By Carrie Underwood. By Christopher De Stefano, Christopher Destefano, Hilary Lindsay, Hillary Lindsey, and Carrie Underwood. Arranged by Erica Kelch-Slesnick. A Cappella, Barbershop, Christmas, Comedy, Holiday. Octavo. 8 pages. Erica Kelch- Slesnick #776977. Published by Erica Kelch-Slesnick

Choral Choir (SSAA) - Level 2 - Digital Download SKU: A0.856166 By Miley Cyrus. By Robert Hazard. Arranged by Liz Garnett. Pop. Octavo. 5 pages. Liz Garnett #3868607. Published by Liz Garnett (A0.856166). This song was originally written and recorded in 1979 by Robert Hazard, who presented it from a male point of view, but it was made famous by Cyndi Lauper in 1983/4. Lauper tweaked the lyrics to turn it into a celebration of both female pleasure and female autonomy, and in doing so overturned the stereotypes of feminism of the era - becoming the voice of girl power for the generation before the Spice Girls.Lauper has reworked the song into two subsequent versions, but this arrangement is based firmly on the 1980s version. It was written for a series of one-day workshops, and so was designed to combine musical interest for people spending a whole day singing it with ease of learning to allow participants to focus on performance elements beyond the notes.The arrangement is notated in the traditional clefs for women's barbershop: treble and bass alta (i.e. sung an octave higher than written).Vocal Ranges:Tenor: E4 – E5Lead: A3 – C#4Bari: A3- B4Bass: E3 – E4www.HelpingYouHarmonise.com

Choral Choir (SSAA) - Level 2 - Digital Download SKU: A0.1248128 By The Mamas And The Papas. By John Phillips and Michelle Phillips. Arranged by Debbie Keretz. 20th Century,A Cappella,Barbershop,Contemporary,Pop. Octavo. 5 pages. Deborah L Keretz #842691. Published by Deborah L Keretz (A0.1248128). Female barbershop a capella non-contestable arrangement of The Mama's & the Papa's California Dreamin' - melody travels between lead & tenor, bass has melody for 2nd verse - can be used for YWIH program participants as bass doesn't go below low E. Pitch may be adjusted for more mature voices without changing voicing.