Choral Choir (SSAA) - Level 4 - Digital Download SKU: A0.939403 Composed by Robert Debbaut. Contemporary. Octavo. 31 pages. ROBERT DEBBAUT #6342191. Published by ROBERT DEBBAUT (A0.939403).  American lyric poet Sara Trevor Teasdale (1884-1933) was the first woman and the first poet to win the Pulitzer Prize for Literature. She won the 1918 Pulitzer Prize for her 1917 collection entitled Love Songs. Teasdale was roundly praised for her lyric mastery and romantic subjects. Her poems most often take on the first person role of their female narrators and protagonists. Teasdale’s first poem was published in 1907. Later that year she published her first collection of poems, Sonnets to Duse and Other Poems, written mainly for the Italian actress Eleonora Duse. In 1911 her second collection Helen of Troy and Other Poems received high praise from critics. Her third collection, Rivers to the Sea from 1915 was and remains a best seller and has been reprinted several times. The three poems used here, Joy, The Answer, and .To Joy all date from 1915. These three poems were also included in her Pulitzer Prize-winning collection Love Songs. Teasdale was born in St. Louis, Missouri on August 8, 1884. She was a sickly child, so much so that she was home schooled. As a young woman she had many suitors, including the poet Vachel Lindsay, who thought he could never provide for her. She eventually married businessman Ernst Filsinger, a great admirer of her poems. The couple relocated to New York City. Filsinger’s constant business travel left Teasdale very lonely and depressed. She eventually relocated to another state so she could quickly divorce him. Filsinger was shocked. Teasdale took up again with Vachel Lindsay, who has himself married and had children. Lindsay committed suicide in 1931 and Teasdale followed likewise two years later. She is interred at Bellefontaine Cemetery in St. Louis.

SSAA choir unaccompanied - Medium - Digital Download SKU: MQ.8437-E Composed by Robert Applebaum. Advanced/Collegiate. Chanukah, 21st Century, Folk Song. Octavo. 15 pages. Duration 3 minutes, 15 seconds. E. C. Schirmer Music Company - Digital #8437-E. Published by E. C. Schirmer Music Company - Digital (MQ.8437-E). UPC: 600313484384. English, Hebrew.Three Pieces for Chanukah is not so much a set of arrangements of familiar words and tunes than it is a set of original compositions based on them. The first two settings feature jazz-influenced, classical harmonic and melodic treatment of the tunes. The mood of the first setting is upbeat and the mood of the second one is more subdued. The mood of the third setting is extremely upbeat; it is composed in a straight funk style, albeit contrapuntal. The front matter to each edition features program notes, a pronunciation guide for the Hebrew words and the Hebrew and English texts.Duration: 3:15.

SSAA choir and piano - Medium - Digital Download SKU: MQ.8439-E Composed by Robert Applebaum. Advanced/Collegiate. Secular, Chanukah, 21st Century. Octavo. 17 pages. Duration 3 minutes, 30 seconds. E. C. Schirmer Music Company - Digital #8439-E. Published by E. C. Schirmer Music Company - Digital (MQ.8439-E). UPC: 600313484391. English, Hebrew.Three Pieces for Chanukah is not so much a set of arrangements of familiar words and tunes than it is a set of original compositions based on them. The first two settings feature jazz-influenced, classical harmonic and melodic treatment of the tunes. The mood of the first setting is upbeat and the mood of the second one is more subdued. The mood of the third setting is extremely upbeat; it is composed in a straight funk style, albeit contrapuntal. The front matter to each edition features program notes, a pronunciation guide for the Hebrew words and the Hebrew and English texts.Duration: 3:30.

SSAA choir unaccompanied - Moderately Difficult - Digital Download SKU: MQ.8438-E Composed by Robert Applebaum. Advanced/Collegiate. Chanukah, 21st Century. Octavo. 10 pages. Duration 3 minutes, 45 seconds. E. C. Schirmer Music Company - Digital #8438-E. Published by E. C. Schirmer Music Company - Digital (MQ.8438-E). UPC: 600313484377. English, Hebrew.Three Pieces for Chanukah is not so much a set of arrangements of familiar words and tunes than it is a set of original compositions based on them. The first two settings feature jazz-influenced, classical harmonic and melodic treatment of the tunes. The mood of the first setting is upbeat and the mood of the second one is more subdued. The mood of the third setting is extremely upbeat; it is composed in a straight funk style, albeit contrapuntal. The front matter to each edition features program notes, a pronunciation guide for the Hebrew words and the Hebrew and English texts.Duration: 3:45.

Choral Choir,Choral (SSAA) - Level 4 - Digital Download SKU: A0.1267123 By Meat Loaf. By Jim Steinman. Arranged by Michael Thomas Coull. 20th Century,Contemporary,Pop,Rock,Standards. 18 pages. MTC Publishing #859757. Published by MTC Publishing (A0.1267123). You Took The Words Right Out Of My Mouth - Choral Arrangement for SSAA and Piano by Michael Thomas Coull.You Took the Words Right Out of My Mouth (also known as You Took the Words Right Out of My Mouth (Hot Summer Night)) is the first solo single by the American singer Meat Loaf, released in 1977.  It is a track from his album Bat Out of Hell, written by Jim Steinman. According to his autobiography, Meat Loaf asked Jim Steinman to write a song that was not 15 or 20 minutes long, and, in Meat Loaf’s words, a ‘pop song’.  His autobiography also dates the writing of the song to 1975, the song reportedly being a key factor in Meat Loaf and Steinman deciding to do an album together.  The song was the first single released from the album, with an edit of For Crying Out Loud as the B-side.  The record peaked at No. 73 in the Record World singles chart, and didn't appear at all in Billboard Hot 100.  Billboard reviewed the single, finding the guitar introduction to be energetic, the beat to be ‘catchy’ and the vocal performance to be somewhat similar to Bruce Springsteen.  Billboard also commented on how occasional pauses in the instruments allow the ‘infectious’ vocals to be highlighted.   Following the success of the next two singles, Two Out of Three Ain't Bad and Paradise by the Dashboard Light, the song was re-released in October 1978 with Paradise as the B-side.  This issue peaked at No. 39 on the Billboard Hot 100 chart, over a year after the first release of the song.This exciting and energetic choral arrangement is voiced for SSAA women's choir with piano accompaniment, and will lend a touch of contemporary pop/rock to your next concert.Also available for SATB.

Choral Choir (SSAA) - Level 4 - Digital Download SKU: A0.1178179 By Performed and Recorded by Numerous Artists. By Warner, Warner, Bradbury. Arranged by Douglas E Smith. A Cappella,Barbershop,Christian,Praise & Worship,Religious. Octavo. 3 pages. DouglasESmithPublishers #778144. Published by DouglasESmithPublishers (A0.1178179). A new twist on a popular religious song with two key changes and featuring three different voice parts. The first verse can be sung as a audience sing-a-long if desired. Verses two and three switch to upper voices and then middle voices, then into a robust ending coda.

SSAA choir and piano - Moderately Difficult - Digital Download SKU: MQ.AHM-22-E Composed by Christopher Aspaas. Christmas. Instrument part. 16 pages. Aspen Hill Music - Digital #AHM-22-E. Published by Aspen Hill Music - Digital (MQ.AHM-22-E). English.This setting of ‘Twas in the Moon of Wintertime was created for the Manitou Singers of St. Olaf College and their conductor, Dr. Therees Tkach Hibbard. I was asked to re-arrange my SATB setting of the same tune and text (published by earthsongs) but could not come up with a workable solution. Instead, I started over with a setting for accompanied treble choir and viola knowing the skill and musicianship of violist Dr. Charles Gray, Professor of Music (Viola, Violin, String Literature and Pedagogy). Three tunes are incorporated in this arrangement: Une Jeune Pucelle; Vom Himmel Hoch; and, Veni, Emmanuel. The first tune, Une Jeune Pucelle, is the ‘Twas in the Moon of Wintertime melody, and first appears in fragments within the opening viola solo. The second theme, Vom Himmel Hoch, is found in the viola part in measure 30, and implies the text, “From heaven above to earth I come To bear good news to every home; Glad tidings of great joy I bring, Whereof I now will say and sing...� which matches the unfolding drama of the ‘Twas in the Moon story. The third tune, Veni, Emmanuel, comes in response to the viola solo with the interjection: “Rejoice, rejoice, Emmanuel, shall come to you, O Israel.�.

SSAA choir, a cappella - Digital Download SKU: LX.15-2165R Composed by Giovanni da Palestrina. Edited by Raymond Sprague. Janet Galván Women's Choral. Concert. Octavo. 12 pages. Roger Dean Publishing #e15/2165R. Published by Roger Dean Publishing (LX.15-2165R). UPC: 000308110425.This is the second of Three Marian Antiphons for Treble Choir. The first is Salve Regina, also published by Roger Dean (15/1853R), and the third will follow next year. Written in two sections--the first, long and legato; the second, very rhythmic--this is sure to become a standard in the women's repertoire for colleges and festivals.

Choral Choir,Choral (SSAA) - Level 4 - Digital Download SKU: A0.1344227 By Grace Featuring G-eazy. By Grace. Arranged by Liz Garnett. A Cappella,Barbershop,Pop. 5 pages. Liz Garnett #929713. Published by Liz Garnett (A0.1344227). This is a song that, paradoxically, feels both evocative of a particular historical moment and timeless. In it's first guise, as sung by Lesley Gore in 1963, it is a harbinger of both the sexual revolution and Second Wave feminism. Three decades later, as the closing sequence to the movie The First Wives Club, it is full of  confidence and joie de vivre, but by 2016, when released by Grace, it has turned darker, as G-Eazy's rap dramatises the controlling man the song addresses.This arrangement positions the song as a statement of strength and defiance, and re-appropriates material from the rap to craft an original bridge.n.b. This arrangement is notated in treble and bass alta (i.e. sounding an octave higher than written) clefs.Vocal Ranges:Tenor: E flat 4 - F5Lead: G3 - D5Bari: G3 - C5Bass: D3 - F#4www.HelpingYouHarmonise.com

SSAA choir, piano, and optional string quartet - Medium - Digital Download SKU: MQ.1.3548-E Composed by Michael John Trotta. 9 pages. Duration 2 minutes, 50 seconds. Galaxy Music Corporation - Digital #1.3548-E. Published by Galaxy Music Corporation - Digital (MQ.1.3548-E). English.Written for the Jacksonville Children's Chorus, this SSAA setting of a Sara Teasdale text opens with a sort of call and response between the voices. The music then transitions to a contrasting key and a stark contrast featuring the chorus alone. The beginning theme is heard again, concluding the piece with the repeated text, I love, I am loved. The first movement of the three-movement work, I Will Sing to the Stars. Duration 2:50.

Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.1214677 By Little Eva. By Carole King and Gerry Goffin. Arranged by Karen Ivana. 20th Century,Pop. Octavo. 13 pages. Karen Ivana #811664. Published by Karen Ivana (A0.1214677). The seventh most popular single of all time in the USA music charts, it was first performed by Little Eva, an unknown singer who was Carole King's baby-sitter. It has been covered most notably by Kylie Minogue.In an adaptable arrangement for SSAA choir, featuring three harmony lines, and a melody line which can be sung by different sections of the choir as liked.

Choral Choir (SSAA) - Level 2 - Digital Download SKU: A0.856153 By The Beach Boys. By Brian Wilson and Tony Asher. Arranged by Helping You Harmonise. Pop,Rock. Octavo. 2 pages. Liz Garnett #3591543. Published by Liz Garnett (A0.856153). From the Pet Sounds album, this song sees the Beach Boys move from their happy-boppy-surfing persona into a more three-dimensional and emotionally engaged world. When it was first released it was much more successful in the UK than in America, though it has come to be recognised as a real landmark in twentieth-century popular music. The arrangement was commissioned to sing at a wedding.It is notated in the traditional clefs for women's barbershop: treble and bass alta (i.e. sung an octave higher than written)Vocal Ranges:Tenor: F4 - E flat 5Lead: B flat - DBari: C4 - B flat 4Bass: E flat 3 - E flat4www.HelpingYouHarmonise.com