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Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.953625 Composed by Adrienne Inglis (ASCAP). Contemporary,Latin. Octavo. 5 pages. Adrienne Inglis (ASCAP) #6405603. Published by Adrienne Inglis (ASCAP) (A0.953625). La ciudad sumergida (The Submerged City) for four-part treble chorus and nature soundtrack by Adrienne Inglis (ASCAP) Commissioned for Dr. Ramona M. Wis and the North Central College Women’s Chorale A setting of an excerpt of Río de La Plata en lluvia from Mascarilla y Trébol (1938) by Alfonsina Storni (1938) Copyright © 2020 Adrienne Inglis Founder, composer, and singer with Inversion Ensemble of Austin, Texas, Adrienne Inglis also serves as principal flute with the Central Texas Philharmonic, flute instructor at Southwestern University, and flutist with flute/harp duo Chaski. She has music degrees from Lewis and Clark College and the University of Texas at Austin. An avid birder and environmentalist, she lives in the rural hill country of Central Texas. Poet Alfonsina Storni began writing during a tumultuous childhood fraught with economic hardships, many disruptive moves, and an alcoholic father. She danced with a theatrical troupe and then became a teacher and journalist. She bore a child out of wedlock and found herself working as a single mother during socially oppressive times. In Buenos Aires she joined the emerging world of women’s rights, becoming an important literary voice in the movement. When her breast cancer returned, her lifelong passion for the sea culminated in her suicide off of the coast of Argentina. Río de La Plata en lluvia from Mascarilla y Trébol (1938) lines 1-4 by Alfonsina Storni in the public domain Ya casi el cielo te apretaba, ciego, y sumergida una ciudad tenías en tu cuerpo de grises heliotropos neblivelado en su copón de llanto. [The sky was about to embrace you, blind, and you had in your body of gray heliotropes a submerged city, with the misty sky like a chalice about to overflow with tears.] Program note: Commissioned for Dr. Ramona M. Wis and the North Central College Women’s Chorale of Naperville, Illinois, La ciudad sumergida (The Submerged City) by Adrienne Inglis for four-part treble chorus with nature soundtrack captures the mood of a river, a city, the cloudy sky, and the poet’s own profound melancholy. The sound of rain creates both the ambiance of a misty day on the river and the sensation of cathartic crying from great sadness and pain. The city’s reflection on the river’s surface gives the illusion that the city is submerged in the water. The reflection of the clouds hovering low over Río de La Plata looks like gray heliotrope flowers. The apocalyptic images of a submerged city and of tears overflowing from the chalice-sky eerily foreshadow rising sea levels due to anthropogenic global warming. The nature soundtrack of rain was recorded by the composer in the hill country of central Texas, July 2020. Performance note: This aleatoric, asynchronous composition is suitable for remote singing along with the video score and nature soundtrack. Observe the order of entrances, but know that it’s not meant to line up exactly. Finish a phrase even if another phrase has started. Diphthongs move immediately to the second vowel sound. Ya begins with the [dÊ’] sound and llanto begins with the [Ê’] sound, both typical of the Buenos Aires accent. Sing quite expressively except for the neblivelado section which is misty and veiled. The director may wish to indicate the rehearsals numbers or the singers may follow the time on the video-or both. Duration: 3:08 Link to video with soundtrack is available from the composer (http://adrienneinglis.com). Acknowledgements: The composer warmly thanks Pablo and Diana Donatti, Ãngeles Rodríguez Cadena, and Emilio Torres for their contributions to this project and to Dr. Ramona M. Wis and the North Central College Women’s Chorale for the generous commission. Copyright © 2020 Adrienne Inglis | http://adrienneinglis.com
La ciudad sumergida (The Submerged City) for SSAA treble voices and nature soundtrack
Chorale SSAA

$3.99 3.41 € Chorale SSAA PDF SheetMusicPlus

Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.949381 Composed by Adam Lenhart. Contemporary. Octavo. 11 pages. Adam Lenhart #5305499. Published by Adam Lenhart (A0.949381). The Message is written to evoke a feeling of love and happiness in everything one does. The speaker uses nocturnal events to represent life: although the rain (mournful times) is not here, the stars cannot be seen if one is not opening themselves to love and the beauty life offers. The speaker believes the message should be heard by all, so everyone can witness the stars and encourages others to become messengers themselves.Duration: approx. 5:02The Message was selected as a winner in the 2020 MMEA Honors Composition Contest.---------------------------Adam Lenhart (b. 2002) is a University of Michigan student of music theory, composition, voice and organ from Ottawa Lake, Michigan. As a theorist, his areas of study vary widely, including 18th century counterpoint, the early American Sacred Harp tradition and impressionism. As a composer, his music draws inspiration from nature, mathematics and poetry. In 2020 he was awarded the Michigan Music Education Association’s Young Composers of Michigan award, as well as first prize in the University of Toledo Young Composers competition. Lenhart has also participated in numerous ensembles across Michigan, including the MYAF All-State Choir, Tecumseh Pops Orchestra, University of Michigan Men’s Glee Club and the SMTD University Choir. He thoroughly enjoys collaboration with other composers, performers, poets and visual artists. Some of his recent projects include collaborations with individuals from the University of Michigan Chamber Music, History, and Poetry departments.
The Message (SSAA)
Chorale SSAA

$1.99 1.7 € Chorale SSAA PDF SheetMusicPlus

Choral Choir (SSAA) - Level 4 - Digital Download SKU: A0.939403 Composed by Robert Debbaut. Contemporary. Octavo. 31 pages. ROBERT DEBBAUT #6342191. Published by ROBERT DEBBAUT (A0.939403).  American lyric poet Sara Trevor Teasdale (1884-1933) was the first woman and the first poet to win the Pulitzer Prize for Literature. She won the 1918 Pulitzer Prize for her 1917 collection entitled Love Songs. Teasdale was roundly praised for her lyric mastery and romantic subjects. Her poems most often take on the first person role of their female narrators and protagonists. Teasdale’s first poem was published in 1907. Later that year she published her first collection of poems, Sonnets to Duse and Other Poems, written mainly for the Italian actress Eleonora Duse. In 1911 her second collection Helen of Troy and Other Poems received high praise from critics. Her third collection, Rivers to the Sea from 1915 was and remains a best seller and has been reprinted several times. The three poems used here, Joy, The Answer, and .To Joy all date from 1915. These three poems were also included in her Pulitzer Prize-winning collection Love Songs. Teasdale was born in St. Louis, Missouri on August 8, 1884. She was a sickly child, so much so that she was home schooled. As a young woman she had many suitors, including the poet Vachel Lindsay, who thought he could never provide for her. She eventually married businessman Ernst Filsinger, a great admirer of her poems. The couple relocated to New York City. Filsinger’s constant business travel left Teasdale very lonely and depressed. She eventually relocated to another state so she could quickly divorce him. Filsinger was shocked. Teasdale took up again with Vachel Lindsay, who has himself married and had children. Lindsay committed suicide in 1931 and Teasdale followed likewise two years later. She is interred at Bellefontaine Cemetery in St. Louis.
A Trilogy of Joy, three short anthems on poems by Sara Teasdale for women's chorus and piano
Chorale SSAA

$9.95 8.51 € Chorale SSAA PDF SheetMusicPlus

SSAA choir unaccompanied - Moderately Difficult - Digital Download SKU: MQ.7351-E Composed by Steven Sametz. Wedding. 8 pages. Duration 2 minutes, 30 seconds. E. C. Schirmer Music Company - Digital #7351-E. Published by E. C. Schirmer Music Company - Digital (MQ.7351-E). Spanish.Set to the poetry of the 16th-century Spanish Carmelite priest, San Juan de la Cruz (St. John of the Cross,) this piece (and its companion, 7350) can appear to be a secular love song. But it is actually religious allegory in which the Soul is singing to God. He is strong and magnificent as a mountain; comforting as the cool, shady woods; filled with unexpected delights like an exotic island; possesses her powerfully like a roaring river; thrills her with a touch like a breeze on the skin; fills her and satisfies her like a delicious meal; opens her eyes to the unexpected, like the dawn. As they rest together in the tranquil night, the soul delights in these feelings like being filled with glorious music that can truly be heard only in silence. In that moment, we are given a luxurious silence, surrounded by gorgeous music, in which we, too, may simply breathe, delight and rest in the presence of Love.Duration: 2:30.
Mi Amado (My Beloved) from Two Love Songs of St. John of the Cross (Downloadable)
Chorale SSAA

$2.25 1.93 € Chorale SSAA PDF SheetMusicPlus

SSAA choir, piano or chamber orchestra (strings: 5-5-3-3-3) - Medium - Digital Download SKU: MQ.6377-E Composed by Gwyneth W. Walker. 12 pages. E. C. Schirmer Music Company - Digital #6377-E. Published by E. C. Schirmer Music Company - Digital (MQ.6377-E). English.Crossing the Bar creates images of the sea, with the final voyage leading us out across the water, to see our Pilot, face to face. The musical setting endeavors to express the growth from peaceful to ecstatic moods, the tolling of the bell, the meeting of the Pilot. May there be no moaning of the bar, when I put out to see.The poetry of Alfred, Lord Tennyson (1809-1892) is characterized by dark, yet transcendent imagery -- the depths of the ocean, the triumph of the spirit. These poems seem well-suited to musical settings for Men's Chorus. The deep tones. The sonority of male voices (perhaps speaking for the poet) rising in song.Throughout the varied imagery of this poetry -- the depth of the sea, the dark of the night, the tumult of passion and the acceptance of death -- there speaks one, central message. Love was my lord and king..
Crossing the Bar from Love Was My Lord and King! (Downloadable SSAA Choral Score)
Chorale SSAA

$2.65 2.27 € Chorale SSAA PDF SheetMusicPlus

SSAA choir unaccompanied - Moderately Difficult - Digital Download SKU: MQ.7350-E Composed by Steven Sametz. 4 pages. Duration 2 minutes, 30 seconds. E. C. Schirmer Music Company - Digital #7350-E. Published by E. C. Schirmer Music Company - Digital (MQ.7350-E). Spanish.Set to the poetry of the 16th-century Spanish Carmelite priest, San Juan de la Cruz, this piece (and its companion, 7351) can read as secular love songs. Actually, however, they are religious allegory. Luz y amor (Light and Love) appears to be about a solitary bird, but contains five pieces of advice for those seeking a deeper relationship with God: always be aware of God’s presence; strip away everything that is not God; be open and listen for the voice of the Holy One; let go of your own ambitions and attachments; and sing sweetly of the delight of Love. Duration: 2:30.
Luz y Amor (Light and Love) from Two Love Songs of St. John of the Cross (Downloadable)
Chorale SSAA

$2.15 1.84 € Chorale SSAA PDF SheetMusicPlus

Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.760664 By Mary Rice Hopkins. By Gene Raskin. Arranged by Raymond Fenech. 20th Century,A Cappella,Contest,Festival,Instructional,Pop. Octavo. 10 pages. Raymond Fenech #5766351. Published by Raymond Fenech (A0.760664). Those Were the Days is a song credited to Gene Raskin, who put a new English lyric to the Russian romance song Dorogoi dlinnoyu composed by Boris Fomin (1900–1948) with words by the poet Konstantin Podrevsky. It deals with reminiscence upon youth and romantic idealism. Mary Hopkin's 1968 debut single of Those Were the Days, which was produced by Paul McCartney of the Beatles, became a number one hit on the UK Singles Chart. It was number one in the very first edition of the foreign singles sales chart.This piece is arranged for SSAA Female Choir (A Cappella). The duration is 2.43 minutes and Intermediate level.Contact for other voices arrangements:  rfenech58@gmail.com
Those Were The Days
Chorale SSAA
Mary Rice Hopkins
$4.00 3.42 € Chorale SSAA PDF SheetMusicPlus

Choral Choir (SSAA) - Level 5 - Digital Download SKU: A0.500369 By Fannie Isabelle Sherrick, American Poet. By James W. Knox. Contemporary. Octavo. 17 pages. James Knox #113560. Published by James Knox (A0.500369). On the Lake written for advanced SSAA divisi and harp. Fannie Isabelle Sherrick was an American poet who wrote songs and poems throughout the 1860's that captured hearts and minds. I Can Not Say the Sad Good-Bye was one of her notable songs published in 1873. She was both influenced and encouraged by Ella Wheeler Wilcox who she attributed her success to. Her most popular poetry volume entitled Love or Fame and Other Poems was published in 1880 by W.S Bryan of St Louis and she continued writing for many years.
On The Lake
Chorale SSAA
Fannie Isabelle Sherrick, American Poet
$4.65 3.98 € Chorale SSAA PDF SheetMusicPlus

SSAA choir and piano - Moderately Difficult - Digital Download SKU: MQ.1.3488-E Composed by James Granville Eakin. Advanced/Collegiate. Secular, 21st Century, Creation/Nature, Evening. Octavo. 14 pages. Duration 2 minutes, 55 seconds. Galaxy Music Corporation - Digital #1.3488-E. Published by Galaxy Music Corporation - Digital (MQ.1.3488-E). UPC: 600313134883. English.In 2002, I was commissioned by the Turtle Creek Chorale to compose a three-movement star-themed piece for their upcoming 'celestial' concert. I immediately knew that I wanted strings and celeste to serve as my 'heavenly' accompaniment; but what text should I choose? After immersing myself in poetry, I whittled it down to three that sang to me: Creator of the Universe, a Plato translation; We Are the Stars, an Algonquin Native-American poem; and (I couldn’t resist) Twinkle, Twinkle, Little Star.
We Are the Stars from Stargazing (Downloadable)
Chorale SSAA

$2.85 2.44 € Chorale SSAA PDF SheetMusicPlus

Choral Choir,Choral (SSAA) - Level 4 - Digital Download SKU: A0.887112 Composed by Marilena Zlatanou. A Cappella,Contemporary. 8 pages. Marilena Zlatanou #6866239. Published by Marilena Zlatanou (A0.887112). Duration 5'10''. The texts used in this composition are fragments of poetry by ancient Greek poet Sappho. Latin tranliteration is provided below the original Greek lyrics and English translation right above the staves in the score. The piece has been repeatedly performed and excellently received by Acta Musicae, conductor: Liv Hukkelberg. The mp3 file is made straight from the sibelius file. The composer is a member of the Norwegian copyright org. TONO. For more information on her work please visit website www.zlatanou.net
SAPPHO'S POETRY FRAGMENTS, for SSAA choir / vocal ensemble, a cappella
Chorale SSAA

$20.00 17.11 € Chorale SSAA PDF SheetMusicPlus

Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.918668 Composed by Jenni Brandon. Contemporary. Octavo. 28 pages. Jenni Brandon Music #2007299. Published by Jenni Brandon Music (A0.918668). Dancing Naked at the Edge of Dawn for SSAA choir, percussion, piano (JB 118) by Jenni Brandon. Poems by Kris Radish. Commissioned by Sistrum, Lansing, Michigan's Women's Chorus under the direction of Meredith Bowen. The lovely poetry by Ms. Radish is simple and gorgeous, exploring dark to light, love and possibility, and the ability to achieve anything. A three-movement work for SSAA choir with piano and percussion, this work is recorded by Sistrum on their CD Dancing Naked at the Edge of Dawn on the Blue Griffin Recording label. The audio clip comes from the third movement of this work.Three movements: I. the dark line II. morning prayer II. Dancing Naked at the Edge of Dawn (also available as an individual movement (JB 151)Programming: Concert and ContestJenni Brandon Musicwww.jennibrandon.comASCAP
Dancing Naked at the Edge of Dawn for SSAA choir, percussion, and piano
Chorale SSAA

$4.00 3.42 € Chorale SSAA PDF SheetMusicPlus

Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.1135236 By Susan C Smith. By Randy Haines and Susan C Smith. Arranged by Susan C Smith. A Cappella,Contemporary,Rock,Thriller. Octavo. 18 pages. Susan C Smith at Dusty Guitar Music, LLC #735278. Published by Susan C Smith at Dusty Guitar Music, LLC (A0.1135236). SSAA plus Solo and Small Group, with some Divisi, this piece is a vocal texture. Originally written as a guitar accompaniment for lead improvised solo guitar; this piece is featured on The Mad Poet's album FINITE REALITY. You can hear the original piece here: https://youtu.be/pNtX96eAwDI The small group takes the place of the lead guitar, while the other vocals pick up the other guitars and bass. ASCAP, all ages, intermediate.
The Shadow's Embrace
Chorale SSAA
Susan C Smith
$2.99 2.56 € Chorale SSAA PDF SheetMusicPlus

Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.924087 Composed by Dominic McGonigal. Contemporary,Sacred. Octavo. 4 pages. C8 Music #5990771. Published by C8 Music (A0.924087). The words for I Carry The Light were written specially by poet Euan Tait, reflecting on the flickering light of love, passed to the world. The rich harmonies burst into chords from a single note, creating clouds of light. The two upper parts (soprano) create a duet of interweaving melodies and can be sung by soloists, semi-chorus or full choir. It's piece where the beauty shines through. It is suitable for almost any amateur choir as the lower parts are simple (and limited range so could be sung by sopranos) and it sounds fabulous with professional voices. 3'45 www.dominicmcgonigal.com
I Carry The Light (SSAA)
Chorale SSAA

$1.99 1.7 € Chorale SSAA PDF SheetMusicPlus






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