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Choral Choir (SSAA) - Level 2 - Digital Download SKU: A0.1212947 By Madonna. By Madonna and Stephen Bray. Arranged by Jay Dougherty. A Cappella,Barbershop,Pop. Octavo. 7 pages. Jay Dougherty #810143. Published by Jay Dougherty (A0.1212947). This 1989 Madonna hit is an ode to female empowerment, urging women never to go for second-best and to urge their partners to express their inner feelings. Jay Dougherty's arrangement is for SSAA a cappella voicing. It's a great show song and could be augmented by some simple choreography. NOTE: There is a 10-copy minimum purchase. However, the per-copy price is set to the lowest possible setting at $1.99. If you want this song for a quartet, please understand that with the 10-copy minimum (10 x $1.99), you're still paying only $20 for legal access to this music. The arranger gets nearly nothing, and you're getting great legal music for $5 per quartet member. Learning tracks are available at: www.jmdougherty.comFor more information on arrangements and compositions by Jay Dougherty, visit www.jmdougherty.com.
Express Yourself
Chorale SSAA
Madonna
$1.99 1.75 € Chorale SSAA PDF SheetMusicPlus

Choral Choir,Choral,SSAA Chorus - Level 3 - Digital Download SKU: A0.1512630 By Gwen Stefani Featuring Blake Shelton. By Blake Shelton, Gwen Stefani, Justin Tranter, and Michael Busbee. Arranged by Jay Dougherty. A Cappella,Barbershop,Christmas,Country,Pop. 10 pages. Jay Dougherty #1087610. Published by Jay Dougherty (A0.1512630). This 2017 hit from superstars Gwen Stefani and Blake Shelton is sure to be crowd pleaser at your next holiday show. The TTBB and SATB voicings are also available for this chart on SheetMusicPlus.com.NOTE: There is a 10-copy minimum purchase set by the distributor. However, please understand that, even for a quartet, the 10-copy minimum would equate to (10 x $2.99 / 4) $7.47 per quartet member. The arranger gets only a very small percentage of the profits and you're getting great legal music for a great overall price. If you're purchasing for a chorus, you must purchase one copy per singer to remain copyright legal.Learning tracks for the TTBB voicing are available at: www.onQtracks.com.Learning tracks for the SSAA and SATB voicings are available at: www.jmdougherty.comFor more information on arrangements and compositions by Jay Dougherty, visit www.jmdougherty.com.
You Make It Feel Like Christmas
Chorale SSAA
Gwen Stefani Featuring Blake Shelton
$2.99 2.62 € Chorale SSAA PDF SheetMusicPlus

Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.1220892 Composed by Alan Bergman, Marilyn Bergman, and Michel Legrand. Arranged by Jenny Mills. 20th Century,A Cappella,Barbershop,Jazz,Standards. Octavo. 4 pages. LABBS - Ladies Association of British Barbershop Singers #817229. Published by LABBS - Ladies Association of British Barbershop Singers (A0.1220892). This arrangement of this beautiful jazz ballad was commissioned from the late Jenny Mills by a LABBS barbershop chorus, inspired specifically by the recording by Clare Teal.Previously licensed for that chorus only, Jen's partner has now donated this arrangement to LABBS for publication on SMP, so that more SSAA a cappella groups can experience singing this beautiful ballad arranged in super-close harmony, with a beautiful romantic message suitable for shows, weddings, engagements and any time.This arrangement is NOT suitable for barbershop contests, due to many of the chords used having gorgeously evocative semitone intervals within them, which is considered too dissonant for the style.  They are nevertheless extremely appropriate and laden with emotion for a show performance, by a group who can handle the tuning of these unusual (to barbershop) chords.To hear the version by Clare Teal that inspired this arrangement, search on YouTube for her recording from her album Don't Talk. A sample recording of the arrangement being sung by the commissioning chorus will follow soon.
What Are You Doing The Rest Of Your Life?
Chorale SSAA

$2.49 2.18 € Chorale SSAA PDF SheetMusicPlus

Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.928368 By Adele. By Adele Adkins and Tobias Jesso Jr. Arranged by Thomas J. West. A Cappella,Hip-Hop,Pop,R & B. Octavo. 16 pages. Thomas J. West #5896795. Published by Thomas J. West (A0.928368). This arrangement of one of Adele's chart-topping hits was originally commissioned by a treble voices barbershop chorus. It features a soprano lead vocal over a full SSAA chorus. The choral parts are written with a contemporary a cappella approach to the backgrounds that is still palatable by the avid barbershopper. Also a great piece to showcase your strong treble singers in a high school choral program. Parts are labeled in traditional barbershop style (tenor, lead, baritone, bass) but apply to the SSAA vocal ranges using the standard barbershop clefs (bass clef for alto parts). The bass part range is from Eb3 to Eb4. Tenor part range is from Eb4 to D5. www.thomasjwestmusic.com
When We Were Young
Chorale SSAA
Adele
$1.99 1.75 € Chorale SSAA PDF SheetMusicPlus

Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.774737 By Rebecca St. James. By Andy Quanta, Chris Thompson, Keith Reid, and Maggie Ryder. Arranged by Sandra Milliken. Christian,Gospel. Octavo. 16 pages. Sandra Milliken #4408390. Published by Sandra Milliken (A0.774737). You’re the Voice is a powerful protest song written by Andy Qunta, Keith Reid, Chris Thompson and Maggie Ryder, and recorded by the very popular Australian singer John Farnham for his album Whispering Jack in 1986.The song was one of the biggest hits of 1986 in Australia, topping the singles chart for seven weeks. In 1987 it was awarded the ARIA Award for Single of the Year. It was also one of Farnham’s biggest successes in Europe, charting at No. 1 in Germany and Sweden and reaching the Top 10 in Austria, Ireland, Switzerland and the UK.The song’s main message is an empowering one, encouraging people everywhere to take a stand against corruption and to make their voices heard. To wake up to your own power. It can also be described it as an anti-war song, since it was released in the mid-80s, during the height of the Cold War.Farnham’s version of You’re the Voice contains one of the most famous bagpipe solos ever recorded. It was played by a group of four pipers. If you have a bagpipe soloist/s available, tacet the choir in the bagpipe section (from measure 59) to get the full effect!The SATB arrangement provides scope for a massed choir situation: have a children’s choir sing the Soprano or Soprano and Alto parts in the section beginning at measure 84, with the semi chorus being a group of 3 or more strong singers, ensuring an appropriate balance between the solo, semi-chorus and full choir.
You're The Voice
Chorale SSAA
Rebecca St James
$2.30 2.02 € Chorale SSAA PDF SheetMusicPlus

Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.928358 By The Temptations. By Barrett Strong and Norman Whitfield. Arranged by Thomas J. West. A Cappella,Hip-Hop,R & B. Octavo. 11 pages. Thomas J. West #5801575. Published by Thomas J. West (A0.928358). This SSAA a cappella arrangement of The Temptations classic was originally commissioned for an American treble voices barbershop quartet to expand their repertoire past the traditional barbershop homophonic style. It features lead lines for all four singers reminiscent of the original Temptations recording, with a contemporary a cappella approach to the backgrounds that is still palatable by the avid barbershopper. Also a great piece to showcase your strong treble singers in a high school choral program. Parts are labeled in traditional barbershop style (tenor, lead, baritone, bass) but apply to the SSAA vocal ranges using the standard barbershop clefs (bass clef for alto parts). The bass part range is from D3 to F4. Tenor part range is from D4 to A5. www.thomasjwestmusic.com .
I Can't Get Next To You
Chorale SSAA
The Temptations
$1.99 1.75 € Chorale SSAA PDF SheetMusicPlus

Rhythm Section SSAA Chorus,Voice - Level 3 - Digital Download SKU: A0.1488657 By Lianne La Havas. By Matthew Hales, Sam Dew, and Sylvester Stewart. Arranged by Kerry Marsh. Jazz,Pop,R & B. Vocal Jazz Ensemble. 34 pages. Kerry Marsh #1065503. Published by Kerry Marsh (A0.1488657). This arrangement, sold at SheetMusicPlus.com and SheetMusicDirect.com at a lower price than the standard flat-fee range for vocal jazz ensemble arrangements ($75), does NOT come with a demo recording or any rehearsal audio aids. Visit KerryMarsh.com and purchase the “All Tracks Pack (With SkyTracks Mixer)“ package and receive access to: 1. Arrangement Demo, 2. SkyTracks Mixer access, 3. Vocal Part Tracks, 4. Minus-One Tracks, 5. Rhythm Track, 6. Recording Stems (for those who wish to use their own Digital Audio Workstation).A fun treble arrangement of Lianne La Havas' uplifting song about having confidence in a loving relationship, this arrangement has a refreshing sound, with a touches of jazz (of course!), doo-wop and R&B. The chart features lyric solo moments and some great tight harmony for the ensemble, and it ends with some horn-style figures for the group. This one would work well as either an opener or a closer for your set!
What You Don't Do
Chorale SSAA
Lianne La Havas
$49.99 43.84 € Chorale SSAA PDF SheetMusicPlus

Choral Choir,Choral (SSAA) - Level 4 - Digital Download SKU: A0.1267123 By Meat Loaf. By Jim Steinman. Arranged by Michael Thomas Coull. 20th Century,Contemporary,Pop,Rock,Standards. 18 pages. MTC Publishing #859757. Published by MTC Publishing (A0.1267123). You Took The Words Right Out Of My Mouth - Choral Arrangement for SSAA and Piano by Michael Thomas Coull.You Took the Words Right Out of My Mouth (also known as You Took the Words Right Out of My Mouth (Hot Summer Night)) is the first solo single by the American singer Meat Loaf, released in 1977.  It is a track from his album Bat Out of Hell, written by Jim Steinman. According to his autobiography, Meat Loaf asked Jim Steinman to write a song that was not 15 or 20 minutes long, and, in Meat Loaf’s words, a ‘pop song’.  His autobiography also dates the writing of the song to 1975, the song reportedly being a key factor in Meat Loaf and Steinman deciding to do an album together.  The song was the first single released from the album, with an edit of For Crying Out Loud as the B-side.  The record peaked at No. 73 in the Record World singles chart, and didn't appear at all in Billboard Hot 100.  Billboard reviewed the single, finding the guitar introduction to be energetic, the beat to be ‘catchy’ and the vocal performance to be somewhat similar to Bruce Springsteen.  Billboard also commented on how occasional pauses in the instruments allow the ‘infectious’ vocals to be highlighted.   Following the success of the next two singles, Two Out of Three Ain't Bad and Paradise by the Dashboard Light, the song was re-released in October 1978 with Paradise as the B-side.  This issue peaked at No. 39 on the Billboard Hot 100 chart, over a year after the first release of the song.This exciting and energetic choral arrangement is voiced for SSAA women's choir with piano accompaniment, and will lend a touch of contemporary pop/rock to your next concert.Also available for SATB.
You Took The Words Right Out Of My Mouth
Chorale SSAA
Meat Loaf
$3.99 3.5 € Chorale SSAA PDF SheetMusicPlus


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