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Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.953625 Composed by Adrienne Inglis (ASCAP). Contemporary,Latin. Octavo. 5 pages. Adrienne Inglis (ASCAP) #6405603. Published by Adrienne Inglis (ASCAP) (A0.953625). La ciudad sumergida (The Submerged City) for four-part treble chorus and nature soundtrack by Adrienne Inglis (ASCAP) Commissioned for Dr. Ramona M. Wis and the North Central College Womenā€™s Chorale A setting of an excerpt of RĆ­o de La Plata en lluvia from Mascarilla y TrĆ©bol (1938) by Alfonsina Storni (1938) Copyright Ā© 2020 Adrienne Inglis Founder, composer, and singer with Inversion Ensemble of Austin, Texas, Adrienne Inglis also serves as principal flute with the Central Texas Philharmonic, flute instructor at Southwestern University, and flutist with flute/harp duo Chaski. She has music degrees from Lewis and Clark College and the University of Texas at Austin. An avid birder and environmentalist, she lives in the rural hill country of Central Texas. Poet Alfonsina Storni began writing during a tumultuous childhood fraught with economic hardships, many disruptive moves, and an alcoholic father. She danced with a theatrical troupe and then became a teacher and journalist. She bore a child out of wedlock and found herself working as a single mother during socially oppressive times. In Buenos Aires she joined the emerging world of womenā€™s rights, becoming an important literary voice in the movement. When her breast cancer returned, her lifelong passion for the sea culminated in her suicide off of the coast of Argentina. RĆ­o de La Plata en lluvia from Mascarilla y TrĆ©bol (1938) lines 1-4 by Alfonsina Storni in the public domain Ya casi el cielo te apretaba, ciego, y sumergida una ciudad tenĆ­as en tu cuerpo de grises heliotropos neblivelado en su copĆ³n de llanto. [The sky was about to embrace you, blind, and you had in your body of gray heliotropes a submerged city, with the misty sky like a chalice about to overflow with tears.] Program note: Commissioned for Dr. Ramona M. Wis and the North Central College Womenā€™s Chorale of Naperville, Illinois, La ciudad sumergida (The Submerged City) by Adrienne Inglis for four-part treble chorus with nature soundtrack captures the mood of a river, a city, the cloudy sky, and the poetā€™s own profound melancholy. The sound of rain creates both the ambiance of a misty day on the river and the sensation of cathartic crying from great sadness and pain. The cityā€™s reflection on the riverā€™s surface gives the illusion that the city is submerged in the water. The reflection of the clouds hovering low over RĆ­o de La Plata looks like gray heliotrope flowers. The apocalyptic images of a submerged city and of tears overflowing from the chalice-sky eerily foreshadow rising sea levels due to anthropogenic global warming. The nature soundtrack of rain was recorded by the composer in the hill country of central Texas, July 2020. Performance note: This aleatoric, asynchronous composition is suitable for remote singing along with the video score and nature soundtrack. Observe the order of entrances, but know that itā€™s not meant to line up exactly. Finish a phrase even if another phrase has started. Diphthongs move immediately to the second vowel sound. Ya begins with the [dŹ’] sound and llanto begins with the [Ź’] sound, both typical of the Buenos Aires accent. Sing quite expressively except for the neblivelado section which is misty and veiled. The director may wish to indicate the rehearsals numbers or the singers may follow the time on the video-or both. Duration: 3:08 Link to video with soundtrack is available from the composer (http://adrienneinglis.com). Acknowledgements: The composer warmly thanks Pablo and Diana Donatti, Ɓngeles RodrĆ­guez Cadena, and Emilio Torres for their contributions to this project and to Dr. Ramona M. Wis and the North Central College Womenā€™s Chorale for the generous commission. Copyright Ā© 2020 Adrienne Inglis | http://adrienneinglis.com
La ciudad sumergida (The Submerged City) for SSAA treble voices and nature soundtrack
Chorale SSAA

$3.99 3.82 € Chorale SSAA PDF SheetMusicPlus

Choral Choir (SSAA) - Level 4 - Digital Download SKU: A0.856197 Composed by Irving Mills and Nat King Cole. Arranged by Liz Garnett. Contemporary. Octavo. 4 pages. Liz Garnett #4280233. Published by Liz Garnett (A0.856197). This song was Nat King Cole's first major vocal hit. It is based on a folk tale his father used to use in his sermons, in which a buzzard takes various animals for a ride before throwing them to the ground and eating them for dinner. A monkey observes this, and goes for a ride, but surprises the buzzard wrapping his tail round the bird's neck and refusing to be thrown off.The song's rhythmic feel is both cool and dry. The laid-back swing feel gives a sense of authority in the way the monkey takes control of the situation, but the syncopations and chromatic licks also remind us that in folk tales, the monkey is the trickster, even when he's on the side of the righteous. The arrangement is designed to be suitable for barbershop contests (BHS system).N.B. This arrangement is notated in treble and bass alta (i.e. sung an octave higher than written) clefs.Vocal Ranges:Tenor: G flat 3 - E5Lead: B flat 3 - C5Bari: B flat 3 - B flat 4Bass: E flat 3 - F sharp 4www.HelpingYouHarmonise.com
Straighten Up And Fly Right
Chorale SSAA

$2.99 2.87 € Chorale SSAA PDF SheetMusicPlus

Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.856262 Composed by Jeanine Tesori. Arranged by Liz Garnett. Contemporary. Octavo. 6 pages. Liz Garnett #6499275. Published by Liz Garnett (A0.856262). From the musical Thoroughly Modern Millie, this is a pastiche of a 1920s showtune, almost perfectly engineered to serve as a barbershop contest up-tune. It features a harmonically-rich, conversationally-paced introduction, before launching into a catchy tune, sparkling with cross-rhythms and internal rhymes. The vocal ranges are all readily accessible, with the main challenges coming coming in some syncopated passages that will want a light and accurate touch.N.B. This arrangement is notated in treble and bass alta (i.e. sung an octave higher than written) clefs.Vocal Ranges:Tenor: F#4 - E5
Long As I'm Here With You
Chorale SSAA

$2.99 2.87 € Chorale SSAA PDF SheetMusicPlus






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