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Choral Choir (SSAA) - Digital Download SKU: A0.843718 Composed by Traditional. Arranged by Debbie Warren. Folk,Traditional. Octavo. 7 pages. Keep Calm and Keep Singing #450402. Published by Keep Calm and Keep Singing (A0.843718). A fishing song from the North East of England, this became popular as the theme tune to 1970’s TV show When the Boat Comes In. However, there is also another melody (in the minor key) also believed to originate from the North East but which was collected by Cecil Sharp in Berkshire. I have combined both melodies giving one to the sops and the other to the altos. Each section then forms an ostinato accompaniment while the other is singing the tune. These “Dance†“Sing†notes although written as dotted minims are to be performed short and light – like bells. The song also works best with a slight northern accent – particularly the short northern ‘a’ vowel on the word Dance and in the phrase “When the boat comes inâ€. NB Although this is written for 4 parts the second alto is optional and the arrangement works just as well without it for SSA choirs. FREE resources are available (backing track, teach tracks) just email keepcalmkeepsinging@gmail.com with proof of purchase Easy Level Duration: 3'30.
Dance to Your Daddy (When the Boat Comes In) SSAA
Chorale SSAA

$1.99 1.71 € Chorale SSAA PDF SheetMusicPlus

Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.949381 Composed by Adam Lenhart. Contemporary. Octavo. 11 pages. Adam Lenhart #5305499. Published by Adam Lenhart (A0.949381). The Message is written to evoke a feeling of love and happiness in everything one does. The speaker uses nocturnal events to represent life: although the rain (mournful times) is not here, the stars cannot be seen if one is not opening themselves to love and the beauty life offers. The speaker believes the message should be heard by all, so everyone can witness the stars and encourages others to become messengers themselves.Duration: approx. 5:02The Message was selected as a winner in the 2020 MMEA Honors Composition Contest.---------------------------Adam Lenhart (b. 2002) is a University of Michigan student of music theory, composition, voice and organ from Ottawa Lake, Michigan. As a theorist, his areas of study vary widely, including 18th century counterpoint, the early American Sacred Harp tradition and impressionism. As a composer, his music draws inspiration from nature, mathematics and poetry. In 2020 he was awarded the Michigan Music Education Association’s Young Composers of Michigan award, as well as first prize in the University of Toledo Young Composers competition. Lenhart has also participated in numerous ensembles across Michigan, including the MYAF All-State Choir, Tecumseh Pops Orchestra, University of Michigan Men’s Glee Club and the SMTD University Choir. He thoroughly enjoys collaboration with other composers, performers, poets and visual artists. Some of his recent projects include collaborations with individuals from the University of Michigan Chamber Music, History, and Poetry departments.
The Message (SSAA)
Chorale SSAA

$1.99 1.71 € Chorale SSAA PDF SheetMusicPlus

Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.953625 Composed by Adrienne Inglis (ASCAP). Contemporary,Latin. Octavo. 5 pages. Adrienne Inglis (ASCAP) #6405603. Published by Adrienne Inglis (ASCAP) (A0.953625). La ciudad sumergida (The Submerged City) for four-part treble chorus and nature soundtrack by Adrienne Inglis (ASCAP) Commissioned for Dr. Ramona M. Wis and the North Central College Women’s Chorale A setting of an excerpt of Río de La Plata en lluvia from Mascarilla y Trébol (1938) by Alfonsina Storni (1938) Copyright © 2020 Adrienne Inglis Founder, composer, and singer with Inversion Ensemble of Austin, Texas, Adrienne Inglis also serves as principal flute with the Central Texas Philharmonic, flute instructor at Southwestern University, and flutist with flute/harp duo Chaski. She has music degrees from Lewis and Clark College and the University of Texas at Austin. An avid birder and environmentalist, she lives in the rural hill country of Central Texas. Poet Alfonsina Storni began writing during a tumultuous childhood fraught with economic hardships, many disruptive moves, and an alcoholic father. She danced with a theatrical troupe and then became a teacher and journalist. She bore a child out of wedlock and found herself working as a single mother during socially oppressive times. In Buenos Aires she joined the emerging world of women’s rights, becoming an important literary voice in the movement. When her breast cancer returned, her lifelong passion for the sea culminated in her suicide off of the coast of Argentina. Río de La Plata en lluvia from Mascarilla y Trébol (1938) lines 1-4 by Alfonsina Storni in the public domain Ya casi el cielo te apretaba, ciego, y sumergida una ciudad tenías en tu cuerpo de grises heliotropos neblivelado en su copón de llanto. [The sky was about to embrace you, blind, and you had in your body of gray heliotropes a submerged city, with the misty sky like a chalice about to overflow with tears.] Program note: Commissioned for Dr. Ramona M. Wis and the North Central College Women’s Chorale of Naperville, Illinois, La ciudad sumergida (The Submerged City) by Adrienne Inglis for four-part treble chorus with nature soundtrack captures the mood of a river, a city, the cloudy sky, and the poet’s own profound melancholy. The sound of rain creates both the ambiance of a misty day on the river and the sensation of cathartic crying from great sadness and pain. The city’s reflection on the river’s surface gives the illusion that the city is submerged in the water. The reflection of the clouds hovering low over Río de La Plata looks like gray heliotrope flowers. The apocalyptic images of a submerged city and of tears overflowing from the chalice-sky eerily foreshadow rising sea levels due to anthropogenic global warming. The nature soundtrack of rain was recorded by the composer in the hill country of central Texas, July 2020. Performance note: This aleatoric, asynchronous composition is suitable for remote singing along with the video score and nature soundtrack. Observe the order of entrances, but know that it’s not meant to line up exactly. Finish a phrase even if another phrase has started. Diphthongs move immediately to the second vowel sound. Ya begins with the [dÊ’] sound and llanto begins with the [Ê’] sound, both typical of the Buenos Aires accent. Sing quite expressively except for the neblivelado section which is misty and veiled. The director may wish to indicate the rehearsals numbers or the singers may follow the time on the video-or both. Duration: 3:08 Link to video with soundtrack is available from the composer (http://adrienneinglis.com). Acknowledgements: The composer warmly thanks Pablo and Diana Donatti, Ãngeles Rodríguez Cadena, and Emilio Torres for their contributions to this project and to Dr. Ramona M. Wis and the North Central College Women’s Chorale for the generous commission. Copyright © 2020 Adrienne Inglis | http://adrienneinglis.com
La ciudad sumergida (The Submerged City) for SSAA treble voices and nature soundtrack
Chorale SSAA

$3.99 3.42 € Chorale SSAA PDF SheetMusicPlus

Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.796823 Composed by Francis Scott Key, John Stafford Smith. Arranged by Eric Hagmann. A Cappella,Holiday,Instructional,Patriotic,Standards. Octavo. 2 pages. Eric Hagmann #4362333. Published by Eric Hagmann (A0.796823). A staple at sporting events, 4th of July outings, school assemblies, and more, The Star-Spangled Banner is an important tradition in American culture.  This SSAA a cappella arrangement adds a rich, new layer of harmony to the common melody that we've all come to know. Standard progressions are given a fresh approach with chords smoothly moving from one to the other in a manner influenced by changes found directly in jazz theory. A pinch of syncopation, without overdoing it, adds new bounce to lines that were once stiff and rigid.  If your ensemble is looking for a version of the US National Anthem that has some flavor without straying too far from the original form, this arrangement is for you!Feel free to follow me on Facebook and reach out with any questions or comments: https://www.facebook.com/erichagmannmusic/
The Star Spangled Banner
Chorale SSAA

$2.25 1.93 € Chorale SSAA PDF SheetMusicPlus

Choral Choir,Choral (SSAA) - Level 2 - Digital Download SKU: A0.1399041 By Various Artists. By Harold Arlen and Ted Koehler. Arranged by Eva Hjelm. A Cappella,Barbershop,Film/TV,Jazz,Standards. 3 pages. Eva Hjelm #982320. Published by Eva Hjelm (A0.1399041). Women's arrangement of Stormy Weather, which is a 1933 torch song written by Harold Arlen and Ted Koehler. Ethel Waters first sang it at The Cotton Club night club in Harlem in 1933 and recorded it with the Dorsey Brothers' Orchestra. It has been performed by several world famous artists such as Lena Horne, Frank Sinatra, Judy Garland and Ella Fitzgerald among others.The melody is sung by the base throughout the arrangement.Note: The sheet music is notated in the barbershop format: Tenor (S.1) and Lead (S.2) in treble clef , Baritone (A.1) and Bass (A.2) in bass clef. The bass clef parts are sung an octave higher than written.
Stormy Weather (Keeps Rainin' All The Time)
Chorale SSAA
Various Artists
$1.99 1.71 € Chorale SSAA PDF SheetMusicPlus

Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.996562 Composed by Bert Kalmar and Harry Ruby. Arranged by Rebecca J. Wood. Contemporary. Octavo. 5 pages. Rebecca J. Wood #5324809. Published by Rebecca J. Wood (A0.996562). Hear 30 second clip beginning at measure 1. Arrangement about 1 min 30 secs performance time.  I love this little child/mother song. If one keeps the title Angels, the surprise ending will be kept to the end. Lovely harmonies and emotions, with the climax at m 52 followed by the surprise ending.Milk this little song for all it's worth. My heart swells just for going through it in my head!! Feedback would be appreciated.   After thinking about ANGELS, I HAVE TO TELL YOU the most important line in the song. After the Daddy tells the child what angels are, he says, They call them angels in Heaven (beautiful spot in the son), but we call them MOTHERS down here. Such a tear-jerker, I think!!
Angels, We Call Them Mothers Down Here
Chorale SSAA

$12.99 11.15 € Chorale SSAA PDF SheetMusicPlus

Choral Choir (SSAA) - Level 4 - Digital Download SKU: A0.939403 Composed by Robert Debbaut. Contemporary. Octavo. 31 pages. ROBERT DEBBAUT #6342191. Published by ROBERT DEBBAUT (A0.939403).  American lyric poet Sara Trevor Teasdale (1884-1933) was the first woman and the first poet to win the Pulitzer Prize for Literature. She won the 1918 Pulitzer Prize for her 1917 collection entitled Love Songs. Teasdale was roundly praised for her lyric mastery and romantic subjects. Her poems most often take on the first person role of their female narrators and protagonists. Teasdale’s first poem was published in 1907. Later that year she published her first collection of poems, Sonnets to Duse and Other Poems, written mainly for the Italian actress Eleonora Duse. In 1911 her second collection Helen of Troy and Other Poems received high praise from critics. Her third collection, Rivers to the Sea from 1915 was and remains a best seller and has been reprinted several times. The three poems used here, Joy, The Answer, and .To Joy all date from 1915. These three poems were also included in her Pulitzer Prize-winning collection Love Songs. Teasdale was born in St. Louis, Missouri on August 8, 1884. She was a sickly child, so much so that she was home schooled. As a young woman she had many suitors, including the poet Vachel Lindsay, who thought he could never provide for her. She eventually married businessman Ernst Filsinger, a great admirer of her poems. The couple relocated to New York City. Filsinger’s constant business travel left Teasdale very lonely and depressed. She eventually relocated to another state so she could quickly divorce him. Filsinger was shocked. Teasdale took up again with Vachel Lindsay, who has himself married and had children. Lindsay committed suicide in 1931 and Teasdale followed likewise two years later. She is interred at Bellefontaine Cemetery in St. Louis.
A Trilogy of Joy, three short anthems on poems by Sara Teasdale for women's chorus and piano
Chorale SSAA

$9.95 8.54 € Chorale SSAA PDF SheetMusicPlus

Choral Choir,Choral (SSAA) - Level 2 - Digital Download SKU: A0.1353397 Composed by Lois J Henrickson (Lytingale). Arranged by Lois J Henrickson (Lytingale). Contemporary,Pop. 17 pages. Lytingale Music #938156. Published by Lytingale Music (A0.1353397). Written for SSAA chorus. Theme: empowerment, activism. We are the ones who can fix this world!Accompanied by piano, with optional violin (or flute) partAvailable formats: full score with piano, lead sheet (no piano, for singers), violin part, piano reduction. The mp3 is a rough mix of the parts recordings created for rehearsal (which are available).My community chorus memorizes, so I write with repetition and consistency! Our chorus found this exciting and inspirational to sing.  This piece was also chosen to be performed as a mass chorus piece for the national Sister Singers Network Festival 2023 in Cleveland.Lyrics:Movin' and a-shakin' and a-shakin' and a-movin',Movin' and a-shakin' and a-shakin' and a-movin', Movin' and a-shakin' and a-shakin' and a-movin',  Movin' and a-shakin' and a-shakin' and a-movin', Rock on, sisters! Rock on! Awaken the world, sisters.  Awakenin', awakenin' the world. Wake up! Awaken the world, sisters.  Awakenin', awakenin' the world. We are the ones   Who get things done.We are the ones   Who make it run.We are the ones   Who work together. Together we can change the world. Honor the mothers. Honor the mothers who carried us through, to get us to a world of possibility where we can see how to be more, how to live free. We stand on the shoulders. We stand on the shoulders of women who died, and women who cried out for freedom, for justice, for life. Some of us rock the cradle. Some of us rock the boat. Giving what we are able    to do, to see, to be. Standing on the rock of community.Standing on the rock of community. We're standing on the rock of community.  Makin' a way to grow and live the power,     the power of our own truth. Together we can change the world. Liberty! Together we can change the world. Equality! Together we can change the world. Community! Together we can change the world. Fix this world. There's a whole lot to do.Fix this world. Gonna make it new.Fix this world. It's up to me and you. I witnessed.  Because it needed to be done.I spoke out.  Because it needed to be done. I stood up.    Because it needed to be done. I did what needed, I did what needed, I did what needed to be done.Awaken the world, sisters. Awakenin', awakenin' the world. Wake up! Awaken the world, sisters. Awakenin', awakenin' the world. Wake up! We are the ones   Who get things done.We are the ones   Who make it run.We are the ones   Who work together, Together we can change the world. Movin' and a-shakin' and a-shakin' and a-movin', Together we can change the worldMovin' and a-shakin' and a-shakin' and a-movin', Together we can change the world.Together, Together, Together, Together,Together we can change the world. (2021) Lois J Henrickson (Lytingale).
Together We Can Change the World
Chorale SSAA

$1.99 1.71 € Chorale SSAA PDF SheetMusicPlus

Choral Choir,Choral (SSAA) - Level 4 - Digital Download SKU: A0.1269757 Composed by Michael Thomas Coull. 21st Century,Contemporary,Pop,Standards. 20 pages. MTC Publishing #862265. Published by MTC Publishing (A0.1269757). Together As One - Choral Composition for SSAA and Piano by Michael Thomas CoullTogether As One is a song about singing in a choir and performing to an audience.  It explores how singing gives us both sides of the emotional coin:  from nervousness and even trepidation on one side, to great joy on the other.   We all feel nervous before a performance, and even more so when we are actually standing in front of the audience.  But then we are announced, the choir director raises their arms, the accompanist starts the introduction and we are all brought in and start singing.  And at that moment we realize something, that when we all sing a great joy overtakes us, lifting us up to another world where our voices meld 'Together As One'.  This original composition for SSAA choir and piano accompaniment is an inspirational song that captures the mood and enjoyment of singing, and how singing effects us both individually and as a group.  A song that your choir will love to sing with beautiful harmonies and a soaring descant part, and perfect to perform at any time of the year.Also available for SATB, 2-Part and Unison.
Together As One
Chorale SSAA

$3.99 3.42 € Chorale SSAA PDF SheetMusicPlus






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