Choral Choir (SSAA) - Level 5 - Digital Download SKU: A0.856221 By Simon And Garfunkel. By Paul Simon. Arranged by Liz Garnett. A Cappella,Pop,Rock. Octavo. 10 pages. Liz Garnett #4612527. Published by Liz Garnett (A0.856221). The starting-point for this major show-piece was Disturbed's 2015 cover of Simon and Garfunkel's classic. The White Rosettes sought to capture its escalation of of emotional impact as the vocal range shifted and the orchestration developed through the narrative of a dystopic vision.A cappella voices can capture that sense of build through layering of different sizes of ensemble. And, whilst their timbral palette is more limited than the instrumentation Disturbed could draw on, they have the power of harmony to add colour and impact.The arrangement is built around two main harmonic ideas: juxtaposing minor chords and key areas a third apart, and the dissonance of the melodic major 2nd and minor 3rd rubbing up against each other. Between them they create an atmosphere that hangs heavy with portent and mystery, echoing and amplifying the emotional tone of the lyrics.N.B. This arrangement is notated in treble and bass alta (i.e. sung an octave higher than written) clefs.Vocal ranges:QuartetTenor: F#4 - E5Lead: B3 - A4Bari: C#4 - A4Bass: F#3 - A 4OctetTenor: G4 - D5Lead: C4 - A4Bari: B3 - A4Bass: E3 - C4DuetVoice 1: G3 - C5Voice 2: G3 - A4Full chorusTenor 1: E flat 4 - G5Tenor 2: E flat 4 - F#5Lead 1: B3 - E flat 5Lead 2: B3 - E flat 5Bari: A3 - C5Bass: D3 - G4www.HelpingYouHarmonise.com

Choral Choir,Choral (SSAA) - Level 3 - Digital Download SKU: A0.1394975 By Julie Hinton. By Traditional. Arranged by Julie Hinton. A Cappella,Advent,Christian,Christmas,Sacred. 4 pages. Red Tape Productions #978463. Published by Red Tape Productions (A0.1394975). SSAA acapella.  This haunting arrangement of the familiar Advent tune will show off the voices as modified chord structures draw attention from the audience.  S1 takes the melody in the first verse over an SAA drone.  The second verse highlights an A1 repetitive chant as the S2 takes over the melody halfway through and keeps it the rest of the piece.  S1 floats a descant in the third verse as the altos reprise the first-verse drone, with everyone coming together in the end, culminating in a unison final tone.  Great for church groups, holiday women's choirs and women's caroling quartets!This setting is also available in SATB, SSATBB and SSAATTBB acapella, as well as SATB, SAB and SSA with piano accompaniment.

Choral Choir (SSAA) - Digital Download SKU: A0.1028711 Composed by Todd St. John. Contemporary. Octavo. 5 pages. Todd St. John #3867149. Published by Todd St. John (A0.1028711). Using the words of Hildegard Von Bingen, this piece symbolizes the infinite depth, and span of love. Drawing upon the style of chant, and cluster chords, this piece will be a unique addition to your repertoire  

Choral Choir,Choral,SSAA Chorus - Level 4 - Digital Download SKU: A0.1435772 By BYU Women's Chorus. By John Goss (1800-1880). Arranged by Lane Johnson. Christian,Sacred. 26 pages. Lane Johnson Music #1015864. Published by Lane Johnson Music (A0.1435772). A stirring arrangement of Praise, My Soul, the King of Heaven, the beloved Christian hymn. It draws its text from Psalm 103 and was written by Anglican clergyman Henry Francis Lyte. It was first published in 1834. The hymn endures in modern hymnals to a setting written by John Goss in 1868, and remains one of the most popular hymns in English-speaking denominations.This arrangement was commissioned by the BYU Women's Chorus under the direction of Dr. Sonja Poulter and was premiered in the Salt Lake Tabernacle with the accompaniment on the famous Tabernacle organ.Purchase includes both Organ and Piano accompaniment versions.

Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.856211 By Madness. By Labi Siffre. Arranged by Liz Garnett. Oldies. Octavo. 6 pages. Liz Garnett #4313717. Published by Liz Garnett (A0.856211). This song was made famous for people of my generation by Madness, but those just a little older may remember the original version as sung by Labbi Siffre himself.This arrangement draws on the Madness version in the rhythmic feel of its riffs, but honours the song-writer's request to use all the correct lyrics (and I've highlighted the place where Madness don't so you can make sure to get it right too).N.B. This arrangement is notated in treble and bass alta (i.e. sung an octave higher than written) clefs.Vocal RangesTenor: E flat 4 - F5Lead: B flat 3 - C5Bari: B flat 3 - B flat 4Bass: E flat 3 - F4www.HelpingYouHarmonise.com

Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.949381 Composed by Adam Lenhart. Contemporary. Octavo. 11 pages. Adam Lenhart #5305499. Published by Adam Lenhart (A0.949381). The Message is written to evoke a feeling of love and happiness in everything one does. The speaker uses nocturnal events to represent life: although the rain (mournful times) is not here, the stars cannot be seen if one is not opening themselves to love and the beauty life offers. The speaker believes the message should be heard by all, so everyone can witness the stars and encourages others to become messengers themselves.Duration: approx. 5:02The Message was selected as a winner in the 2020 MMEA Honors Composition Contest.---------------------------Adam Lenhart (b. 2002) is a University of Michigan student of music theory, composition, voice and organ from Ottawa Lake, Michigan. As a theorist, his areas of study vary widely, including 18th century counterpoint, the early American Sacred Harp tradition and impressionism. As a composer, his music draws inspiration from nature, mathematics and poetry. In 2020 he was awarded the Michigan Music Education Association’s Young Composers of Michigan award, as well as first prize in the University of Toledo Young Composers competition. Lenhart has also participated in numerous ensembles across Michigan, including the MYAF All-State Choir, Tecumseh Pops Orchestra, University of Michigan Men’s Glee Club and the SMTD University Choir. He thoroughly enjoys collaboration with other composers, performers, poets and visual artists. Some of his recent projects include collaborations with individuals from the University of Michigan Chamber Music, History, and Poetry departments.

SSAA choir and piano, or optional oboe, string quartet, and suspended cymbal - Moderately Easy - Digital Download SKU: MQ.4807A-E Composed by Libby Larsen. Score. 6 pages. E. C. Schirmer Music Company - Digital #4807A-E. Published by E. C. Schirmer Music Company - Digital (MQ.4807A-E). English.Missa Gaia: Mass for the Earth is a creed for our times. The form and spirit of the traditional Mass combines with words that speak of human beings’ relationship to the Earth. The texts are drawn from the Bible, from Native American poets Joy Harjo and Maurice Kenny, from medieval mystic Meister Eckhart, from the Chinook Psalter and from poets M. K. Dean, Wendell Berry and Gerard Manley Hopkins.

Level 3 - Digital Download SKU: A0.1401939 Composed by Camille Saint-Saens. Arranged by Roar Kvam. 19th Century,Christmas,Latin,Praise and Worship,Romantic Period. 64 pages. KVAMusic Edition #985137. Published by KVAMusic Edition (A0.1401939). Charles-Camille Saint-SaeÌ?ns (9 October 1835-16 December 1921) was a French composer, organist, conductor and pianist.He was a musical prodigy and made his concert debut at the age of ten. After studying at the Paris Conservatoire he followed a conventional career as a church organist, first at Saint-Merri, Paris and, from 1858, La Madeleine, the ocial church of the French Empire. After leaving the post twenty years later, he was a successful freelance pianist and composer, in demand in Europe and the Americas. As a young man, Saint-SaeÌ?ns was enthusiastic for the most modern music of the day, particularly that of Schumann, Liszt and Wagner, although his own compositions were generally within a conventional classical tradition. He was a scholar of musical history, and remained committed to the structures worked out by earlier French composers.This brought him into conflict in his later years with composers of the impressionist and dodecaphonic schools of music; although there were neoclassical elements in his music, foreshadowing works by Stravinsky and Les Six, he was often regarded as a reactionary in the decades around the time of his death. He wrote the Oratorio de NoeÌ?l (Christmas Oratorio) at the end of the 1850s and completed it in 1860.The first performanse was at the church La Madeleine in Paris December 1869.The work is dedicated to A Madame la Vicomtesse de Grandval.The work is originally scored for five soloists, soprano, mezzo-soprano, alto, tenor and baritone, mixed choir (except no. 4 which is for SSAA), harp, organ and strings (in this edition the choir has been transcribed for a SSAA choir). Texts in the Oratorio de NoeÌ?l is drawn from the Old and New Testaments: (1. Instrumental).2. Luke 2,8-14. 3. Psalm 39,1. 4. John 11.27. 5. Psalm 117, 26-28. 6. Psalm 2,1 and Gloria Patri. 7. Psalm 109,3 and Graduale. 8. Isaiah 49,13. 9. Lamentations 2,19, Mica 4.13, Zachary 9,9, Isaiah 62,1. 10. Psalm 95,8-9, 11,13.