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Choral Choir (SSAA) - Level 5 - Digital Download SKU: A0.762491 By Elle King. By Dave Bassett and Tanner Schneider. Arranged by Rowena Harper. A Cappella,Barbershop,Pop. Octavo. 9 pages. Rowena Harper #4330565. Published by Rowena Harper (A0.762491). A challenging rhythmic arrangement with some fun characterisation and comical lyrics discussing Elle King's previous lovers!  Where the guitar lead would do a solo / lead break, in this arrangement the baritone sings a cameo with her own contribution to the list of lovers adding further comic appeal to the song.  This cameo also includes some four part triplets that have real attitude, however this section could also be easily cut out to suit the performers, instead going directly to the chorus.  Purchasing allows printing of one copy, and one copy per singer is required.Range (Lowest-Highest): Bass E-E, Baritone B-B, Lead B-B, Tenor G-G.The price is for a set of parts (four copies).  Also available priced at the large ensemble rate - see my other listings.(Note: This sheet music is notated in barbershop format: Tenor (S.1) and Lead (S.2) in treble clef , Baritone (A.1) and Bass (A.2) in bass clef. The Bass clef parts are sung an octave higher than written.) Contact: acappellatenor@gmail.com or on FB Rowena Harper Arrangements.
Ex's & Oh's
Chorale SSAA
Elle King
$3.00 2.6 € Chorale SSAA PDF SheetMusicPlus

Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.973284 By The Beatles. By John Lennon and Paul McCartney. Arranged by Liz Hah. A Cappella,Rock. Octavo. 5 pages. Elizabeth Hah #6266155. Published by Elizabeth Hah (A0.973284). Arranged for female voices, the basses and leads share the melody in this Beatles song. There's repetition to make learning easier plus a short scat section for fun. Range of parts (lowest to highest): Bass F - F, Baritone C - B, Lead Bb - C, Tenor F - EThis is a per copy price. Also available as a set of parts (4 copies - quartet)Note: This sheet music is notated in female barbershop format (tenors & leads in treble clef, baritones & basses in bass clef). SSAA format is also available.Learning tracks are available. Contact Liz at lizhah303@gmail.com  
Good Day Sunshine
Chorale SSAA
The Beatles
$1.99 1.73 € Chorale SSAA PDF SheetMusicPlus

Choral Choir (SSAA) - Level 2 - Digital Download SKU: A0.856195 By Duffy. By Aimee Duffy and Stephen Booker. Arranged by Liz Garnett. Contemporary. Octavo. 6 pages. Liz Garnett #4269343. Published by Liz Garnett (A0.856195). This hit by Duffy was written in 2008, but its sound world evokes music of 40 years previous to that. Its bassline makes explicit reference to Ben E King's 'Stand By Me', while its harmonic riffs and melodic styling have been compared to songs by The Supremes and Aretha Franklin.The arrangement was commissioned by Young Women in Harmony, and keeps all the parts in the centre of the voice so as not to strain young ranges. This results in a tight , bright sound that captures the feel of original's Hammond organ. It also uses a variety of texture - from full unisons, to duets, to full four-part harmony - so is much more suited to chorus than quartet.N.B. This arrangement is notated in treble and bass alta (i.e. sung an octave higher than written) clefs.Vocal Ranges:Tenor: B flat 3 - D flat 5Lead: B flat 3 - D flat 5Bari: B flat 3 - B flat 4Bass: A flat 3 - F4www.HelpingYouHarmonise.com
Mercy
Chorale SSAA
Duffy
$2.99 2.59 € Chorale SSAA PDF SheetMusicPlus

Choral Choir (SSAA) - Level 2 - Digital Download SKU: A0.1087101 By Erasure. By Andy Bell and Vince Clarke. Arranged by Rebecca (Boo) de Bruin. A Cappella,Contemporary,Pop. Octavo. 13 pages. Rebecca de Bruin #691297. Published by Rebecca de Bruin (A0.1087101). Words and Music by Vince Clarke and Andy Bell in 1988. Arranged in 2021 by Boo de Bruin. 13 pages for Sweet Adelines (ladies' barbershop) chorus. (Tenor, lead, baritone, bass are roughly equivalent to SSAA, although lead and baritone have similar - in this case, identical! - ranges, but perform different functions). A Little Respect was written and recorded by English synth-pop duo Erasure, and is known as one of their signature songs. It reached #4 on the UK singles chart, #14 on the US Billboard Hot 100, and #2 on the US Hot Dance Club Songs chart. This arrangement uses words from the song in place of neutral vowels to create an early ostinato (without boring the harmony parts!) before expanding into homorhythm in verse 2. The melody is mainly in the lead part, with the final motif from the chorus passed to the tenors. In the final verse, a key change moves the melody to the basses and baritones, with the leads taking the final phrase. This arrangement was written for a barbershop chorus, and as such the lowest voice part has a lower range than is custom for choral SSAA writing. However, the range of the entire arrangement is quite narrow, and so it could be sung in a higher tessitura without undo strain on the upper voices. Please note: in keeping with normal barbershop practice the men's barbershop voicing names are used (tenor, lead, baritone and bass) and an octave-shifted bass clef is used for the baritone and bass parts. Vocal ranges are: Tenor: D4 - F5 (D above middle C to F above high C) Lead: G3 - C5 (G below middle C to high C) Baritone: G3 - C5 (G below middle C to high C) Bass: D3 - F4 (D below middle C to F above middle C).
A Little Respect
Chorale SSAA
Erasure
$1.99 1.73 € Chorale SSAA PDF SheetMusicPlus


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