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Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.953625 Composed by Adrienne Inglis (ASCAP). Contemporary,Latin. Octavo. 5 pages. Adrienne Inglis (ASCAP) #6405603. Published by Adrienne Inglis (ASCAP) (A0.953625). La ciudad sumergida (The Submerged City) for four-part treble chorus and nature soundtrack by Adrienne Inglis (ASCAP) Commissioned for Dr. Ramona M. Wis and the North Central College Women’s Chorale A setting of an excerpt of Río de La Plata en lluvia from Mascarilla y Trébol (1938) by Alfonsina Storni (1938) Copyright © 2020 Adrienne Inglis Founder, composer, and singer with Inversion Ensemble of Austin, Texas, Adrienne Inglis also serves as principal flute with the Central Texas Philharmonic, flute instructor at Southwestern University, and flutist with flute/harp duo Chaski. She has music degrees from Lewis and Clark College and the University of Texas at Austin. An avid birder and environmentalist, she lives in the rural hill country of Central Texas. Poet Alfonsina Storni began writing during a tumultuous childhood fraught with economic hardships, many disruptive moves, and an alcoholic father. She danced with a theatrical troupe and then became a teacher and journalist. She bore a child out of wedlock and found herself working as a single mother during socially oppressive times. In Buenos Aires she joined the emerging world of women’s rights, becoming an important literary voice in the movement. When her breast cancer returned, her lifelong passion for the sea culminated in her suicide off of the coast of Argentina. Río de La Plata en lluvia from Mascarilla y Trébol (1938) lines 1-4 by Alfonsina Storni in the public domain Ya casi el cielo te apretaba, ciego, y sumergida una ciudad tenías en tu cuerpo de grises heliotropos neblivelado en su copón de llanto. [The sky was about to embrace you, blind, and you had in your body of gray heliotropes a submerged city, with the misty sky like a chalice about to overflow with tears.] Program note: Commissioned for Dr. Ramona M. Wis and the North Central College Women’s Chorale of Naperville, Illinois, La ciudad sumergida (The Submerged City) by Adrienne Inglis for four-part treble chorus with nature soundtrack captures the mood of a river, a city, the cloudy sky, and the poet’s own profound melancholy. The sound of rain creates both the ambiance of a misty day on the river and the sensation of cathartic crying from great sadness and pain. The city’s reflection on the river’s surface gives the illusion that the city is submerged in the water. The reflection of the clouds hovering low over Río de La Plata looks like gray heliotrope flowers. The apocalyptic images of a submerged city and of tears overflowing from the chalice-sky eerily foreshadow rising sea levels due to anthropogenic global warming. The nature soundtrack of rain was recorded by the composer in the hill country of central Texas, July 2020. Performance note: This aleatoric, asynchronous composition is suitable for remote singing along with the video score and nature soundtrack. Observe the order of entrances, but know that it’s not meant to line up exactly. Finish a phrase even if another phrase has started. Diphthongs move immediately to the second vowel sound. Ya begins with the [dÊ’] sound and llanto begins with the [Ê’] sound, both typical of the Buenos Aires accent. Sing quite expressively except for the neblivelado section which is misty and veiled. The director may wish to indicate the rehearsals numbers or the singers may follow the time on the video-or both. Duration: 3:08 Link to video with soundtrack is available from the composer (http://adrienneinglis.com). Acknowledgements: The composer warmly thanks Pablo and Diana Donatti, Ãngeles Rodríguez Cadena, and Emilio Torres for their contributions to this project and to Dr. Ramona M. Wis and the North Central College Women’s Chorale for the generous commission. Copyright © 2020 Adrienne Inglis | http://adrienneinglis.com
La ciudad sumergida (The Submerged City) for SSAA treble voices and nature soundtrack
Chorale SSAA

$3.99 3.42 € Chorale SSAA PDF SheetMusicPlus

Choral Choir (SSAA) - Digital Download SKU: A0.879632 Composed by Stephanie Martin. Christian,Contemporary,Sacred,Spiritual. Octavo. 8 pages. Biretta Books #3518781. Published by Biretta Books (A0.879632). Stephanie Martin provides a beautiful and contemplative SSAA choral setting of the ancient Lenten hymn for Compline - Christe Qui Lux Es Et Dies. The text is given in both English and Latin. Canadian composer and conductor Stephanie Martin is associate professor of music at York University’s School of the Arts, Media, Performance and Design; director of Schola Magdalena (a women’s ensemble for chant, medieval and modern polyphony,) conductor emeritus of Pax Christi Chorale; and past director of music at the historic church of Saint Mary Magdalene in Toronto.
Christe Qui Lux Es Et Dies (SSAA)
Chorale SSAA

$2.95 2.53 € Chorale SSAA PDF SheetMusicPlus

Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.781341 By Serena Ryder. By Jerrod Bettis, Jerrod Michael Bettis, Serena Lauren Ryder, and Serena Ryder. Arranged by Joanna Mills, Kathleen Mills. A Cappella,Contemporary,Pop,Rock. Octavo. 17 pages. Joanna Mills Music #4729201. Published by Joanna Mills Music (A0.781341). This fast-paced pop song about falling in love, written and recorded by Serena Ryder, has been arranged for SSAA choir, and is perfect for high-school or community treble choirs looking for a fun challenge! The melody moves between all four parts, allowing every section a chance to shine, and notation is included for foot stomps (or bass drum) and hand claps (or wood block). Interest is added using counterpoint and canon harmonies as well as a beautiful chorale setting in the bridge. This piece has been arranged so that it can be sung a cappella by more experienced choirs, but piano accompaniment and guitar chords have been included for those choirs who wish to include instruments. Additionally, less experienced choirs may wish to have the foot stomps and hand claps played by percussionists.
What I Wouldn't Do
Chorale SSAA
Serena Ryder
$1.99 1.71 € Chorale SSAA PDF SheetMusicPlus

Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.912076 By Clifford W. King. By American Folk Song. Arranged by Clifford W. King. A Cappella,Folk,Sacred,Spiritual,Traditional. Octavo. 6 pages. Clifford W. King #518005. Published by Clifford W. King (A0.912076). Traditional American Folk Song ( s s a ) a cappella For Bonneville High School Lake Unity Women's Choir, 2002; Mishy Kirby Director. Wayfaring Stranger in 4-part women’s voicing is a beautifully pensive arrangement of the traditional folk song. It is one of those pieces that will make a women’s chorus shine. A soloist begins the familiar melody followed by the addition of rich, angelic harmonies. A few stunning chord progressions lend to the unique and reflective quality of this arrangement. Singers and audiences will fall in love with this piece. Duration: 4:00 Clifford W. King is an award-winning Salt Lake City-based composer, teacher and singer. Recent commissions include the Salt Lake Choral Artists, Cantorum Chamber Choir and Wasatch Chorale. His recording credits include the soundtrack to various video games and television programs. His teachers and mentors include Brady Allred, Clayton Furch, Mark Henderson, Evelyn Harris, Miguel Chuaqui, and Igor Iacimciuc among many others His music is published by Carus-Verlag and Hinshaw Music. He is the composer for the popular YouTube series and podcast Profiling Evil. Cliff loves slightly out-of-tune pianos, bighorn sheep, and rooibos tea. www.cliffordwking.com.
Wayfaring Stranger ( s s a a )
Chorale SSAA
Clifford W King
$1.99 1.71 € Chorale SSAA PDF SheetMusicPlus

Choral Choir,Choral (SSAA) - Level 4 - Digital Download SKU: A0.1380273 By Kate Bush. By Kate Bush. Arranged by Dominic Stichbury. Pop. 11 pages. Dominic Stichbury #965026. Published by Dominic Stichbury (A0.1380273). This beautiful and tender song was written by Kate Bush specifically for the film ‘She’s Having A Baby’. Bush puts herself in the shoes of a man waiting outside the delivery room as his wife gives birth. The song explores his vulnerability at this tense moment. This SSSAA arrangement plays with the form of the original song, whilst incorporating all the themes and hooks that we know from Bush's version. It offers a variety of different textures throughout, handing the melody around and moving between a free chorale-like opening to a steady pulse for the bulk of the arrangement. There is an additional descant soprano part on the top stave, which could be sung by a soloist or a small group. The key bars for this part are 12-15 & 26-28 , where we hear the iconic opening motif. The other passages of this descant can be omitted as necessary depending on the ensemble's skill level. This was arranged especially for Chaps Choir's 10 year celebration concert in 2023. The link below takes you to a mock-up of the lower voice version of this arrangement.
This Woman's Work
Chorale SSAA
Kate Bush
$2.25 1.93 € Chorale SSAA PDF SheetMusicPlus

Female choir (SSAA) a cappella - Digital Download SKU: S9.Q21337 Composed by Heinrich Poos. This edition: choral score. Schott Choral Music. Downloadable, Choral score. Schott Music - Digital #Q21337. Published by Schott Music - Digital (S9.Q21337). German.Heinrich Poos is not the first composer inspired by Friedrich Gottlieb Klopstock's poem 'Die Auferstehung', as even Gustav Mahler had already used these verses in the fifth movement of his Second Symphony 'Auferstehung'. Mahler was inspired to use a choral movement at the end of his symphony at the funeral of the conductor Hans von Bülow where a choir sang a chorale based on said text by Klopstock. Heinrich Poos wrote his deeply moving choral piece in remembrance of the organist Hubert Schoonbrodt.
Auferstehn
Chorale SSAA

$3.99 3.42 € Chorale SSAA PDF SheetMusicPlus

SSAA choir unaccompanied - Digital Download SKU: OX.9780193537941 Composed by Cecilia McDowall. Sheet music. Octavo. 9 pages. Oxford University Press Digital #9780193537941. Published by Oxford University Press Digital (OX.9780193537941). ISBN 9780193537941.For SSAA choir unaccompanied Originally written for SATB, this hymn to the 'Queen of the Heavens' is a glorious work, replete with dramatic changes of mood and texture. The majestic chords of the opening bars quickly give way to a spirited exchange between the voices. This pattern of contrasts is repeated throughout the piece before the final jubilant chords fade away to pianissimo. This is an approachable and rewarding motet, appropriate for any time of the year and in particular, the Feast of the Blessed Virgin Mary and Eastertide. The original SATB version of Regina Caeli has also been recorded by the renowned American choir, the Phoenix Chorale, and released on a Grammy award-winning CD by Chandos (Spotless Rose CHSA 5066).
Regina Caeli
Chorale SSAA

$3.65 3.13 € Chorale SSAA PDF SheetMusicPlus

SSAA choir and piano - Moderately Difficult - Digital Download SKU: MQ.1.3488-E Composed by James Granville Eakin. Advanced/Collegiate. Secular, 21st Century, Creation/Nature, Evening. Octavo. 14 pages. Duration 2 minutes, 55 seconds. Galaxy Music Corporation - Digital #1.3488-E. Published by Galaxy Music Corporation - Digital (MQ.1.3488-E). UPC: 600313134883. English.In 2002, I was commissioned by the Turtle Creek Chorale to compose a three-movement star-themed piece for their upcoming 'celestial' concert. I immediately knew that I wanted strings and celeste to serve as my 'heavenly' accompaniment; but what text should I choose? After immersing myself in poetry, I whittled it down to three that sang to me: Creator of the Universe, a Plato translation; We Are the Stars, an Algonquin Native-American poem; and (I couldn’t resist) Twinkle, Twinkle, Little Star.
We Are the Stars from Stargazing (Downloadable)
Chorale SSAA

$2.85 2.45 € Chorale SSAA PDF SheetMusicPlus

Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.1122297 By Chet Baker. By Jerome Kern and Buddy da Sylva. Arranged by Liz Garnett. A Cappella,Barbershop,Standards. Octavo. 5 pages. Liz Garnett #723455. Published by Liz Garnett (A0.1122297). The first chorus of Jerome Kern's classic is conceived to be delivered in a free-flowing, conversational ballad style. It’s chord choices cast the song in a yearny, poignant light; sung from the point of view of someone who is currently finding things hard. Looking for the silver lining as courageous moral effort rather than an act of easy optimism. It then moves into tempo to the place of joy that the lyric promises as its goal. Syncopation and interchange between the parts bring musical sparkle to express lightness of spirits. The tag returns to the original tempo and feel, revealing the joy to be a vision rather than reality, but one which provides hope: we’ll find it some day. This version of the arrangement was designed to be suitable for barbershop contest. It is notated in in treble and bass alta (i.e. sung an octave higher than written) clefs. Vocal Ranges: Tenor: F4 - F#5 Lead: A3 - D5 Bari: B3 - D5 Bass: D3 - f4.
Look for the Silver Lining
Chorale SSAA
Chet Baker
$2.99 2.57 € Chorale SSAA PDF SheetMusicPlus






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