Choral Choir (SSAA) - Level 4 - Digital Download SKU: A0.1273951 By Leonard Cohen. By Leonard Cohen and Sharon Robinson. Arranged by Joyce Todd McBride. A Cappella,Folk,Rock,Singer/Songwriter. Octavo. 9 pages. Buckwheat Music #866082. Published by Buckwheat Music (A0.1273951). Treble-voice a cappella arrangement of A Thousand Kisses Deep by Leonard Cohen.  Gorgeous lines for all four parts, melody appears in different parts for the differnet verses, with subtle counterpoint in the accompanying parts.  Dynamics, phrasing and cutoffs all highlight the text.  This arrangement follows the form exactly, with a vocalise where the original had an instrumental section.  The syllable used is dng;  the primary sound is on the ng, a syllable often used for clarifying pitch in choral ensembles.  It creates a beautiful bell-like sound when used this way.  Extremely fun to sing.

Choral Choir (SSAA) - Level 2 - Digital Download SKU: A0.1167853 By Leonard Cohen. By Leonard Cohen and Patrick Leonard. Arranged by Kate Bell. 20th Century,A Cappella,Contemporary. Octavo. 7 pages. All Together Now Aotearoa #768199. Published by All Together Now Aotearoa (A0.1167853). A beautiful a cappella arrangement of this haunting Leonard Cohen classic, for women's choir.

By Leonard Cohen. Arranged by Joshua Tamayo. Octavo, Score. 9 pages. Published by Joshua Tamayo (

Choral Choir (SSAA) - Level 5 - Digital Download SKU: A0.1271651 By Madeleine Peyroux. By Leonard Cohen. Arranged by Joyce Todd McBride. A Cappella,Chamber,Singer/Songwriter. Octavo. 14 pages. Buckwheat Music #864041. Published by Buckwheat Music (A0.1271651). Treble-voice a cappella arrangement of Dance Me To The End Of Love, by Leonard Cohen.  SSAA, with S1 and S2 solos.  This arrangement begins with an unmeasured, medieval music-influenced statement of the opening 2 phrases sung by the whole the choir split into 2 parts.  The arrangement as a whole is lush, with lovely rhythmic variations, including a swing section inspired by Boswell sisters or other female vocal groups from the 1930's and 40's.  It is a bit of an epic treatment of this song, really builds nicely throughout, returning to the opening material at the end of the song.  Stunning.