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Choral Choir,Choral,SSAA Chorus - Level 3 - Digital Download SKU: A0.1506036 By Carole King. By Carole King. Arranged by David Maddux. Pop. 10 pages. David Maddux #1081419. Published by David Maddux (A0.1506036). NOTE: This PDF file contains the piano-vocal part. The orchestration is sold separately. YOU ARE LEGALLY OBLIGATED TO PURCHASE ONE PIANO-VOCAL PDF PER SINGING MEMBER, INCLUDING CONDUCTORS AND ACCOMPANISTS. Explore the poignant themes of conflict and hope with a SSAA arrangement of Carole King's reflective song, Being at War with Each Other. This arrangement captures the soul-stirring essence of the original, weaving complex harmonies and dynamic contrasts to emphasize the call for peace and understanding. Ideal for ensembles looking to deliver a powerful message through music, this piece serves as a compelling reminder of the ongoing struggle for harmony in a discordant world.
Being At War With Each Other
Chorale SSAA
Carole King
$5.25 4.48 € Chorale SSAA PDF SheetMusicPlus

Choral Choir,Choral,SSAA Chorus - Level 3 - Digital Download SKU: A0.1475304 Composed by Jocelyn Scofield. 21st Century,A Cappella,Singer/Songwriter. 33 pages. Bilsco Music #1052847. Published by Bilsco Music (A0.1475304). SCORES INCLUDED:Full Score & Parts Scores: Solo+Sopranos, Mezzos+Altos, CajonPERFORMANCE NOTES FROM THE COMPOSER:I AM is a singing meditation. It is both a piece that honors the individual and the whole. It is meant to affirm an individual's worth, as well as the whole collective. When a choir prepares for a performance, they rehearse a piece dozens if not hundreds of times. I wanted the experience of rehearsing I AM to be an ongoing declaration of the singer’s value. Therefore, every phrase in this piece is an affirmation. When a singer finds themselves singing the piece outside of rehearsal, they will be singing words that are positive and affirming. I cannot express how much joy that brings me as a composer.Musically, I AM is both complex, with its 7-part vocal split, contrasting rhythms, and varying accents, yet simple in its repetition, lyrics, and tonality. Each of the 7 parts sings a unique affirmation throughout the piece. They are simple statements like, I am enough and I am love, but can hold so much complexity depending on an individual's relationship with the statement. In the middle of the piece, there is an aleatoric section where each singer contributes their unique affirming statement. It creates a chaotic building of sound before coming together for the first and only time in the piece to sing I AM as a whole choir in block chords.  It is one of my favorite moments in the piece because simple and complex are just a beat apart.I AM was commissioned by the Grand Rapids Women's Chorus and premiered on May 10, 2024.  If you would like to hear more about the creation of the piece, you can hear the composer's original explantions on Youtube.
I AM
Chorale SSAA

$4.99 4.26 € Chorale SSAA PDF SheetMusicPlus

Choral Choir (SSAA) - Level 4 - Digital Download SKU: A0.945537 By Rihanna. By Jesse Shatkin, Robin Fenty, and Sia. Arranged by Celine Durney. A Cappella,Dance,Pop,R & B. Octavo. 6 pages. Celine Mireille Durney #5970825. Published by Celine Mireille Durney (A0.945537). From the motion picture Star Trek Beyond (2016) by RihannaGreat for high school or collegiate treble-voice a cappella groups! ~Starts off with ominous introduction (d minor) & then, with ongoing crunchy harmonies, shifts quickly into D Major~Lots of choral techniques embedded in this contemporary arrangement that are great for ensembles to work on such as aligning shape of vowels (especially as they change from closed to more open), homophonic chord structures/changes/tuning, staggered breathing within longer phrases, etc.~Features separate solo line, which can be performed by one singer or easily divided amongst other singers based on sections; moments of ensemble echoing the solo as well as having the melody bounce between parts in absence of solo ~Can be well-executed with OR without vocal percussion; notes for vocal percussion are included in score & should be minimal as the main driving force of the song is in the DYNAMICS, EMOTION, & PHRASING of the pieceRanges:S1 - D4-G5S2 - D4-D5A1 - Bb3-G4A2 - F3-F#4.
Sledgehammer
Chorale SSAA
Rihanna
$3.99 3.4 € Chorale SSAA PDF SheetMusicPlus

Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.856167 By The Zutons. By Abigail Harding, Boyan Chowdhury, David McCabe, Russell Pritchard, and Sean Payne. Arranged by Liz Garnett. R & B,Soul. Octavo. 8 pages. Liz Garnett #3897369. Published by Liz Garnett (A0.856167). Originally released by The Zutons, this song was used by ITV in their coverage of the 2006 FIFA World Cup, and later covered by Mark Ronson and Amy Winehouse. This arrangement is based primarily on the original version, and aims to capture the way the lyrics give a picture of wistfulness and affection in a slightly dysfunctional life, but the music suggests things are probably going to turn out okay.(N.B. This arrangement is notated in treble and bass alta (i.e. sung an octave higher than written) clefs.Vocal ranges:Tenor: G4 - D5
Valerie
Chorale SSAA
The Zutons
$2.99 2.55 € Chorale SSAA PDF SheetMusicPlus

Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.996562 Composed by Bert Kalmar and Harry Ruby. Arranged by Rebecca J. Wood. Contemporary. Octavo. 5 pages. Rebecca J. Wood #5324809. Published by Rebecca J. Wood (A0.996562). Hear 30 second clip beginning at measure 1. Arrangement about 1 min 30 secs performance time.  I love this little child/mother song. If one keeps the title Angels, the surprise ending will be kept to the end. Lovely harmonies and emotions, with the climax at m 52 followed by the surprise ending.Milk this little song for all it's worth. My heart swells just for going through it in my head!! Feedback would be appreciated.   After thinking about ANGELS, I HAVE TO TELL YOU the most important line in the song. After the Daddy tells the child what angels are, he says, They call them angels in Heaven (beautiful spot in the son), but we call them MOTHERS down here. Such a tear-jerker, I think!!
Angels, We Call Them Mothers Down Here
Chorale SSAA

$12.99 11.08 € Chorale SSAA PDF SheetMusicPlus

Choral Choir (SSAA) - Level 2 - Digital Download SKU: A0.856218 By Dolly Parton. By Dolly Parton. Arranged by Liz Garnett. Country. Octavo. 2 pages. Liz Garnett #4331261. Published by Liz Garnett (A0.856218). This is a short, two-page arrangement of irrepressibly catchy theme-tune of the 1980 movie of the same title. The words describe the central problem of the film, the music tells you how life-affirming and entertaining the solving it is going to prove.The chart was written to be workshopped, and can be learned and performed in an afternoon, and features vocal ranges accessible to relatively inexperienced singers.N.B. This arrangement is notated in treble and bass alta (i.e. sung an octave higher than written) clefs.Vocal Ranges:Tenor: C#4 - C#5Lead: C#4 - C#5Bari: C#4 - A4Bass: E3 - F#4www.HelpingYouHarmonise.com
Nine To Five
Chorale SSAA
Dolly Parton
$1.99 1.7 € Chorale SSAA PDF SheetMusicPlus

Choral Choir,Choral (SSAA) - Level 2 - Digital Download SKU: A0.1240953 By Frank Sinatra. By Jule Styne and Sammy Cahn. Arranged by Anastasio Rossi. A Cappella,Barbershop,Christmas,Holiday,Pop. 4 pages. Anastasio Rossi #836347. Published by Anastasio Rossi (A0.1240953). Lyricist Sammy Cahn recalls, One day during a very hot spell in Los Angeles the phone rang and it was comoser Jule Styne to say, 'Frank wants a Christmas song.' Cahn resisted. Jule, we're not going to write any Christmas song. After Irving Berlin's 'White Christmas'? The idea's just ridiculous. Styne was emphatic, however. 'Frank wants a Christmas song.'  So they sat down and wrote one for the B-side of Sinatra's White Christmas. Ever since, (1954), The Christmas Waltz has been covered dozens of times over the years by a wide variety of artists, too numerous to include here, and has become a Holiday Standard. Also available for SSAA Barbershop Quartet.Learning tracks available. Contact the arranger at AAR@PRODIGY.NET.
The Christmas Waltz
Chorale SSAA
Frank Sinatra
$2.00 1.71 € Chorale SSAA PDF SheetMusicPlus

Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.856142 Composed by Joe McCarthy, James Monaco. Arranged by Liz Garnett. A Cappella. Octavo. 4 pages. Liz Garnett #3023075. Published by Liz Garnett (A0.856142). Written just before the First World War, this flirtatious song anticipates that world where women were finding a new independence and power, and trying to work out what to do with it. On the one hand, the singer doesn’t want to be unfeminine by making the first move, on the other, she’s going to make a bid for what she wants. Go girl, is what I say.This arrangement is suitable for performance in a barbershop contest, and the Southern Comfort Barber Gals won a bronze medal in the Holland Harmony 2009 chorus contest with this it. It is notated in the traditional clefs for women's barbershop: treble and bass alta (i.e. sung an octave higher than written)Ranges:Tenor: F4 - E5Lead: A flat 3 - C#5Bari: B flat 3 - B4Bass: E flat 3 - F#4www.HelpingYouHarmonise.com
You Made Me Love You
Chorale SSAA

$3.25 2.77 € Chorale SSAA PDF SheetMusicPlus

Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.856253 Composed by George Gershwin and Ira Gershwin. Arranged by Liz Garnett. Contemporary. Octavo. 4 pages. Liz Garnett #6295443. Published by Liz Garnett (A0.856253). This classic ballad by the Gerswhin brothers has a flexible, soaring melody that drapes the emotional narrative over expansive ranges of musical time. At the same time, it scintillates with beautifully-crafted internal rhyme schemes, pointed up by mouth-watering details of alliteration. So, whether you feel the song leads with its melody or its lyrics, it is always going to be one you can sing with relish.N.B. This arrangement is notated in treble and bass alta (i.e. sung an octave higher than written) clefs.Vocal Ranges:Tenor: F4 - E flat 5
Someone To Watch Over Me
Chorale SSAA

$2.99 2.55 € Chorale SSAA PDF SheetMusicPlus






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