Choral Choir (SSAA) - Level 1 - Digital Download SKU: A0.884221 By Phil Collins. By Billy Steinberg and Tom Kelly. Arranged by Jenny Harris. A Cappella,Film/TV. Octavo. 4 pages. Jenny Harris #6056479. Published by Jenny Harris (A0.884221). This beautiful adaptation features true-to-original chords and stylings for four women's voices, and honors the original beauty of the Cyndi Lauper version. Arranged for women's barbershop singers, with melody in the second line.  Women's Barbershop, a cappella, SSAAThis arrangement is noted for Women's Barbershop.    If using for Women's SSAA a cappella group, then assign voice parts as follows:   Soprano 1 = Barbershop TenorSoprano 2 = Barbershop LeadAlto 1 = Barbershop BaritoneAlto 2 = Barbershop BassBass and Baritone parts are notated on the Bass clef.   Women's Bass and Baritone sing one octave higher than notated.The purchase price entitles you to make four copies of the work, as it has four parts.  Purchase more sets of four copies as needed to cover the size of a larger ensemble. 

Choir, SSAA, female barbershop - Digital Download By Meghan Trainor. Arranged by Liz Garnett. 2 pages. Published by Helping You Harmonise

Choral Choir (SSAA) - Level 2 - Digital Download SKU: A0.1087101 By Erasure. By Andy Bell and Vince Clarke. Arranged by Rebecca (Boo) de Bruin. A Cappella,Contemporary,Pop. Octavo. 13 pages. Rebecca de Bruin #691297. Published by Rebecca de Bruin (A0.1087101). Words and Music by Vince Clarke and Andy Bell in 1988. Arranged in 2021 by Boo de Bruin. 13 pages for Sweet Adelines (ladies' barbershop) chorus. (Tenor, lead, baritone, bass are roughly equivalent to SSAA, although lead and baritone have similar - in this case, identical! - ranges, but perform different functions). A Little Respect was written and recorded by English synth-pop duo Erasure, and is known as one of their signature songs. It reached #4 on the UK singles chart, #14 on the US Billboard Hot 100, and #2 on the US Hot Dance Club Songs chart. This arrangement uses words from the song in place of neutral vowels to create an early ostinato (without boring the harmony parts!) before expanding into homorhythm in verse 2. The melody is mainly in the lead part, with the final motif from the chorus passed to the tenors. In the final verse, a key change moves the melody to the basses and baritones, with the leads taking the final phrase. This arrangement was written for a barbershop chorus, and as such the lowest voice part has a lower range than is custom for choral SSAA writing. However, the range of the entire arrangement is quite narrow, and so it could be sung in a higher tessitura without undo strain on the upper voices. Please note: in keeping with normal barbershop practice the men's barbershop voicing names are used (tenor, lead, baritone and bass) and an octave-shifted bass clef is used for the baritone and bass parts. Vocal ranges are: Tenor: D4 - F5 (D above middle C to F above high C) Lead: G3 - C5 (G below middle C to high C) Baritone: G3 - C5 (G below middle C to high C) Bass: D3 - F4 (D below middle C to F above middle C).

Voice (SSAA) - Level 5 - Digital Download SKU: A0.762502 By Sia. By Greg Kurstin and Sia. Arranged by Rowena Harper. A Cappella,Barbershop,Pop. Barbershop Quartet. 13 pages. Rowena Harper #5711721. Published by Rowena Harper (A0.762502). As cute as a bugs ear, this ultra-happy Christmas ditty by Sia is a true joy. Every theme seems unusually familiar, and they are presented by the lead one at a time, excepting the colour theme which is taken by the basses. The four themes are then masterfully woven together in counterpoint in the last stretch of the arrangement. The tenors have the final post whilst the leads finish their theme and the baritones noodle around them, concluding with a very jazzy, very christmassy baritone solo to polish the arrangement off. This is the perfect ear-worm for your Christmas season!Range (Lowest-Highest): Bass E-E, Baritone C-D, Lead C-D, Tenor G#-F.Key = CThis price is for a set of parts (four copies). Available also as a per copy price - minimum 10 copies.(Note: This sheet music is notated in barbershop format: Tenor (S.1) and Lead (S.2) in treble clef , Baritone (A.1) and Bass (A.2) in bass clef. The bass clef parts are sung an octave higher than written.Contact: acappellatenor@gmail.com.

Choral Choir (SSAA) - Level 2 - Digital Download SKU: A0.871451 By Adele. By Adele Adkins, Adele Laurie Adkins, Daniel Dodd Wilson, Ryan B Tedder, and Ryan Tedder. Arranged by Hannah Wickham. Pop,R & B. Octavo. 4 pages. Hannah Wickham #5003779. Published by Hannah Wickham (A0.871451). Suitable for any upper voice choir - a simple, stylised arrangement. Repetitive enough for younger choirs, but some challenging contrapuntal rhythms to work on. Voiced for Tenor, Lead, Baritone, Bass, but fine for SSAA choirs.Approx performance time: 2:10Difficulty: Early IntermediateClean?: YesRange: S1 G4-F5 (once), S2 F4-C5 (tune), A1 C4-A4, A2 F3-F4

Choral Choir (SSAA) - Level 2 - Digital Download SKU: A0.874721 Composed by R. Risher Boyce. Arranged by June Berg, MMA. Contemporary. Octavo. 2 pages. June Berg #3621913. Published by June Berg (A0.874721). Christmas arrangement voiced for women's barbershop quartet.  Parts are Tenor, Lead, Baritone, Bass.  Bass clef is sung one octave higher than written for ease of reading.  This arrangement includes a verse with bass solo/melody.  Bass voice moves to low D and C in two spots.  Otherwise, the ranges are approachable.  .

Voice (SSAA) - Level 1 - Digital Download SKU: A0.1089761 Composed by Irving Berlin. Arranged by Dawn Haggerty. 20th Century,A Cappella,Barbershop,Contest,Festival,Jazz. Barbershop Quartet. 4 pages. Dawn Haggerty #693971. Published by Dawn Haggerty (A0.1089761). 4 part contestable barbershop arrangement of this Irving Berlin Classic voiced for SSAA A cappella 4 part Notated in traditional barbershop style -- Treble clef for Tenor (Soprano 1-harmony part) and Lead (Soprano 2-melody); Octave Bass Clef for Baritone (Alto 1) and Bass (Alto 2). Bass clef parts are sung an octave higher than written. Purchase is for 4 (four) copies.

Choral Choir,Choral (SSAA) - Level 3 - Digital Download SKU: A0.1349236 By Ballroom. By Alan Bergman, Billy Goldenberg, and Marilyn Bergman. Arranged by Rebecca (Boo) de Bruin. Barbershop,Broadway,Musical/Show. 4 pages. Rebecca de Bruin #933981. Published by Rebecca de Bruin (A0.1349236). Music by Billy Goldenberg and lyrics by Alan and Marilyn Bergman. Arranged in 2023 by Rebecca (Boo) de Bruin. 4 pages for Sweet Adelines (ladies' barbershop) quartet. (Tenor, lead, baritone, bass are roughly equivalent to SSAA). Please note: in keeping with normal barbershop practice, an octave-shifted bass clef is used for the baritone and bass parts (roughly equivalent to alto 1 and alto 2).Fifty Percent is a defiant ballad taken from the 1978 Tony-nominated stage musical by Jerome Kass, Billy Goldenberg and Alan and Marilyn Bergman. Having fallen for a married man, Bea sings of how she would rather have fifty percent of him, or any percent of him than all of anyone else at all. Vocal ranges are:Tenor (S1): Eb4 - F5 (Eb above middle C to F above high C)Lead (S2): Bb3 - D5 (Bb below middle C to D above high C). (Until the tag the highest note is C, and an alternative tag is included)Baritone (A1): C4 - C5 (Middle C to high C)Bass: Db3 - F4 (Db below middle C to F above middle C)NB It's entirely possible to sing this in E / F# rather than Eb / F (as my quartet does) provided you have a relatively high lead: but it makes it much harder to read!Learning tracks are available from NewVoice Studio.

Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.1033962 By Elton John. By Bernie Taupin and Elton John. Arranged by Rowena Harper. A Cappella,Barbershop,Pop,Rock. Octavo. 8 pages. Rowena Harper #639280. Published by Rowena Harper (A0.1033962). Rock and roll meets a cappella with this fun party piece that utilises standard rock and roll motives to bring it to life - piano vamping, bass solos and horn riffs... all arranged in four part harmony! Notated in barbershop format, this a cappella arrangement is 100% Elton John - just no piano! Purchasing allows printing of one copy, and one copy per singer is required. Range (Lowest-Highest): Bass Eb3-F4, Baritone Bb3-A4, Lead C4-Eb5, Tenor G4-G5. Key = Eb (Note: This sheet music is notated in barbershop format: Tenor (S.1) and Lead (S.2) in treble clef , Baritone (A.1) and Bass (A.2) in bass clef. The bass clef parts are sung an octave higher than written. Please request SSAA by email if you require this clef format. Contact: acappellatenor@gmail.com Note that newvoice.studio learning yracks are a semitone higher than this sheet music.

Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.973287 By The Beatles. By John Lennon and Paul McCartney. Arranged by Liz Hah. A Cappella,Rock. Octavo. 7 pages. Elizabeth Hah #6266191. Published by Elizabeth Hah (A0.973287). Arranged for female voices, Sop 2 and Alto 2 share the melody in this Beatles song. There's repetition to make learning easier plus a short scat section for fun.Range of parts (lowest to highest): A2 F - F, A1 C - B, S2 Bb - C, S1 F - EThis is priced for quartets (4 copies may be made). Choir pricing is in a separate listing.Note: This sheet music is notated in SSAA format (SSA in treble clef, A2 in bass clef). Women's barbershop notation is also available (tenors & leads in treble clef, baritones & basses in bass clef).Learning tracks are available. Contact Liz at lizhah303@gmail.com  .

Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.973285 By The Beatles. By John Lennon and Paul McCartney. Arranged by Liz Hah. A Cappella,Rock. Octavo. 7 pages. Elizabeth Hah #6266183. Published by Elizabeth Hah (A0.973285). Arranged for female voices, Sop 2 and Alto 2 share the melody in this Beatles song. There's repetition to make learning easier plus a short scat section for fun. Range of parts (lowest to highest): A2 F - F, A1 C - B, S2 Bb - C, S1 F - EThis is a per copy price. Also available as a set of parts (4 copies - quartet)Note: This sheet music is notated in SSAA format (SSA in treble clef, A2 in bass clef). Women's barbershop notation is also available (tenors & leads in treble clef, baritones & basses in bass clef).Learning tracks are available. Contact Liz at lizhah303@gmail.com  .

Choral Choir (SSAA) - Level 2 - Digital Download SKU: A0.1089760 Composed by Irving Berlin. Arranged by Dawn Haggerty. 20th Century,A Cappella,Contest,Festival,Jazz. Octavo. 4 pages. Dawn Haggerty #693968. Published by Dawn Haggerty (A0.1089760). 4 part contestable barbershop arrangement of this Irving Berlin Classic voiced for SSAA Notated in traditional barbershop style -- Treble clef for Tenor (Soprano 1-harmony part) and Lead (Soprano 2-melody); Octave Bass Clef for Baritone (Alto 1) and Bass (Alto 2). Bass clef parts are sung an octave higher than written.

Voice (SSAA) - Level 3 - Digital Download SKU: A0.1322521 By Bette Midler. By Cole Porter. Arranged by Sheryl Neal. 20th Century,A Cappella,Barbershop,Broadway,Musical/Show. Barbershop Quartet. 4 pages. Sheryl Neal #910821. Published by Sheryl Neal (A0.1322521). Voice, Choir, SSAA, a cappella, barbershop, for women's barbershop harmony. Sassy Cole Porter song, arranged for higher voices, barbershop style. Purchase of this quartet version includes permission to print four copies. (Also available in chorus version with a 10 copy minimum).Notated in barbershop format: Tenor (S.1) and Lead (S.2) in treble clef; Baritone (A.1) and Bass (A.2) in bass clef; bass clef parts sung an octave higher than written. Also available on the following website--Arranger's website: www.arrangementsbysheryl.comSheryl Neal is an a cappella arranger, pianist and singer. Sheryl has been a member of Sweet Adelines International (SAI), Barbershop Harmony Society, and Harmony Incorporated. She sings Baritone in Harmony Central Chorus and Remedy Quartet in Des Moines, Iowa, and in Spirit of the Gulf Chorus in Fort Myers, Florida. She is an SAI Approved Arranger.

Choral Choir (SSAA) - Level 2 - Digital Download SKU: A0.881167 By Sara Bareilles. By Sara Bareilles. Arranged by Rebecca de Bruin. Pop. Octavo. 7 pages. Rebecca de Bruin #6492785. Published by Rebecca de Bruin (A0.881167). Words and Music by Sara Bareilles. Arranged in 2020 by Boo de Bruin. 7 pages for Sweet Adelines (ladies' barbershop) quartet. (Tenor, lead, baritone, bass are roughly equivalent to SSAA).Love Song was Sara Bareilles' debut single, reaching number four in the Billboard chart. It received Grammy Award nominations for Song of the Year and Best Female Pop Vocal Performance.This arrangement was written for a barbershop quartet, and as such the lowest voice part has a lower range than is custom for choral SSAA writing. However, the range of the entire arrangement is quite narrow, and so it could be sung in a higher tessitura without undo strain on the upper voices. Please note: in keeping with normal barbershop practice the men's barbershop voicing names are used (tenor, lead, baritone and bass) and an octave-shifted bass clef is used for the baritone and bass parts. Vocal ranges are:Tenor: F4 - E5 (F above middle C to E above high C)Lead: G3 - D5 (Gb below middle C to D above high C)Baritone: B3 - A4 (B below middle C to A above middle C)Bass: D3 - G4 (D below middle C to G above middle C)

Choral Choir (SSAA) - Level 1 - Digital Download SKU: A0.874735 Composed by R. Risher Boyce. Arranged by June Berg, MMA. A Cappella. Octavo. 2 pages. June Berg #4786419. Published by June Berg (A0.874735). This beautiful Christmas song is arranged for women's voices in the barbershop style.  The parts are tenor, lead, baritone and bass; or SSAA.  It is to be sung A Cappella.  The bass clef is notated one octave lower than sung, for ease of reading.The melody is in the lead voice and there is a bass solo.