Arranged by Dana Wilson. For SSAA choir, a cappella. Educational Octavo. Janet Galvan Women's Choral Series. Moderately difficult. Published by Roger Dean Publishing

SSAA choir, Piano - Digital Download SKU: LX.15-2119H Composed by Linda Spevacek. Concert. Octavo. 12 pages. Heritage Music Press #e15/2119H. Published by Heritage Music Press (LX.15-2119H). UPC: 000308107951.Awake! Listen to the rhythm, listen to the music…listen to the rhythm of life! Life is the dance floor. Your heartbeat is the rhythm. So propelling, so compelling. You are the music! Wake up! Hear your rhythm, take a chance. Join the dance! Exciting, fiery, and filtered with interesting multi-metered rhythms and hand claps, all supported by a driving accompaniment. Creative programming at its finest, and reminiscent of Linda's smash hit, Danza! - (15/1181H).

Choral Choir (SSAA) - Level 4 - Digital Download SKU: A0.856224 By Dick Hyman. By Irving Berlin. Arranged by Liz Garnett. Contemporary. Octavo. 4 pages. Liz Garnett #4725207. Published by Liz Garnett (A0.856224). An eery opening hinting at the troubles ahead leads quickly into an up-tempo statement of bravery and defiance. Embellishments are designed to evoke the horn section from a swing band, and the stabbing harmonies that punctuate the arrangement are there to add bite and danger.N.B. This arrangement is notated in treble and bass alta (i.e. sung an octave higher than written) clefs.Vocal Ranges:

Choral Choir (SSAA) - Level 5 - Digital Download SKU: A0.950854 Composed by Moshe S. Knoll. 20th Century,Contemporary. Octavo. 14 pages. ArtsAhimsa #4641593. Published by ArtsAhimsa (A0.950854). This is a contemporary setting of the well-loved poem Song and Music by Dante Gabriel Rossetti, for Women's Chorus(SSAA) and Piano Obbligato.

Choral Choir (SSAA) - Level 2 - Digital Download SKU: A0.1115331 By Ruth B. By Ruth Berhe. Arranged by Logan Widmor. A Cappella,Pop. Octavo. 14 pages. Logan Widmor #717051. Published by Logan Widmor (A0.1115331). A Cappella arrangement of Dandelions by Ruth B for SSAA voices, and Vocal Percussion. If you have any questions, feel free to contact the arranger at lwidmusic@gmail.com.

Voice (SSAA) - Level 2 - Digital Download SKU: A0.1240885 Composed by Anastasio Rossi. Arranged by Anastasio Rossi. A Cappella,Barbershop,Singer/Songwriter. Barbershop Quartet. 3 pages. Anastasio Rossi #836278. Published by Anastasio Rossi (A0.1240885). Think of the story behind this music as about a young lady who  just loves the waltz, and loves to sing and dance to its lilting triple time.  Her dancing partner is a dashing, ever so handsome young man, who sweeps her off her feet and takes her breath away with his charm and grace, as they float away on the wings of A Dance In Triple Time!I originally composed this piece as a little warm up ditty for my chorus, but as I worked the melody and the harmony, it grew into just a little bit more than a warm up exercise.We always enjoyed singing this little piece for our audiences. And they always enjoyed hearing it. One caveat; The lyrics go by quickly! Leads, use your best diction and pronunciation, so the story doesn't get lost. Harmony voices, keep the melody prominent, by always singing your la-las at least one dynamic notch below the melody!Learning tracks are available at no cost from the composer: AAR@prodigy.net.

Choral Choir,Choral (SSAA) - Level 2 - Digital Download SKU: A0.1239660 Composed by Anastaso Rossi. Arranged by Anastaso Rossi. A Cappella,Barbershop,Singer/Songwriter. 3 pages. Anastasio Rossi #835039. Published by Anastasio Rossi (A0.1239660). Performance Notes: Choose the waltz tempo of your choice - very relaxed to very lilting in 1.  Base your choice on being able to deliver the lyrics with great clarity, especially in the faster passages. Be sure to observe the accelerandos, broadening tempos, a tempos, legatos, and staccatos. They all have much to do with delivering the style of this piece, especially the off beat la-las. Some pairs are staccato, in other pairs, the first la is legato, the second la is staccato.I originally composed this piece as a little warm up ditty for the chorus, but as I worked the melody and the harmony, it  grew into just a little bit more than a warm up exercise.. Think of the story behind the music as about a young lady who  just loves the waltz, and loves to sing and dance to its lilting triple time.  Her dancing partner is a dashing, ever so  handsome young man, who sweeps her off her feet and takes her breath away with his charm and grace, as they  float away on the wings of A Dance In Triple Time!   Anastasio Rossi May 2023Learning tracks are available at no cost from the Arranger: AAR@prodigy.net.

Voice (SSAA) - Level 2 - Digital Download SKU: A0.1240428 Composed by Anastasio Rossi. Arranged by Anastasio Rossi. A Cappella,Barbershop. Barbershop Quartet. 3 pages. Anastasio Rossi #835806. Published by Anastasio Rossi (A0.1240428). Think of the story behind this music as about a young lady who  just loves the waltz, and loves to sing and dance to its lilting triple time.  Her dancing partner is a dashing, ever so handsome young man, who sweeps her off her feet and takes her breath away with his charm and grace, as they float away on the wings of A Dance In Triple Time!I originally composed this piece as a little warm up ditty for my chorus, but as I worked the melody and the harmony, it grew into just a little bit more than a warm up exercise. We always enjoyed singing this little piece for our audiences. And they always enjoyed hearing it. One caveat; The lyrics go by quickly! Leads, use your best diction and pronunciation, so the story doesn't get lost. Harmony voices, keep the melody prominent, by always singing your la-las at least one dynamic notch below the melody!Choose the waltz tempo of your choice - very relaxed to very lilting in 1.  Base your choice on being able to deliver the lyrics with great clarity, especially in the faster passages. Be sure to observe the accelerandos, broadening tempos, a tempos, legatos, and staccatos. They all have much to do with delivering the style of this piece, especially the off beat la-las. Some pairs are staccato, in other pairs, the first la is legato, the second la is staccato.The metronome marks more accurately describe the accelerandos and broadenings. On the repeat at 11, a slight increase in the tempo will add urgency and intensity. Keep the melody prominent as it moves to different voices, beginning at 37. Maintain the crisp staccato harmony against the legato melody, and enjoy the change to full legato for all voices.  Anastasio Rossi May 2023Learning tracks are available at no cost from the composer: AAR@prodigy.net.

Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.995526 By Madeleine Peyroux. By Leonard Cohen. Arranged by Daniel Beckitt. A Cappella,Jazz. Octavo. 8 pages. Daniel Beckitt #4834171. Published by Daniel Beckitt (A0.995526). SSAA A Cappella.Enjoy the sultry stylings of Madeleine Peyroux in this Leonard Cohen classic for your SSAA choir.

Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.720284 By Sting. By Sting. Arranged by Julie Gaulke. A Cappella,Contemporary,Pop. Octavo. 9 pages. Julie Gaulke #4279249. Published by Julie Gaulke (A0.720284). Julie Gaulke's original arrangement of When We Dance (written by Sting) for SSAA a cappella voices plus solo lead (5 total parts). See Julie's full performance video here: https://youtu.be/aszrMeZNmDU LEARNING TRACKS AVAILABLE FOR THIS SCORE HERE: https://www.juliegaulketracks.com/store/p147/whenwedance.html

Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.918668 Composed by Jenni Brandon. Contemporary. Octavo. 28 pages. Jenni Brandon Music #2007299. Published by Jenni Brandon Music (A0.918668). Dancing Naked at the Edge of Dawn for SSAA choir, percussion, piano (JB 118) by Jenni Brandon. Poems by Kris Radish. Commissioned by Sistrum, Lansing, Michigan's Women's Chorus under the direction of Meredith Bowen. The lovely poetry by Ms. Radish is simple and gorgeous, exploring dark to light, love and possibility, and the ability to achieve anything. A three-movement work for SSAA choir with piano and percussion, this work is recorded by Sistrum on their CD Dancing Naked at the Edge of Dawn on the Blue Griffin Recording label. The audio clip comes from the third movement of this work.Three movements: I. the dark line II. morning prayer II. Dancing Naked at the Edge of Dawn (also available as an individual movement (JB 151)Programming: Concert and ContestJenni Brandon Musicwww.jennibrandon.comASCAP

Choral Choir,Choral,SSAA Chorus - Level 3 - Digital Download SKU: A0.1487690 By Leo Sayer. By Leo Sayer and Vini Poncia. Arranged by Robert Shellard. A Cappella,Disco,Pop,Rock,Singer/Songwriter. 8 pages. Robert Shellard #1064624. Published by Robert Shellard (A0.1487690). Your treble singers will love this SSAA arrangement of Leo Sayer's disco hit, You Make Me Feel Like Dancing! Minimal divisi throughout and plenty of repetition makes this a fairly quick learn with the opportunity to choreograph the performance for added text painting...!

Choral Choir,Choral (SSAA) - Level 3 - Digital Download SKU: A0.1091316 Composed by Joji Kusunoki and Jonathan Wimberly. Arranged by Emily Dell'Orfano. A Cappella,Contemporary,Pop. 9 pages. Emmy Dell'Orfano #695491. Published by Emmy Dell'Orfano (A0.1091316). This is an SSAA arrangement of Slow Dancing in the Dark with solo and descant.

SSAA Chorus,Voice - Level 2 - Digital Download SKU: A0.1493616 By Dua Lipa. By Andrew Wyatt Blakemore, Caroline Ailin, Dua Lipa, and Mark Ronson. Arranged by Rebecca (Boo) de Bruin. A Cappella,Barbershop,Disco,Pop. Barbershop Quartet. 8 pages. Rebecca de Bruin #1070309. Published by Rebecca de Bruin (A0.1493616). Dance the Night is a disco / synth-pop song by Dua Lipa from the soundtrack to the 2023 movie, Barbie. It was co-written with Caroline Ailin, Andrew Wyatt and Mark Ronson, with the Picard Brothers also contributing to production. It is inspired by a dance sequence in the movie, and is about always trying to appear perfect.Arranged in 2024 by Rebecca (Boo) de Bruin. 8 pages for Sweet Adelines (ladies' barbershop) quartet. (Tenor, lead, baritone, bass are roughly equivalent to SSAA). Please note: in keeping with normal barbershop practice, an octave-shifted bass clef is used for the baritone and bass parts (roughly equivalent to alto 1 and alto 2).Vocal ranges are:Tenor (S1): F#4 - D5 (F# above middle C to D above high C)Lead (S2): A3 - B4 (A below middle C to B above middle C). Baritone (A1): B3 - A5 (B below middle C to A above middle C)Bass: D3 - F#4 (D below middle C to F# above middle C). NB the only low D is sung in octaves with the higher parts, and the bass could sing in unison. Alternatively, the entire arrangement sits quite low and could easily be pitched up.

Choral Choir (SSAA) - Digital Download SKU: A0.843718 Composed by Traditional. Arranged by Debbie Warren. Folk,Traditional. Octavo. 7 pages. Keep Calm and Keep Singing #450402. Published by Keep Calm and Keep Singing (A0.843718). A fishing song from the North East of England, this became popular as the theme tune to 1970’s TV show When the Boat Comes In. However, there is also another melody (in the minor key) also believed to originate from the North East but which was collected by Cecil Sharp in Berkshire. I have combined both melodies giving one to the sops and the other to the altos. Each section then forms an ostinato accompaniment while the other is singing the tune. These “Dance� “Sing� notes although written as dotted minims are to be performed short and light – like bells. The song also works best with a slight northern accent – particularly the short northern ‘a’ vowel on the word Dance and in the phrase “When the boat comes in�. NB Although this is written for 4 parts the second alto is optional and the arrangement works just as well without it for SSA choirs. FREE resources are available (backing track, teach tracks) just email keepcalmkeepsinging@gmail.com with proof of purchase Easy Level Duration: 3'30.