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Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.1282442 By Peter Ilyich Tchaikovsky. By Peter Ilyich Tchaikovsky. Arranged by Russian for Singers. 19th Century,Classical,Instructional,Opera,Romantic Period. Octavo. 13 pages. Natalia Melnik #873753. Published by Natalia Melnik (A0.1282442). Tchaikovsky Chorus of Maidens from Eugene Onegin (SSAA)Diction score - sheet music with IPA phonetics, word-by-word translation and grammatically correct translation.FREE DOWNLOAD! A quick and comprehensive tutorial on Russian phonetics: https://www.russian4singers.com/russian-diction-for-singers-1FULL SONG PACK: Diction score (sheet music with IPA phonetics and translations), Diction audio guide (for Soprano and Alto parts), Music coaching audio guide (Voice line + piano line for Soprano and Alto parts), Rehearsal backing track (Piano line only, piano line + S1&2; piano line + A1&2) is available herehttps://www.russian4singers.com/product-page-2/tchaikovsky-chorus-of-maidens-full-packWe are offering a range of Russian diction coaching services:- individual coaching- group webinars- lectures on Russian Music Literature for singers​Please visit our website for more information https://www.russian4singers.com/bookingPlease SUBSCRIBE to Russian for Singers YouTube Channel for free video tutorialsYou can watch a FREE VIDEO DICTION GUIDE for this aria here: Soprano part https://youtu.be/DVCUsOZ_XrEAlto part https://youtu.be/AxpeSnjxAkQ
"Eugene Onegin": "Chorus of Maidens" DICTION SCORE w IPA & translation
Chorale SSAA
Peter Ilyich Tchaikovsky
$12.50 10.77 € Chorale SSAA PDF SheetMusicPlus

Choral Choir (SSAA) - Level 5 - Digital Download SKU: A0.856207 By Mika. By Dan Warner, Jodi Marr, John Merchant, and Mika. Arranged by Liz Garnett. Dance,Pop. Octavo. 6 pages. Liz Garnett #4312139. Published by Liz Garnett (A0.856207). Mika's hit from 2007 is an exuberant (and at times petulant) critique of the way the music industry seeks out individuality and talent, then insists on working it over into safely commercial products. (Of course, that he had such success with it suggests that things aren't quite as bad as the song makes out.) But the song also works as a more general statement about everyone's personal stand against the tyranny of our peers' expectations.The original has a very rangy melody, which carries a considerable variety of vocal characterisation. The arrangement unfolds this onto the four different parts, each taking on certain aspects of the line's mercurial identity. Sharing the melody's vocal demands around does not necessarily make either the characterisation or the ranges easier, however, since it also means that every part is switching between lead and accompanying roles, at times quite quickly. So it needs generous ranges, quick-wittedness and - above all - performative swagger to carry it off.There is space for the snippets of dialogue from the original track; but whether (and how much) to use it would depend on the performance situation. My own feeling would be that the middle one ('getting angry won't solve anything') works just fine slotted in between the verses, but that the snippets at start and end would need more setting up to make sense to an audience unfamiliar with Mika's recording.N.B. This arrangement is notated in treble and bass alta (i.e. sung an octave higher than written) clefs.Vocal Ranges:Tenor: E flat 4 - F5Lead: F3 - F5Bari: G3 - C5Bass: E flat 3 - B flat 4NB - the list price includes 4 copies of the music
Grace Kelly
Chorale SSAA
Mika
$12.99 11.19 € Chorale SSAA PDF SheetMusicPlus

Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.953625 Composed by Adrienne Inglis (ASCAP). Contemporary,Latin. Octavo. 5 pages. Adrienne Inglis (ASCAP) #6405603. Published by Adrienne Inglis (ASCAP) (A0.953625). La ciudad sumergida (The Submerged City) for four-part treble chorus and nature soundtrack by Adrienne Inglis (ASCAP) Commissioned for Dr. Ramona M. Wis and the North Central College Women’s Chorale A setting of an excerpt of Río de La Plata en lluvia from Mascarilla y Trébol (1938) by Alfonsina Storni (1938) Copyright © 2020 Adrienne Inglis Founder, composer, and singer with Inversion Ensemble of Austin, Texas, Adrienne Inglis also serves as principal flute with the Central Texas Philharmonic, flute instructor at Southwestern University, and flutist with flute/harp duo Chaski. She has music degrees from Lewis and Clark College and the University of Texas at Austin. An avid birder and environmentalist, she lives in the rural hill country of Central Texas. Poet Alfonsina Storni began writing during a tumultuous childhood fraught with economic hardships, many disruptive moves, and an alcoholic father. She danced with a theatrical troupe and then became a teacher and journalist. She bore a child out of wedlock and found herself working as a single mother during socially oppressive times. In Buenos Aires she joined the emerging world of women’s rights, becoming an important literary voice in the movement. When her breast cancer returned, her lifelong passion for the sea culminated in her suicide off of the coast of Argentina. Río de La Plata en lluvia from Mascarilla y Trébol (1938) lines 1-4 by Alfonsina Storni in the public domain Ya casi el cielo te apretaba, ciego, y sumergida una ciudad tenías en tu cuerpo de grises heliotropos neblivelado en su copón de llanto. [The sky was about to embrace you, blind, and you had in your body of gray heliotropes a submerged city, with the misty sky like a chalice about to overflow with tears.] Program note: Commissioned for Dr. Ramona M. Wis and the North Central College Women’s Chorale of Naperville, Illinois, La ciudad sumergida (The Submerged City) by Adrienne Inglis for four-part treble chorus with nature soundtrack captures the mood of a river, a city, the cloudy sky, and the poet’s own profound melancholy. The sound of rain creates both the ambiance of a misty day on the river and the sensation of cathartic crying from great sadness and pain. The city’s reflection on the river’s surface gives the illusion that the city is submerged in the water. The reflection of the clouds hovering low over Río de La Plata looks like gray heliotrope flowers. The apocalyptic images of a submerged city and of tears overflowing from the chalice-sky eerily foreshadow rising sea levels due to anthropogenic global warming. The nature soundtrack of rain was recorded by the composer in the hill country of central Texas, July 2020. Performance note: This aleatoric, asynchronous composition is suitable for remote singing along with the video score and nature soundtrack. Observe the order of entrances, but know that it’s not meant to line up exactly. Finish a phrase even if another phrase has started. Diphthongs move immediately to the second vowel sound. Ya begins with the [dÊ’] sound and llanto begins with the [Ê’] sound, both typical of the Buenos Aires accent. Sing quite expressively except for the neblivelado section which is misty and veiled. The director may wish to indicate the rehearsals numbers or the singers may follow the time on the video-or both. Duration: 3:08 Link to video with soundtrack is available from the composer (http://adrienneinglis.com). Acknowledgements: The composer warmly thanks Pablo and Diana Donatti, Ãngeles Rodríguez Cadena, and Emilio Torres for their contributions to this project and to Dr. Ramona M. Wis and the North Central College Women’s Chorale for the generous commission. Copyright © 2020 Adrienne Inglis | http://adrienneinglis.com
La ciudad sumergida (The Submerged City) for SSAA treble voices and nature soundtrack
Chorale SSAA

$3.99 3.44 € Chorale SSAA PDF SheetMusicPlus

Choral Choir (SSAA) - Level 2 - Digital Download SKU: A0.991483 By Elvis Presley. By Baker Knight. Arranged by Liz Smith. A Cappella,Rock. Octavo. 4 pages. Liz Smith #3872949. Published by Liz Smith (A0.991483). A favourite of Elvis's concert songs, with the live recording being released as a single.  Notated in traditional barbershop style: Treble clef for Tenor (Soprano 1-harmony) and Lead (Soprano 2-melody); Octave Bass Clef for Baritone (Alto 1) and Bass (Alto 2). Bass clef parts are sung an octave higher than written. First verse has the  melody in the Lead part; second verse has the melody in the Bass part. Purchase price of $12.99 includes four copies. PDF download includes four copies of the arrangement.  Computer generated teach tracks are available (free) if you complete the form at this link https://forms.gle/RFHJmGWK11N4zNreA
The Wonder Of You
Chorale SSAA
Elvis Presley
$12.99 11.19 € Chorale SSAA PDF SheetMusicPlus

Choral Choir (SSAA) - Level 4 - Digital Download SKU: A0.1016459 Composed by Lionel Bart. Arranged by William J. Bullock. 20th Century,A Cappella,Broadway,Musical/Show,Pop,Standards. Octavo. 6 pages. William Bullock #5739293. Published by William Bullock (A0.1016459). A Bullock Editions publication for SSAA a cappella chorus: As Long as He Needs Me-Chorus & Piano Reduction. Music and Lyrics: Lionel Bart. Arrangement: William J. Bullock. Duration: 2:40.  Arranger’s Note: Verse and AABA refrain included; final BA sections repeated with a modulation up a minor third for the final A section.  Formats: Chorus & Piano Reduction (H0.784257-SC001253469). [Sounds on sample audio are computer-generated without text]
As Long As He Needs Me
Chorale SSAA

$2.15 1.85 € Chorale SSAA PDF SheetMusicPlus

Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.760664 By Mary Rice Hopkins. By Gene Raskin. Arranged by Raymond Fenech. 20th Century,A Cappella,Contest,Festival,Instructional,Pop. Octavo. 10 pages. Raymond Fenech #5766351. Published by Raymond Fenech (A0.760664). Those Were the Days is a song credited to Gene Raskin, who put a new English lyric to the Russian romance song Dorogoi dlinnoyu composed by Boris Fomin (1900–1948) with words by the poet Konstantin Podrevsky. It deals with reminiscence upon youth and romantic idealism. Mary Hopkin's 1968 debut single of Those Were the Days, which was produced by Paul McCartney of the Beatles, became a number one hit on the UK Singles Chart. It was number one in the very first edition of the foreign singles sales chart.This piece is arranged for SSAA Female Choir (A Cappella). The duration is 2.43 minutes and Intermediate level.Contact for other voices arrangements:  rfenech58@gmail.com
Those Were The Days
Chorale SSAA
Mary Rice Hopkins
$4.00 3.45 € Chorale SSAA PDF SheetMusicPlus

Choral Choir (SSAA) - Level 4 - Digital Download SKU: A0.512661 By N Sync. Arranged by Theodore Hicks. Pop. Octavo. 7 pages. Theo Hicks Music #4967597. Published by Theo Hicks Music (A0.512661). A beautiful love song made famous by *NSYNC, this new arrangement was premiered by the Barbershop Harmony Society's 2018 Next Generation Varsity Youth Quartet Champions, Frontier. This piece works well for small ensemble (quartet minimum) or a large choir.This song is contestable in Barbershop Harmony Society contests, Sweet Adeline's International contests, and Harmony Incorporated contests.Voicings available: TTBB, SSAAFor more information or arrangement titles from Theodore Hicks, visit www.theohicksmusic.com.LIKE Theo Hicks Music on Facebook at https://www.facebook.com/theohicksmusic/For more information on Frontier Quartet or purchasing their albums, visit https://www.frontierquartet.com/
I Thought She Knew
Chorale SSAA
N Sync Arranged by Theodore Hicks
$4.00 3.45 € Chorale SSAA PDF SheetMusicPlus

Choral Choir (SSAA) - Level 2 - Digital Download SKU: A0.856166 By Miley Cyrus. By Robert Hazard. Arranged by Liz Garnett. Pop. Octavo. 5 pages. Liz Garnett #3868607. Published by Liz Garnett (A0.856166). This song was originally written and recorded in 1979 by Robert Hazard, who presented it from a male point of view, but it was made famous by Cyndi Lauper in 1983/4. Lauper tweaked the lyrics to turn it into a celebration of both female pleasure and female autonomy, and in doing so overturned the stereotypes of feminism of the era - becoming the voice of girl power for the generation before the Spice Girls.Lauper has reworked the song into two subsequent versions, but this arrangement is based firmly on the 1980s version. It was written for a series of one-day workshops, and so was designed to combine musical interest for people spending a whole day singing it with ease of learning to allow participants to focus on performance elements beyond the notes.The arrangement is notated in the traditional clefs for women's barbershop: treble and bass alta (i.e. sung an octave higher than written).Vocal Ranges:Tenor: E4 – E5Lead: A3 – C#4Bari: A3- B4Bass: E3 – E4www.HelpingYouHarmonise.com
Girls Just Want To Have Fun
Chorale SSAA
Miley Cyrus
$1.99 1.71 € Chorale SSAA PDF SheetMusicPlus


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