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Choral Choir (SSAA) - Level 4 - Digital Download

SKU: A0.924080

Composed by Dominic McGonigal. Contemporary. Octavo. 4 pages. C8 Music #5988631. Published by C8 Music (A0.924080).

This song is about a miracle. Liam was born in December 2018 and was without oxygen for fifteen minutes. Normally, that is fatal. In Liam's case, he lived but he had no sight, no hearing, no touch and no brain activity. He was given days to live and his parents took him home to talk to him, sing to him, be with him in his first and last few days. Days passed and Liam didn't die. Day by day, his face lit up, he could see, he could hear, he could feel and his brain came alive. Now he is a happy toddler, with an innocent smile and a miraculous radiance. 2'30. www.dominic.mcgonigal.com

#TheBoyWhoLived (SSAA)
Chorale SSAA

$4.99 4.72 € Chorale SSAA PDF SheetMusicPlus

Choral Choir,Choral,SSAA Chorus - Level 4 - Digital Download

SKU: A0.1490354

Composed by Kira Zeeman Rugen. 21st Century,Contemporary,Pop. 14 pages. Self Publishing #1056134. Published by Self Publishing (A0.1490354).

I Live for Joy - SSAA Piano, Bass
Words and Music by Kira Zeeman Rugen

Commissioned for the WACDA conference performance by Arizona composer Kira Zeeman Rugen, I Live for Joy was performed by Ad Astra - Chandler Children's Chorus, directed by Aimee Stewart. As said by the group of their new favorite piece: The more we sing it, the more nuance we find in the music and lyrics, which were written by Dr. Rugen during the pandemic about her family, friends, and experiences. Reflecting on pain and tragedy, yet choosing joy and finding rebirth is the message we want to share. Fresh, thought-provoking, and endlessly appealing, we've chosen to end our set with joy!

*This piece originally comes from an album by Kira Zeeman Rugen called Sanctuary. Each piece on the album sets the listener on a journey from darkness into light.

I Live For Joy
Chorale SSAA

$2.99 2.83 € Chorale SSAA PDF SheetMusicPlus

Choral Choir,Choral (SSAA) - Level 2 - Digital Download

SKU: A0.1239660

Composed by Anastaso Rossi. Arranged by Anastaso Rossi. A Cappella,Barbershop,Singer/Songwriter. 3 pages. Anastasio Rossi #835039. Published by Anastasio Rossi (A0.1239660).

Performance Notes: Choose the waltz tempo of your choice - very relaxed to very lilting in 1.  Base your choice on being able to deliver the lyrics with great clarity, especially in the faster passages. Be sure to observe the accelerandos, broadening tempos, a tempos, legatos, and staccatos. They all have much to do with delivering the style of this piece, especially the off beat la-las. Some pairs are staccato, in other pairs, the first la is legato, the second la is staccato.

I originally composed this piece as a little warm up ditty for the chorus, but as I worked the melody and the harmony, it  grew into just a little bit more than a warm up exercise.. Think of the story behind the music as about a young lady who  just loves the waltz, and loves to sing and dance to its lilting triple time.  Her dancing partner is a dashing, ever so  handsome young man, who sweeps her off her feet and takes her breath away with his charm and grace, as they  float away on the wings of A Dance In Triple Time!   Anastasio Rossi May 2023

Learning tracks are available at no cost from the Arranger: AAR@prodigy.net.

A Dance in Triple Time
Chorale SSAA

$2.00 1.89 € Chorale SSAA PDF SheetMusicPlus

Voice (SSAA) - Level 2 - Digital Download

SKU: A0.1240428

Composed by Anastasio Rossi. Arranged by Anastasio Rossi. A Cappella,Barbershop. Barbershop Quartet. 3 pages. Anastasio Rossi #835806. Published by Anastasio Rossi (A0.1240428).

Think of the story behind this music as about a young lady who  just loves the waltz, and loves to sing and dance to its lilting triple time.  Her dancing partner is a dashing, ever so handsome young man, who sweeps her off her feet and takes her breath away with his charm and grace, as they float away on the wings of A Dance In Triple Time!

I originally composed this piece as a little warm up ditty for my chorus, but as I worked the melody and the harmony, it grew into just a little bit more than a warm up exercise. We always enjoyed singing this little piece for our audiences. And they always enjoyed hearing it.

One caveat; The lyrics go by quickly! Leads, use your best diction and pronunciation, so the story doesn't get lost. Harmony voices, keep the melody prominent, by always singing your la-las at least one dynamic notch below the melody!

Choose the waltz tempo of your choice - very relaxed to very lilting in 1.  Base your choice on being able to deliver the lyrics with great clarity, especially in the faster passages. Be sure to observe the accelerandos, broadening tempos, a tempos, legatos, and staccatos. They all have much to do with delivering the style of this piece, especially the off beat la-las. Some pairs are staccato, in other pairs, the first la is legato, the second la is staccato.

The metronome marks more accurately describe the accelerandos and broadenings. On the repeat at 11, a slight increase in the tempo will add urgency and intensity. Keep the melody prominent as it moves to different voices, beginning at 37. Maintain the crisp staccato harmony against the legato melody, and enjoy the change to full legato for all voices.  

Anastasio Rossi May 2023

Learning tracks are available at no cost from the composer: AAR@prodigy.net.

A Dance In TripleTime
Chorale SSAA

$12.99 12.3 € Chorale SSAA PDF SheetMusicPlus

Choral Choir (SSAA) - Level 3 - Digital Download

SKU: A0.953625

Composed by Adrienne Inglis (ASCAP). Contemporary,Latin. Octavo. 5 pages. Adrienne Inglis (ASCAP) #6405603. Published by Adrienne Inglis (ASCAP) (A0.953625).

La ciudad sumergida (The Submerged City) for four-part treble chorus and nature soundtrack by Adrienne Inglis (ASCAP)

Commissioned for Dr. Ramona M. Wis and the North Central College Women’s Chorale

A setting of an excerpt of Río de La Plata en lluvia from Mascarilla y Trébol (1938) by Alfonsina Storni (1938)

Copyright © 2020 Adrienne Inglis

Founder, composer, and singer with Inversion Ensemble of Austin, Texas, Adrienne Inglis also serves as principal flute with the Central Texas Philharmonic, flute instructor at Southwestern University, and flutist with flute/harp duo Chaski. She has music degrees from Lewis and Clark College and the University of Texas at Austin. An avid birder and environmentalist, she lives in the rural hill country of Central Texas.

Poet Alfonsina Storni began writing during a tumultuous childhood fraught with economic hardships, many disruptive moves, and an alcoholic father. She danced with a theatrical troupe and then became a teacher and journalist. She bore a child out of wedlock and found herself working as a single mother during socially oppressive times. In Buenos Aires she joined the emerging world of women’s rights, becoming an important literary voice in the movement. When her breast cancer returned, her lifelong passion for the sea culminated in her suicide off of the coast of Argentina.

Río de La Plata en lluvia from Mascarilla y Trébol (1938) lines 1-4 by Alfonsina Storni in the public domain

Ya casi el cielo te apretaba, ciego,

y sumergida una ciudad tenías

en tu cuerpo de grises heliotropos

neblivelado en su copón de llanto.

[The sky was about to embrace you, blind, and you had in your body of gray heliotropes a submerged city,

with the misty sky like a chalice about to overflow with tears.]

Program note: Commissioned for Dr. Ramona M. Wis and the North Central College Women’s Chorale of Naperville, Illinois, La ciudad sumergida (The Submerged City) by Adrienne Inglis for four-part treble chorus with nature soundtrack captures the mood of a river, a city, the cloudy sky, and the poet’s own profound melancholy. The sound of rain creates both the ambiance of a misty day on the river and the sensation of cathartic crying from great sadness and pain. The city’s reflection on the river’s surface gives the illusion that the city is submerged in the water. The reflection of the clouds hovering low over Río de La Plata looks like gray heliotrope flowers. The apocalyptic images of a submerged city and of tears overflowing from the chalice-sky eerily foreshadow rising sea levels due to anthropogenic global warming.

The nature soundtrack of rain was recorded by the composer in the hill country of central Texas, July 2020.

Performance note: This aleatoric, asynchronous composition is suitable for remote singing along with the video score and nature soundtrack. Observe the order of entrances, but know that it’s not meant to line up exactly. Finish a phrase even if another phrase has started. Diphthongs move immediately to the second vowel sound. Ya begins with the [dʒ] sound and llanto begins with the [ʒ] sound, both typical of the Buenos Aires accent. Sing quite expressively except for the neblivelado section which is misty and veiled. The director may wish to indicate the rehearsals numbers or the singers may follow the time on the video-or both.

Duration: 3:08

Link to video with soundtrack is available from the composer (http://adrienneinglis.com).

Acknowledgements: The composer warmly thanks Pablo and Diana Donatti, Ãngeles Rodríguez Cadena, and Emilio Torres for their contributions to this project and to Dr. Ramona M. Wis and the North Central College Women’s Chorale for the generous commission.

Copyright © 2020 Adrienne Inglis | http://adrienneinglis.com

La ciudad sumergida (The Submerged City) for SSAA treble voices and nature soundtrack
Chorale SSAA

$3.99 3.78 € Chorale SSAA PDF SheetMusicPlus

Choral Choir,Choral (SSAA) - Level 4 - Digital Download

SKU: A0.1365442

By Elton John. By Bernie Taupin and Elton John. Arranged by Andrew M. Wallace. A Cappella,Pop. 7 pages. Andrew M. Wallace #949767. Published by Andrew M. Wallace (A0.1365442).

Elevate your SSAA female a cappella voices with our enchanting arrangement of Goodbye Yellow Brick Road, inspired by Sara Bareilles' rendition in Brave Enough: Live at the Variety Playhouse. Immerse your choir in the timeless magic of Elton John's classic, transformed into a captivating showcase of vocal artistry.

Key Features:

  • SSAA A Cappella Arrangement: Tailored for soprano and alto voices, creating a harmonious and captivating a cappella experience.
  • Sara Bareilles Inspiration: Infused with the spirit of Sara Bareilles' live performance, bringing a contemporary and soulful touch to this iconic Elton John hit.
  • Expressive and Empowering: This arrangement captures the emotional depth of Goodbye Yellow Brick Road, delivering a powerful message through SSAA harmonies.

Goodbye Yellow Brick Road
Chorale SSAA
Elton John
$3.99 3.78 € Chorale SSAA PDF SheetMusicPlus

Choral Choir,Choral (SSAA) - Level 3 - Digital Download

SKU: A0.1381071

By Beyonce. By Beyonce Knowles, Christopher Stewart, Terius Nash, and Thaddis Harrell. Arranged by Andrew M. Wallace. 21st Century,A Cappella,Pop,Singer/Songwriter. 9 pages. Andrew M. Wallace #965796. Published by Andrew M. Wallace (A0.1381071).

Get ready to groove to the infectious beats of Single Ladies by Beyoncé, reimagined in this SSAA treble a cappella arrangement with featured soloist or soloists. Inspired by Sara Bareilles' playful rendition, this version infuses a fresh twist into the pop mega-hit, creating an electrifying experience for both performers and audiences.

Key Features:

  • SSAA Treble A Cappella Arrangement: Specifically tailored for soprano and alto voices, delivering a vibrant and energetic performance without instrumental accompaniment.
  • Playful Adaptation: Experience the lively energy and sass of Single Ladies with Sara Bareilles' playful spin on this iconic pop anthem, bringing a new dimension to the beloved hit.
  • Featured Soloist: Showcase the talent of a standout soloist with opportunities for vocal expression and interpretation, adding flair and personality to the performance.

Single Ladies (Put A Ring On It)
Chorale SSAA
Beyonce
$3.99 3.78 € Chorale SSAA PDF SheetMusicPlus

Female choir (SSAA) a cappella - advanced - Digital Download

SKU: S9.Q46578

Composed by Pascal Martine. This edition: choral score. Church service. Schott Choral Music. Downloadable, Choral score. Duration 3:30. Schott Music - Digital #Q46578. Published by Schott Music - Digital (S9.Q46578).

Latin.

Anyone who likes refined rhythms, razor-sharp articulation, lively melismata, and high soprano notes will certainly be in for a treat with the sacred choral composition Cantate Domino by Pascal Martiné. The Latin choral work for four-part a cappella women's choir is almost bubbling over with syncopes and tongue-twisting syllables on the one hand, and melismatic melody lines on the other hand. This a cappella setting for women's choir (SSAA) with verses 1-4 from Psalm 96 lives on the play of musical contrasts, with solemn unison passages that are reminiscent of Gregorian chant alternating with four-part melismatic sections and thus adequately following the work's textual content. A really 'groovy' piece of music!

Anyone who likes refined rhythms, razor-sharp articulation, lively melismata, and high soprano notes will certainly be in for a treat with the sacred choral composition Cantate Domino by Pascal Martiné. The Latin choral work for four-part a cappella women's choir is almost bubbling over with syncopes and tongue-twisting syllables on the one hand, and melismatic melody lines on the other hand. This setting with verses 1-4 from Psalm 96 lives on the play of musical contrasts.

Cantate Domino
Chorale SSAA

$4.99 4.72 € Chorale SSAA PDF SheetMusicPlus

Choral Choir (SSAA) - Level 4 - Digital Download

SKU: A0.997175

Composed by Maggi Warren. Contemporary. Octavo. 13 pages. Maggi's Music UK #5205251. Published by Maggi's Music UK (A0.997175).

Softly Breaks the Day SSAA This is an atmospheric portrayal of the inspiring effect that the sunrise has on us as we enter our day. The gentle 3-part awakening bursts into 4 parts with ‘Day breaks forth!’ The energising warmth of the ‘Golden hour of morning’….. ‘Emboldens my soul, Enlivens my spirit and Leads me forth into the new day!’  Duration 5’15.

Newly penned in January 2020, I do not yet have a live recording of this song but if your choir gets one, please do email me! Thank you.




Softly Breaks The Day
Chorale SSAA

$6.00 5.68 € Chorale SSAA PDF SheetMusicPlus

Choral Choir,Choral,SSAA Chorus - Level 3 - Digital Download

SKU: A0.1411444

Composed by Willy Russell. Arranged by Robert Hales. 20th Century,Broadway,Musical/Show. 18 pages. Robert Hales #993709. Published by Robert Hales (A0.1411444).

This is an accompanied SSAA arrangement of the up-beat Act 1 finale Bright New Day from the 1983 musical Blood Brothers.

This arrangement has a short intro based on the transition in the original musical and then contains all 6 versus of the original song. The melody alternates between the sopranos and altos and there is some call and response in the later versus. The highest note in the soprano 1 part is top Ab5 and lowest note in alto 2 part is F3.

Blood Brothers tells the nature versus nurture story of twin brothers separated at birth in 1960's Liverpool and, with the brothers growing up at opposite ends of the social spectrum. Bright New Day is about one of the brothers and his mother moving from the condemned inner-city slums of Liverpool to a new council house in the nearby town of Skelmersdale during the early 1970's, before he meets his brother by chance again.

Bright New Day
Chorale SSAA

$2.99 2.83 € Chorale SSAA PDF SheetMusicPlus


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