SSAA chorus and piano, accompaniment ad lib. - Digital Download SKU: BJ.1260 Composed by Susanna Lindmark. Octavo. 8 pages. Bo Ejeby Forlag - Digital #1260. Published by Bo Ejeby Forlag - Digital (BJ.1260). 8.27 x 11.7 inches.BODYVOICE is a song where you make your voice heard and get to unleash your body in movement. Create your own choreography with your choir or ensemble. The piano part is intended as a “skeleton that the pianist can flesh out with their own creativity. If you feel like adding bass, percussion, and so on – go for it! – Susanna Lindmark.

Choir, SSAA, female barbershop - Digital Download By Meghan Trainor. Arranged by Liz Garnett. 2 pages. Published by Helping You Harmonise

Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.874718 By Garth Brooks. By Garth Brooks and Victoria Shaw. Arranged by June Berg, MMA. A Cappella,Country. Octavo. 6 pages. June Berg #3532683. Published by June Berg (A0.874718). A Cappella voiced for women.  Parts are tenor, lead, baritone and bass, in the barbershop style.  Baritone and bass voices are sung one octave higher than written.  Lead solo on first verse, with percussion provided by other 3 voices.  Fun Garth Brooks song!

Choral Choir (SSAA) - Level 2 - Digital Download SKU: A0.874721 Composed by R. Risher Boyce. Arranged by June Berg, MMA. Contemporary. Octavo. 2 pages. June Berg #3621913. Published by June Berg (A0.874721). Christmas arrangement voiced for women's barbershop quartet.  Parts are Tenor, Lead, Baritone, Bass.  Bass clef is sung one octave higher than written for ease of reading.  This arrangement includes a verse with bass solo/melody.  Bass voice moves to low D and C in two spots.  Otherwise, the ranges are approachable.  .

Voice (SSAA) - Level 3 - Digital Download SKU: A0.1249723 By John Denver and Placido Domingo. By John Denver. Arranged by Joey Minshall. 20th Century,A Cappella,Barbershop,Folk,Pop. Barbershop Quartet. 4 pages. Joey Minshall #844114. Published by Joey Minshall (A0.1249723). One of the sweetest, prettiest, most thoughtful love songs - and doesn't necessarily have to refer to romantic love - by that sweet and thoughtful artist, John Denver. Written for SSAA a cappella voices in barbershop style - barber-pop!  Relatively accessible with a few low Cs for the bass voice, and a few melody transfers, bell chords, wee duets and other voice part features in embellishments. Could possibly be sung by a mixed voice barbershop group, depending on the individual ranges. Published as a Barbershop Quartet piece  - purchase of one full score permits making 4 copies for your quartet. Larger ensembles, please purchase 'in fours' (i.e., if you need 20 copies, buy 5 full scores).

Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.874723 By Andrae Crouch. By Andrae Crouch. Arranged by June Berg, MMA. A Cappella,Christian,Gospel. Octavo. 4 pages. June Berg #3894227. Published by June Berg (A0.874723). This beautiful song is arranged in the barbershop style for women's voices, Tenor, Lead, Baritone and Bass; or SSAA, A Cappella.  There is some bass solo included.  The Baritone and Bass voices are sung one octave higher than written.

Choral Choir (SSAA) - Level 4 - Digital Download SKU: A0.1205942 Composed by Linda Stalls. Arranged by Thomas J. West. A Cappella,Barbershop,Christian,Country,Religious. Octavo. 7 pages. Thomas J. West #804128. Published by Thomas J. West (A0.1205942). SSAA Barbershop Style, Grade 4Parts labeled for barbershop quartet (tenor, lead, baritone, bass) with the bari and bass parts written in bass claf 8va.Ranges:Tenor: C4-F5Lead: C4-E5Baritone: Ab3-C5Bass: Eb3-Ab4www.thomasjwestmusic.comThis upbeat Contemporary Christian chart has elements of gospel music along with good old American country swing using the barbershop style, but with the bass voice as a walking bass line during the choruses. Multiple key changes, including a higher, higher, higher chromatic climb make this arrangement an exciting showcase piece. Note: this arrangement is not suitable for barbershop harmony competitions and adjudications.Audio sample is a MIDI file. Fully recorded studio version available soon.

Choral Choir,Choral (SSAA) - Level 3 - Digital Download SKU: A0.1297724 By John Denver and Placido Domingo. By John Denver. Arranged by Joey Minshall. 20th Century,A Cappella,Barbershop,Folk. 4 pages. Joey Minshall #887696. Published by Joey Minshall (A0.1297724). SSAA a cappella barbershop-ish (barber-pop!) version of this sweet John Denver song. Some rather low notes in the bass voice; this could possibly be sung by a mixed-voice group.

Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.736320 By Steppenwolf. By Mars Bonfire. Arranged by Joey Minshall. A Cappella,Rock. Octavo. 7 pages. Joey Minshall #3868861. Published by Joey Minshall (A0.736320). Steppenwolf meets Barbershop!  SSAA a cappella barbershop  - barberpop! -  version of the rock classic. Yes really! Bass voice feature in verses.  Tons of fun to sing! 

Choral Choir (SSAA) - Level 1 - Digital Download SKU: A0.736355 Composed by Mosie Lister. Arranged by Joey Minshall. A Cappella. Octavo. 5 pages. Joey Minshall #6264459. Published by Joey Minshall (A0.736355). SSAA a cappella, barbershop version of this uhhh, yup...*happy* tune! Bright gospel swing style, bass voice melody in the chorus, fun tag. Very accessible.

Voice, Choir, Women's Barbershop - Intermediate - Digital Download By Carole King. Arranged by Sam Hubbard. Score. 8 pages. Published by Sam Hubbard

Choral Choir (SSAA) - Level 4 - Digital Download SKU: A0.874732 By Amy Grant. By David Babyface Foster and Linda Thompson-Jenner. Arranged by June Berg, MMA. A Cappella,Contemporary. Octavo. 5 pages. June Berg #4745409. Published by June Berg (A0.874732). This arrangement is voiced for women's voices, A Cappella.  The parts are Tenor, Lead, Baritone and Bass ( or SSAA).  It is arranged in the barbershop style; i.e. Melody is in the second voice.

Choral Choir (SSAA) - Level 4 - Digital Download SKU: A0.1259757 By Pentatonix. By Johan Carlsson, Johan Jens Erik Carlsson, John Bellion, Jon Bellion, Jonathan David Bellion, Kevin Olusola, Kristin Maldonado, Mark Williams, Matt Sallee, Matthew Sallee, Mitchell Grassi, Raul Cubina, Ross Golan, Scott Hoying, Sean Meier, and Sean Myer. Arranged by Karen Wilson. 21st Century,A Cappella,Contemporary,Pop. Octavo. 10 pages. Karen Wilson #853033. Published by Karen Wilson (A0.1259757). This is a fabulous song by Pentatonix which I have arranged for four-part (SSAA) a cappella voices, although sometimes the voice parts split.  It can be sung with or without the body percussion as I know it's sometimes difficult to do both at the same time!Whilst in the original Pentatonix song, Scott Hoying has most of the solos, I have arranged this so that all voices get the chance to sing the main melody.  The bass part is not the most interesting(!) as the whole song is built over a repeating two-bar phrase (four chords).  However, in this arrangement, I have managed to give them the main melody at bar 30 and at bar 61 they are the only voice-part to sing Mitch's parting tune - it's the basses' time to shine!I have two versions of this song available.  The other version (Product Number 1355563) is easier to sing.  If you want a challenge, this is the version you should try!  It's as close as I could get to the original.

Choral Choir (SSAA) - Level 2 - Digital Download SKU: A0.1087101 By Erasure. By Andy Bell and Vince Clarke. Arranged by Rebecca (Boo) de Bruin. A Cappella,Contemporary,Pop. Octavo. 13 pages. Rebecca de Bruin #691297. Published by Rebecca de Bruin (A0.1087101). Words and Music by Vince Clarke and Andy Bell in 1988. Arranged in 2021 by Boo de Bruin. 13 pages for Sweet Adelines (ladies' barbershop) chorus. (Tenor, lead, baritone, bass are roughly equivalent to SSAA, although lead and baritone have similar - in this case, identical! - ranges, but perform different functions). A Little Respect was written and recorded by English synth-pop duo Erasure, and is known as one of their signature songs. It reached #4 on the UK singles chart, #14 on the US Billboard Hot 100, and #2 on the US Hot Dance Club Songs chart. This arrangement uses words from the song in place of neutral vowels to create an early ostinato (without boring the harmony parts!) before expanding into homorhythm in verse 2. The melody is mainly in the lead part, with the final motif from the chorus passed to the tenors. In the final verse, a key change moves the melody to the basses and baritones, with the leads taking the final phrase. This arrangement was written for a barbershop chorus, and as such the lowest voice part has a lower range than is custom for choral SSAA writing. However, the range of the entire arrangement is quite narrow, and so it could be sung in a higher tessitura without undo strain on the upper voices. Please note: in keeping with normal barbershop practice the men's barbershop voicing names are used (tenor, lead, baritone and bass) and an octave-shifted bass clef is used for the baritone and bass parts. Vocal ranges are: Tenor: D4 - F5 (D above middle C to F above high C) Lead: G3 - C5 (G below middle C to high C) Baritone: G3 - C5 (G below middle C to high C) Bass: D3 - F4 (D below middle C to F above middle C).

Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.1259181 By Pentatonix. By Johan Carlsson, Johan Jens Erik Carlsson, John Bellion, Jon Bellion, Jonathan David Bellion, Kevin Olusola, Kristin Maldonado, Mark Williams, Matt Sallee, Matthew Sallee, Mitchell Grassi, Raul Cubina, Ross Golan, Scott Hoying, Sean Meier, and Sean Myer. Arranged by Karen Wilson. 21st Century,A Cappella,Contemporary,Pop. Octavo. 9 pages. Karen Wilson #852451. Published by Karen Wilson (A0.1259181). This is a fabulous song by Pentatonix which I have arranged for four-part (SSAA) a cappella voices.  It can be sung with or without the body percussion as I know it's sometimes difficult to do both at the same time!Whilst in the original Pentatonix song, Scott Hoying has most of the solos, I have arranged this so that all voices get the chance to sing the main melody.  The bass part is not the most interesting(!) as the whole song is built over a repeating two-bar phrase (four chords).  However, in this arrangment, I have managed to give them the main melody at bar 30 and at bar 61 they are the only voice-part to sing Mitch's parting tune - it's the basses' time to shine!I have two versions of this song available.  The other version (Product Number 1356139) is closer to the original Pentatonix one.  It is more rhythmic and slightly more difficult to sing, so if you like a challenge, then go and check out that one.  But this version is equally enjoyable and will keep a smile on your face and your toes a tappin!!