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SSAA choir, oboe, and string quartet or piano - Medium - Digital Download SKU: MQ.1.3451-E Composed by Michael John Trotta. Advanced/Collegiate. Secular, 21st century. Instrument part. 19 pages. Duration 3 minutes, 49 seconds. Galaxy Music Corporation - Digital #1.3451-E. Published by Galaxy Music Corporation - Digital (MQ.1.3451-E). English.American poet Sara Teasdale (1884-1933) won the Pulitzer Prize for her 1917 collection of poems titled Love Songs. The text for this song is taken from “Barter,†the first in this set of poems. Despite the poet's history of poor emotional and physical health, the text captures a hopeful attitude that foreshadows the spirit of optimism that was the precursor to the Roaring Twenties. A rhythmic piano part is the foundation for a captivatingly lyric melody that gently unfolds throughout the piece. The setting begins with the simplicity of a unison vocal line that gradually expands as the piece explores the complexities of the wonder of everyday life. Subtle text painting captures the poet's desire to seek refuge in the beauty that surrounded her. Duration: 3:49Optional Oboe part included.
Spend All You Have On Loveliness from For a Breath of Ecstasy (Downloadable Choral Score)
Chorale SSAA

$2.85 2.74 € Chorale SSAA PDF SheetMusicPlus

Choral Choir (SSAA) - Digital Download SKU: A0.1007507 Composed by R. LaBanca. Contemporary. Octavo. 7 pages. R. LaBanca #3416041. Published by R. LaBanca (A0.1007507). This piece is based on text that I wrote several years ago. As a lover of the horror genre I have always had a fascination with the romantic creature known in modern culture as the vampire. I imagined in my mind the interaction between a mortal and an immortal creature. How would the mortal describe a romantic encounter with this creature that exists in the shadows, untouched by time? I used descriptive text to communicate the visceral details of this experience and make the listener create in their mind how the experience would have felt if they had experienced it. The encounter is intense, and painful but once it ends the narrator feels empty and only has a mysterious melody to keep as a memory. I set the text for treble voices because I felt that the close harmonies I could accomplish with voices in the same register would lend itself well to the imagery. The piece is lush and smooth when the text demands it and sharp and angular when the text calls for that sound. Once the interaction is over, the voices break off into an aleatoric section in which each voice sings the phrase Songs only bones can hear fading away into nothingness just as the text suggests the vampire moves into the velvet void.
Vampire
Chorale SSAA

$3.99 3.83 € Chorale SSAA PDF SheetMusicPlus






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