Choral Choir (SSAA) - Level 4 - Digital Download

SKU: A0.955518

By The Mamas And The Papas. By John Phillips and Michelle Phillips. Arranged by Katherine Bodor. A Cappella. Octavo. 10 pages. Katherine Bodor #5714881. Published by Katherine Bodor (A0.955518).

A cappella arrangement of California Dreamin'. Voicing is SSSAA+Lead+VP. The arrangement, like the original song, requires focused, resonant singing. Intended for an intermediate to advanced high school or collegiate ensemble.

Choral Choir (SSAA) - Level 2 - Digital Download

SKU: A0.1248128

By The Mamas And The Papas. By John Phillips and Michelle Phillips. Arranged by Debbie Keretz. 20th Century,A Cappella,Barbershop,Contemporary,Pop. Octavo. 5 pages. Deborah L Keretz #842691. Published by Deborah L Keretz (A0.1248128).

Female barbershop a capella non-contestable arrangement of The Mama's & the Papa's California Dreamin' - melody travels between lead & tenor, bass has melody for 2nd verse - can be used for YWIH program participants as bass doesn't go below low E. Pitch may be adjusted for more mature voices without changing voicing.

Voice (SSAA) - Level 4 - Digital Download

SKU: A0.892257

Composed by Richard Rodgers. Arranged by Jennifer Barnes. Jazz,Standards. Vocal Jazz Ensemble. 22 pages. Jennifer Barnes Music #6500485. Published by Jennifer Barnes Music (A0.892257).

This classic jazz standard My Funny Valentine pays tribute to the great tradition of vocal jazz soloists like Sarah Vaughan and Chet Baker by featuring up to five separate melodic solos throughout the piece, as well as a possible improvisation section of 16 measures to be split up among instrumental soloists (or vocalists if you prefer, but probably not desirable in most cases!).  Treble ensemble vocals mostly fill the role of background vocalists with the exception of a rubato a cappella bridge section after solos, but splits into four parts much of the time for a lush and rich sound from your singers.  Full-length demo, part tracks, minus tracks, and accompaniment tracks available at JenniferBarnesMusic.com.

Choral Choir,Voice (SSAA) - Digital Download

SKU: HX.308650

By Adolphe-Basile Routhier, Anne Raugh, Calixa Lavallee, and Robert Stanley Weir. Arranged by Deke Sharon. Choral. A Cappella. Octavo. 5 pages. Contemporary A Cappella Publishing #CAP2001b01s10. Published by Contemporary A Cappella Publishing (HX.308650).

Choral Choir,Choral (SSAA) - Level 3 - Digital Download

SKU: A0.1014650

By David Brooks And Marion Bell. By Frederick Loewe. Arranged by Kathryn Sherman. Contemporary,Jazz. 35 pages. Kathryn Sherman #6453753. Published by Kathryn Sherman (A0.1014650).

Challenge your treble ensemble to sing soft unisons and close harmony with this tender reharmonization and reinterpretation of Lerner & Loewe's classic, Almost Like Being in Love. The improvisation section can feature vocalists, instrumentalists, or both, challenging soloists to focus on creating melodies over these adapted chord changes.

For more of Kathryn's music, you can find her at katsherman.com or on Instagram @katshermanmusic. You can also reach out via email at kat@katsherman.com.

Composed by Richard M. Sherman and Robert B. Sherman. Arranged by Takako Fuke. A Cappella, Broadway, Christmas, Film/TV, Musical/Show. Octavo. 8 pages. Takako Fuke #6493685. Published by Takako Fuke

Choral Choir (SSAA) - Level 4 - Digital Download

SKU: A0.1273951

By Leonard Cohen. By Leonard Cohen and Sharon Robinson. Arranged by Joyce Todd McBride. A Cappella,Folk,Rock,Singer/Songwriter. Octavo. 9 pages. Buckwheat Music #866082. Published by Buckwheat Music (A0.1273951).

Treble-voice a cappella arrangement of A Thousand Kisses Deep by Leonard Cohen.  Gorgeous lines for all four parts, melody appears in different parts for the differnet verses, with subtle counterpoint in the accompanying parts.  Dynamics, phrasing and cutoffs all highlight the text.  This arrangement follows the form exactly, with a vocalise where the original had an instrumental section.  The syllable used is dng;  the primary sound is on the ng, a syllable often used for clarifying pitch in choral ensembles.  It creates a beautiful bell-like sound when used this way.  Extremely fun to sing.

Choral Choir,Choral,Voice (SSAA) - Digital Download

SKU: HX.402021

Composed by Sergei Rachmaninoff. Arranged by Allan Robert Petker. This edition: scorch. Concert. 7 pages. Pavane Publishing #P1563. Published by Pavane Publishing (HX.402021).

Choral Choir (SSAA) - Level 3 - Digital Download

SKU: A0.1040537

By Alan Wagstaff. By Alan Wagstaff. Arranged by Alan Wagstaff. Celtic,Folk,Irish,Traditional. Octavo. 36 pages. Alan Wagstaff #645329. Published by Alan Wagstaff (A0.1040537).

This haunting, new song, in the mixolydian mode (Bb), is in the Irish tradition. It is written for a female choir (SSAA) with an additional solo part; the accompaniment is for harp, accordion, flute, fiddle, and bass. This song was inspired by J.M. Synge's 1904 play 'Riders of the Storm' and quotes a line from it. The chorus quotes from the Irish version of 'Fhir a Bhartain' a song written in the late 19th century by Sìne NicFhionnlaigh of Tong, Lewis, Scotland. Fear A Bháta The Boatman A fhir a bháta is na horó eile Man of the boat and no one else. A fhir a bháta is na horó eile Man of the boat and no one else. A fhir a bháta is na horó eile Man of the boat and no one else. Mo shoraid slán leat gach áit a dtéid thú. My safe blessing with you everywhere you go. Lyrics O, Bryan McCauley the boats are still moored. and down in Kilronan only ghosts are aboard. The calico is furled and the tide is still low, so rest a while longer, till the time comes to go. It’s the life of a young man to be fishing far from shore. For there’s scant other work on the wild Inishmore. Fhir a bharta na horo – fhir a bharta is-na eile. Mo shor slan leat gach ait a dteid thu. The herring are sleeping and safe from the net. So rest my fisher lad - do not rise yet. The hillcrests of Galway are scarce tinged with red. O, sleep a while longer and keep to your bed. It’s the life of a young man to be fishing far from shore. For there’s scant other work on the wild Inishmore. Fhir a bharta na horo – fhir a bharta is-na eile. Mo shor slan leat gach ait a dteid thu. The cold-hearted Ocean knows nothing of men; it takes them or leaves them, with no heed where or when. The candles are out in the homes round the Bay, so stay in my arms, love, till the first light of day. It’s the life of a young man to be fishing far from shore. For there’s scant other work on the wild Inishmore. Fhir a bharta na horo – fhir a bharta is-na eile. Mo shor slan leat gach ait a dteid thu.

Choral Choir (SSAA) - Level 3 - Digital Download

SKU: A0.1116804

By The Who. By Pete Townshend. Arranged by David R. Peoples. Classical,Contemporary,Pop,Rock. Octavo. 12 pages. Bluesilhouettes Music #718460. Published by Bluesilhouettes Music (A0.1116804).

I’ve always been interested in Baba O’Riley; it always felt like a combination of Disney’s Electric Light Parade, minimalism, and rock. Take what you want (as to the story) behind this piece - you cannot deny that the title refers to Maher Baba and Terry O’Riley - a combination of Indian spiritualism and musical minimalism. The main melody is there. The voices bounce around with short vocalises/ostinatos to simulate a synth. The piano also becomes integral to the iconic chord progression. This version helps to use what the choir is excellent for - dynamic and textural contrasts while delivering a familiar tune. Enjoy this interactive rendition of Baba O'Riley!

Choral Choir (SSAA) - Level 4 - Digital Download

SKU: A0.856175

By Christina Aguilera. By Christina Aguilera and Linda Perry. Arranged by Liz Garnett. Contemporary,Dance,Pop. Octavo. 9 pages. Liz Garnett #3916657. Published by Liz Garnett (A0.856175).

This song was the third single released from Christina Aguilera's album Back to Basics, and earned her a Grammy nomination for Best Female Vocalist performance. The song harks back to the Andrews Sisters in texture and feel, though both the sexualised lyrics and the vocal licks give it a more modern feel. The arrangement was commissioned by Eu4ia for the Barbershop in Harmony show at the London Palladium in September 2009, and comes with both the original lyrics and G-rated alternatives.
N.B. This arrangement is notated in treble and bass alta (i.e. sung an octave higher than written) clefs.

Vocal Ranges:
Tenor: E#4 - A5
Lead: A3 - D5
Bari: A3 - C5
Bass: D3 - A4

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