Voice (SSAA) - Level 2 - Digital Download SKU: A0.762513 Composed by Brooke Fraser and Scott Ligertwood. Arranged by Rowena Harper. A Cappella,Barbershop,Christian,Pop. Barbershop Quartet. 7 pages. Rowena Harper #6606281. Published by Rowena Harper (A0.762513). A really fun ear-worm by popular Kiwi singer/songwriter Brooke Fraser. With the lowest note being F#, this arrangement is perfect for younger and more mature singers, alike. Some off-beat rhythms are included to match the original song, and interest added with optional whistling and body percussion for a really modern take on this New Zealand standard. Range (Lowest-Highest): Bass F#3-D4, Baritone A3-A4, Lead A3-B4, Tenor F#4-D5.Key = GThis is a per copy price. Also available as a set of parts (four copies).(Note: This sheet music is notated in barbershop format: Tenor (S.1) and Lead (S.2) in treble clef , Baritone (A.1) and Bass (A.2) in bass clef. The bass clef parts are sung an octave higher than written. Please request SSAA by email if you require this clef format.Contact: acappellatenor@gmail.com.

Choral Choir (SSAA) - Level 5 - Digital Download SKU: A0.856221 By Simon And Garfunkel. By Paul Simon. Arranged by Liz Garnett. A Cappella,Pop,Rock. Octavo. 10 pages. Liz Garnett #4612527. Published by Liz Garnett (A0.856221). The starting-point for this major show-piece was Disturbed's 2015 cover of Simon and Garfunkel's classic. The White Rosettes sought to capture its escalation of of emotional impact as the vocal range shifted and the orchestration developed through the narrative of a dystopic vision.A cappella voices can capture that sense of build through layering of different sizes of ensemble. And, whilst their timbral palette is more limited than the instrumentation Disturbed could draw on, they have the power of harmony to add colour and impact.The arrangement is built around two main harmonic ideas: juxtaposing minor chords and key areas a third apart, and the dissonance of the melodic major 2nd and minor 3rd rubbing up against each other. Between them they create an atmosphere that hangs heavy with portent and mystery, echoing and amplifying the emotional tone of the lyrics.N.B. This arrangement is notated in treble and bass alta (i.e. sung an octave higher than written) clefs.Vocal ranges:QuartetTenor: F#4 - E5Lead: B3 - A4Bari: C#4 - A4Bass: F#3 - A 4OctetTenor: G4 - D5Lead: C4 - A4Bari: B3 - A4Bass: E3 - C4DuetVoice 1: G3 - C5Voice 2: G3 - A4Full chorusTenor 1: E flat 4 - G5Tenor 2: E flat 4 - F#5Lead 1: B3 - E flat 5Lead 2: B3 - E flat 5Bari: A3 - C5Bass: D3 - G4www.HelpingYouHarmonise.com

Choral Choir (SSAA) - Level 4 - Digital Download SKU: A0.856230 By Janis Joplin. By Bert Berns and Jerry Ragovoy. Arranged by Liz Garnett. Contemporary. Octavo. 5 pages. Liz Garnett #4802044. Published by Liz Garnett (A0.856230). This song lives on the cusp of Second Wave Feminism. Its lyrics portray a woman fighting to maintain her pride in a neglectful, if not outright abusive, relationship, although it remains, at this stage, still essentially masochistic. She berates, but - in the lyrics at least - does not challenge. The iconic performances from the late 1960s (Erma Franklin, Janis Joplin, Dusty Springfield), though, tell a different story. Anger is erupting into the voices: the personal is poised to become overtly political.The arrangement sets the narrative verses in a melody-and-accompaniment texture, with the harmony parts largely on vocables to let the story through, then builds up to a primarily homophonic texture with everyone participating in the lyrics for the declarative mode of the choruses. It is built to chart a wide dynamic range, charting the emotional range of the original.N.B. This arrangement is notated in treble and bass alta (i.e. sung an octave higher than written) clefs.Vocal Ranges:Tenor: D#4 - E5Lead: G#3 - C#5Bari: B3 - A4Bass: E3 - E4www.HelpingYouHarmonise.com

SSAA - Advanced Intermediate - Digital Download By Johnny Mercer, Harold Arlen. Arranged by Scott Kitzmiller. Score. 4 pages. Published by Scott W. Kitzmiller

Choral Choir,Choral (SSAA) - Digital Download SKU: A0.1392894 Composed by Robert Rokicki. Arranged by Ollie Wall. 21st Century,A Cappella,Barbershop,Broadway,Musical/Show. 10 pages. Ollie Wall #976419. Published by Ollie Wall (A0.1392894). A four-part SSAA barbershop style arrangement of 'My Grand Plan' from 'The Lightning Thief: The Percy Jackson Musical' by Rob RokickiVoice ranges:Tenor: D#4-Ab5Lead: Ab3-Eb5Bari: Bb3-Eb5Bass: Db3-Ab4For any questions/queries message www.facebook.com/owarrangements.

Choral Choir (SSAA) - Level 2 - Digital Download SKU: A0.1087101 By Erasure. By Andy Bell and Vince Clarke. Arranged by Rebecca (Boo) de Bruin. A Cappella,Contemporary,Pop. Octavo. 13 pages. Rebecca de Bruin #691297. Published by Rebecca de Bruin (A0.1087101). Words and Music by Vince Clarke and Andy Bell in 1988. Arranged in 2021 by Boo de Bruin. 13 pages for Sweet Adelines (ladies' barbershop) chorus. (Tenor, lead, baritone, bass are roughly equivalent to SSAA, although lead and baritone have similar - in this case, identical! - ranges, but perform different functions). A Little Respect was written and recorded by English synth-pop duo Erasure, and is known as one of their signature songs. It reached #4 on the UK singles chart, #14 on the US Billboard Hot 100, and #2 on the US Hot Dance Club Songs chart. This arrangement uses words from the song in place of neutral vowels to create an early ostinato (without boring the harmony parts!) before expanding into homorhythm in verse 2. The melody is mainly in the lead part, with the final motif from the chorus passed to the tenors. In the final verse, a key change moves the melody to the basses and baritones, with the leads taking the final phrase. This arrangement was written for a barbershop chorus, and as such the lowest voice part has a lower range than is custom for choral SSAA writing. However, the range of the entire arrangement is quite narrow, and so it could be sung in a higher tessitura without undo strain on the upper voices. Please note: in keeping with normal barbershop practice the men's barbershop voicing names are used (tenor, lead, baritone and bass) and an octave-shifted bass clef is used for the baritone and bass parts. Vocal ranges are: Tenor: D4 - F5 (D above middle C to F above high C) Lead: G3 - C5 (G below middle C to high C) Baritone: G3 - C5 (G below middle C to high C) Bass: D3 - F4 (D below middle C to F above middle C).

Choral Choir (SSAA) - Level 4 - Digital Download SKU: A0.874732 By Amy Grant. By David Babyface Foster and Linda Thompson-Jenner. Arranged by June Berg, MMA. A Cappella,Contemporary. Octavo. 5 pages. June Berg #4745409. Published by June Berg (A0.874732). This arrangement is voiced for women's voices, A Cappella.  The parts are Tenor, Lead, Baritone and Bass ( or SSAA).  It is arranged in the barbershop style; i.e. Melody is in the second voice.

Choral Choir,Choral,SSAA Chorus - Level 3 - Digital Download SKU: A0.1416554 By John Denver and Placido Domingo. By John Denver. Arranged by John Bouwmans. 20th Century,Pop. 14 pages. Music4voices #998233. Published by Music4voices (A0.1416554). Perhaps Love was written by John Denver in 1981. He sang it solo and together with tenor Plácido Domingo. SSAA with piano accompaniment. Arranged by John Bouwmans. Full Score (8 pages) and Choral Score (4 pages). Performance time approx. 3:00. SMP-127V.

Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.973284 By The Beatles. By John Lennon and Paul McCartney. Arranged by Liz Hah. A Cappella,Rock. Octavo. 5 pages. Elizabeth Hah #6266155. Published by Elizabeth Hah (A0.973284). Arranged for female voices, the basses and leads share the melody in this Beatles song. There's repetition to make learning easier plus a short scat section for fun. Range of parts (lowest to highest): Bass F - F, Baritone C - B, Lead Bb - C, Tenor F - EThis is a per copy price. Also available as a set of parts (4 copies - quartet)Note: This sheet music is notated in female barbershop format (tenors & leads in treble clef, baritones & basses in bass clef). SSAA format is also available.Learning tracks are available. Contact Liz at lizhah303@gmail.com  

Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.973293 By Linkin Park. By Brad Delson, Chester Bennington, David Farrell, Francis White, Joseph Hahn, Mike Shinoda, and Robert Bourdon. Arranged by Liz Hah. A Cappella,Metal,Rock. Octavo. 6 pages. Elizabeth Hah #6529415. Published by Elizabeth Hah (A0.973293). Arranged for female voices, the lead part sings the melody throughout this emotive song.Range of parts (lowest to highest): Bass E - F, Baritone C - C, Lead C - C, Tenor F - FThis is a per copy price. Also available as a set of parts (4 copies - quartet)Note: This sheet music is notated in female barbershop format (tenors & leads in treble clef, baritones & basses in bass clef). SSAA format is also available.

Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.973291 By Linkin Park. By Brad Delson, Chester Bennington, David Farrell, Francis White, Joseph Hahn, Mike Shinoda, and Robert Bourdon. Arranged by Liz Hah. A Cappella,Metal,Rock. Octavo. 9 pages. Elizabeth Hah #6529411. Published by Elizabeth Hah (A0.973291). Arranged for female voices, the lead part sings the melody throughout this emotive song.Range of parts (lowest to highest): Bass E - F, Baritone C - C, Lead C - C, Tenor F - FThis is a per copy price. Also available as a set of parts (4 copies - quartet)Note: This sheet music is notated in SSAA format (SSA in treble clef, A2 in bass clef). Women's barbershop notation is also available (tenors & leads in treble clef, baritones & basses in bass clef).

Voice (SSAA) - Level 4 - Digital Download SKU: A0.1096171 By Wiz Khalifa Feat. Charlie Puth. By Andrew Cedar, Cameron Thomaz, Charlie Puth, and Justin Franks. Arranged by Rowena Harper. A Cappella,Barbershop,Pop. Barbershop Quartet. 5 pages. Rowena Harper #700128. Published by Rowena Harper (A0.1096171). Commissioned for Side Hustle Quartet, this gorgeous arrangement of Puth's no rap version features each voice in this heartfelt and emotional ballad. Bass F3-F4, Baritone G3-A4, Lead C4-C5, Tenor G4-G5. Key = C (Note: This sheet music is notated in barbershop format: Tenor (S.1) and Lead (S.2) in treble clef , Baritone (A.1) and Bass (A.2) in bass clef. The bass clef parts are sung an octave higher than written. Please request SSAA by email if you require this clef format. Purchasing one allows printing four copies. Contact: acappellatenor@gmail.com.

Voice (SSAA) - Level 1 - Digital Download SKU: A0.1089761 Composed by Irving Berlin. Arranged by Dawn Haggerty. 20th Century,A Cappella,Barbershop,Contest,Festival,Jazz. Barbershop Quartet. 4 pages. Dawn Haggerty #693971. Published by Dawn Haggerty (A0.1089761). 4 part contestable barbershop arrangement of this Irving Berlin Classic voiced for SSAA A cappella 4 part Notated in traditional barbershop style -- Treble clef for Tenor (Soprano 1-harmony part) and Lead (Soprano 2-melody); Octave Bass Clef for Baritone (Alto 1) and Bass (Alto 2). Bass clef parts are sung an octave higher than written. Purchase is for 4 (four) copies.

Choral Choir (SSAA) - Level 4 - Digital Download SKU: A0.1096453 By Wiz Khalifa Feat. Charlie Puth. By Andrew Cedar, Cameron Thomaz, Charlie Puth, and Justin Franks. Arranged by Rowena Harper. A Cappella,Barbershop,Pop. Octavo. 5 pages. Rowena Harper #700431. Published by Rowena Harper (A0.1096453). Commissioned for Side Hustle Quartet, this gorgeous arrangement of Puth's no rap version features each voice in this heartfelt and emotional ballad. Purchasing allows printing of one copy, and one copy per singer is required. Bass F3-F4, Baritone G3-A4, Lead C4-C5, Tenor G4-G5. Key = C (Note: This sheet music is notated in barbershop format: Tenor (S.1) and Lead (S.2) in treble clef , Baritone (A.1) and Bass (A.2) in bass clef. The bass clef parts are sung an octave higher than written. Please request SSAA by email if you require this clef format. Contact: acappellatenor@gmail.com.

Voice (SSAA) - Level 4 - Digital Download SKU: A0.762506 By Blondie. By Howard Barrett, John Holt, and Tyrone Evans. Arranged by Rowena Harper. A Cappella,Barbershop,Pop. Barbershop Quartet. 6 pages. Rowena Harper #6341465. Published by Rowena Harper (A0.762506). Pop with a dash of reggae rhythm, and of course you can add percussion as you please! This is a fun arrangement of the Blondie cover which includes a fair dash of bass melody with three part rhythmic overlay, and a baritone feature utilising the trumpet line as their very own theme near the end which will require the leads to sing a simple harmony. Oodles of fun, although the rhythms change frequently - semiquavers to triplets - but give it a go! ;-)Range (Lowest-Highest): Bass G-E, Baritone C#-B, Lead B-D, Tenor G-G.Key = CThis price is for a set of parts (four copies). Available also as a per copy price - minimum 10 copies.(Note: This sheet music is notated in barbershop format: Tenor (S.1) and Lead (S.2) in treble clef , Baritone (A.1) and Bass (A.2) in bass clef. The bass clef parts are sung an octave higher than written.Contact: acappellatenor@gmail.com