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Voice (SSAA) - Level 3 - Digital Download SKU: A0.1170248 By Publick Domain. By Words by Oscar Hammerstein II, Music by Jerome Kern. Arranged by Julie Gaulke. A Cappella,Barbershop,Broadway,Jazz,Musical/Show,Standards. Barbershop Quartet. 4 pages. Julie Gaulke #770613. Published by Julie Gaulke (A0.1170248). This is Julie Gaulke's original arrangement of Can’t Help Lovin’ Dat Man (from the musical Showboat) for SSAA a cappella in the key of C. See full performance video here: Julie's Youtube Channel (Please note: This performance video is in the original key of Bb)(NOTE: Since this is a quartet, you are allowed FOUR print copies with a single purchase of this title. Thank you! -Julie Gaulke)LEARNING TRACKS AVAILABLE FOR THIS SCORE HERE: Julie Gaulke TracksPlease visit Julie's website Pianomom's Sheet Music for more great arrangements! Pianomom's Sheet Music
Can’t Help Lovin’ Dat Man for SSAA a cappella KEY OF C
Chorale SSAA
Publick Domain
$12.99 11.22 € Chorale SSAA PDF SheetMusicPlus

Choral Choir (SSAA) - Level 5 - Digital Download SKU: A0.1220874 Composed by Clare Teal and Nigel John Stonier. Arranged by Jenny Mills. A Cappella,Barbershop,Contemporary,Jazz. Octavo. 11 pages. LABBS - Ladies Association of British Barbershop Singers #817216. Published by LABBS - Ladies Association of British Barbershop Singers (A0.1220874). A super-jazzy arrangement of this uptempo swing song as sung by Clare Teal, this is one that is fiendishly challenging, but worthy of an attempt by established SSAA a cappella groups who are experienced and confident with the swing genre. The arranger, the late Jen Mills, was an accomplished jazz musician as well as a barbershop singer and LABBS Music Judge. This arrangement has been donated by her partner for publication by LABBS on SMP so that SSAA a cappella groups can experience the joy of this arrangement.This arrangement is NOT suitable for barbershop contest, as the harmony parts are frequently performing non-homorhythmically with neutral syllables, to give a huge hit of big band flavour.The arrangement is predominantly in the barbershop style (melody in the inner voice) but at times the melody gets passed around the other parts too, so everyone gets a turn!With an extended vocal instrumental intro, it would be suitable for a show where a spoken intro overlays the first 30 seconds or so (once the speech is planned, some bars can be repeated as many times as needed to accommodate).For those unfamiliar with the song, look up Clare Teal's performance on YouTube from her album Don't Talk. A sound sample of this arrangement will follow soon.
Messin' With Fire
Chorale SSAA

$2.99 2.58 € Chorale SSAA PDF SheetMusicPlus

Choral Choir (SSAA) - Level 4 - Digital Download SKU: A0.1016459 Composed by Lionel Bart. Arranged by William J. Bullock. 20th Century,A Cappella,Broadway,Musical/Show,Pop,Standards. Octavo. 6 pages. William Bullock #5739293. Published by William Bullock (A0.1016459). A Bullock Editions publication for SSAA a cappella chorus: As Long as He Needs Me-Chorus & Piano Reduction. Music and Lyrics: Lionel Bart. Arrangement: William J. Bullock. Duration: 2:40.  Arranger’s Note: Verse and AABA refrain included; final BA sections repeated with a modulation up a minor third for the final A section.  Formats: Chorus & Piano Reduction (H0.784257-SC001253469). [Sounds on sample audio are computer-generated without text]
As Long As He Needs Me
Chorale SSAA

$2.15 1.86 € Chorale SSAA PDF SheetMusicPlus

Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.1220892 Composed by Alan Bergman, Marilyn Bergman, and Michel Legrand. Arranged by Jenny Mills. 20th Century,A Cappella,Barbershop,Jazz,Standards. Octavo. 4 pages. LABBS - Ladies Association of British Barbershop Singers #817229. Published by LABBS - Ladies Association of British Barbershop Singers (A0.1220892). This arrangement of this beautiful jazz ballad was commissioned from the late Jenny Mills by a LABBS barbershop chorus, inspired specifically by the recording by Clare Teal.Previously licensed for that chorus only, Jen's partner has now donated this arrangement to LABBS for publication on SMP, so that more SSAA a cappella groups can experience singing this beautiful ballad arranged in super-close harmony, with a beautiful romantic message suitable for shows, weddings, engagements and any time.This arrangement is NOT suitable for barbershop contests, due to many of the chords used having gorgeously evocative semitone intervals within them, which is considered too dissonant for the style.  They are nevertheless extremely appropriate and laden with emotion for a show performance, by a group who can handle the tuning of these unusual (to barbershop) chords.To hear the version by Clare Teal that inspired this arrangement, search on YouTube for her recording from her album Don't Talk. A sample recording of the arrangement being sung by the commissioning chorus will follow soon.
What Are You Doing The Rest Of Your Life?
Chorale SSAA

$2.49 2.15 € Chorale SSAA PDF SheetMusicPlus

Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.953625 Composed by Adrienne Inglis (ASCAP). Contemporary,Latin. Octavo. 5 pages. Adrienne Inglis (ASCAP) #6405603. Published by Adrienne Inglis (ASCAP) (A0.953625). La ciudad sumergida (The Submerged City) for four-part treble chorus and nature soundtrack by Adrienne Inglis (ASCAP) Commissioned for Dr. Ramona M. Wis and the North Central College Women’s Chorale A setting of an excerpt of Río de La Plata en lluvia from Mascarilla y Trébol (1938) by Alfonsina Storni (1938) Copyright © 2020 Adrienne Inglis Founder, composer, and singer with Inversion Ensemble of Austin, Texas, Adrienne Inglis also serves as principal flute with the Central Texas Philharmonic, flute instructor at Southwestern University, and flutist with flute/harp duo Chaski. She has music degrees from Lewis and Clark College and the University of Texas at Austin. An avid birder and environmentalist, she lives in the rural hill country of Central Texas. Poet Alfonsina Storni began writing during a tumultuous childhood fraught with economic hardships, many disruptive moves, and an alcoholic father. She danced with a theatrical troupe and then became a teacher and journalist. She bore a child out of wedlock and found herself working as a single mother during socially oppressive times. In Buenos Aires she joined the emerging world of women’s rights, becoming an important literary voice in the movement. When her breast cancer returned, her lifelong passion for the sea culminated in her suicide off of the coast of Argentina. Río de La Plata en lluvia from Mascarilla y Trébol (1938) lines 1-4 by Alfonsina Storni in the public domain Ya casi el cielo te apretaba, ciego, y sumergida una ciudad tenías en tu cuerpo de grises heliotropos neblivelado en su copón de llanto. [The sky was about to embrace you, blind, and you had in your body of gray heliotropes a submerged city, with the misty sky like a chalice about to overflow with tears.] Program note: Commissioned for Dr. Ramona M. Wis and the North Central College Women’s Chorale of Naperville, Illinois, La ciudad sumergida (The Submerged City) by Adrienne Inglis for four-part treble chorus with nature soundtrack captures the mood of a river, a city, the cloudy sky, and the poet’s own profound melancholy. The sound of rain creates both the ambiance of a misty day on the river and the sensation of cathartic crying from great sadness and pain. The city’s reflection on the river’s surface gives the illusion that the city is submerged in the water. The reflection of the clouds hovering low over Río de La Plata looks like gray heliotrope flowers. The apocalyptic images of a submerged city and of tears overflowing from the chalice-sky eerily foreshadow rising sea levels due to anthropogenic global warming. The nature soundtrack of rain was recorded by the composer in the hill country of central Texas, July 2020. Performance note: This aleatoric, asynchronous composition is suitable for remote singing along with the video score and nature soundtrack. Observe the order of entrances, but know that it’s not meant to line up exactly. Finish a phrase even if another phrase has started. Diphthongs move immediately to the second vowel sound. Ya begins with the [dÊ’] sound and llanto begins with the [Ê’] sound, both typical of the Buenos Aires accent. Sing quite expressively except for the neblivelado section which is misty and veiled. The director may wish to indicate the rehearsals numbers or the singers may follow the time on the video-or both. Duration: 3:08 Link to video with soundtrack is available from the composer (http://adrienneinglis.com). Acknowledgements: The composer warmly thanks Pablo and Diana Donatti, Ãngeles Rodríguez Cadena, and Emilio Torres for their contributions to this project and to Dr. Ramona M. Wis and the North Central College Women’s Chorale for the generous commission. Copyright © 2020 Adrienne Inglis | http://adrienneinglis.com
La ciudad sumergida (The Submerged City) for SSAA treble voices and nature soundtrack
Chorale SSAA

$3.99 3.45 € Chorale SSAA PDF SheetMusicPlus

Voice (SSAA) - Level 3 - Digital Download SKU: A0.1170245 By Public Domain. By Words by Oscar Hammerstein II, Music by Jerome Kern. Arranged by Julie Gaulke. A Cappella,Barbershop,Broadway,Jazz,Musical/Show,Standards. Barbershop Quartet. 4 pages. Julie Gaulke #770609. Published by Julie Gaulke (A0.1170245). This is Julie Gaulke's original arrangement of Can’t Help Lovin’ Dat Man (from the musical Showboat) for SSAA a cappella. See full performance video here: Julie's Youtube Channel (NOTE: Since this is a quartet, you are allowed FOUR print copies with a single purchase of this title. Thank you! -Julie Gaulke)LEARNING TRACKS AVAILABLE FOR THIS SCORE HERE: Julie Gaulke TracksPlease visit Julie's website Pianomom's Sheet Music for more great arrangements!
Can’t Help Lovin’ Dat Man for SSAA a cappella KEY OF Bb
Chorale SSAA
Public Domain
$12.99 11.22 € Chorale SSAA PDF SheetMusicPlus

Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.1282920 Composed by Oscar Hammerstein and Richard Rodgers. Arranged by Ruby Rhea/Ken Potter. A Cappella,Barbershop,Broadway,Musical/Show,Pop. Octavo. 5 pages. Ken Potter #874171. Published by Ken Potter (A0.1282920). This arrangement for SSAA (SAI) was originally written by Ruby Rhea for SAI.  I (Ken Potter) am acting on behalf of, with permission from the family, of the now deceased Ruby Rhea.  As curator of her arrangements, I am posting to legally clear the chart for quartets and choruses to use.  Please observe all copyright laws and contest rules for clearance.  Ruby wanted her charts to be used by the public legally.  Please note that I do not receive compensation for managing her charts.  Contact me directly if you need to speak to me about Ruby Rhea's material.  (310-702-5285).
I'm Gonna Wash That Man Right Outa My Hair
Chorale SSAA

$2.00 1.73 € Chorale SSAA PDF SheetMusicPlus






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