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SAPPHO'S POETRY FRAGMENTS, for SSAA choir / vocal ensemble, a cappella Chorale SSAA

$20.00 18.9 € Chorale SSAA PDF SheetMusicPlus

SSAA choir, violin, and doumbek - Moderately Difficult - Digital Download

SKU: MQ.8759-E

Composed by Carol Barnett. Instrument part. 23 pages. Duration 8 minutes, 30 seconds. E. C. Schirmer Music Company - Digital #8759-E. Published by E. C. Schirmer Music Company - Digital (MQ.8759-E).

Arabic, English.

This text is part of a longer work by Mohja Kahf titled My People Are Rising: An unfinished poem begun in Spring 2011 for an unfinished Revolution begun in March 2011. It speaks so viscerally of the tragic events in Syria that it was impossible to imagine setting it with Western harmonies. And so the composer began an exploration of Arabic music, with its quarter-tone scales, its lack of vertical chordal structure, its abundantly ornamented heterophony. Since quarter-tones are not a part of our Western choral training, the scales are tempered a bit (resulting in a fair number of augmented seconds) and a violin is added to the melodic mix for pitch support. The voices and violin are accompanied by a doumbek player, who is highly encouraged to improvise; the written notation is only there as a guide. This piece is dark, dramatic, and powerful, yet not without triumph. Duration: 8:30.

My People Are Rising (Downloadable Full/Choral Score)
Chorale SSAA

$3.20 3.02 € Chorale SSAA PDF SheetMusicPlus

Choral Choir,Choral (SSAA) - Level 2 - Digital Download

SKU: A0.1280004

By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Dylan Tran. A Cappella,Contemporary,Film/TV,Pop,Singer/Songwriter. 7 pages. Dylan Trần #871424. Published by Dylan Trần (A0.1280004).

Accesible yet moving, this arrangement of What Was I Made For? from the blockbuster movie, Barbie, is fit for professional choir, college choir, community choir, highschool choir, a capella groups, vocal pop groups, and more. Renowned composer Dylan Trần uses idiomatic, yet evocative voicings that will immediately reward on first reading as well as in polished performance. 

Learn more at www.dylantranmusic.com

Here's why your choir should embrace Billie Eilish's captivating music— (professional choir, large ensemble, small ensemble, community choir, college choir, highschool choir, pop a capella choir, etc.)

Contemporary Relevance: Billie Eilish's music is a cultural phenomenon, deeply resonating with today's generation. By incorporating her songs into your repertoire, your choir can connect with younger audiences, enhancing its relevance and expanding its fan base.

Empowering Lyrics: Billie Eilish's lyrics tackle meaningful and often profound subjects, from mental health to self-discovery and social issues. Singing her songs empowers your choir to explore important themes, fostering empathy and emotional depth in their performances.

Dynamic Vocal Range: Billie Eilish's music offers a diverse range of vocal styles, from hauntingly soft whispers to powerful belting. Your choir members can showcase their versatility and vocal prowess, honing their skills and challenging their vocal boundaries.

Artistic Expression: Embrace the opportunity for creative expression! Billie Eilish's music encourages innovative interpretations, allowing your choir to infuse each performance with its unique artistic flair and captivate audiences with fresh renditions.

Fusion of Genres: With elements of pop, alternative, and electronic music, Billie Eilish's songs provide an exciting fusion of genres. Your choir can explore new musical horizons, enriching its repertoire and broadening its musical diversity.

Emotional Resonance: Billie Eilish's music evokes a wide range of emotions, from introspection to empowerment. Singing her songs allows your choir to tap into these emotions, forging a deep connection with audiences and leaving a lasting impact.

Collaborative Learning: Billie Eilish's intricate compositions present an excellent opportunity for collaborative learning within your choir. By working together to master the nuances of her music, your choir members can strengthen their bonds and elevate their collective musicality.

Pushing Boundaries: Billie Eilish's music is known for its boundary-pushing and innovative soundscapes. Embracing her songs encourages your choir to explore new musical territories, pushing the boundaries of traditional choral performances.

Embrace the audacious spirit of Billie Eilish's music and witness your choir's performances soar to unprecedented heights of creativity and artistry. Unleash the power of her captivating melodies and thought-provoking lyrics, leaving audiences awestruck and craving more of your choir's extraordinary renditions.

What Was I Made For?
Chorale SSAA
Billie Eilish
$6.00 5.67 € Chorale SSAA PDF SheetMusicPlus

Choral Choir (SSAA) - Level 3 - Digital Download

SKU: A0.1136857

Composed by Ali Zuckowski, Charlie Mason, Conchita Wurst, Joey Patulka, and Julian Maas. Arranged by Erica Kelch-Slesnick. A Cappella,Barbershop,Contemporary,Multicultural,Pop,World. Octavo. 8 pages. Erica Kelch-Slesnick #736846. Published by Erica Kelch-Slesnick (A0.1136857).

This arragement, originally written for and sung by the Blue Phoenix quartet, is designed for a group to have fun featuring its different voice parts taking the melody at times. The beautiful song, similar to its lyrics, was at first rejected by all of the major Austrian record labels before the composers presented it to the Austrian Eurovision team. Performed by Conchita Wurst, it ended up winning the Eurovision Song Contest in 2014, and became a #1 hit in Austria that same year. Like the phoenix bird, it was burned, then rose from the ashes into a viable force to be reckoned with. Since then, it has become a popular song to feature solo/karaoke singers. It now can do the same for your 4-part harmony group. Show off your wonderful voices with this dramatic piece!  Learning tracks by Kim Newcomb are available from New Voice Studio (https://newvoice.studio/).

Rise Like A Phoenix
Chorale SSAA

$2.99 2.83 € Chorale SSAA PDF SheetMusicPlus

Choral Choir (SSAA) - Level 3 - Digital Download

SKU: A0.1080049

By Zedd, Maren Morris & Grey. By Anton Zaslavski, Jordan Johnson, Kyle Trewartha, Marcus Lomax, Michael Trewartha, Sarah Aarons, and Stefan Johnson. Arranged by Klara Hens. A Cappella,Pop. Octavo. 7 pages. Klara Hens #684283. Published by Klara Hens (A0.1080049).

A capella arrangement for intermediate pop SSAA-Choir or vocal ensemble. The Middle is well known EDM Song that was rearranged for treble voices. The arrangement focusses on the buring question why don't you just meet me in the middle? that is constantly asked in the chorus. While the original is a song you can dance to, the lyrics tell a story of despair and resignation that are highlighted in the SSAA-Arrangement through dynamics, reharmonization and the use of breaks. It shows the beauty and strenght of close harmony voicings while showing both a strong and fragile side of SSAA choirs.

The Middle
Chorale SSAA
Zedd, Maren Morris & Grey
$4.50 4.25 € Chorale SSAA PDF SheetMusicPlus


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