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Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.856162 By Shania Twain. By Robert John Mutt Lange and Shania Twain. Arranged by Liz Garnett. Country. Octavo. 9 pages. Liz Garnett #3863255. Published by Liz Garnett (A0.856162). From Shania Twain's 1997 album Come on Over, this song is a reminder that such an inviting title does not mean the singer has abandoned her critical faculties. There has rarely been such a clear statement of womankind's general indifference to the things men use to jostle for status with each other.The arrangement contrasts stark sections that are mostly in two parts (occasionally blossoming out into more for effect) with sections in full four-part harmony. The splitting and joining of parts makes me think of it as more suitable for an ensemble with multiple voices per part than a quartet.The arrangement is notated in the traditional clefs for women's barbershop: treble and bass alta (i.e. sung an octave higher than written).Vocal Ranges:Tenor: B flat 3 - E flat 5
That Don't Impress Me Much
Chorale SSAA
Shania Twain
$2.99 2.6 € Chorale SSAA PDF SheetMusicPlus

Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.1282920 Composed by Oscar Hammerstein and Richard Rodgers. Arranged by Ruby Rhea/Ken Potter. A Cappella,Barbershop,Broadway,Musical/Show,Pop. Octavo. 5 pages. Ken Potter #874171. Published by Ken Potter (A0.1282920). This arrangement for SSAA (SAI) was originally written by Ruby Rhea for SAI.  I (Ken Potter) am acting on behalf of, with permission from the family, of the now deceased Ruby Rhea.  As curator of her arrangements, I am posting to legally clear the chart for quartets and choruses to use.  Please observe all copyright laws and contest rules for clearance.  Ruby wanted her charts to be used by the public legally.  Please note that I do not receive compensation for managing her charts.  Contact me directly if you need to speak to me about Ruby Rhea's material.  (310-702-5285).
I'm Gonna Wash That Man Right Outa My Hair
Chorale SSAA

$2.00 1.74 € Chorale SSAA PDF SheetMusicPlus

Choral Choir (SSAA) - Level 2 - Digital Download SKU: A0.781314 Composed by Traditional Spiritual. Arranged by Joanna Mills. Easter,Holiday,Sacred,Spiritual,Traditional. Octavo. 12 pages. Joanna Mills Music #4327081. Published by Joanna Mills Music (A0.781314). This fresh arrangement blends together two simple traditional spirituals, Ain't That Good News! (Proverbs 25:25) and Shout for Joy!, and gives them a more modern and bluesy sound. Arranged for soloist(s) and SSAA choir, this medley starts with a soulful rubato introduction, and then jumps into a swinging gospel beat. In her signature style, Joanna Mills uses the traditional call-and-response format, but adds excitement with key changes, and layered harmonies and rhythms. Perfect for Easter and Thanksgiving services, Black History Month, celebrations of life, and services about joy and happiness. Approximate performance time: 3 minutes.
Ain't That Good News / Shout for Joy (SSAA)
Chorale SSAA

$1.99 1.73 € Chorale SSAA PDF SheetMusicPlus

Choral Choir (SSAA) - Level 4 - Digital Download SKU: A0.1111174 By Neil Sedaka. By Neil Sedaka. Arranged by Rebecca (Boo) de Bruin. A Cappella,Barbershop,Contemporary,Pop. Octavo. 11 pages. Rebecca de Bruin #713452. Published by Rebecca de Bruin (A0.1111174). Words and Music by Neil Sedaka in 1972. Arranged in 2022 by Boo de Bruin. 11 pages for Sweet Adelines (ladies' barbershop) chorus. (Tenor, lead, baritone, bass are roughly equivalent to SSAA, although lead and baritone have similar ranges, but perform different functions). That's when the music takes me is taken from Neil Sedaka's Solitaire LP. The song was notable as it was one of the only songs for which Sedaka wrote the lyrics in addition to the music. He often finishes his song using the song. (The ending of the arrangement is inspired by how he performs the song live, rather than the recording edit). It reached #18 on the UK singles chart, #27 on the US Billboard Hot 100, and #7 on the US Billboard Easy Listening chart. This arrangement was written for a barbershop chorus, and as such the lowest voice part has a lower range than is custom for choral SSAA writing. The melody sits with the lead for the vast majority of the song, but with the bass part taking a few of the lowest notes. Please note: in keeping with normal barbershop practice the men's barbershop voicing names are used (tenor, lead, baritone and bass) and an octave-shifted bass clef is used for the baritone and bass parts. Vocal ranges are: Tenor: D4 - G5 (D above middle C to G above high C) Lead: B3 - D5 (B below middle C to D above high C) Baritone: G3 - C5 (G below middle C to D above high C) Bass: D3 - D4 (D below middle C to D above middle C).
That's When The Music Takes Me
Chorale SSAA
Neil Sedaka
$1.99 1.73 € Chorale SSAA PDF SheetMusicPlus


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