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Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.953625 Composed by Adrienne Inglis (ASCAP). Contemporary,Latin. Octavo. 5 pages. Adrienne Inglis (ASCAP) #6405603. Published by Adrienne Inglis (ASCAP) (A0.953625). La ciudad sumergida (The Submerged City) for four-part treble chorus and nature soundtrack by Adrienne Inglis (ASCAP) Commissioned for Dr. Ramona M. Wis and the North Central College Women’s Chorale A setting of an excerpt of Río de La Plata en lluvia from Mascarilla y Trébol (1938) by Alfonsina Storni (1938) Copyright © 2020 Adrienne Inglis Founder, composer, and singer with Inversion Ensemble of Austin, Texas, Adrienne Inglis also serves as principal flute with the Central Texas Philharmonic, flute instructor at Southwestern University, and flutist with flute/harp duo Chaski. She has music degrees from Lewis and Clark College and the University of Texas at Austin. An avid birder and environmentalist, she lives in the rural hill country of Central Texas. Poet Alfonsina Storni began writing during a tumultuous childhood fraught with economic hardships, many disruptive moves, and an alcoholic father. She danced with a theatrical troupe and then became a teacher and journalist. She bore a child out of wedlock and found herself working as a single mother during socially oppressive times. In Buenos Aires she joined the emerging world of women’s rights, becoming an important literary voice in the movement. When her breast cancer returned, her lifelong passion for the sea culminated in her suicide off of the coast of Argentina. Río de La Plata en lluvia from Mascarilla y Trébol (1938) lines 1-4 by Alfonsina Storni in the public domain Ya casi el cielo te apretaba, ciego, y sumergida una ciudad tenías en tu cuerpo de grises heliotropos neblivelado en su copón de llanto. [The sky was about to embrace you, blind, and you had in your body of gray heliotropes a submerged city, with the misty sky like a chalice about to overflow with tears.] Program note: Commissioned for Dr. Ramona M. Wis and the North Central College Women’s Chorale of Naperville, Illinois, La ciudad sumergida (The Submerged City) by Adrienne Inglis for four-part treble chorus with nature soundtrack captures the mood of a river, a city, the cloudy sky, and the poet’s own profound melancholy. The sound of rain creates both the ambiance of a misty day on the river and the sensation of cathartic crying from great sadness and pain. The city’s reflection on the river’s surface gives the illusion that the city is submerged in the water. The reflection of the clouds hovering low over Río de La Plata looks like gray heliotrope flowers. The apocalyptic images of a submerged city and of tears overflowing from the chalice-sky eerily foreshadow rising sea levels due to anthropogenic global warming. The nature soundtrack of rain was recorded by the composer in the hill country of central Texas, July 2020. Performance note: This aleatoric, asynchronous composition is suitable for remote singing along with the video score and nature soundtrack. Observe the order of entrances, but know that it’s not meant to line up exactly. Finish a phrase even if another phrase has started. Diphthongs move immediately to the second vowel sound. Ya begins with the [dÊ’] sound and llanto begins with the [Ê’] sound, both typical of the Buenos Aires accent. Sing quite expressively except for the neblivelado section which is misty and veiled. The director may wish to indicate the rehearsals numbers or the singers may follow the time on the video-or both. Duration: 3:08 Link to video with soundtrack is available from the composer (http://adrienneinglis.com). Acknowledgements: The composer warmly thanks Pablo and Diana Donatti, Ãngeles Rodríguez Cadena, and Emilio Torres for their contributions to this project and to Dr. Ramona M. Wis and the North Central College Women’s Chorale for the generous commission. Copyright © 2020 Adrienne Inglis | http://adrienneinglis.com
La ciudad sumergida (The Submerged City) for SSAA treble voices and nature soundtrack
Chorale SSAA

$3.99 3.83 € Chorale SSAA PDF SheetMusicPlus

Choral Choir (SSAA) - Digital Download SKU: A0.843718 Composed by Traditional. Arranged by Debbie Warren. Folk,Traditional. Octavo. 7 pages. Keep Calm and Keep Singing #450402. Published by Keep Calm and Keep Singing (A0.843718). A fishing song from the North East of England, this became popular as the theme tune to 1970’s TV show When the Boat Comes In. However, there is also another melody (in the minor key) also believed to originate from the North East but which was collected by Cecil Sharp in Berkshire. I have combined both melodies giving one to the sops and the other to the altos. Each section then forms an ostinato accompaniment while the other is singing the tune. These “Dance†“Sing†notes although written as dotted minims are to be performed short and light – like bells. The song also works best with a slight northern accent – particularly the short northern ‘a’ vowel on the word Dance and in the phrase “When the boat comes inâ€. NB Although this is written for 4 parts the second alto is optional and the arrangement works just as well without it for SSA choirs. FREE resources are available (backing track, teach tracks) just email keepcalmkeepsinging@gmail.com with proof of purchase Easy Level Duration: 3'30.
Dance to Your Daddy (When the Boat Comes In) SSAA
Chorale SSAA

$1.99 1.91 € Chorale SSAA PDF SheetMusicPlus

Choral Choir,Choral (SSAA) - Level 2 - Digital Download SKU: A0.1373903 Composed by Matthew 6:9-13 and Ruth Elaine Schram. Arranged by L. Müller. Chamber,Christian,Classical,Religious,Sacred. 7 pages. Müller Publishing company #958379. Published by Müller Publishing company (A0.1373903). Embark on a musical journey with our meticulously arranged sheet music for Men's Choir, featuring the touching composition The Lord's Prayer by Ruth Elaine Schram. This arrangement, expertly crafted by L. Müller for For Women's Choir SSAA choir in the key of D major, promises an exquisite rendition of Schram's masterpiece, available in high-resolution digital format.The Lord's Prayer stands as a remarkable piece, showcasing Ruth Elaine Schram's artistry in evoking a sense of reverence and spirituality through her musical genius. This arrangement, thoughtfully tailored for For Women's Choir SSAA vocal ensembles, pays homage to the enduring beauty and profound sentiments encapsulated in Schram's creation.Immerse your Choir in harmonious voices as you embark on a musical journey accompanied by this arrangement. The rich harmonies and captivating melodic lines are designed to contribute to a powerful and impactful experience, resonating deeply with both performers and listeners alike.Whether your Choir comprises seasoned singers or those just beginning their musical voyage, this digital sheet music beckons exploration into the harmonies of The Lord's Prayer. Clear markings and accessible notation empower the choir to express the music with interpretive depth and emotional resonance.For a meaningful and resonant addition to your Choir's repertoire, don't miss the opportunity to acquire this high-resolution sheet music for The Lord's Prayer arranged for For Women's Choir SSAA . Revel in the harmonious blend of voices as your choir breathes life into this sacred message, beautifully preserved in Ruth Elaine Schram's timeless composition.
The Lord's Prayer
Chorale SSAA

$1.99 1.91 € Chorale SSAA PDF SheetMusicPlus

Choral Choir,Choral (SSAA) - Level 2 - Digital Download SKU: A0.1375944 Composed by Matthew 6:9-13 and Ruth Elaine Schram. Arranged by L. Müller. Chamber,Christian,Classical,Religious,Sacred. 7 pages. Müller Publishing company #960496. Published by Müller Publishing company (A0.1375944). Embark on a musical journey with our meticulously arranged sheet music for Women's Choir, featuring the touching composition The Lord's Prayer by Ruth Elaine Schram. This arrangement, expertly crafted by L. Müller for SSAA choir in the key of G Major, promises an exquisite rendition of Schram's masterpiece, available in high-resolution digital format.The Lord's Prayer stands as a remarkable piece, showcasing Ruth Elaine Schram's artistry in evoking a sense of reverence and spirituality through her musical genius. This arrangement, thoughtfully tailored for SSAA vocal ensembles, pays homage to the enduring beauty and profound sentiments encapsulated in Schram's creation.Immerse your Women's Choir in harmonious voices as you embark on a musical journey accompanied by this arrangement. The rich harmonies and captivating melodic lines are designed to contribute to a powerful and impactful experience, resonating deeply with both performers and listeners alike.Whether your Women's Choir comprises seasoned singers or those just beginning their musical voyage, this digital sheet music beckons exploration into the harmonies of The Lord's Prayer. Clear markings and accessible notation empower the choir to express the music with interpretive depth and emotional resonance.For a meaningful and resonant addition to your Women's Choir's repertoire, don't miss the opportunity to acquire this high-resolution sheet music for The Lord's Prayer arranged for SSAA. Revel in the harmonious blend of voices as your choir breathes life into this sacred message, beautifully preserved in Ruth Elaine Schram's timeless composition.
The Lord's Prayer
Chorale SSAA

$1.99 1.91 € Chorale SSAA PDF SheetMusicPlus

Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.996562 Composed by Bert Kalmar and Harry Ruby. Arranged by Rebecca J. Wood. Contemporary. Octavo. 5 pages. Rebecca J. Wood #5324809. Published by Rebecca J. Wood (A0.996562). Hear 30 second clip beginning at measure 1. Arrangement about 1 min 30 secs performance time.  I love this little child/mother song. If one keeps the title Angels, the surprise ending will be kept to the end. Lovely harmonies and emotions, with the climax at m 52 followed by the surprise ending.Milk this little song for all it's worth. My heart swells just for going through it in my head!! Feedback would be appreciated.   After thinking about ANGELS, I HAVE TO TELL YOU the most important line in the song. After the Daddy tells the child what angels are, he says, They call them angels in Heaven (beautiful spot in the son), but we call them MOTHERS down here. Such a tear-jerker, I think!!
Angels, We Call Them Mothers Down Here
Chorale SSAA

$12.99 12.48 € Chorale SSAA PDF SheetMusicPlus

Choral Choir,Choral,SSAA Chorus - Level 4 - Digital Download SKU: A0.1435772 By BYU Women's Chorus. By John Goss (1800-1880). Arranged by Lane Johnson. Christian,Sacred. 26 pages. Lane Johnson Music #1015864. Published by Lane Johnson Music (A0.1435772). A stirring arrangement of Praise, My Soul, the King of Heaven, the beloved Christian hymn. It draws its text from Psalm 103 and was written by Anglican clergyman Henry Francis Lyte. It was first published in 1834. The hymn endures in modern hymnals to a setting written by John Goss in 1868, and remains one of the most popular hymns in English-speaking denominations.This arrangement was commissioned by the BYU Women's Chorus under the direction of Dr. Sonja Poulter and was premiered in the Salt Lake Tabernacle with the accompaniment on the famous Tabernacle organ.Purchase includes both Organ and Piano accompaniment versions.
Praise, My Soul, the King of Heaven
Chorale SSAA
BYU Women's Chorus
$1.99 1.91 € Chorale SSAA PDF SheetMusicPlus

Choral Choir (SSAA) - Digital Download SKU: A0.856141 Composed by Trad. Arranged by Liz Garnett. A Cappella. Octavo. 4 pages. Liz Garnett #3023053. Published by Liz Garnett (A0.856141). For solo plus chorus, this arrangement takes its cue from the elegaic feel of the traditional Irish song on which it is based. The backing starts off as a gentle pulsation in open harmonies, and develops into mysterious Phyrgian harmonies as the story becomes more poignant. The soloist starts off telling the narrative, but hands this over to the chorus to take off in soaring modal melismas, finally taking the story back in the final verse over an atmospheric sound-wash.Ranges:Tenor: C4 - D5Lead: B flat 3 - C5Bari: C4 - G4Bass: G3 - D4Solo: D4 - F5(N.B. This arrangement is notated in treble and bass alta (i.e. sung an octave higher than written) clefs.
She Moved Through The Fair
Chorale SSAA

$3.99 3.83 € Chorale SSAA PDF SheetMusicPlus

Voice (SSAA) - Level 5 - Digital Download SKU: A0.749414 By The Charlie Daniels Band. By Charles Fred Hayward, Charlie Daniels, Fred Laroy Edwards, James Wainwright Marshall, John Thomas Crain, Jr., and William Joel DiGregorio. Arranged by CAROLE PRIETTO. A Cappella,Country. Barbershop Quartet. 72 pages. Carole Prietto #3506117. Published by Carole Prietto (A0.749414). By the Charlie Daniels Band. Not for the faint of heart! This is the entire song, with instrumental parts and the speaking parts. Has a lot of Swingle Singer type lyrics and melody transfer between lead and baritone. A Cappella, four-part harmony, barbershop style.Arranger's website: https://caroleprietto.com
The Devil Went Down To Georgia
Chorale SSAA
The Charlie Daniels Band
$18.95 18.2 € Chorale SSAA PDF SheetMusicPlus

Choral Choir,Choral (SSAA) - Level 4 - Digital Download SKU: A0.1376502 By Kristin Chenoweth. By Marcy Heisler and Zina Goldrich. Arranged by Andrew M. Wallace. 21st Century,A Cappella,Broadway,Contemporary,Musical/Show. 9 pages. Andrew M. Wallace #961030. Published by Andrew M. Wallace (A0.1376502). Indulge in the playful and flirtatious charm of Taylor, the Latte Boy with this SSAA a cappella arrangement. Tailored for an advanced treble ensemble or a cappella group, this delightful piece captures the essence of a whimsical romantic encounter. With its upbeat tempo and clever lyrics, Taylor, the Latte Boy is the perfect addition to any repertoire seeking a fun and engaging performance.Key Features: SSAA A Cappella Arrangement: Designed for soprano and alto voices, offering a harmonically rich and vibrant presentation without instrumental accompaniment. Playful and Flirtatious: Immerse yourself in the lighthearted banter and flirtatious exchanges of Taylor, the Latte Boy, a song that sparkles with charm and wit. Ideal for Advanced Treble Ensembles: Suitable for skilled treble choirs or a cappella groups looking to showcase their musicality and vocal precision.
Taylor, The Latte Boy
Chorale SSAA
Kristin Chenoweth
$3.99 3.83 € Chorale SSAA PDF SheetMusicPlus

Choral Choir,Choral (SSAA) - Level 3 - Digital Download SKU: A0.853700 By Neil Sedaka. By Howard Greenfield and Neil Sedaka. Arranged by Larry Wright. A Cappella,Barbershop. 5 pages. Larry Wright #4412137. Published by Larry Wright (A0.853700). A WOMEN'S 4-part, barbershop arrangement of this classic, medium tempo'd ballad song; it can be sung a cappella or performed using either the available piano/bass parts or the pre-recorded, fully orchestrated accompaniment track. The arrangement for both the accompanied and a cappella versions is EXACTLY THE SAME. Sung a cappella, it's a very nice piece. Sung using the accompaniment, it's a show stopper... and, with that in mind, I recommend it being performed as the last song in your program. IMPORTANT NOTE: by FIRST purchasing the $100 COMBO of this song from my website store <www.larrywrightmusic.com>, you'll not only be getting the EXCELLENT part-predominant vocal learning trax, but also be able to purchase the sheet music from SMP for their lowest $1.89/$1.99 per-copy price,... NOT the current much higher $14.25 per-copy price. PLUS, you also get to select a second Arrmt/Trax COMBO of your choice from my website store for FREE!!!! Of course, you'll still need to pay the per-copy fees to the publisher who controls the song licensing of the second song. Quartets and choruses singing at a B- contest level should be able to successfully learn and perform this arrangement making good use of the available EXCELLENT  part-predominant vocal Learning Trax <www.larrywrightmusic.com>.
Breaking Up Is Hard To Do
Chorale SSAA
Neil Sedaka
$15.00 14.41 € Chorale SSAA PDF SheetMusicPlus

SSAA choir, piano or chamber orchestra (strings: 5-5-3-3-3) - Medium - Digital Download SKU: MQ.6377-E Composed by Gwyneth W. Walker. 12 pages. E. C. Schirmer Music Company - Digital #6377-E. Published by E. C. Schirmer Music Company - Digital (MQ.6377-E). English.Crossing the Bar creates images of the sea, with the final voyage leading us out across the water, to see our Pilot, face to face. The musical setting endeavors to express the growth from peaceful to ecstatic moods, the tolling of the bell, the meeting of the Pilot. May there be no moaning of the bar, when I put out to see.The poetry of Alfred, Lord Tennyson (1809-1892) is characterized by dark, yet transcendent imagery -- the depths of the ocean, the triumph of the spirit. These poems seem well-suited to musical settings for Men's Chorus. The deep tones. The sonority of male voices (perhaps speaking for the poet) rising in song.Throughout the varied imagery of this poetry -- the depth of the sea, the dark of the night, the tumult of passion and the acceptance of death -- there speaks one, central message. Love was my lord and king..
Crossing the Bar from Love Was My Lord and King! (Downloadable SSAA Choral Score)
Chorale SSAA

$2.65 2.55 € Chorale SSAA PDF SheetMusicPlus

Choral Choir (SSAA) - Level 4 - Digital Download SKU: A0.752246 Composed by Harry Richman and Irving Kahal. Arranged by Glenda Lloyd. A Cappella. Octavo. 7 pages. Glenda Lloyd #3926945. Published by Glenda Lloyd (A0.752246). This little known song is an absolute winner! Amusing lyrics - night time is when the fun happens, so there should be moonlight savings time instead of daylight savings time.A barbershop contestable uptune, sung by Debacle Quartet when they won their region in 2018 and considered a strong contest vehicle by the judges.This is the longer, more challenging version. There's also a simpler version available for ensembles looking for an easier contest uptune, check my other listing.A great fun four part a cappella vocal arrangement for women's voices. Visit www.lloydsong.com to see more of my work, or see me on Facebook at https://www.facebook.com/Glenda.LloydSong/
(there Ought To Be A) Moonlight Saving Time
Chorale SSAA

$1.99 1.91 € Chorale SSAA PDF SheetMusicPlus


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