Choral Choir,Choral,SSAA Chorus - Level 3 - Digital Download SKU: A0.1476648 Composed by Christophe Beck, Frode Fjellheim, Kristen Anderson-Lopez, and Robert Lopez. Arranged by Alex Lamb. 21st Century,A Cappella,Broadway,Film/TV,Multicultural,Musical/Show,World. 4 pages. Alex Lamb #1054160. Published by Alex Lamb (A0.1476648). SSAA choral arrangement of 'Vuelie' from the 2013 Disney film 'Frozen'.About the ArrangerAlex Lamb graduated from the Reid School of Music at the University of Edinburgh in 2016. He has played piano for a wide variety of ensembles, especially choirs, since the age of 16. His experience has allowed him to create his own arrangements which are focussed on giving effective and entertaining adaptations, with sensitive and intelligent accompaniments.

Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.1080049 By Zedd, Maren Morris & Grey. By Anton Zaslavski, Jordan Johnson, Kyle Trewartha, Marcus Lomax, Michael Trewartha, Sarah Aarons, and Stefan Johnson. Arranged by Klara Hens. A Cappella,Pop. Octavo. 7 pages. Klara Hens #684283. Published by Klara Hens (A0.1080049). A capella arrangement for intermediate pop SSAA-Choir or vocal ensemble. The Middle is well known EDM Song that was rearranged for treble voices. The arrangement focusses on the buring question why don't you just meet me in the middle? that is constantly asked in the chorus. While the original is a song you can dance to, the lyrics tell a story of despair and resignation that are highlighted in the SSAA-Arrangement through dynamics, reharmonization and the use of breaks. It shows the beauty and strenght of close harmony voicings while showing both a strong and fragile side of SSAA choirs.

Choral Choir,Choral (SSAA) - Level 3 - Digital Download SKU: A0.1378011 By Matt Maltese. By Matt Maltese. Arranged by Rowena Harper. A Cappella,Barbershop. 3 pages. Rowena Harper #962631. Published by Rowena Harper (A0.1378011). Originally written by Matt Maltese, this song was made popular by Sarah Cothran.  It was written about a ficitious situation where two people were spending their last moments alive together, having just pushed a button to nuke the world!  As a song, it highlights how human beings can completely lose sight of the bigger picture, whilst focusing only on themselves.   Purchasing allows printing of one copy, and one copy per singer is required.Key: Ab majorRange (Lowest-Highest): Bass F3-F4, Baritone C4-C5, Lead Bb3-D5, Tenor F4-F5. (Note: This sheet music is notated in barbershop format: Tenor (S.1) and Lead (S.2) in treble clef , Baritone (A.1) and Bass (A.2) in bass clef. The Bass clef parts are sung an octave higher than written.) Contact: acappellatenor@gmail.com or on Facebook: Rowena Harper Arrangements

Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.912117 Composed by Angelina Panozzo. 20th Century,Contemporary,New Age,Spiritual. Octavo. 10 pages. Angelina Panozzo #23217. Published by Angelina Panozzo (A0.912117). Using the text from renowned poet Ella Wheeler Wilcox's poem Night, this piece for SSAA women's chorus uses ethereal yet accessible voicings within an intermediate range. This piece would work very effectively in a program focusing on celestial subject matter or nature. If you have any questions or comments, you can find me at AngelinaPanozzo.com. Happy music making!

Choral Choir,Choral (SSAA) - Level 4 - Digital Download SKU: A0.771096 By Queen. By Freddie Mercury and Frederick Mercury. Arranged by Stuart McSweeney. Contemporary,Pop,Rock. 15 pages. Stuart McSweeney #3516105. Published by Stuart McSweeney (A0.771096). SSAA arrangement of Don't Stop Me Now with piano accompaniment. The melody is swapped around the vocal parts rather than focused on just one.

Choral Choir (SSAA) - Level 4 - Digital Download SKU: A0.955518 By The Mamas And The Papas. By John Phillips and Michelle Phillips. Arranged by Katherine Bodor. A Cappella. Octavo. 10 pages. Katherine Bodor #5714881. Published by Katherine Bodor (A0.955518). A cappella arrangement of California Dreamin'. Voicing is SSSAA+Lead+VP. The arrangement, like the original song, requires focused, resonant singing. Intended for an intermediate to advanced high school or collegiate ensemble.

Choral Choir (SSAA) - Level 4 - Digital Download SKU: A0.875863 By Sara Bareilles. By Sara Bareilles. Arranged by Blake Richter. A Cappella,Pop. Octavo. 12 pages. Blake Richter Productions #6266779. Published by Blake Richter Productions (A0.875863). Soft Place to Land is a song sung by Jenna, Becky, and Dawn in Act I of the musical, Waitress, featuring music by my favorite artist of all time, Sara Bareilles. This song is sung in the kitchen of Joe’s Diner as Jenna is making a pie. This song focuses on the importance of dreams and the importance of believing in yourself. This arrangement was created for Nixa High School’s winter musical revue, Unpredicted Virtue in 2021. This piece is highly accessible for high school treble ensembles and a cappella groups.

Choral Choir (SSAA) - Digital Download SKU: A0.856160 Composed by Justin Hurwitz. Arranged by Liz Garnett. Contemporary. Octavo. 5 pages. Liz Garnett #3684039. Published by Liz Garnett (A0.856160). This arrangement takes both the original version of the song from La La Land and Sheridan Smith's cover as points of reference, and develops into a barbershop contest ballad.* It is conceived for a free, rubato style that focuses on the lyric and gives the melody room to breathe, with a contrasting Bridge that picks up a more driving rhythm and the swing feel from the reference versions.The arrangement is notated in the traditional clefs for women's barbershop: treble and bass alta (i.e. sung an octave higher than written)* Suitable for contest under BHS rules rather than SAIVocal ranges:Tenor: E flat 4 to F5Lead: C4 - D5Bari: A3 - C5Bass: D3 - G4www.HelpingYouHarmonise.com

SSAA choir, Piano (With Optional Accompaniment MP3) - Digital Download SKU: LX.15-3976H Composed by David Gantz. Arranged by Masa Fukuda. Educational, Concert. Octavo. 16 pages. Heritage Music Press - Digital #e15/3976H. Published by Heritage Music Press - Digital (LX.15-3976H). Beginning with an expressive and conversational solo, this encouraging modern ballad focuses on the significance of teamwork and that together, we can accomplish more. The beautifully recorded accompaniment track enhances the compelling style and groove in performance. Led by numerous solos throughout, this selection is a wonderful opportunity to feature multiple soloists.

Choral Choir,Choral,SSAA Chorus - Level 4 - Digital Download SKU: A0.1417423 Composed by Oscar Hammerstein and Richard Rodgers. Arranged by Gloria Price Moser. 20th Century,A Cappella,Broadway,Contemporary,Musical/Show,R & B. 17 pages. Gloria Price Moser #998961. Published by Gloria Price Moser (A0.1417423). This familiar song from the musical South Pacific has been modernized and arranged for SSAA a cappella ensemble with solo and improvisational opportunities. (Runs written as suggestions.)  This moving, emotional arrangement focuses on the idea that racism is something completely unnatural which must be taught by bigots in order to survive. The message is for people to be very considerate in the ways we speak with children about race. This song and its message are just as relevant now as it was when it was published in 1949.

Choral Choir,Choral (SSAA) - Level 3 - Digital Download SKU: A0.1014650 By David Brooks And Marion Bell. By Frederick Loewe. Arranged by Kathryn Sherman. Contemporary,Jazz. 35 pages. Kathryn Sherman #6453753. Published by Kathryn Sherman (A0.1014650). Challenge your treble ensemble to sing soft unisons and close harmony with this tender reharmonization and reinterpretation of Lerner & Loewe's classic, Almost Like Being in Love. The improvisation section can feature vocalists, instrumentalists, or both, challenging soloists to focus on creating melodies over these adapted chord changes.For more of Kathryn's music, you can find her at katsherman.com or on Instagram @katshermanmusic. You can also reach out via email at kat@katsherman.com.

Choral Choir,Choral,SSAA Chorus - Level 3 - Digital Download SKU: A0.1491205 By The Police. By Sting. Arranged by Carolyn Curry. A Cappella,Pop,Rock. 8 pages. Carolyn Curry #1067940. Published by Carolyn Curry (A0.1491205). A rhythmically straightforward arrangement of The Police's Roxanne for a cappella SSAA plus Alto solo. Contralto alternates between laid-back verses and driving choruses. This arrangement has simple but satisfying rhythms that leave room to focus on the harmonic color of the piece.

SSAA choir and piano - Digital Download SKU: MQ.6813-E Composed by Gwyneth W. Walker. African American Heritage. 16 pages. E. C. Schirmer Music Company - Digital #6813-E. Published by E. C. Schirmer Music Company - Digital (MQ.6813-E). English.Spirituals is about strength. It opens with ascending patterns representing the rising shafts of mountains...something strong to put my hands on. The focus then shifts to the strength of song in times of trouble: I heard my mother singing when life hurt her: Gonna ride in my chariot someday! The music then rises to the affirmation: Sing, O black mother! Song is a strong thing..

Choral Choir (SSAA) - Level 4 - Digital Download SKU: A0.927001 Composed by Randi Grundahl Rexroth. Contemporary,Jazz. Octavo. 8 pages. Randi Rexroth #3487997. Published by Randi Rexroth (A0.927001). This is the perfect piece for any concert with an environmental focus that needs a little giggle. Also available in SATB. Purchasers of this arrangement receive live performance rights, recordings rights (live or remote), and the right to post your recording on social media. **Please note that this is for the choir(s) for whom the purchase is being made. Please do not share the resources with other choirs/choir directors. **

Choral Choir (SSAA) - Level 2 - Digital Download SKU: A0.856166 By Miley Cyrus. By Robert Hazard. Arranged by Liz Garnett. Pop. Octavo. 5 pages. Liz Garnett #3868607. Published by Liz Garnett (A0.856166). This song was originally written and recorded in 1979 by Robert Hazard, who presented it from a male point of view, but it was made famous by Cyndi Lauper in 1983/4. Lauper tweaked the lyrics to turn it into a celebration of both female pleasure and female autonomy, and in doing so overturned the stereotypes of feminism of the era - becoming the voice of girl power for the generation before the Spice Girls.Lauper has reworked the song into two subsequent versions, but this arrangement is based firmly on the 1980s version. It was written for a series of one-day workshops, and so was designed to combine musical interest for people spending a whole day singing it with ease of learning to allow participants to focus on performance elements beyond the notes.The arrangement is notated in the traditional clefs for women's barbershop: treble and bass alta (i.e. sung an octave higher than written).Vocal Ranges:Tenor: E4 – E5Lead: A3 – C#4Bari: A3- B4Bass: E3 – E4www.HelpingYouHarmonise.com