Choral Choir (SSAA) - Level 2 - Digital Download SKU: A0.1129858 Composed by Anne Wilson, Jeff Pardo, and Matthew West. Arranged by Jeff Tincher. Christmas,Country,Holiday,Praise & Worship,Singer/Songwriter. Octavo. 16 pages. Jeff Tincher #730269. Published by Jeff Tincher (A0.1129858). Here is the title cut from Anne Wilson'a Christmas EP. In the original key, this song is an uptempo piece that ends with her rendition of the Christmas hymn Away In A Manger. This arrangement keeps the solo and duet stanzas and breaks into 4 part harmony in the last chorus to the end. Duration = 3:55. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing.

Choral Choir,Choral,SSAA Chorus - Level 2 - Digital Download SKU: A0.1492475 By Dua Lipa. By Andrew Wyatt Blakemore, Caroline Ailin, Dua Lipa, and Mark Ronson. Arranged by Rowena Harper. A Cappella,Barbershop,Contemporary,Pop. 6 pages. Rowena Harper #1069151. Published by Rowena Harper (A0.1492475). From the Barbie movie, this arrangement is a fun dance number.  It features a bass solo as well as incrementally layered voice parts, building into the chorus.  It should be a fun arrangement, which would also suit young singers due to the F-lowest bass part.Purchasing allows printing of one copy, and one copy per singer is required.Key: C minorRange (Lowest-Highest): Bass F3-F4, Baritone C4-C5, Lead C4-C5, Tenor A4-Eb5. (Note: This sheet music is notated in barbershop format: Tenor (S.1) and Lead (S.2) in treble clef , Baritone (A.1) and Bass (A.2) in bass clef. The Bass clef parts are sung an octave higher than written.)Contact: acappellatenor@gmail.com or on Facebook: Rowena Harper ArrangementsOriginal Song YouTube Link https://www.youtube.com/watch?v=OiC1rgCPmUQ.

Choral Choir,Choral (SSAA) - Level 2 - Digital Download SKU: A0.1280004 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Dylan Tran. A Cappella,Contemporary,Film/TV,Pop,Singer/Songwriter. 7 pages. Dylan Trần #871424. Published by Dylan Trần (A0.1280004). Accesible yet moving, this arrangement of What Was I Made For? from the blockbuster movie, Barbie, is fit for professional choir, college choir, community choir, highschool choir, a capella groups, vocal pop groups, and more. Renowned composer Dylan Trần uses idiomatic, yet evocative voicings that will immediately reward on first reading as well as in polished performance. Learn more at www.dylantranmusic.comHere's why your choir should embrace Billie Eilish's captivating music— (professional choir, large ensemble, small ensemble, community choir, college choir, highschool choir, pop a capella choir, etc.)Contemporary Relevance: Billie Eilish's music is a cultural phenomenon, deeply resonating with today's generation. By incorporating her songs into your repertoire, your choir can connect with younger audiences, enhancing its relevance and expanding its fan base.Empowering Lyrics: Billie Eilish's lyrics tackle meaningful and often profound subjects, from mental health to self-discovery and social issues. Singing her songs empowers your choir to explore important themes, fostering empathy and emotional depth in their performances.Dynamic Vocal Range: Billie Eilish's music offers a diverse range of vocal styles, from hauntingly soft whispers to powerful belting. Your choir members can showcase their versatility and vocal prowess, honing their skills and challenging their vocal boundaries.Artistic Expression: Embrace the opportunity for creative expression! Billie Eilish's music encourages innovative interpretations, allowing your choir to infuse each performance with its unique artistic flair and captivate audiences with fresh renditions.Fusion of Genres: With elements of pop, alternative, and electronic music, Billie Eilish's songs provide an exciting fusion of genres. Your choir can explore new musical horizons, enriching its repertoire and broadening its musical diversity.Emotional Resonance: Billie Eilish's music evokes a wide range of emotions, from introspection to empowerment. Singing her songs allows your choir to tap into these emotions, forging a deep connection with audiences and leaving a lasting impact.Collaborative Learning: Billie Eilish's intricate compositions present an excellent opportunity for collaborative learning within your choir. By working together to master the nuances of her music, your choir members can strengthen their bonds and elevate their collective musicality.Pushing Boundaries: Billie Eilish's music is known for its boundary-pushing and innovative soundscapes. Embracing her songs encourages your choir to explore new musical territories, pushing the boundaries of traditional choral performances.Embrace the audacious spirit of Billie Eilish's music and witness your choir's performances soar to unprecedented heights of creativity and artistry. Unleash the power of her captivating melodies and thought-provoking lyrics, leaving audiences awestruck and craving more of your choir's extraordinary renditions.

Choral Choir (SSAA) - Level 4 - Digital Download SKU: A0.752231 By Elvis Presley. By Doc Pomus and Mort Shuman. Arranged by Glenda Lloyd. Contemporary. Octavo. 7 pages. Glenda Lloyd #3511187. Published by Glenda Lloyd (A0.752231). His is a fun, energetic song that your audiences will absolutely love. It starts out with vocal stylings which match the original instrumentation, then fills out into a full arrangement as the song progresses. To manage the rangy melody line, the melody moves between voice parts, with the lowest voice singing some of the verse. A terrific opportunity to showcase your singer with the lowest voice!This arrangement is regularly performed by Frenzy! quartet, and was sung by Brindabella Chorus in their international championship package in Las Vegas in October 2017.Also available notated for women's barbershop - see my other listingsThe purchase price entitles you to make four copies of the work, as it has four parts.Visit www.lloydsong.com to see more of my work, or see me on Facebook at https://www.facebook.com/Glenda.LloydSong/

Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.1114573 By Fleetwood Mac. By Stevie Nicks. Arranged by Matthew Udland. A Cappella,Contemporary,Folk,Pop,Singer/Songwriter. Octavo. 6 pages. Midwest A Cappella #716435. Published by Midwest A Cappella (A0.1114573). After the comeback popularity of this song in 2020, Stevie Nicks' Dreams is once again a crowdpleaser! Set for SSAA with a soloist and optional vocal percussionist, this song begins slow and free before breaking into the familiar groove of Fleetwood Mac.

Choral Choir (SSAA) - Level 2 - Digital Download SKU: A0.1087101 By Erasure. By Andy Bell and Vince Clarke. Arranged by Rebecca (Boo) de Bruin. A Cappella,Contemporary,Pop. Octavo. 13 pages. Rebecca de Bruin #691297. Published by Rebecca de Bruin (A0.1087101). Words and Music by Vince Clarke and Andy Bell in 1988. Arranged in 2021 by Boo de Bruin. 13 pages for Sweet Adelines (ladies' barbershop) chorus. (Tenor, lead, baritone, bass are roughly equivalent to SSAA, although lead and baritone have similar - in this case, identical! - ranges, but perform different functions). A Little Respect was written and recorded by English synth-pop duo Erasure, and is known as one of their signature songs. It reached #4 on the UK singles chart, #14 on the US Billboard Hot 100, and #2 on the US Hot Dance Club Songs chart. This arrangement uses words from the song in place of neutral vowels to create an early ostinato (without boring the harmony parts!) before expanding into homorhythm in verse 2. The melody is mainly in the lead part, with the final motif from the chorus passed to the tenors. In the final verse, a key change moves the melody to the basses and baritones, with the leads taking the final phrase. This arrangement was written for a barbershop chorus, and as such the lowest voice part has a lower range than is custom for choral SSAA writing. However, the range of the entire arrangement is quite narrow, and so it could be sung in a higher tessitura without undo strain on the upper voices. Please note: in keeping with normal barbershop practice the men's barbershop voicing names are used (tenor, lead, baritone and bass) and an octave-shifted bass clef is used for the baritone and bass parts. Vocal ranges are: Tenor: D4 - F5 (D above middle C to F above high C) Lead: G3 - C5 (G below middle C to high C) Baritone: G3 - C5 (G below middle C to high C) Bass: D3 - F4 (D below middle C to F above middle C).