs (bass clef for alto parts). The bass part range is from D3 to F4. Tenor part range is from D4 to A5. www.thomasjwestmusic.com .

Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.928368 By Adele. By Adele Adkins and Tobias Jesso Jr. Arranged by Thomas J. West. A Cappella,Hip-Hop,Pop,R & B. Octavo. 16 pages. Thomas J. West #5896795. Published by Thomas J. West (A0.928368). This arrangement of one of Adele's chart-topping hits was originally commissioned by a treble voices barbershop chorus. It features a soprano lead vocal over a full SSAA chorus. The choral parts are written with a contemporary a cappella approach to the backgrounds that is still palatable by the avid barbershopper. Also a great piece to showcase your strong treble singers in a high school choral program. Parts are labeled in traditional barbershop style (tenor, lead, baritone, bass) but apply to the SSAA vocal ranges using the standard barbershop clefs (bass clef for alto parts). The bass part range is from Eb3 to Eb4. Tenor part range is from Eb4 to D5. www.thomasjwestmusic.com