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Choral Choir,Choral (SSAA) - Level 3 - Digital Download SKU: A0.1396191 Composed by Brendan Graham. Arranged by arranged for solo and SSAA choir by Desmond Earley. Celtic,Irish. 8 pages. Seolta Music Limited #979575. Published by Seolta Music Limited (A0.1396191). Arranged for solo female voice, SSAA choir and piano, this is a song of hope, the hope of a girl to escape the workhouse during the Irish Famine years and to travel to make a new life in Australia. At the time the British Crown was encouraging girls to emigrate as a means to redress the gender balance in the colonies – there were too many men and not enough women. Over four thousand young women took this journey between 1848 and 1850. The composer Brendan Graham expressed his own hope that this song might have significance for the descendants of those girls, many of whom were present at the song’s first performance in 2012 at the Irish Famine Commemoration in Sydney.
Orphan Girl
Chorale SSAA

$2.75 2.36 € Chorale SSAA PDF SheetMusicPlus

Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.945541 By Disposable Thumbs. By Alicia J Augello Cook, Alicia Keys, Billy Squier, Jeff Bhasker, Jeffrey Bhasker, Nicki Minaj, Onika Tanya Maraj, Salaam Remi, and William Squier. Arranged by Celine Durney. A Cappella. Octavo. 12 pages. Celine Mireille Durney #5987643. Published by Celine Mireille Durney (A0.945541). From Girl On Fire (2012) by Alicia KeysLooking for a strong, female empowerment song?! LOOK NO FURTHER - this arrangement is specifically catered to the powerful spirits within high school or collegiate treble-voice a cappella groups!~Lots of rhythmic elements & choral techniques embedded in this contemporary arrangement that are great for ensembles to work on such as aligning shape of vowels (especially as they change from closed to more open), a balance of homophonic vs. polyphonic chord structures/changes/tuning, etc.~Features separate solo line, which can be performed by one singer or easily divided amongst other singers based on sections; duet section also included in at the Coda~Provided notation for either body percussion (specifically claps & stomps) OR vocal percussion - refer to original song as well as demo for ideas on how to emphasize notated rhythms or other rhythmic patterns added based on the provided notationRanges:S1 - C4-Eb5S2 - C4-C5A1 - Bb3-Bb4A2 - Ab3-Bb4.
Girl On Fire (inferno Version)
Chorale SSAA
Disposable Thumbs
$3.99 3.42 € Chorale SSAA PDF SheetMusicPlus

Choral Choir (SSAA) - Level 4 - Digital Download SKU: A0.1178138 Composed by Adrienne Inglis (ASCAP). Christian,Classical,Early Music,Sacred,Spiritual. Octavo. 14 pages. Adrienne Inglis (ASCAP) #778101. Published by Adrienne Inglis (ASCAP) (A0.1178138). Gorgeous sacred piece in Middle English for SSAA and Bb clarinet! Perfect for Holy Week, Easter, Good Friday, Maundy Thursday, environmental, nature, mystical, contemplative concerts! Julian’s Hazelnut (2022) by Adrienne Inglis (ASCAP)SSA treble chorus and B flat clarinetText: The Shewings of Julian of Norwich, Part 1 Lines 148-154 by Julian of Norwich (about 1343 - after 1416)Commissioned by Inversion Ensemble for Da Capo’s Origins concertDuration 3:50 minutesDifficulty 4 (Auditioned Chorus)Language — Middle English (with Original Pronunciation from David Crystal)Original Pronunciationhttp://originalpronunciation.com/GBR/Home The perusal score video will be included on this YouTube playlist soon.https://www.youtube.com/playlist?list=PLY9Jh0jT7VQvcM78yozLNYpIXeWzJjMPsPerformances:21 Jan 2023 at 7 PM Inversion Ensemble and clarinetist Brendan Fairleigh (world premiere) in Austin, TexasCommissioned by Inversion Ensemble for Da Capo’s January 2023 Origins concert, Julian’s Hazelnut (2022) by Adrienne Inglis sets text by Julian of Norwich for treble voices and B flat clarinet. Born in about 1343 in Norwich, England, Julian survived the Black Plague as a girl of six. She became an anchoress at St. Julian’s Church in Norwich where she lived in prayerful seclusion. In 1373, she became very sick at age 30. Near the point of death, a curate showed her a crucifix for comfort. She then experienced a series of intense visions of Christ and recovered from her illness to write eloquently about her “shewings.†The beautiful Medieval English text for this piece is from The Shewings of Julian of Norwich, Part I lines 148-154 in which Julian reflects on the vision she experienced about a hazelnut in the palm of her hand. She comes to understand that God loves even a small, ordinary thing like a hazelnut, such that it will not disintegrate but last forever because of God’s love for it. In Julian’s vision, the hazelnut symbolizes all that is made — all of Creation that God made and loves forever. The music combines Medieval sounds and counterpoint with lush, modern harmonies, woven together with the smooth color and elegant lines of the clarinet. Singers use Original Pronunciation to capture the lyricism of Julian’s words. May this piece inspire the same awe and amazement at God’s beloved Creation that Julian felt centuries ago.http://adrienneinglis.com.
Julian's Hazelnut for SSAA and B flat clarinet
Chorale SSAA

$1.99 1.71 € Chorale SSAA PDF SheetMusicPlus

Choral Choir (SSAA) - Level 4 - Digital Download SKU: A0.1040536 By Alan Wagstaff. By Alan Wagstaff. Arranged by Alan Wagstaff. Celtic,Folk,Irish,Traditional. Octavo. 45 pages. Alan Wagstaff #639233. Published by Alan Wagstaff (A0.1040536). 'Do As You Will' is a folksy, Celtic feel choral song arranged for SSAA -with harp, flute, fiddle, and accordion accompaniment. Its shifting tonality adds complexity. The lyric is female point of view: Do As You Will Once I had a soldier lad who swore he’d love me truly. Ah! But now those days are gone! When the battle raged he turned his heel and followed duly. I gave him the salute and soldiered on. The wind’s about the barley and the mice are in the meal, so rise up bright and early all young lasses if you would do as you will. Then I loved a farmer’s son whose trinkets were his kisses. Ah! But now those days are gone! But on the road to market he had scores of narrow misses. I tossed him out for chaff and ploughed straight on. The wind’s about the barley and the mice are in the meal, so rise up bright and early all young lasses if you would do as you will. Next I had a blacksmith who was swarthy, dark, and handsome. Ah! But now those days are gone! He stole away my store of coin and ran off with the ransom. I hope he finds the fires! I’m forging on! The wind’s about the barley and the mice are in the meal, so rise up bright and early all young lasses if you would do as you will. Jack the Tinker courted me, and he was ever willing. Ah! But now those days are gone! Everywhere he plied his trade he fell to Jack and Jilling. I rattled his old pans and wandered on. The wind’s about the barley and the mice are in the meal, so rise up bright and early all young lasses if you would do as you will. There’s no faith in any man, not even my own brother. Ah! But would those days were gone! Girls, if you but would, or can, you’d best love one another and leave them all behind and carry on! The wind’s about the barley and the mice are in the meal, so rise up bright and early all young lasses if you would do as you will.
Do As You Will
Chorale SSAA
Alan Wagstaff
$20.00 17.15 € Chorale SSAA PDF SheetMusicPlus

Choral Choir (SSAA) - Level 2 - Digital Download SKU: A0.856219 Composed by Beth Chapman and Patrick Doyle. Arranged by Liz Garnett. Contemporary. Octavo. 3 pages. Liz Garnett #4346679. Published by Liz Garnett (A0.856219). This song is from Chapman's 2005 album Look, and was featured on the soundtrack for the film Calendar Girls. It features a beautifully-shaped melody carrying a simple and sincere expression of love. The arrangement opens and closes with melody-and-accompaniment textures, with the harmony parts singing gentle bell-chords that evoke the backing of the original. As the message becomes more emphatic, all parts join in the words, and then all take on instrumental roles for the more urgent bridge passage.N.B. This arrangement is notated in treble and bass alta (i.e. sung an octave higher than written) clefs.Vocal Ranges:Tenor: F#4 - E5Lead: B3 - B4Bari: B3 - B4Bass: E3 - E4www.HelpingYouHarmonise.com
I Find Your Love
Chorale SSAA

$2.99 2.56 € Chorale SSAA PDF SheetMusicPlus

Choral Choir,Choral,SSAA Chorus - Level 3 - Digital Download SKU: A0.1440294 By The Foundations. By Michael D'Abo and Tony MacAuley. Arranged by Julia Holmber. A Cappella,Comedy,Pop,R & B,Soul. 5 pages. Julia Holmber #1020244. Published by Julia Holmber (A0.1440294). Transport your audience to the iconic sounds of the 1960s with this one-of-a-kind, world's first female a cappella arrangement of Build Me Up, Buttercup - exclusively tailored for women's voices.Whether you're seeking fresh repertoire for competitions, concerts, or just crackling vocal warmups, this digital vocal score is a must-have addition to your a cappella sheet music collection.From the upbeat opening riffs to the unbelievably tight harmonic weaving, every element embraces the quintessential 60s girl-group vibe. But this is no ordinary oldies cover - luxuriate in brand new lyrics seamlessly adapted for female singers.Combining vintage flair with a distinctly modern feminist twist, the arrangement spins the original's playful romantic banter into an empowering celebration of friendship and self-worth. You'll be utterly captivated by the interplay of soaring sopranos, rich altos, and every part in between.Each measure brims with infectious energy and unbridled joie de vivre. The call-and-response sections will have your choir bubbling with banter, while the retro-draped chord progressions set toes tapping. Prepare for nostalgic bliss!Don't miss your chance to buy this premium-quality digital vocal arrangement crafted by a true master of a cappella artistry. Secure your copy now of the world's first '60s pop hit Build Me Up, Buttercup reimagined for the modern women's choir!
Build Me Up, Buttercup
Chorale SSAA
The Foundations
$3.50 3 € Chorale SSAA PDF SheetMusicPlus

Female or girl's choir (SSAA) and organ - easy to intermediate - Digital Download SKU: S9.Q19199 Composed by Raimund Wippermann. This edition: choral score. Schott Choral Music. Downloadable, Choral score. Schott Music - Digital #Q19199. Published by Schott Music - Digital (S9.Q19199). Latin.Raimund Wippermann, born in 1956, studied church and school music in Cologne and Düsseldorf as well as choral conducting at the Stockholm Music Academy. Since 2004 he has been director of the Robert Schumann Hochschule in Düsseldorf. The longing of the believing individual for God's presence in our world in speech and music and making it 'sing' in the end – this is the intention on which this piece is based. In this spirit, the old Advent hymn 'Veni, veni, Emmanuel' is combined here with linguistic and musical expressions of our time. The improvising singing will certainly be delightful for singers of all age groups after initial difficulties. The choral setting with its largely modal harmony is not complicated; however, the singers should have some experience in sustaining dissonances. The piece is ideal to approach sacred evening music in the Advent season, leading to quiet and calm.
Veni, veni, Emmanuel
Chorale SSAA

$3.99 3.42 € Chorale SSAA PDF SheetMusicPlus






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