Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.853725 By The Shangri-Las. By Ellie Greenwich, George Morton, and Jeff Barry. Arranged by Larry Wright. A Cappella,Barbershop. Octavo. 6 pages. Larry Wright #4601543. Published by Larry Wright (A0.853725). A WOMEN'S 4-part, a cappella, barbershop, non-contest, uptempo arrangement of the 50's big hit song. IMPORTANT NOTE: this arrangement must be performed using an iPhone and very small (4x4x1.5) cordless (bluetooth), battery powered BOSE speaker for the pre-recorded motorcycle, etc. FX sounds. The speaker would be velcro'd(?) to a very small, detachable, shelf attached to the mic stand, close as possible to the mic. These shelves can be inexpensively purchased. It would (of course) be attached prior to the performance. One of the singers holds the iPhone (concealed) and triggers (starts/stops) the FX track. The track doesn't have to be stopped until you exit the stage,... as long as there's nothing else on the track!!! The iPhone must be on silent mode, of course! Quartets and choruses singing at a B- contest level should be able to successfully learn and perform this arrangement making good use of the available excellent  part-predominant vocal Learning Trax <www.larrywrightmusic.com>. If you've FIRST purchased my learning trax from my website store and the SMP per-copy price is not $1.89, email me <larry@larrywrightmusic,com>. SMP requires a minimum purchase of 10 copies for all choral selections.

Choral Choir,Choral,SSAA Chorus - Level 3 - Digital Download SKU: A0.1506054 By Carole King. By Carole King and Toni Stern. Arranged by David Maddux. Pop. 11 pages. David Maddux #1081437. Published by David Maddux (A0.1506054). NOTE: This PDF file contains the piano-vocal part. The orchestration is sold separately. YOU ARE LEGALLY OBLIGATED TO PURCHASE ONE PIANO-VOCAL PDF PER SINGING MEMBER, INCLUDING CONDUCTORS AND ACCOMPANISTS. Explore the heartfelt devotion expressed in Carole King's classic, Where You Lead, through this captivating SSAA arrangement. Emphasizing the song's theme of following a loved one anywhere, this version blends smooth, melodious lines with harmonious interplay, perfectly suited for women's choirs looking to showcase their vocal unity and emotional depth. Ideal for both concert and casual performances, this piece resonates with the enduring promise of companionship and support depicted in King's lyrics.

Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.928368 By Adele. By Adele Adkins and Tobias Jesso Jr. Arranged by Thomas J. West. A Cappella,Hip-Hop,Pop,R & B. Octavo. 16 pages. Thomas J. West #5896795. Published by Thomas J. West (A0.928368). This arrangement of one of Adele's chart-topping hits was originally commissioned by a treble voices barbershop chorus. It features a soprano lead vocal over a full SSAA chorus. The choral parts are written with a contemporary a cappella approach to the backgrounds that is still palatable by the avid barbershopper. Also a great piece to showcase your strong treble singers in a high school choral program. Parts are labeled in traditional barbershop style (tenor, lead, baritone, bass) but apply to the SSAA vocal ranges using the standard barbershop clefs (bass clef for alto parts). The bass part range is from Eb3 to Eb4. Tenor part range is from Eb4 to D5. www.thomasjwestmusic.com

Choral Choir (SSAA) - Digital Download SKU: A0.817974 By Celine Dion. By Carole King, Gerry Goffin, and Jerry Wexler. Arranged by Laura E. A. Morrell. A Cappella,R & B,Soul. Octavo. 8 pages. Laura E. A. Morrell #3519337. Published by Laura E. A. Morrell (A0.817974). Beautiful a cappella arrangement for female vocal ensemble:A soulful lead vocal line supported by warm backing vocal chords that punctuate the contrasting sections with dynamic swells and snappy accents. This well-known title is a hit amongst a wide ranging audience so perfect for intimate recitals and larger shows alike. For further resources such as rehearsal notes and tracks please visit www.LMorrellMusic.co.uk.

Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.928372 By OneRepublic. By Ryan Tedder. Arranged by Thomas J. West. A Cappella,Pop,Rock. Octavo. 15 pages. Thomas J. West #5952723. Published by Thomas J. West (A0.928372). This is a treble voices arrangement for a high school or collegiate contemporary a cappella group. The lead vocal is for soprano, but the beginning of each chorus could be sung by an alto soloist. Vocal percussion highly suggested. Alto 2 range is from G3 to A4. Soprano 1 range is from F4 to G5. www.thomasjwestmusic.com .

Choral Choir,Choral (SSAA) - Level 3 - Digital Download SKU: A0.1268807 By Mocedades. By Juan C. Calderon. Arranged by Michael Thomas Coull. 20th Century,Contemporary,Multicultural,Pop,Standards,World. 16 pages. MTC Publishing #861339. Published by MTC Publishing (A0.1268807). Eres Tu/Touch The Wind - Choral Arrangement for SSAA and Piano arranged by Michael Thomas CoullEres Tú is a popular Spanish language song written in 1973 by Juan Carlos Calderón and performed by the Spanish band Mocedades, with Amaya Uranga performing the lead vocal.  It was chosen as Spain's entry in the 1973 Eurovision Song Contest, and after reaching second place in the contest, was released as a single.This SSAA arrangment is such a delight that it will be popular with both choir and audience.  Ideal for your choirs next concert.

Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.1023572 By Kesha. By Andrew Joslyn, Ben Abraham, Kesha Sebert, and Ryan Lewis. Arranged by Matt Goldstein. A Cappella,Pop. Octavo. 10 pages. Matt Goldstein #6498755. Published by Matt Goldstein (A0.1023572). Matt Goldstein's a cappella arrangement for Malinda Kathleen Reese. A powerful anthem and that showcases a killer lead vocal.This price reflects a FLAT FEE per ensemble/organization, not a per copy fee. Additional customization and/or complimentary MIDI part tracks are also available through contacting mattgoldsteinmusic@gmail.com.

Choral Choir (SSAA) - Level 2 - Digital Download SKU: A0.1204253 By The Beatles. By John Lennon and Paul McCartney. Arranged by Karen Ivana. 20th Century,A Cappella,Pop. Octavo. 4 pages. Karen Ivana #802763. Published by Karen Ivana (A0.1204253). Beautiful romantic song from the Beatles in an 4-part arrangement, true to the original song. It is a fairly easy arrangement and has three harmony parts and a lead vocal line. There is plenty of repetition and the parts may be freely shared among choir members or quartet.

Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.928373 By Dean Martin. By Luis Demetrio Traconis Molina and Pablo Beltran Ruiz. Arranged by Thomas J. West. A Cappella,Jazz. Octavo. 10 pages. Thomas J. West #5981601. Published by Thomas J. West (A0.928373). This arrangement for treble voice contemporary a cappella is based on the 2004 single by The Pussycat Dolls. It's a great vehicle for a high school or collegiate group to add a little Mexican Samba flair to a set. The lead vocal is for a sultry alto voice. Bass range is from E3 to F#4. Soprano 1 range is from D4 to D5. www.thomasjwestmusic.com

Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.840849 By Kelis. By David Guetta, Frederic Riesterer, Jean Baptiste Kouame, Kelis Rogers, and Makeba Riddick. Arranged by Matt Lammin. Hip-Hop,Pop,R & B. Octavo. 17 pages. Matthew Lammin #447573. Published by Matthew Lammin (A0.840849). SSA + lead vocal arrangement of this fantastic Kelis song. Aptly, the song finishes a cappella...

Choral Choir (SSAA) - Level 4 - Digital Download SKU: A0.928362 By Keane. By Richard Hughes, Tim Rice-Oxley, and Tom Chaplin. Arranged by Thomas J. West. A Cappella,Rock. Octavo. 13 pages. Thomas J. West #5869355. Published by Thomas J. West (A0.928362). This arrangement of the Lily Allen recording of the song made famous by Keane was originally commissioned by a treble voices barbershop chorus. It features a soprano lead vocal, three soprano parts with divisi in soprano 2, and three alto parts. The luscious chords are written with a contemporary a cappella approach to the backgrounds that is still palatable by the avid barbershopper. Also a great piece to showcase your strong treble singers in a high school choral program. www.thomasjwestmusic.com .

Choral Choir (SSAA) - Level 4 - Digital Download SKU: A0.546820 By Whitney Houston. By Gerry Goffin and Michael Masser. Arranged by Paul K Heatley. 20th Century,A Cappella,Jazz,Pop. Octavo. 6 pages. Paul K Heatley #156755. Published by Paul K Heatley (A0.546820). Whitney Houston's first smash hit from 1985 is arranged here for a quartet of female voices by Paul Heatley, founder of London-based acapella pop choir Kitsch in Sync. Serious pipes are required for the lead vocal, while the supporting parts add soul to this sultry arrangement, emphasizing the bittersweet lyrics - in true Heatley style, each part gets plenty of actual words to sing. Amateur ensembles may find this a challenge to learn, but the effort will be well worth it!

Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.856205 By The Pointer Sisters. By Anita Pointer, June Pointer, Ruth Pointer, and Trevor Lawrence. Arranged by Liz Garnett. Contemporary,Dance. Octavo. 6 pages. Liz Garnett #4293523. Published by Liz Garnett (A0.856205). This is one of those songs that wasn't a huge hit when it was first released, but has persisted in popular culture since. It has appeared in at least four movies, and was associated for years in the UK with commercials for Cadbury's Crunchie bars.Like the several cover versions of the song that have appeared this millenium, this arrangement takes a strong lead from the details of the original version, particularly in the use of vocalised embellishments that break out at phrase ends.N.B. This arrangement is notated in treble and bass alta (i.e. sung an octave higher than written) clefs.Vocal Ranges:Tenor: F4 - F5Lead: A flat 3 - C 5Bari: A flat 3 - B flat 5Bass: D flat 3 - F4www.HelpingYouHarmonise.com

Choral Choir (SSAA) - Level 2 - Digital Download SKU: A0.1087101 By Erasure. By Andy Bell and Vince Clarke. Arranged by Rebecca (Boo) de Bruin. A Cappella,Contemporary,Pop. Octavo. 13 pages. Rebecca de Bruin #691297. Published by Rebecca de Bruin (A0.1087101). Words and Music by Vince Clarke and Andy Bell in 1988. Arranged in 2021 by Boo de Bruin. 13 pages for Sweet Adelines (ladies' barbershop) chorus. (Tenor, lead, baritone, bass are roughly equivalent to SSAA, although lead and baritone have similar - in this case, identical! - ranges, but perform different functions). A Little Respect was written and recorded by English synth-pop duo Erasure, and is known as one of their signature songs. It reached #4 on the UK singles chart, #14 on the US Billboard Hot 100, and #2 on the US Hot Dance Club Songs chart. This arrangement uses words from the song in place of neutral vowels to create an early ostinato (without boring the harmony parts!) before expanding into homorhythm in verse 2. The melody is mainly in the lead part, with the final motif from the chorus passed to the tenors. In the final verse, a key change moves the melody to the basses and baritones, with the leads taking the final phrase. This arrangement was written for a barbershop chorus, and as such the lowest voice part has a lower range than is custom for choral SSAA writing. However, the range of the entire arrangement is quite narrow, and so it could be sung in a higher tessitura without undo strain on the upper voices. Please note: in keeping with normal barbershop practice the men's barbershop voicing names are used (tenor, lead, baritone and bass) and an octave-shifted bass clef is used for the baritone and bass parts. Vocal ranges are: Tenor: D4 - F5 (D above middle C to F above high C) Lead: G3 - C5 (G below middle C to high C) Baritone: G3 - C5 (G below middle C to high C) Bass: D3 - F4 (D below middle C to F above middle C).

Choral Choir (SSAA) - Level 4 - Digital Download SKU: A0.856158 By Dean Martin. By Luis Demetrio Traconis Molina and Pablo Beltran Ruiz. Arranged by Liz Garnett. Jazz. Octavo. 5 pages. Liz Garnett #3664791. Published by Liz Garnett (A0.856158). I had been listening to the Shaft version of this song since 1999, thinking 'ooh that dance tune would arrange a treat' when I eventually realised (somewhere around 2005) that it was a Dean Martin classic from the 1950s, and its arrange-ability suddenly became much less surprising. This version starts with a mysterious opening, then the rhythm gradually insinuates itself into your blood. It is moderately demanding vocally, but then the song itself demands a certain degree of panache and sexual bravado from its performers.The arrangement is notated in the traditional clefs for women's barbershop: treble and bass alta (i.e. sung an octave higher than written)Vocal Ranges: Tenor: E#4 - F#5Lead: Fx3 - D#5Bari: A flat 3 - C#4Bass: F3 - A4www.HelpingYouHarmonise.com