Choral Choir (SSAA) - Level 4 - Digital Download SKU: A0.815425 By Christina Aguilera & Beverly Mcclellan. By Linda Perry. Arranged by Heather Lane. A Cappella,Contemporary,Dance,Pop. Octavo. 8 pages. Heather Lane #4830807. Published by Heather Lane (A0.815425). A 5 part a capella arrangement suitable for the voice ranges of a Ladies Barbershop Chorus. The bass part is split into High and Low Bass, and I'd suggest a combination of higher bass and lower baritone voices for the high bass part. Teach tracks are available from Hannah Braham

Choral Choir,Choral (SSAA) - Level 3 - Digital Download SKU: A0.941930 By Styx. By Dennis Deyoung. Arranged by Cris Conerty. A Cappella,Barbershop,Contemporary,Pop,Rock. 6 pages. Cris Conerty #5728763. Published by Cris Conerty (A0.941930). This arrangement stays true to STYX's iconic anthem about maintaining faith and hope amidst adversity and inhumanity - still relevant today. 4 min. in length, but easy to learn with repeating musical phrases. Imagine your bass section belting out their feature at the bridge: And if I see a light, will I believe? Tell me, how will I know?! The counterpoint between parts during the repeated chorus sections are fun and breaths have been built in so no one needs to run out of air!  Tenors will love their melody moments and the baritone voice leading brings ease and flow to their part. This song could be the focal point fo your next show!

Choral Choir (SSAA) - Level 2 - Digital Download SKU: A0.1087101 By Erasure. By Andy Bell and Vince Clarke. Arranged by Rebecca (Boo) de Bruin. A Cappella,Contemporary,Pop. Octavo. 13 pages. Rebecca de Bruin #691297. Published by Rebecca de Bruin (A0.1087101). Words and Music by Vince Clarke and Andy Bell in 1988. Arranged in 2021 by Boo de Bruin. 13 pages for Sweet Adelines (ladies' barbershop) chorus. (Tenor, lead, baritone, bass are roughly equivalent to SSAA, although lead and baritone have similar - in this case, identical! - ranges, but perform different functions). A Little Respect was written and recorded by English synth-pop duo Erasure, and is known as one of their signature songs. It reached #4 on the UK singles chart, #14 on the US Billboard Hot 100, and #2 on the US Hot Dance Club Songs chart. This arrangement uses words from the song in place of neutral vowels to create an early ostinato (without boring the harmony parts!) before expanding into homorhythm in verse 2. The melody is mainly in the lead part, with the final motif from the chorus passed to the tenors. In the final verse, a key change moves the melody to the basses and baritones, with the leads taking the final phrase. This arrangement was written for a barbershop chorus, and as such the lowest voice part has a lower range than is custom for choral SSAA writing. However, the range of the entire arrangement is quite narrow, and so it could be sung in a higher tessitura without undo strain on the upper voices. Please note: in keeping with normal barbershop practice the men's barbershop voicing names are used (tenor, lead, baritone and bass) and an octave-shifted bass clef is used for the baritone and bass parts. Vocal ranges are: Tenor: D4 - F5 (D above middle C to F above high C) Lead: G3 - C5 (G below middle C to high C) Baritone: G3 - C5 (G below middle C to high C) Bass: D3 - F4 (D below middle C to F above middle C).

Voice, Choir, Women's Barbershop - Intermediate - Digital Download By Carole King. Arranged by Sam Hubbard. Score. 8 pages. Published by Sam Hubbard

Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.874718 By Garth Brooks. By Garth Brooks and Victoria Shaw. Arranged by June Berg, MMA. A Cappella,Country. Octavo. 6 pages. June Berg #3532683. Published by June Berg (A0.874718). A Cappella voiced for women.  Parts are tenor, lead, baritone and bass, in the barbershop style.  Baritone and bass voices are sung one octave higher than written.  Lead solo on first verse, with percussion provided by other 3 voices.  Fun Garth Brooks song!

Choral Choir (SSAA) - Level 4 - Digital Download SKU: A0.874732 By Amy Grant. By David Babyface Foster and Linda Thompson-Jenner. Arranged by June Berg, MMA. A Cappella,Contemporary. Octavo. 5 pages. June Berg #4745409. Published by June Berg (A0.874732). This arrangement is voiced for women's voices, A Cappella.  The parts are Tenor, Lead, Baritone and Bass ( or SSAA).  It is arranged in the barbershop style; i.e. Melody is in the second voice.

Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.973291 By Linkin Park. By Brad Delson, Chester Bennington, David Farrell, Francis White, Joseph Hahn, Mike Shinoda, and Robert Bourdon. Arranged by Liz Hah. A Cappella,Metal,Rock. Octavo. 9 pages. Elizabeth Hah #6529411. Published by Elizabeth Hah (A0.973291). Arranged for female voices, the lead part sings the melody throughout this emotive song.Range of parts (lowest to highest): Bass E - F, Baritone C - C, Lead C - C, Tenor F - FThis is a per copy price. Also available as a set of parts (4 copies - quartet)Note: This sheet music is notated in SSAA format (SSA in treble clef, A2 in bass clef). Women's barbershop notation is also available (tenors & leads in treble clef, baritones & basses in bass clef).

Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.973284 By The Beatles. By John Lennon and Paul McCartney. Arranged by Liz Hah. A Cappella,Rock. Octavo. 5 pages. Elizabeth Hah #6266155. Published by Elizabeth Hah (A0.973284). Arranged for female voices, the basses and leads share the melody in this Beatles song. There's repetition to make learning easier plus a short scat section for fun. Range of parts (lowest to highest): Bass F - F, Baritone C - B, Lead Bb - C, Tenor F - EThis is a per copy price. Also available as a set of parts (4 copies - quartet)Note: This sheet music is notated in female barbershop format (tenors & leads in treble clef, baritones & basses in bass clef). SSAA format is also available.Learning tracks are available. Contact Liz at lizhah303@gmail.com  

Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.973293 By Linkin Park. By Brad Delson, Chester Bennington, David Farrell, Francis White, Joseph Hahn, Mike Shinoda, and Robert Bourdon. Arranged by Liz Hah. A Cappella,Metal,Rock. Octavo. 6 pages. Elizabeth Hah #6529415. Published by Elizabeth Hah (A0.973293). Arranged for female voices, the lead part sings the melody throughout this emotive song.Range of parts (lowest to highest): Bass E - F, Baritone C - C, Lead C - C, Tenor F - FThis is a per copy price. Also available as a set of parts (4 copies - quartet)Note: This sheet music is notated in female barbershop format (tenors & leads in treble clef, baritones & basses in bass clef). SSAA format is also available.

Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.874730 By Louis Armstrong. By Steve Allen. Arranged by June Berg, MMA. A Cappella,Jazz. Octavo. 3 pages. June Berg #4626799. Published by June Berg (A0.874730). Voiced for Tenor, Lead, Baritone, and Bass in the barbershop style.  For women's voices, SSAA.  Bass clef is sung one octave higher for ease of reading.  To be sung A Cappella.  Jazzy and Fun!

Voice (SSAA) - Level 5 - Digital Download SKU: A0.762502 By Sia. By Greg Kurstin and Sia. Arranged by Rowena Harper. A Cappella,Barbershop,Pop. Barbershop Quartet. 13 pages. Rowena Harper #5711721. Published by Rowena Harper (A0.762502). As cute as a bugs ear, this ultra-happy Christmas ditty by Sia is a true joy. Every theme seems unusually familiar, and they are presented by the lead one at a time, excepting the colour theme which is taken by the basses. The four themes are then masterfully woven together in counterpoint in the last stretch of the arrangement. The tenors have the final post whilst the leads finish their theme and the baritones noodle around them, concluding with a very jazzy, very christmassy baritone solo to polish the arrangement off. This is the perfect ear-worm for your Christmas season!Range (Lowest-Highest): Bass E-E, Baritone C-D, Lead C-D, Tenor G#-F.Key = CThis price is for a set of parts (four copies). Available also as a per copy price - minimum 10 copies.(Note: This sheet music is notated in barbershop format: Tenor (S.1) and Lead (S.2) in treble clef , Baritone (A.1) and Bass (A.2) in bass clef. The bass clef parts are sung an octave higher than written.Contact: acappellatenor@gmail.com.

Choral Choir,Choral (SSAA) - Level 3 - Digital Download SKU: A0.1349236 By Ballroom. By Alan Bergman, Billy Goldenberg, and Marilyn Bergman. Arranged by Rebecca (Boo) de Bruin. Barbershop,Broadway,Musical/Show. 4 pages. Rebecca de Bruin #933981. Published by Rebecca de Bruin (A0.1349236). Music by Billy Goldenberg and lyrics by Alan and Marilyn Bergman. Arranged in 2023 by Rebecca (Boo) de Bruin. 4 pages for Sweet Adelines (ladies' barbershop) quartet. (Tenor, lead, baritone, bass are roughly equivalent to SSAA). Please note: in keeping with normal barbershop practice, an octave-shifted bass clef is used for the baritone and bass parts (roughly equivalent to alto 1 and alto 2).Fifty Percent is a defiant ballad taken from the 1978 Tony-nominated stage musical by Jerome Kass, Billy Goldenberg and Alan and Marilyn Bergman. Having fallen for a married man, Bea sings of how she would rather have fifty percent of him, or any percent of him than all of anyone else at all. Vocal ranges are:Tenor (S1): Eb4 - F5 (Eb above middle C to F above high C)Lead (S2): Bb3 - D5 (Bb below middle C to D above high C). (Until the tag the highest note is C, and an alternative tag is included)Baritone (A1): C4 - C5 (Middle C to high C)Bass: Db3 - F4 (Db below middle C to F above middle C)NB It's entirely possible to sing this in E / F# rather than Eb / F (as my quartet does) provided you have a relatively high lead: but it makes it much harder to read!Learning tracks are available from NewVoice Studio.

Choral Choir (SSAA) - Level 2 - Digital Download SKU: A0.871451 By Adele. By Adele Adkins, Adele Laurie Adkins, Daniel Dodd Wilson, Ryan B Tedder, and Ryan Tedder. Arranged by Hannah Wickham. Pop,R & B. Octavo. 4 pages. Hannah Wickham #5003779. Published by Hannah Wickham (A0.871451). Suitable for any upper voice choir - a simple, stylised arrangement. Repetitive enough for younger choirs, but some challenging contrapuntal rhythms to work on. Voiced for Tenor, Lead, Baritone, Bass, but fine for SSAA choirs.Approx performance time: 2:10Difficulty: Early IntermediateClean?: YesRange: S1 G4-F5 (once), S2 F4-C5 (tune), A1 C4-A4, A2 F3-F4

Choral Choir (SSAA) - Level 2 - Digital Download SKU: A0.874721 Composed by R. Risher Boyce. Arranged by June Berg, MMA. Contemporary. Octavo. 2 pages. June Berg #3621913. Published by June Berg (A0.874721). Christmas arrangement voiced for women's barbershop quartet.  Parts are Tenor, Lead, Baritone, Bass.  Bass clef is sung one octave higher than written for ease of reading.  This arrangement includes a verse with bass solo/melody.  Bass voice moves to low D and C in two spots.  Otherwise, the ranges are approachable.  .

Voice (SSAA) - Level 1 - Digital Download SKU: A0.1089761 Composed by Irving Berlin. Arranged by Dawn Haggerty. 20th Century,A Cappella,Barbershop,Contest,Festival,Jazz. Barbershop Quartet. 4 pages. Dawn Haggerty #693971. Published by Dawn Haggerty (A0.1089761). 4 part contestable barbershop arrangement of this Irving Berlin Classic voiced for SSAA A cappella 4 part Notated in traditional barbershop style -- Treble clef for Tenor (Soprano 1-harmony part) and Lead (Soprano 2-melody); Octave Bass Clef for Baritone (Alto 1) and Bass (Alto 2). Bass clef parts are sung an octave higher than written. Purchase is for 4 (four) copies.