Choral Choir,Choral (SSAA) - Level 3 - Digital Download SKU: A0.1377340 By Ambra. By Trad. melody. Arranged by Hannah Sundkvist. A Cappella,Folk,Multicultural,Traditional,World. 6 pages. Hannah Sundkvist #961930. Published by Hannah Sundkvist (A0.1377340). About Ajde JanoI've created a choral arrangement of a traditional Serbian tune called 'Ajde Jano'. This arrangement is specifically crafted for four female voices SSAA, but could also be sung by example SSAT. It's very rhytmical and fun to sing, as well as listen to. For more of this go to:https://sundmusik.com/webbshop/

By Nirvana. Arranged by Theo Janssen. This edition: scorch. Rock. 99 pages. ChorusOnline #15219. Published by ChorusOnline

By Katy Perry. Arranged by Theo Janssen. This edition: scorch. Pop. 141 pages. ChorusOnline #255115. Published by ChorusOnline

By Billie Eilish. Arranged by Theo Janssen. This edition: scorch. Pop. 106 pages. ChorusOnline #309170. Published by ChorusOnline

By The Jacksons. Arranged by Theo Janssen. This edition: scorch. Funk,Oldies,Pop. 142 pages. ChorusOnline #105866. Published by ChorusOnline

By Tina Turner. Arranged by Theo Janssen. This edition: scorch. Pop. 145 pages. ChorusOnline #950188. Published by ChorusOnline

Seven nonsense poems. Composed by Minas Borboudakis. Downloadable, Choral score. Moseler Verlag #Q561932. Published by Moseler Verlag

SSAA chorus - Digital Download SKU: BJ.1216 Composed by Anna Cederberg-Orreteg. Folk, Christian. Octavo. 4 pages. Bo Ejeby Forlag - Digital #1216. Published by Bo Ejeby Forlag - Digital (BJ.1216). 8.27 x 11.7 inches.Like the lily on its meadow. Traditional Swedish hymn, arranged for women’s voices.

Choral Choir (SSAA) - Level 4 - Digital Download SKU: A0.1178138 Composed by Adrienne Inglis (ASCAP). Christian,Classical,Early Music,Sacred,Spiritual. Octavo. 14 pages. Adrienne Inglis (ASCAP) #778101. Published by Adrienne Inglis (ASCAP) (A0.1178138). Gorgeous sacred piece in Middle English for SSAA and Bb clarinet! Perfect for Holy Week, Easter, Good Friday, Maundy Thursday, environmental, nature, mystical, contemplative concerts! Julian’s Hazelnut (2022) by Adrienne Inglis (ASCAP)SSA treble chorus and B flat clarinetText: The Shewings of Julian of Norwich, Part 1 Lines 148-154 by Julian of Norwich (about 1343 - after 1416)Commissioned by Inversion Ensemble for Da Capo’s Origins concertDuration 3:50 minutesDifficulty 4 (Auditioned Chorus)Language — Middle English (with Original Pronunciation from David Crystal)Original Pronunciationhttp://originalpronunciation.com/GBR/Home The perusal score video will be included on this YouTube playlist soon.https://www.youtube.com/playlist?list=PLY9Jh0jT7VQvcM78yozLNYpIXeWzJjMPsPerformances:21 Jan 2023 at 7 PM Inversion Ensemble and clarinetist Brendan Fairleigh (world premiere) in Austin, TexasCommissioned by Inversion Ensemble for Da Capo’s January 2023 Origins concert, Julian’s Hazelnut (2022) by Adrienne Inglis sets text by Julian of Norwich for treble voices and B flat clarinet. Born in about 1343 in Norwich, England, Julian survived the Black Plague as a girl of six. She became an anchoress at St. Julian’s Church in Norwich where she lived in prayerful seclusion. In 1373, she became very sick at age 30. Near the point of death, a curate showed her a crucifix for comfort. She then experienced a series of intense visions of Christ and recovered from her illness to write eloquently about her “shewings.� The beautiful Medieval English text for this piece is from The Shewings of Julian of Norwich, Part I lines 148-154 in which Julian reflects on the vision she experienced about a hazelnut in the palm of her hand. She comes to understand that God loves even a small, ordinary thing like a hazelnut, such that it will not disintegrate but last forever because of God’s love for it. In Julian’s vision, the hazelnut symbolizes all that is made — all of Creation that God made and loves forever. The music combines Medieval sounds and counterpoint with lush, modern harmonies, woven together with the smooth color and elegant lines of the clarinet. Singers use Original Pronunciation to capture the lyricism of Julian’s words. May this piece inspire the same awe and amazement at God’s beloved Creation that Julian felt centuries ago.http://adrienneinglis.com.

Choral Choir,Choral,SSAA Chorus - Level 4 - Digital Download SKU: A0.1416963 By Janelle Monae. By Charles D. Joseph Ii, Janelle Monae Robinson, Jon Webb, Kellis Earl Parker Jr., and Nathaniel Irvin III. Arranged by Alison Dozier. A Cappella. 11 pages. A.N.D. #998552. Published by A.N.D. (A0.1416963). This treble a cappella arrangement of the last song on Janelle Monae's Dirty Computer album embraces the duality of loving our country and critiquing it's injustices. The arrangement was created for an LGBTQ+ ensemble and seeks to challenge mysogyny and racism. Woven into the original song are themes from America the Beautiful set in a minor key to evoke the imperfection of a nation and it's citizens that continue to strive for equity. Nods to his purple majesty are included to honor his collaboration on the album.

Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.935272 By Various Artists. By Frank Loesser. Arranged by Janice Wheeler. Contemporary. Octavo. 3 pages. JANICE WHEELER #5990369. Published by JANICE WHEELER (A0.935272).

Choral Choir,Choral,SSAA Chorus - Level 2 - Digital Download SKU: A0.1431542 Composed by Traditional. Arranged by Janet Kidd. Christian,Praise & Worship,Religious,Sacred,Spiritual. 7 pages. Janet Kidd #1012017. Published by Janet Kidd (A0.1431542). This is a very simple, easy to learn and effective SSAA arrangement of the traditional spiritual, Sinnerman. The top soprano part has the melody and the lower three parts and the piano provide the rhythm.

Choral Choir (SSAA) - Level 4 - Digital Download SKU: A0.856230 By Janis Joplin. By Bert Berns and Jerry Ragovoy. Arranged by Liz Garnett. Contemporary. Octavo. 5 pages. Liz Garnett #4802044. Published by Liz Garnett (A0.856230). This song lives on the cusp of Second Wave Feminism. Its lyrics portray a woman fighting to maintain her pride in a neglectful, if not outright abusive, relationship, although it remains, at this stage, still essentially masochistic. She berates, but - in the lyrics at least - does not challenge. The iconic performances from the late 1960s (Erma Franklin, Janis Joplin, Dusty Springfield), though, tell a different story. Anger is erupting into the voices: the personal is poised to become overtly political.The arrangement sets the narrative verses in a melody-and-accompaniment texture, with the harmony parts largely on vocables to let the story through, then builds up to a primarily homophonic texture with everyone participating in the lyrics for the declarative mode of the choruses. It is built to chart a wide dynamic range, charting the emotional range of the original.N.B. This arrangement is notated in treble and bass alta (i.e. sung an octave higher than written) clefs.Vocal Ranges:Tenor: D#4 - E5Lead: G#3 - C#5Bari: B3 - A4Bass: E3 - E4www.HelpingYouHarmonise.com

Choral Choir,Choral (SSAA) - Level 3 - Digital Download SKU: A0.725802 Composed by Janis Ian. Arranged by Bryan Sharpe. A Cappella,Contemporary. 5 pages. Bryan Sharpe (BSharpe Music) #4323347. Published by Bryan Sharpe (BSharpe Music) (A0.725802). A cappella arrangement of Days Like These by Janis Ian for SSAA divisi