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Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.953625 Composed by Adrienne Inglis (ASCAP). Contemporary,Latin. Octavo. 5 pages. Adrienne Inglis (ASCAP) #6405603. Published by Adrienne Inglis (ASCAP) (A0.953625). La ciudad sumergida (The Submerged City) for four-part treble chorus and nature soundtrack by Adrienne Inglis (ASCAP) Commissioned for Dr. Ramona M. Wis and the North Central College Women’s Chorale A setting of an excerpt of Río de La Plata en lluvia from Mascarilla y Trébol (1938) by Alfonsina Storni (1938) Copyright © 2020 Adrienne Inglis Founder, composer, and singer with Inversion Ensemble of Austin, Texas, Adrienne Inglis also serves as principal flute with the Central Texas Philharmonic, flute instructor at Southwestern University, and flutist with flute/harp duo Chaski. She has music degrees from Lewis and Clark College and the University of Texas at Austin. An avid birder and environmentalist, she lives in the rural hill country of Central Texas. Poet Alfonsina Storni began writing during a tumultuous childhood fraught with economic hardships, many disruptive moves, and an alcoholic father. She danced with a theatrical troupe and then became a teacher and journalist. She bore a child out of wedlock and found herself working as a single mother during socially oppressive times. In Buenos Aires she joined the emerging world of women’s rights, becoming an important literary voice in the movement. When her breast cancer returned, her lifelong passion for the sea culminated in her suicide off of the coast of Argentina. Río de La Plata en lluvia from Mascarilla y Trébol (1938) lines 1-4 by Alfonsina Storni in the public domain Ya casi el cielo te apretaba, ciego, y sumergida una ciudad tenías en tu cuerpo de grises heliotropos neblivelado en su copón de llanto. [The sky was about to embrace you, blind, and you had in your body of gray heliotropes a submerged city, with the misty sky like a chalice about to overflow with tears.] Program note: Commissioned for Dr. Ramona M. Wis and the North Central College Women’s Chorale of Naperville, Illinois, La ciudad sumergida (The Submerged City) by Adrienne Inglis for four-part treble chorus with nature soundtrack captures the mood of a river, a city, the cloudy sky, and the poet’s own profound melancholy. The sound of rain creates both the ambiance of a misty day on the river and the sensation of cathartic crying from great sadness and pain. The city’s reflection on the river’s surface gives the illusion that the city is submerged in the water. The reflection of the clouds hovering low over Río de La Plata looks like gray heliotrope flowers. The apocalyptic images of a submerged city and of tears overflowing from the chalice-sky eerily foreshadow rising sea levels due to anthropogenic global warming. The nature soundtrack of rain was recorded by the composer in the hill country of central Texas, July 2020. Performance note: This aleatoric, asynchronous composition is suitable for remote singing along with the video score and nature soundtrack. Observe the order of entrances, but know that it’s not meant to line up exactly. Finish a phrase even if another phrase has started. Diphthongs move immediately to the second vowel sound. Ya begins with the [dÊ’] sound and llanto begins with the [Ê’] sound, both typical of the Buenos Aires accent. Sing quite expressively except for the neblivelado section which is misty and veiled. The director may wish to indicate the rehearsals numbers or the singers may follow the time on the video-or both. Duration: 3:08 Link to video with soundtrack is available from the composer (http://adrienneinglis.com). Acknowledgements: The composer warmly thanks Pablo and Diana Donatti, Ãngeles Rodríguez Cadena, and Emilio Torres for their contributions to this project and to Dr. Ramona M. Wis and the North Central College Women’s Chorale for the generous commission. Copyright © 2020 Adrienne Inglis | http://adrienneinglis.com
La ciudad sumergida (The Submerged City) for SSAA treble voices and nature soundtrack
Chorale SSAA

$3.99 3.39 € Chorale SSAA PDF SheetMusicPlus

SSAA choir and piano (SSAA) - Level 1 - Digital Download SKU: A0.774783 By The Manhattan Transfer. By Michel Paul Fugain and Wayne Shanklin. Arranged by Sandra Milliken. Octavo. 7 pages. Sandra Milliken #6656857. Published by Sandra Milliken (A0.774783). Chanson d'Amour (sometimes referred to as The Ra-Da-Da-Da-Da Song) is a popular piece written by the American singer, songwriter and producer, Wayne Shanklin. In 1958 Shanklin had suggested the song to a California lounge circuit duo Art and Dotty Todd. They liked the song and produced a demo recording, which was later released as a single by Era Records. Then, almost 20 years later, in 1976, the vocal jazz quartet The Manhattan Transfer came across a demo on cassette and decided to record a remake of Chanson d'Amour for their Coming Out album. The track featured Janis Siegel singing lead with an Edith Piaf sound.Whilst overlooked in the United States in its single release, Manhattan Transfer's version became a hit across Europe in Germany, the Netherlands, France, Norway and Switzerland. In the English-speaking world it was a chart topper in the UK and Ireland as well as in Australia, New Zealand and South Africa.The song had become Manhattan Transfer's most widespread international success.This arrangement is available in six choral versions – SA, SSA, SSAA, SSATB with piano and SSAA, SSATB a cappella
Chanson D'amour
Chorale SSAA
The Manhattan Transfer
$2.20 1.87 € Chorale SSAA PDF SheetMusicPlus

Choral Choir (SSAA) - Level 1 - Digital Download SKU: A0.774784 By The Manhattan Transfer. By Michel Paul Fugain and Wayne Shanklin. Arranged by Sandra Milliken. A Cappella. Octavo. 5 pages. Sandra Milliken #6656859. Published by Sandra Milliken (A0.774784). Chanson d'Amour (sometimes referred to as The Ra-Da-Da-Da-Da Song) is a popular piece written by the American singer, songwriter and producer, Wayne Shanklin. In 1958 Shanklin had suggested the song to a California lounge circuit duo Art and Dotty Todd. They liked the song and produced a demo recording, which was later released as a single by Era Records. Then, almost 20 years later, in 1976, the vocal jazz quartet The Manhattan Transfer came across a demo on cassette and decided to record a remake of Chanson d'Amour for their Coming Out album. The track featured Janis Siegel singing lead with an Edith Piaf sound.Whilst overlooked in the United States in its single release, Manhattan Transfer's version became a hit across Europe in Germany, the Netherlands, France, Norway and Switzerland. In the English-speaking world it was a chart topper in the UK and Ireland as well as in Australia, New Zealand and South Africa.The song had become Manhattan Transfer's most widespread international success.This arrangement is available in six choral versions – SA, SSA, SSAA, SSATB with piano and SSAA, SSATB a cappella
Chanson D'amour
Chorale SSAA
The Manhattan Transfer
$2.20 1.87 € Chorale SSAA PDF SheetMusicPlus

Choral Choir,Choral,SSAA Chorus - Level 4 - Digital Download SKU: A0.1416963 By Janelle Monae. By Charles D. Joseph Ii, Janelle Monae Robinson, Jon Webb, Kellis Earl Parker Jr., and Nathaniel Irvin III. Arranged by Alison Dozier. A Cappella. 11 pages. A.N.D. #998552. Published by A.N.D. (A0.1416963). This treble a cappella arrangement of the last song on Janelle Monae's Dirty Computer album embraces the duality of loving our country and critiquing it's injustices. The arrangement was created for an LGBTQ+ ensemble and seeks to challenge mysogyny and racism. Woven into the original song are themes from America the Beautiful set in a minor key to evoke the imperfection of a nation and it's citizens that continue to strive for equity. Nods to his purple majesty are included to honor his collaboration on the album.
Americans
Chorale SSAA
Janelle Monae
$3.99 3.39 € Chorale SSAA PDF SheetMusicPlus

Choral Choir (SSAA) - Level 2 - Digital Download SKU: A0.1087101 By Erasure. By Andy Bell and Vince Clarke. Arranged by Rebecca (Boo) de Bruin. A Cappella,Contemporary,Pop. Octavo. 13 pages. Rebecca de Bruin #691297. Published by Rebecca de Bruin (A0.1087101). Words and Music by Vince Clarke and Andy Bell in 1988. Arranged in 2021 by Boo de Bruin. 13 pages for Sweet Adelines (ladies' barbershop) chorus. (Tenor, lead, baritone, bass are roughly equivalent to SSAA, although lead and baritone have similar - in this case, identical! - ranges, but perform different functions). A Little Respect was written and recorded by English synth-pop duo Erasure, and is known as one of their signature songs. It reached #4 on the UK singles chart, #14 on the US Billboard Hot 100, and #2 on the US Hot Dance Club Songs chart. This arrangement uses words from the song in place of neutral vowels to create an early ostinato (without boring the harmony parts!) before expanding into homorhythm in verse 2. The melody is mainly in the lead part, with the final motif from the chorus passed to the tenors. In the final verse, a key change moves the melody to the basses and baritones, with the leads taking the final phrase. This arrangement was written for a barbershop chorus, and as such the lowest voice part has a lower range than is custom for choral SSAA writing. However, the range of the entire arrangement is quite narrow, and so it could be sung in a higher tessitura without undo strain on the upper voices. Please note: in keeping with normal barbershop practice the men's barbershop voicing names are used (tenor, lead, baritone and bass) and an octave-shifted bass clef is used for the baritone and bass parts. Vocal ranges are: Tenor: D4 - F5 (D above middle C to F above high C) Lead: G3 - C5 (G below middle C to high C) Baritone: G3 - C5 (G below middle C to high C) Bass: D3 - F4 (D below middle C to F above middle C).
A Little Respect
Chorale SSAA
Erasure
$1.99 1.69 € Chorale SSAA PDF SheetMusicPlus

Choral Choir,Choral (SSAA) - Level 3 - Digital Download SKU: A0.1349236 By Ballroom. By Alan Bergman, Billy Goldenberg, and Marilyn Bergman. Arranged by Rebecca (Boo) de Bruin. Barbershop,Broadway,Musical/Show. 4 pages. Rebecca de Bruin #933981. Published by Rebecca de Bruin (A0.1349236). Music by Billy Goldenberg and lyrics by Alan and Marilyn Bergman. Arranged in 2023 by Rebecca (Boo) de Bruin. 4 pages for Sweet Adelines (ladies' barbershop) quartet. (Tenor, lead, baritone, bass are roughly equivalent to SSAA). Please note: in keeping with normal barbershop practice, an octave-shifted bass clef is used for the baritone and bass parts (roughly equivalent to alto 1 and alto 2).Fifty Percent is a defiant ballad taken from the 1978 Tony-nominated stage musical by Jerome Kass, Billy Goldenberg and Alan and Marilyn Bergman. Having fallen for a married man, Bea sings of how she would rather have fifty percent of him, or any percent of him than all of anyone else at all. Vocal ranges are:Tenor (S1): Eb4 - F5 (Eb above middle C to F above high C)Lead (S2): Bb3 - D5 (Bb below middle C to D above high C). (Until the tag the highest note is C, and an alternative tag is included)Baritone (A1): C4 - C5 (Middle C to high C)Bass: Db3 - F4 (Db below middle C to F above middle C)NB It's entirely possible to sing this in E / F# rather than Eb / F (as my quartet does) provided you have a relatively high lead: but it makes it much harder to read!Learning tracks are available from NewVoice Studio.
Fifty Percent
Chorale SSAA
Ballroom
$1.99 1.69 € Chorale SSAA PDF SheetMusicPlus

Choral Choir,Choral,SSAA Chorus - Level 2 - Digital Download SKU: A0.1494121 By Dua Lipa. By Andrew Wyatt Blakemore, Caroline Ailin, Dua Lipa, and Mark Ronson. Arranged by Rebecca (Boo) de Bruin. A Cappella,Barbershop,Disco,Pop. 8 pages. Rebecca de Bruin #1070731. Published by Rebecca de Bruin (A0.1494121). Dance the Night is a disco / synth-pop song by Dua Lipa from the soundtrack to the 2023 movie, Barbie. It was co-written with Caroline Ailin, Andrew Wyatt and Mark Ronson, with the Picard Brothers also contributing to production. It is inspired by a dance sequence in the movie, and is about always trying to appear perfect.Arranged in 2024 by Rebecca (Boo) de Bruin. 8 pages for Sweet Adelines (ladies' barbershop) quartet. (Tenor, lead, baritone, bass are roughly equivalent to SSAA). Please note: in keeping with normal barbershop practice, an octave-shifted bass clef is used for the baritone and bass parts (roughly equivalent to alto 1 and alto 2).Vocal ranges are:Tenor (S1): F#4 - D5 (F# above middle C to D above high C)Lead (S2): A3 - B4 (A below middle C to B above middle C). Baritone (A1): B3 - A5 (B below middle C to A above middle C)Bass: D3 - F#4 (D below middle C to F# above middle C). NB the only low D is sung in octaves with the higher parts, and the bass could sing in unison. Alternatively, the entire arrangement sits quite low and could easily be pitched up.
Dance The Night
Chorale SSAA
Dua Lipa
$2.99 2.54 € Chorale SSAA PDF SheetMusicPlus

SSAA Chorus,Voice - Level 2 - Digital Download SKU: A0.1493616 By Dua Lipa. By Andrew Wyatt Blakemore, Caroline Ailin, Dua Lipa, and Mark Ronson. Arranged by Rebecca (Boo) de Bruin. A Cappella,Barbershop,Disco,Pop. Barbershop Quartet. 8 pages. Rebecca de Bruin #1070309. Published by Rebecca de Bruin (A0.1493616). Dance the Night is a disco / synth-pop song by Dua Lipa from the soundtrack to the 2023 movie, Barbie. It was co-written with Caroline Ailin, Andrew Wyatt and Mark Ronson, with the Picard Brothers also contributing to production. It is inspired by a dance sequence in the movie, and is about always trying to appear perfect.Arranged in 2024 by Rebecca (Boo) de Bruin. 8 pages for Sweet Adelines (ladies' barbershop) quartet. (Tenor, lead, baritone, bass are roughly equivalent to SSAA). Please note: in keeping with normal barbershop practice, an octave-shifted bass clef is used for the baritone and bass parts (roughly equivalent to alto 1 and alto 2).Vocal ranges are:Tenor (S1): F#4 - D5 (F# above middle C to D above high C)Lead (S2): A3 - B4 (A below middle C to B above middle C). Baritone (A1): B3 - A5 (B below middle C to A above middle C)Bass: D3 - F#4 (D below middle C to F# above middle C). NB the only low D is sung in octaves with the higher parts, and the bass could sing in unison. Alternatively, the entire arrangement sits quite low and could easily be pitched up.
Dance The Night
Chorale SSAA
Dua Lipa
$12.99 11.05 € Chorale SSAA PDF SheetMusicPlus

Choral Choir,Choral (SSAA) - Level 2 - Digital Download SKU: A0.1373903 Composed by Matthew 6:9-13 and Ruth Elaine Schram. Arranged by L. Müller. Chamber,Christian,Classical,Religious,Sacred. 7 pages. Müller Publishing company #958379. Published by Müller Publishing company (A0.1373903). Embark on a musical journey with our meticulously arranged sheet music for Men's Choir, featuring the touching composition The Lord's Prayer by Ruth Elaine Schram. This arrangement, expertly crafted by L. Müller for For Women's Choir SSAA choir in the key of D major, promises an exquisite rendition of Schram's masterpiece, available in high-resolution digital format.The Lord's Prayer stands as a remarkable piece, showcasing Ruth Elaine Schram's artistry in evoking a sense of reverence and spirituality through her musical genius. This arrangement, thoughtfully tailored for For Women's Choir SSAA vocal ensembles, pays homage to the enduring beauty and profound sentiments encapsulated in Schram's creation.Immerse your Choir in harmonious voices as you embark on a musical journey accompanied by this arrangement. The rich harmonies and captivating melodic lines are designed to contribute to a powerful and impactful experience, resonating deeply with both performers and listeners alike.Whether your Choir comprises seasoned singers or those just beginning their musical voyage, this digital sheet music beckons exploration into the harmonies of The Lord's Prayer. Clear markings and accessible notation empower the choir to express the music with interpretive depth and emotional resonance.For a meaningful and resonant addition to your Choir's repertoire, don't miss the opportunity to acquire this high-resolution sheet music for The Lord's Prayer arranged for For Women's Choir SSAA . Revel in the harmonious blend of voices as your choir breathes life into this sacred message, beautifully preserved in Ruth Elaine Schram's timeless composition.
The Lord's Prayer
Chorale SSAA

$1.99 1.69 € Chorale SSAA PDF SheetMusicPlus

Choral Choir (SSAA) - Level 2 - Digital Download SKU: A0.793991 Composed by Various. Arranged by Ivana Tuskan. A Cappella,Baroque,Celtic,Christmas,Classical,Irish,Renaissance. Octavo. 48 pages. Ivana Tuskan #6516919. Published by Ivana Tuskan (A0.793991). A collection of 7 choral authorial and traditional pieces (from renaissance to romantic period) arranged for SSA, SSAA and SAB chorus a cappella and with accompaniment, with soloists, too. Pieces are originally written for SATB ensemble or solo voices. Includes (with a partial electronic preview of each song): Michael Praetorius: Psallite Unigenito for SSAA Benedetto Marcello: I cieli immensi narrano for SSAA and organ Giovanni Battista Pergolesi: Gloria from Mass in D Major, P.46 for two Soprano solo, SAA choir and organ Johann Sebastian Bach: Zion hört die Wächter singen (Zion hears her watchmen's voices) from Cantata BWV 140, for SAB Oj DeteÅ¡ce moje drago, Croatian carol for SAA and piano The Wexford Carol, Irish Christmas Carol from County Wexford for SSA a cappella Gaudete! Christus est natus!, from Piae Cantiones for SSAA Scores are available separately on the my profile, too  
Christmas Treasures for SSA, SSAA and SAB chorus
Chorale SSAA

$2.20 1.87 € Chorale SSAA PDF SheetMusicPlus

Choral Choir,Choral (SSAA) - Level 2 - Digital Download SKU: A0.1346930 By Alvino Rey & His Orchestra. By Don Swander and June Hershey. Arranged by D. Jason Bishop. 20th Century,Country,Pop,Standards. 8 pages. Tully Road Music #931717. Published by Tully Road Music (A0.1346930). The 1941 classic “Deep in the Heart of Texas†is an American popular song about the state of Texas with lyrics by June Hershey and music by Don Swander. It has been recorded in multiple versions, five of which were on the Billboard charts in 1942. Several university bands in Texas perform the song before football games including the University of Texas Longhorn Band and the Texas Christian University Horned Frog Marching Band, and country music singer and native Texan George Strait has the song played before he takes the stage at concerts. This simple version for SSAA voices and piano was arranged by D. Jason Bishop for the Texas Boys Choir.
Deep In The Heart Of Texas
Chorale SSAA
Alvino Rey & His Orchestra
$2.00 1.7 € Chorale SSAA PDF SheetMusicPlus

Choral Choir,Choral (SSAA) - Level 4 - Digital Download SKU: A0.1287265 Composed by Benj Pasek, Justin Paul, and Sara Bareilles. Arranged by Gabriel Lawson. 21st Century,Contemporary,Film/TV. 9 pages. Gabriel Lawson #878281. Published by Gabriel Lawson (A0.1287265). “Look for the Light†is from season three of Only Murders in the Building. For four-part Treble Chorus (SSAA) with piano accompaniment, this arrangement starts in g minor with the melody in the Alto 1. Soprano 1, Soprano 2 and Alto 2 act as the accompaniment. The song builds gradually, alternating between unison, homophony, and polyphony. Modulating to D-flat Major at the highest point, it closes with the melody in unison splitting of into two final, hauntingly beautiful chords. Enchanting, comforting and heartwarming, “Look for the Light†is absolutely gorgeous and perfect all year round.Original key.Difficulty 7/10.Soprano 1 Bb3-Bb5.Soprano 2 Bb3-F5.Alto 1 A3-F5.Alto 2 Eb3-Db5.
Look For The Light
Chorale SSAA

$1.99 1.69 € Chorale SSAA PDF SheetMusicPlus

Choral Choir (SSAA) - Level 2 - Digital Download SKU: A0.856135 Composed by Trad. Arranged by Liz Garnett. A Cappella,Christmas. Octavo. 4 pages. Liz Garnett #3023039. Published by Liz Garnett (A0.856135). This medieval carol often presents the challenge in performance of where to breathe - each line of words runs up right to the end of the phrase and the next is upon you with barely a moment to inhale. So the arrangement sets out to solve this problem by breaking the ensemble into subgroups that alternate their phrases giving the singers time to breathe, and the audience a seamless musical experience.As it progresses, the process of overlapping becomes more and more complex until the texture disintegrates into all voices working independently. This makes the arrival of the final chorus in full four-part harmony all the more striking.Ranges:Tenor: B flat 3 - D flat 5Lead: B flat 3 - B flat 4Bari: B flat 3 - A flat 4Bass: F 3 - A flat 4(N.B. This arrangement is notated in treble and bass alta (i.e. sung an octave higher than written) clefs.www.HelpingYouHarmonise.com
Gaudete
Chorale SSAA

$3.50 2.98 € Chorale SSAA PDF SheetMusicPlus






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