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Choral Choir,Choral,SSAA Chorus - Level 2 - Digital Download SKU: A0.1492475 By Dua Lipa. By Andrew Wyatt Blakemore, Caroline Ailin, Dua Lipa, and Mark Ronson. Arranged by Rowena Harper. A Cappella,Barbershop,Contemporary,Pop. 6 pages. Rowena Harper #1069151. Published by Rowena Harper (A0.1492475). From the Barbie movie, this arrangement is a fun dance number.  It features a bass solo as well as incrementally layered voice parts, building into the chorus.  It should be a fun arrangement, which would also suit young singers due to the F-lowest bass part.Purchasing allows printing of one copy, and one copy per singer is required.Key: C minorRange (Lowest-Highest): Bass F3-F4, Baritone C4-C5, Lead C4-C5, Tenor A4-Eb5. (Note: This sheet music is notated in barbershop format: Tenor (S.1) and Lead (S.2) in treble clef , Baritone (A.1) and Bass (A.2) in bass clef. The Bass clef parts are sung an octave higher than written.)Contact: acappellatenor@gmail.com or on Facebook: Rowena Harper ArrangementsOriginal Song YouTube Link https://www.youtube.com/watch?v=OiC1rgCPmUQ.
Dance The Night
Chorale SSAA
Dua Lipa
$2.99 2.57 € Chorale SSAA PDF SheetMusicPlus

Choral Choir,Choral,SSAA Chorus - Level 2 - Digital Download SKU: A0.1494121 By Dua Lipa. By Andrew Wyatt Blakemore, Caroline Ailin, Dua Lipa, and Mark Ronson. Arranged by Rebecca (Boo) de Bruin. A Cappella,Barbershop,Disco,Pop. 8 pages. Rebecca de Bruin #1070731. Published by Rebecca de Bruin (A0.1494121). Dance the Night is a disco / synth-pop song by Dua Lipa from the soundtrack to the 2023 movie, Barbie. It was co-written with Caroline Ailin, Andrew Wyatt and Mark Ronson, with the Picard Brothers also contributing to production. It is inspired by a dance sequence in the movie, and is about always trying to appear perfect.Arranged in 2024 by Rebecca (Boo) de Bruin. 8 pages for Sweet Adelines (ladies' barbershop) quartet. (Tenor, lead, baritone, bass are roughly equivalent to SSAA). Please note: in keeping with normal barbershop practice, an octave-shifted bass clef is used for the baritone and bass parts (roughly equivalent to alto 1 and alto 2).Vocal ranges are:Tenor (S1): F#4 - D5 (F# above middle C to D above high C)Lead (S2): A3 - B4 (A below middle C to B above middle C). Baritone (A1): B3 - A5 (B below middle C to A above middle C)Bass: D3 - F#4 (D below middle C to F# above middle C). NB the only low D is sung in octaves with the higher parts, and the bass could sing in unison. Alternatively, the entire arrangement sits quite low and could easily be pitched up.
Dance The Night
Chorale SSAA
Dua Lipa
$2.99 2.57 € Chorale SSAA PDF SheetMusicPlus

SSAA Chorus,Voice - Level 2 - Digital Download SKU: A0.1493616 By Dua Lipa. By Andrew Wyatt Blakemore, Caroline Ailin, Dua Lipa, and Mark Ronson. Arranged by Rebecca (Boo) de Bruin. A Cappella,Barbershop,Disco,Pop. Barbershop Quartet. 8 pages. Rebecca de Bruin #1070309. Published by Rebecca de Bruin (A0.1493616). Dance the Night is a disco / synth-pop song by Dua Lipa from the soundtrack to the 2023 movie, Barbie. It was co-written with Caroline Ailin, Andrew Wyatt and Mark Ronson, with the Picard Brothers also contributing to production. It is inspired by a dance sequence in the movie, and is about always trying to appear perfect.Arranged in 2024 by Rebecca (Boo) de Bruin. 8 pages for Sweet Adelines (ladies' barbershop) quartet. (Tenor, lead, baritone, bass are roughly equivalent to SSAA). Please note: in keeping with normal barbershop practice, an octave-shifted bass clef is used for the baritone and bass parts (roughly equivalent to alto 1 and alto 2).Vocal ranges are:Tenor (S1): F#4 - D5 (F# above middle C to D above high C)Lead (S2): A3 - B4 (A below middle C to B above middle C). Baritone (A1): B3 - A5 (B below middle C to A above middle C)Bass: D3 - F#4 (D below middle C to F# above middle C). NB the only low D is sung in octaves with the higher parts, and the bass could sing in unison. Alternatively, the entire arrangement sits quite low and could easily be pitched up.
Dance The Night
Chorale SSAA
Dua Lipa
$12.99 11.15 € Chorale SSAA PDF SheetMusicPlus

Voice (SSAA) - Level 2 - Digital Download SKU: A0.1240885 Composed by Anastasio Rossi. Arranged by Anastasio Rossi. A Cappella,Barbershop,Singer/Songwriter. Barbershop Quartet. 3 pages. Anastasio Rossi #836278. Published by Anastasio Rossi (A0.1240885). Think of the story behind this music as about a young lady who  just loves the waltz, and loves to sing and dance to its lilting triple time.  Her dancing partner is a dashing, ever so handsome young man, who sweeps her off her feet and takes her breath away with his charm and grace, as they float away on the wings of A Dance In Triple Time!I originally composed this piece as a little warm up ditty for my chorus, but as I worked the melody and the harmony, it grew into just a little bit more than a warm up exercise.We always enjoyed singing this little piece for our audiences. And they always enjoyed hearing it. One caveat; The lyrics go by quickly! Leads, use your best diction and pronunciation, so the story doesn't get lost. Harmony voices, keep the melody prominent, by always singing your la-las at least one dynamic notch below the melody!Learning tracks are available at no cost from the composer: AAR@prodigy.net.
A Dance In TripleTime
Chorale SSAA

$1.99 1.71 € Chorale SSAA PDF SheetMusicPlus

Voice (SSAA) - Level 2 - Digital Download SKU: A0.1240428 Composed by Anastasio Rossi. Arranged by Anastasio Rossi. A Cappella,Barbershop. Barbershop Quartet. 3 pages. Anastasio Rossi #835806. Published by Anastasio Rossi (A0.1240428). Think of the story behind this music as about a young lady who  just loves the waltz, and loves to sing and dance to its lilting triple time.  Her dancing partner is a dashing, ever so handsome young man, who sweeps her off her feet and takes her breath away with his charm and grace, as they float away on the wings of A Dance In Triple Time!I originally composed this piece as a little warm up ditty for my chorus, but as I worked the melody and the harmony, it grew into just a little bit more than a warm up exercise. We always enjoyed singing this little piece for our audiences. And they always enjoyed hearing it. One caveat; The lyrics go by quickly! Leads, use your best diction and pronunciation, so the story doesn't get lost. Harmony voices, keep the melody prominent, by always singing your la-las at least one dynamic notch below the melody!Choose the waltz tempo of your choice - very relaxed to very lilting in 1.  Base your choice on being able to deliver the lyrics with great clarity, especially in the faster passages. Be sure to observe the accelerandos, broadening tempos, a tempos, legatos, and staccatos. They all have much to do with delivering the style of this piece, especially the off beat la-las. Some pairs are staccato, in other pairs, the first la is legato, the second la is staccato.The metronome marks more accurately describe the accelerandos and broadenings. On the repeat at 11, a slight increase in the tempo will add urgency and intensity. Keep the melody prominent as it moves to different voices, beginning at 37. Maintain the crisp staccato harmony against the legato melody, and enjoy the change to full legato for all voices.  Anastasio Rossi May 2023Learning tracks are available at no cost from the composer: AAR@prodigy.net.
A Dance In TripleTime
Chorale SSAA

$12.99 11.15 € Chorale SSAA PDF SheetMusicPlus

Choral Choir (SSAA) - Digital Download SKU: A0.843718 Composed by Traditional. Arranged by Debbie Warren. Folk,Traditional. Octavo. 7 pages. Keep Calm and Keep Singing #450402. Published by Keep Calm and Keep Singing (A0.843718). A fishing song from the North East of England, this became popular as the theme tune to 1970’s TV show When the Boat Comes In. However, there is also another melody (in the minor key) also believed to originate from the North East but which was collected by Cecil Sharp in Berkshire. I have combined both melodies giving one to the sops and the other to the altos. Each section then forms an ostinato accompaniment while the other is singing the tune. These “Dance†“Sing†notes although written as dotted minims are to be performed short and light – like bells. The song also works best with a slight northern accent – particularly the short northern ‘a’ vowel on the word Dance and in the phrase “When the boat comes inâ€. NB Although this is written for 4 parts the second alto is optional and the arrangement works just as well without it for SSA choirs. FREE resources are available (backing track, teach tracks) just email keepcalmkeepsinging@gmail.com with proof of purchase Easy Level Duration: 3'30.
Dance to Your Daddy (When the Boat Comes In) SSAA
Chorale SSAA

$1.99 1.71 € Chorale SSAA PDF SheetMusicPlus

Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.856179 Composed by Dorothy Fields, Jerome Kern, Jimmy McHugh, Oscar Hammerstein, and Otto Harbach. Arranged by Liz Garnett. Contemporary. Octavo. 8 pages. Liz Garnett #3916823. Published by Liz Garnett (A0.856179). This arrangement uses the second version of this song, with Dorothy Fields' playful lyrics, as sung by Frank Sinatra. It is one of those songs where the words are saying one thing, but the music is telling you the exact opposite, the contradiction giving the whole an expressive spritz and energy that carries it along as much as the brisk swing rhythms.N.B. This arrangement is notated in treble and bass alta (i.e. sung an octave higher than written) clefs.Vocal Ranges:Tenor: C4 - F#5Lead: A3 - D5Bari: B flat3 - E flat5Bass: E flat 3 - F#4www.HelpingYouHarmonise.com
I Won't Dance
Chorale SSAA

$2.99 2.57 € Chorale SSAA PDF SheetMusicPlus

Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.856190 By Daniel Bedingfield. By Daniel Bedingfield. Arranged by Liz Garnett. Contemporary,Dance,Pop. Octavo. 6 pages. Liz Garnett #3919001. Published by Liz Garnett (A0.856190). In writing this love-song Daniel Bedingfield deliberately aimed for the feel of a classic pop ballad; he certainly found that wistful mode of expression, though the soaring vocal lines suggest that he did not want to be held in by the genre even as he was recreating it.The arrangement shapes the narrative through a variety of textures, and makes a feature of handing the melody round between the different parts.N.B. This arrangement is notated in treble and bass alta (i.e. sung an octave higher than written) clefs.Vocal Ranges:Tenor: D4 - F5Lead: A3 - D5Bari: C4 - C5Bass: F3 - G4www.HelpingYouHarmonise.com
If I'm Not Made For You (if You're Not The One)
Chorale SSAA
Daniel Bedingfield
$2.99 2.57 € Chorale SSAA PDF SheetMusicPlus

Choral Choir (SSAA) - Level 2 - Digital Download SKU: A0.1087101 By Erasure. By Andy Bell and Vince Clarke. Arranged by Rebecca (Boo) de Bruin. A Cappella,Contemporary,Pop. Octavo. 13 pages. Rebecca de Bruin #691297. Published by Rebecca de Bruin (A0.1087101). Words and Music by Vince Clarke and Andy Bell in 1988. Arranged in 2021 by Boo de Bruin. 13 pages for Sweet Adelines (ladies' barbershop) chorus. (Tenor, lead, baritone, bass are roughly equivalent to SSAA, although lead and baritone have similar - in this case, identical! - ranges, but perform different functions). A Little Respect was written and recorded by English synth-pop duo Erasure, and is known as one of their signature songs. It reached #4 on the UK singles chart, #14 on the US Billboard Hot 100, and #2 on the US Hot Dance Club Songs chart. This arrangement uses words from the song in place of neutral vowels to create an early ostinato (without boring the harmony parts!) before expanding into homorhythm in verse 2. The melody is mainly in the lead part, with the final motif from the chorus passed to the tenors. In the final verse, a key change moves the melody to the basses and baritones, with the leads taking the final phrase. This arrangement was written for a barbershop chorus, and as such the lowest voice part has a lower range than is custom for choral SSAA writing. However, the range of the entire arrangement is quite narrow, and so it could be sung in a higher tessitura without undo strain on the upper voices. Please note: in keeping with normal barbershop practice the men's barbershop voicing names are used (tenor, lead, baritone and bass) and an octave-shifted bass clef is used for the baritone and bass parts. Vocal ranges are: Tenor: D4 - F5 (D above middle C to F above high C) Lead: G3 - C5 (G below middle C to high C) Baritone: G3 - C5 (G below middle C to high C) Bass: D3 - F4 (D below middle C to F above middle C).
A Little Respect
Chorale SSAA
Erasure
$1.99 1.71 € Chorale SSAA PDF SheetMusicPlus

Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.953625 Composed by Adrienne Inglis (ASCAP). Contemporary,Latin. Octavo. 5 pages. Adrienne Inglis (ASCAP) #6405603. Published by Adrienne Inglis (ASCAP) (A0.953625). La ciudad sumergida (The Submerged City) for four-part treble chorus and nature soundtrack by Adrienne Inglis (ASCAP) Commissioned for Dr. Ramona M. Wis and the North Central College Women’s Chorale A setting of an excerpt of Río de La Plata en lluvia from Mascarilla y Trébol (1938) by Alfonsina Storni (1938) Copyright © 2020 Adrienne Inglis Founder, composer, and singer with Inversion Ensemble of Austin, Texas, Adrienne Inglis also serves as principal flute with the Central Texas Philharmonic, flute instructor at Southwestern University, and flutist with flute/harp duo Chaski. She has music degrees from Lewis and Clark College and the University of Texas at Austin. An avid birder and environmentalist, she lives in the rural hill country of Central Texas. Poet Alfonsina Storni began writing during a tumultuous childhood fraught with economic hardships, many disruptive moves, and an alcoholic father. She danced with a theatrical troupe and then became a teacher and journalist. She bore a child out of wedlock and found herself working as a single mother during socially oppressive times. In Buenos Aires she joined the emerging world of women’s rights, becoming an important literary voice in the movement. When her breast cancer returned, her lifelong passion for the sea culminated in her suicide off of the coast of Argentina. Río de La Plata en lluvia from Mascarilla y Trébol (1938) lines 1-4 by Alfonsina Storni in the public domain Ya casi el cielo te apretaba, ciego, y sumergida una ciudad tenías en tu cuerpo de grises heliotropos neblivelado en su copón de llanto. [The sky was about to embrace you, blind, and you had in your body of gray heliotropes a submerged city, with the misty sky like a chalice about to overflow with tears.] Program note: Commissioned for Dr. Ramona M. Wis and the North Central College Women’s Chorale of Naperville, Illinois, La ciudad sumergida (The Submerged City) by Adrienne Inglis for four-part treble chorus with nature soundtrack captures the mood of a river, a city, the cloudy sky, and the poet’s own profound melancholy. The sound of rain creates both the ambiance of a misty day on the river and the sensation of cathartic crying from great sadness and pain. The city’s reflection on the river’s surface gives the illusion that the city is submerged in the water. The reflection of the clouds hovering low over Río de La Plata looks like gray heliotrope flowers. The apocalyptic images of a submerged city and of tears overflowing from the chalice-sky eerily foreshadow rising sea levels due to anthropogenic global warming. The nature soundtrack of rain was recorded by the composer in the hill country of central Texas, July 2020. Performance note: This aleatoric, asynchronous composition is suitable for remote singing along with the video score and nature soundtrack. Observe the order of entrances, but know that it’s not meant to line up exactly. Finish a phrase even if another phrase has started. Diphthongs move immediately to the second vowel sound. Ya begins with the [dÊ’] sound and llanto begins with the [Ê’] sound, both typical of the Buenos Aires accent. Sing quite expressively except for the neblivelado section which is misty and veiled. The director may wish to indicate the rehearsals numbers or the singers may follow the time on the video-or both. Duration: 3:08 Link to video with soundtrack is available from the composer (http://adrienneinglis.com). Acknowledgements: The composer warmly thanks Pablo and Diana Donatti, Ãngeles Rodríguez Cadena, and Emilio Torres for their contributions to this project and to Dr. Ramona M. Wis and the North Central College Women’s Chorale for the generous commission. Copyright © 2020 Adrienne Inglis | http://adrienneinglis.com
La ciudad sumergida (The Submerged City) for SSAA treble voices and nature soundtrack
Chorale SSAA

$3.99 3.43 € Chorale SSAA PDF SheetMusicPlus






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