Choral Choir (SSAA) - Level 4 - Digital Download SKU: A0.856234 By Jack Leonard with Tommy Dorsey Orchestra. By Jerome Kern. Arranged by Liz Garnett. Musical/Show. Octavo. 4 pages. Liz Garnett #4966823. Published by Liz Garnett (A0.856234). This ballad has not only been recorded by artists from Ella Fitzgerald to Michael Jackson, but has become the medium for harmonic exploration by a host of jazz instrumentalists. This arrangement puts its harmonic shape back in service of its story-telling to re-cast it as a barbershop contest ballad. The tonal twists and turns inherent in the melody are there, but the chord choices prioritise cleaner, ringier voicings over the extended harmonies of some renditions.The sweeping melodic line is complemented by harmony parts designed to flow; the bass line in particular invites and rewards lyricism.N.B. This arrangement is notated in treble and bass alta (i.e. sung an octave higher than written) clefs.Vocal Ranges:Tenor: F4 - E flat 5Lead: A3 - D5Bari: B3 - B4Bass: D3 - F4www.HelpingYouHarmonise.com

Choral Choir (SSAA) - Level 2 - Digital Download SKU: A0.856219 Composed by Beth Chapman and Patrick Doyle. Arranged by Liz Garnett. Contemporary. Octavo. 3 pages. Liz Garnett #4346679. Published by Liz Garnett (A0.856219). This song is from Chapman's 2005 album Look, and was featured on the soundtrack for the film Calendar Girls. It features a beautifully-shaped melody carrying a simple and sincere expression of love. The arrangement opens and closes with melody-and-accompaniment textures, with the harmony parts singing gentle bell-chords that evoke the backing of the original. As the message becomes more emphatic, all parts join in the words, and then all take on instrumental roles for the more urgent bridge passage.N.B. This arrangement is notated in treble and bass alta (i.e. sung an octave higher than written) clefs.Vocal Ranges:Tenor: F#4 - E5Lead: B3 - B4Bari: B3 - B4Bass: E3 - E4www.HelpingYouHarmonise.com