Choral Choir,Choral (SSAA) - Level 3 - Digital Download SKU: A0.725928 By Taylor Swift Featuring The Civil Wars. By John Paul White, Joy Williams, T-Bone Burnett, and Taylor Swift. Arranged by Bryan Sharpe. A Cappella,Pop. 10 pages. Bryan Sharpe (BSharpe Music) #5026659. Published by Bryan Sharpe (BSharpe Music) (A0.725928). A capella arrangement of Safe and Sound by Taylor Swift from The Hunger Games for Solo + SSAA

By Taylor Swift Featuring The Civil Wars. By John Paul White, T-Bone Burnett, Joy Williams, and Taylor Swift. Arranged by Lorraine Anne Salvador. 20th Century, A Cappella, Folk, Pop. Octavo. 14 pages. Lorraine Anne Salvador #698193. Published by Lorraine Anne Salvador

Choral Choir (SSAA) - Level 2 - Digital Download SKU: A0.1165005 By Taylor Swift Featuring The Civil Wars. By John Paul White, Joy Williams, T-Bone Burnett, and Taylor Swift. Arranged by Lauren Kahn. A Cappella,Contemporary,Pop. Octavo. 6 pages. Lauren Kahn #765354. Published by Lauren Kahn (A0.1165005).

Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.1040537 By Alan Wagstaff. By Alan Wagstaff. Arranged by Alan Wagstaff. Celtic,Folk,Irish,Traditional. Octavo. 36 pages. Alan Wagstaff #645329. Published by Alan Wagstaff (A0.1040537). This haunting, new song, in the mixolydian mode (Bb), is in the Irish tradition. It is written for a female choir (SSAA) with an additional solo part; the accompaniment is for harp, accordion, flute, fiddle, and bass. This song was inspired by J.M. Synge's 1904 play 'Riders of the Storm' and quotes a line from it. The chorus quotes from the Irish version of 'Fhir a Bhartain' a song written in the late 19th century by Sìne NicFhionnlaigh of Tong, Lewis, Scotland. Fear A Bháta The Boatman A fhir a bháta is na horó eile Man of the boat and no one else. A fhir a bháta is na horó eile Man of the boat and no one else. A fhir a bháta is na horó eile Man of the boat and no one else. Mo shoraid slán leat gach áit a dtéid thú. My safe blessing with you everywhere you go. Lyrics O, Bryan McCauley the boats are still moored. and down in Kilronan only ghosts are aboard. The calico is furled and the tide is still low, so rest a while longer, till the time comes to go. It’s the life of a young man to be fishing far from shore. For there’s scant other work on the wild Inishmore. Fhir a bharta na horo – fhir a bharta is-na eile. Mo shor slan leat gach ait a dteid thu. The herring are sleeping and safe from the net. So rest my fisher lad - do not rise yet. The hillcrests of Galway are scarce tinged with red. O, sleep a while longer and keep to your bed. It’s the life of a young man to be fishing far from shore. For there’s scant other work on the wild Inishmore. Fhir a bharta na horo – fhir a bharta is-na eile. Mo shor slan leat gach ait a dteid thu. The cold-hearted Ocean knows nothing of men; it takes them or leaves them, with no heed where or when. The candles are out in the homes round the Bay, so stay in my arms, love, till the first light of day. It’s the life of a young man to be fishing far from shore. For there’s scant other work on the wild Inishmore. Fhir a bharta na horo – fhir a bharta is-na eile. Mo shor slan leat gach ait a dteid thu.

Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.933674 Composed by Traditional Spiritual, Henry Burleigh. Arranged by Susan C Smith. A Cappella,Contemporary,Praise & Worship,Spiritual. Octavo. 8 pages. Susan C Smith at Dusty Guitar Music, LLC #5957581. Published by Susan C Smith at Dusty Guitar Music, LLC (A0.933674). Arranged for SSAA a Cappella choir. Originally arranged in 1916 by Henry Burleigh, this traditional African American spiritual captures our hopes of peace and safety, forever. Registered with ASCAP, duration approximately 2:22. Suitable for schools and a cappella choirs of all kinds.

Choral Choir (SSAA) - Level 5 - Digital Download SKU: A0.856207 By Mika. By Dan Warner, Jodi Marr, John Merchant, and Mika. Arranged by Liz Garnett. Dance,Pop. Octavo. 6 pages. Liz Garnett #4312139. Published by Liz Garnett (A0.856207). Mika's hit from 2007 is an exuberant (and at times petulant) critique of the way the music industry seeks out individuality and talent, then insists on working it over into safely commercial products. (Of course, that he had such success with it suggests that things aren't quite as bad as the song makes out.) But the song also works as a more general statement about everyone's personal stand against the tyranny of our peers' expectations.The original has a very rangy melody, which carries a considerable variety of vocal characterisation. The arrangement unfolds this onto the four different parts, each taking on certain aspects of the line's mercurial identity. Sharing the melody's vocal demands around does not necessarily make either the characterisation or the ranges easier, however, since it also means that every part is switching between lead and accompanying roles, at times quite quickly. So it needs generous ranges, quick-wittedness and - above all - performative swagger to carry it off.There is space for the snippets of dialogue from the original track; but whether (and how much) to use it would depend on the performance situation. My own feeling would be that the middle one ('getting angry won't solve anything') works just fine slotted in between the verses, but that the snippets at start and end would need more setting up to make sense to an audience unfamiliar with Mika's recording.N.B. This arrangement is notated in treble and bass alta (i.e. sung an octave higher than written) clefs.Vocal Ranges:Tenor: E flat 4 - F5Lead: F3 - F5Bari: G3 - C5Bass: E flat 3 - B flat 4NB - the list price includes 4 copies of the music