Choral Choir (SSAA) - Level 4 - Digital Download SKU: A0.1178138 Composed by Adrienne Inglis (ASCAP). Christian,Classical,Early Music,Sacred,Spiritual. Octavo. 14 pages. Adrienne Inglis (ASCAP) #778101. Published by Adrienne Inglis (ASCAP) (A0.1178138). Gorgeous sacred piece in Middle English for SSAA and Bb clarinet! Perfect for Holy Week, Easter, Good Friday, Maundy Thursday, environmental, nature, mystical, contemplative concerts! Julian’s Hazelnut (2022) by Adrienne Inglis (ASCAP)SSA treble chorus and B flat clarinetText: The Shewings of Julian of Norwich, Part 1 Lines 148-154 by Julian of Norwich (about 1343 - after 1416)Commissioned by Inversion Ensemble for Da Capo’s Origins concertDuration 3:50 minutesDifficulty 4 (Auditioned Chorus)Language — Middle English (with Original Pronunciation from David Crystal)Original Pronunciationhttp://originalpronunciation.com/GBR/Home The perusal score video will be included on this YouTube playlist soon.https://www.youtube.com/playlist?list=PLY9Jh0jT7VQvcM78yozLNYpIXeWzJjMPsPerformances:21 Jan 2023 at 7 PM Inversion Ensemble and clarinetist Brendan Fairleigh (world premiere) in Austin, TexasCommissioned by Inversion Ensemble for Da Capo’s January 2023 Origins concert, Julian’s Hazelnut (2022) by Adrienne Inglis sets text by Julian of Norwich for treble voices and B flat clarinet. Born in about 1343 in Norwich, England, Julian survived the Black Plague as a girl of six. She became an anchoress at St. Julian’s Church in Norwich where she lived in prayerful seclusion. In 1373, she became very sick at age 30. Near the point of death, a curate showed her a crucifix for comfort. She then experienced a series of intense visions of Christ and recovered from her illness to write eloquently about her “shewings.� The beautiful Medieval English text for this piece is from The Shewings of Julian of Norwich, Part I lines 148-154 in which Julian reflects on the vision she experienced about a hazelnut in the palm of her hand. She comes to understand that God loves even a small, ordinary thing like a hazelnut, such that it will not disintegrate but last forever because of God’s love for it. In Julian’s vision, the hazelnut symbolizes all that is made — all of Creation that God made and loves forever. The music combines Medieval sounds and counterpoint with lush, modern harmonies, woven together with the smooth color and elegant lines of the clarinet. Singers use Original Pronunciation to capture the lyricism of Julian’s words. May this piece inspire the same awe and amazement at God’s beloved Creation that Julian felt centuries ago.http://adrienneinglis.com.

Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.967154 Composed by Robert Rund and Unknown. Arranged by Robert Rund. A Cappella,Holiday,Wedding. Octavo. 4 pages. Robert Rund #6328919. Published by Robert Rund (A0.967154). Chorus A and B were heard in a piano bar sometime in the 1960s however were never attributable to any composer. Robert Rund created an original verse, b section and final chorus to this 4-part, female acapella arrangement in the barbershop style.

Choral Choir (SSAA) - Level 2 - Digital Download SKU: A0.856135 Composed by Trad. Arranged by Liz Garnett. A Cappella,Christmas. Octavo. 4 pages. Liz Garnett #3023039. Published by Liz Garnett (A0.856135). This medieval carol often presents the challenge in performance of where to breathe - each line of words runs up right to the end of the phrase and the next is upon you with barely a moment to inhale. So the arrangement sets out to solve this problem by breaking the ensemble into subgroups that alternate their phrases giving the singers time to breathe, and the audience a seamless musical experience.As it progresses, the process of overlapping becomes more and more complex until the texture disintegrates into all voices working independently. This makes the arrival of the final chorus in full four-part harmony all the more striking.Ranges:Tenor: B flat 3 - D flat 5Lead: B flat 3 - B flat 4Bari: B flat 3 - A flat 4Bass: F 3 - A flat 4(N.B. This arrangement is notated in treble and bass alta (i.e. sung an octave higher than written) clefs.www.HelpingYouHarmonise.com

By Ike & Tina Turner. By John Fogerty. Arranged by Kohl Kitzmiller. A Cappella, Barbershop, Hip-Hop, Pop, R & B, Rock. Octavo. 9 pages. Kohl Kitzmiller #855750. Published by Kohl Kitzmiller

Choral Choir (SSAA) - Level 2 - Digital Download SKU: A0.856218 By Dolly Parton. By Dolly Parton. Arranged by Liz Garnett. Country. Octavo. 2 pages. Liz Garnett #4331261. Published by Liz Garnett (A0.856218). This is a short, two-page arrangement of irrepressibly catchy theme-tune of the 1980 movie of the same title. The words describe the central problem of the film, the music tells you how life-affirming and entertaining the solving it is going to prove.The chart was written to be workshopped, and can be learned and performed in an afternoon, and features vocal ranges accessible to relatively inexperienced singers.N.B. This arrangement is notated in treble and bass alta (i.e. sung an octave higher than written) clefs.Vocal Ranges:Tenor: C#4 - C#5Lead: C#4 - C#5Bari: C#4 - A4Bass: E3 - F#4www.HelpingYouHarmonise.com

Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.949381 Composed by Adam Lenhart. Contemporary. Octavo. 11 pages. Adam Lenhart #5305499. Published by Adam Lenhart (A0.949381). The Message is written to evoke a feeling of love and happiness in everything one does. The speaker uses nocturnal events to represent life: although the rain (mournful times) is not here, the stars cannot be seen if one is not opening themselves to love and the beauty life offers. The speaker believes the message should be heard by all, so everyone can witness the stars and encourages others to become messengers themselves.Duration: approx. 5:02The Message was selected as a winner in the 2020 MMEA Honors Composition Contest.---------------------------Adam Lenhart (b. 2002) is a University of Michigan student of music theory, composition, voice and organ from Ottawa Lake, Michigan. As a theorist, his areas of study vary widely, including 18th century counterpoint, the early American Sacred Harp tradition and impressionism. As a composer, his music draws inspiration from nature, mathematics and poetry. In 2020 he was awarded the Michigan Music Education Association’s Young Composers of Michigan award, as well as first prize in the University of Toledo Young Composers competition. Lenhart has also participated in numerous ensembles across Michigan, including the MYAF All-State Choir, Tecumseh Pops Orchestra, University of Michigan Men’s Glee Club and the SMTD University Choir. He thoroughly enjoys collaboration with other composers, performers, poets and visual artists. Some of his recent projects include collaborations with individuals from the University of Michigan Chamber Music, History, and Poetry departments.

Choral Choir (SSAA) - Level 5 - Digital Download SKU: A0.856137 Composed by Trad. Arranged by Liz Garnett. A Cappella,Christmas. Octavo. 6 pages. Liz Garnett #3023035. Published by Liz Garnett (A0.856137). Did you ever notice that scat-style d-v-d-v passages are essentially an up-dated version of the traditional fa-la-la refrain? This arrangement takes the traditional Welsh carol and re-imagines it in a post-Swingles mode. Fast, skittish and full of surprises, it is immensely fun for singers and audience alike.Ranges:Tenor: F4 - E flat 5Lead: A flat 3 - C5Bari: C4 - C flat 5Bass: E flat 3 - G flat 4(N.B. This arrangement is notated in treble and bass alta (i.e. sung an octave higher than written) clefs.www.HelpingYouHarmonise.comYou may also be interested in a blog post about the creative problem-solving that produced this arrangement:http://www.helpingyouharmonise.com/decklyricist

Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.928368 By Adele. By Adele Adkins and Tobias Jesso Jr. Arranged by Thomas J. West. A Cappella,Hip-Hop,Pop,R & B. Octavo. 16 pages. Thomas J. West #5896795. Published by Thomas J. West (A0.928368). This arrangement of one of Adele's chart-topping hits was originally commissioned by a treble voices barbershop chorus. It features a soprano lead vocal over a full SSAA chorus. The choral parts are written with a contemporary a cappella approach to the backgrounds that is still palatable by the avid barbershopper. Also a great piece to showcase your strong treble singers in a high school choral program. Parts are labeled in traditional barbershop style (tenor, lead, baritone, bass) but apply to the SSAA vocal ranges using the standard barbershop clefs (bass clef for alto parts). The bass part range is from Eb3 to Eb4. Tenor part range is from Eb4 to D5. www.thomasjwestmusic.com

Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.928358 By The Temptations. By Barrett Strong and Norman Whitfield. Arranged by Thomas J. West. A Cappella,Hip-Hop,R & B. Octavo. 11 pages. Thomas J. West #5801575. Published by Thomas J. West (A0.928358). This SSAA a cappella arrangement of The Temptations classic was originally commissioned for an American treble voices barbershop quartet to expand their repertoire past the traditional barbershop homophonic style. It features lead lines for all four singers reminiscent of the original Temptations recording, with a contemporary a cappella approach to the backgrounds that is still palatable by the avid barbershopper. Also a great piece to showcase your strong treble singers in a high school choral program. Parts are labeled in traditional barbershop style (tenor, lead, baritone, bass) but apply to the SSAA vocal ranges using the standard barbershop clefs (bass clef for alto parts). The bass part range is from D3 to F4. Tenor part range is from D4 to A5. www.thomasjwestmusic.com .

Choral Choir (SSAA) - Level 2 - Digital Download SKU: A0.1120374 Composed by Jerrold Immel. Arranged by Karen Ivana. A Cappella,Christian,Christmas. Octavo. 2 pages. Karen Ivana #721644. Published by Karen Ivana (A0.1120374). Have a little fun this Christmas! While Shepherds Watched their Flocks by Night is re-imagined and set to the tune of Dallas Arranged for SSAA choir with a descant in the last verse. There is a rehearsal piano reduction.N.B. The youtube video shows the score as rather difficult to read - the downloaded pdf will be properly laid out.

Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.793953 By Nino Rota. By Lawrence Kusik and Nino Rota. Arranged by Ivana Tuskan. 20th Century,Film/TV. Octavo. 8 pages. Ivana Tuskan #4623865. Published by Ivana Tuskan (A0.793953). This beautiful song is from The Godfather's soundtrack. My arrangement is written in B minor key with modulation in E minor key. It's written for female quartet (SSAA ensemble) with piano accompaniment. The score contains 8 pages. Performance Time approx.: 2:53 The sound sample is an electronic previewNOTE: You are allowed 5 print copies with one purchase of this title. Further distribution or forwarding of this sheet music is prohibited. Thank you! - Ivana Tuskan

Choral Choir,Choral (SSAA) - Level 2 - Digital Download SKU: A0.1240953 By Frank Sinatra. By Jule Styne and Sammy Cahn. Arranged by Anastasio Rossi. A Cappella,Barbershop,Christmas,Holiday,Pop. 4 pages. Anastasio Rossi #836347. Published by Anastasio Rossi (A0.1240953). Lyricist Sammy Cahn recalls, One day during a very hot spell in Los Angeles the phone rang and it was comoser Jule Styne to say, 'Frank wants a Christmas song.' Cahn resisted. Jule, we're not going to write any Christmas song. After Irving Berlin's 'White Christmas'? The idea's just ridiculous. Styne was emphatic, however. 'Frank wants a Christmas song.'  So they sat down and wrote one for the B-side of Sinatra's White Christmas. Ever since, (1954), The Christmas Waltz has been covered dozens of times over the years by a wide variety of artists, too numerous to include here, and has become a Holiday Standard. Also available for SSAA Barbershop Quartet.Learning tracks available. Contact the arranger at AAR@PRODIGY.NET.

Choral Choir,Choral (SSAA) - Level 2 - Digital Download SKU: A0.1239993 By Frank Sinatra. By Jule Styne and Sammy Cahn. Arranged by Anastasio Rossi. A Cappella,Barbershop,Christmas,Pop. 4 pages. Anastasio Rossi #835356. Published by Anastasio Rossi (A0.1239993). Lyricist Sammy Cahn recalls, One day during a very hot spell in Los Angeles the phone rang and it was comoser Jule Styne to say, 'Frank wants a Christmas song.' Cahn resisted. Jule, we're not going to write any Christmas song. After Irving Berlin's 'White Christmas'? The idea's just ridiculous. Styne was emphatic, however. 'Frank wants a Christmas song.'  So they sat down and wrote one for the B-side of Sinatra's White Christmas. Ever since, (1954), The Christmas Waltz has been covered dozens of times over the years by a wide variety of artists, too numerous to include here, and has become a Holiday Standard.Learning tracks are available at no cost from the arranger: AAR@prodigy.net.

Voice (SSAA) - Level 2 - Digital Download SKU: A0.1240956 By Frank Sinatra. By Jule Styne and Sammy Cahn. Arranged by Anastasio Rossi. A Cappella,Barbershop,Christmas,Holiday,Pop. Barbershop Quartet. 4 pages. Anastasio Rossi #836353. Published by Anastasio Rossi (A0.1240956). Lyricist Sammy Cahn recalls, One day during a very hot spell in Los Angeles the phone rang and it was comoser Jule Styne to say, 'Frank wants a Christmas song.' Cahn resisted. Jule, we're not going to write any Christmas song. After Irving Berlin's 'White Christmas'? The idea's just ridiculous. Styne was emphatic, however. 'Frank wants a Christmas song.'  So they sat down and wrote one for the B-side of Sinatra's White Christmas. Ever since, (1954), The Christmas Waltz has been covered dozens of times over the years by a wide variety of artists, too numerous to include here, and has become a Holiday Standard. Also availble for SSAA Chorus.Learning tracks are available at no cost from the arranger: AAR@prodigy.net.

Choral Choir,Choral,SSAA Chorus - Level 4 - Digital Download SKU: A0.1417423 Composed by Oscar Hammerstein and Richard Rodgers. Arranged by Gloria Price Moser. 20th Century,A Cappella,Broadway,Contemporary,Musical/Show,R & B. 17 pages. Gloria Price Moser #998961. Published by Gloria Price Moser (A0.1417423). This familiar song from the musical South Pacific has been modernized and arranged for SSAA a cappella ensemble with solo and improvisational opportunities. (Runs written as suggestions.)  This moving, emotional arrangement focuses on the idea that racism is something completely unnatural which must be taught by bigots in order to survive. The message is for people to be very considerate in the ways we speak with children about race. This song and its message are just as relevant now as it was when it was published in 1949.