Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.949381 Composed by Adam Lenhart. Contemporary. Octavo. 11 pages. Adam Lenhart #5305499. Published by Adam Lenhart (A0.949381). The Message is written to evoke a feeling of love and happiness in everything one does. The speaker uses nocturnal events to represent life: although the rain (mournful times) is not here, the stars cannot be seen if one is not opening themselves to love and the beauty life offers. The speaker believes the message should be heard by all, so everyone can witness the stars and encourages others to become messengers themselves.Duration: approx. 5:02The Message was selected as a winner in the 2020 MMEA Honors Composition Contest.---------------------------Adam Lenhart (b. 2002) is a University of Michigan student of music theory, composition, voice and organ from Ottawa Lake, Michigan. As a theorist, his areas of study vary widely, including 18th century counterpoint, the early American Sacred Harp tradition and impressionism. As a composer, his music draws inspiration from nature, mathematics and poetry. In 2020 he was awarded the Michigan Music Education Association’s Young Composers of Michigan award, as well as first prize in the University of Toledo Young Composers competition. Lenhart has also participated in numerous ensembles across Michigan, including the MYAF All-State Choir, Tecumseh Pops Orchestra, University of Michigan Men’s Glee Club and the SMTD University Choir. He thoroughly enjoys collaboration with other composers, performers, poets and visual artists. Some of his recent projects include collaborations with individuals from the University of Michigan Chamber Music, History, and Poetry departments.

Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.1224432 Composed by Susan C Smith. Celtic,Irish,Traditional. Octavo. 14 pages. Susan C Smith at Dusty Guitar Music, LLC #820535. Published by Susan C Smith at Dusty Guitar Music, LLC (A0.1224432). Fourth in the CELTIC SERIES. This is a song of love and loss, my best friend forever, who died at the young age of 65. He was the most loving, kind, wise, and humble person I have had the privilege of knowing, and I miss him sorely. Please sing with great love.This is written for SSAA choir with Piano accompaniment, and is suitable for all ages. Registered with ASCAP.

Choral Choir (SSAA) - Level 2 - Digital Download SKU: A0.874601 By Deja Vu. By James Horner. Arranged by Chris Arnold. A Cappella,Pop. Octavo. 6 pages. Chris Arnold #3478501. Published by Chris Arnold (A0.874601). Haunting ballad made famous by Celine Dion, this arrangement is elegant in its simplicity.Written for women's barbershop ensemble, the melody is in the second voice, shown as Lead. The baritone and bass parts are written using the Bass 8va alta clef, meaning their pitches are sung one octave higher than the traditional bass clef. Middle C is found on the second space of the staff.This arrangement would also be suitable for SSAA high-school/college ensembles; alternate notes have been included for younger voices.$12.99 US price includes 4 copies per purchase, suitable for quartets. For choruses, look for the same title available under choral ensembles.Visit us at https://qsvp.com if you have any questions or are looking for learning tracks.

Choral Choir (SSAA) - Level 2 - Digital Download SKU: A0.874616 By Deja Vu. By James Horner. Arranged by Chris Arnold. A Cappella,Pop. Octavo. 6 pages. Chris Arnold #4283663. Published by Chris Arnold (A0.874616). Haunting ballad made famous by Celine Dion, this arrangement is elegant in its simplicity.Written for women's barbershop ensemble, the melody is in the second voice, shown as Lead. The baritone and bass parts are written using the Bass 8va alta clef, meaning their pitches are sung one octave higher than the traditional bass clef. Middle C is found on the second space of the staff.This arrangement would also be suitable for SSAA high-school/college ensembles; alternate notes have been included for younger voices.$1.99 US per copy, suitable for choruses and choirs. For quartets, look for the same title available under small ensembles.Visit us at https://qsvp.com if you have any questions or are looking for learning tracks.

Choral Choir,Choral (SSAA) - Level 3 - Digital Download SKU: A0.1394287 Composed by Irish Traditional Air / Lyrics: Thomas Moore. Arranged by Thomas Quigley. A Cappella,Celtic,Contest,Festival,Irish. 8 pages. Thomas Quigley #977764. Published by Thomas Quigley (A0.1394287). If you need an Irish traditional air, then try this gorgeous arrangement with words by Thomas Moore. Rich harmonies support the melody, making it enjoyable to perform, whilst presenting an opportunity to demonsrate the expressive, cantabile singing quality of your ensemble. Ideal for a concert of Celtic music, this is an excellent piece to have in your repertoire.

Choral Choir,Choral,SSAA Chorus - Level 3 - Digital Download SKU: A0.1492695 Composed by Allister MacGillivray. Arranged by Stella Claire ter Hart. 21st Century,Celtic,Contest,Festival,Folk,Irish,Traditional. 13 pages. Stella ter Hart #1069374. Published by Stella ter Hart (A0.1492695). Introducing a new and vibrant SSAA choral arrangement of this timeless Canadian folk classic. Inducted into the Canadian Songwriter's Hall of Fame, Song for the Mira is universal in its longing for a return to one's most loved and familiar places. This rich arrangement features melody sharing between the voices, special word painting effects, lush harmonies, solo or small group opportunities as well as a stunning piano accompaniment. The level of difficulty is perfect for all groups at the intermediate level and up, and appropriate for young and not so young SSAA choirs anywhere. Song for the Mira features such a beautiful melody, and this arrangement by Stella ter Hart, created by permission acquired directly from Allister McGillivray, upholds and enhances the beauty of the melody so artistically throughout.

Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.872206 Composed by Traditional Irish air, words by Thomas Moore. Arranged by Diane M. Clark. Barbershop,Folk. Octavo. 4 pages. Diane M. Clark #4573273. Published by Diane M. Clark (A0.872206). Traditional Irish air arranged in the women's barbershop style. (SSAA).

Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.928368 By Adele. By Adele Adkins and Tobias Jesso Jr. Arranged by Thomas J. West. A Cappella,Hip-Hop,Pop,R & B. Octavo. 16 pages. Thomas J. West #5896795. Published by Thomas J. West (A0.928368). This arrangement of one of Adele's chart-topping hits was originally commissioned by a treble voices barbershop chorus. It features a soprano lead vocal over a full SSAA chorus. The choral parts are written with a contemporary a cappella approach to the backgrounds that is still palatable by the avid barbershopper. Also a great piece to showcase your strong treble singers in a high school choral program. Parts are labeled in traditional barbershop style (tenor, lead, baritone, bass) but apply to the SSAA vocal ranges using the standard barbershop clefs (bass clef for alto parts). The bass part range is from Eb3 to Eb4. Tenor part range is from Eb4 to D5. www.thomasjwestmusic.com

Choral Choir,Choral (SSAA) - Level 3 - Digital Download SKU: A0.1290533 Composed by Amelia Wellers. Arranged by Amelia Wellers. 21st Century,Chamber,Contemporary,Folk,New Age. 4 pages. Awelia Music #881249. Published by Awelia Music (A0.1290533). From the arranger: I first came across this traditional English folk ballad on the podcast mini-series “Dolly Parton’s America�. Dolly’s version was fast-based and up-beat, but the melody struck me as distant yet clear, mournful yet timeless. When I could not find a version that let the voice further explore these qualities, I made my own. The first exists on my record (WALLFLOWER by Aerhart), the second as a live solo act accompanied by a Yamaha Reface CS Synth, and the third as a Silver Dagger choral arrangement, made with and for the Young New Yorker's Chorus Treble Ensemble. The original Silver Dagger tune is a haunting memory in its spirit as much as its history (its many possible origins trace back to the early 1800s). To this day, we wonder whether it’s love, fear or both that sway our overprotected heroine’s decision to “sleep alone all of my life.� Despite her careful consideration, the melody never grants the finality of her decision. This arrangement holds this dissonance within a meditative space - a small moment of stillness in which to let all the big thoughts and emotions come and go. We begin with the memory of the melody, gather momentum and clarity in its pulsing visceral storytelling, then release it, unresolved yet somehow changed.

Choral Choir,Choral (SSAA) - Level 3 - Digital Download SKU: A0.890640 Composed by Stella ter Hart. Concert,Folk,Jewish,Standards. 8 pages. Stella ter Hart #3455425. Published by Stella ter Hart (A0.890640). Inspired by the 1,116 orphaned Polish children who, as Holocaust survivors, were brought to Canada after World War II  and became known as The Redeemed Children. These tunes, and others like them, were the only possessions they had  and their only direct connection to the past.  I received a copy of a book of tunes (unarranged) while speaking at a conference; an elderly gentlemen came up to me, pressed them into my hands and asked me to help keep them alive. The work features two tunes, both on the theme of motherhood.  The first tune describes a young mother shushing everything around her so that her little son can sleep.  The second tune rejoices when the poor are raised up and a barren woman's house is filled with the laughter of children.To honour the integrity of the tunes, this work features idiomatic writing and harmonies and captures not only the rhythm but also the intended mood and sentiment.  Brief solo opportunities feature a soprano and alto in a traditional 'cantor' style section.  Shifting from sweet and gentle to driving and energetic, this is an excellent work to build musical expression, story telling and deep empathy.Suitable for all intermediate level treble choirs for any recital, concert or festival occasion.Duration:  4:05                                                                                                                                                                         Key Structure:  Eflat major and C minor                                                                                                                             Level:  intermediate                                                                                                                                                       Language: Yiddish and Hebrew (translations and pronunciation guide provided)composer contact:  www.stellaterhart.com

Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.1040537 By Alan Wagstaff. By Alan Wagstaff. Arranged by Alan Wagstaff. Celtic,Folk,Irish,Traditional. Octavo. 36 pages. Alan Wagstaff #645329. Published by Alan Wagstaff (A0.1040537). This haunting, new song, in the mixolydian mode (Bb), is in the Irish tradition. It is written for a female choir (SSAA) with an additional solo part; the accompaniment is for harp, accordion, flute, fiddle, and bass. This song was inspired by J.M. Synge's 1904 play 'Riders of the Storm' and quotes a line from it. The chorus quotes from the Irish version of 'Fhir a Bhartain' a song written in the late 19th century by Sìne NicFhionnlaigh of Tong, Lewis, Scotland. Fear A Bháta The Boatman A fhir a bháta is na horó eile Man of the boat and no one else. A fhir a bháta is na horó eile Man of the boat and no one else. A fhir a bháta is na horó eile Man of the boat and no one else. Mo shoraid slán leat gach áit a dtéid thú. My safe blessing with you everywhere you go. Lyrics O, Bryan McCauley the boats are still moored. and down in Kilronan only ghosts are aboard. The calico is furled and the tide is still low, so rest a while longer, till the time comes to go. It’s the life of a young man to be fishing far from shore. For there’s scant other work on the wild Inishmore. Fhir a bharta na horo – fhir a bharta is-na eile. Mo shor slan leat gach ait a dteid thu. The herring are sleeping and safe from the net. So rest my fisher lad - do not rise yet. The hillcrests of Galway are scarce tinged with red. O, sleep a while longer and keep to your bed. It’s the life of a young man to be fishing far from shore. For there’s scant other work on the wild Inishmore. Fhir a bharta na horo – fhir a bharta is-na eile. Mo shor slan leat gach ait a dteid thu. The cold-hearted Ocean knows nothing of men; it takes them or leaves them, with no heed where or when. The candles are out in the homes round the Bay, so stay in my arms, love, till the first light of day. It’s the life of a young man to be fishing far from shore. For there’s scant other work on the wild Inishmore. Fhir a bharta na horo – fhir a bharta is-na eile. Mo shor slan leat gach ait a dteid thu.

Choral Choir,Choral (SSAA) - Level 2 - Digital Download SKU: A0.1280004 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Dylan Tran. A Cappella,Contemporary,Film/TV,Pop,Singer/Songwriter. 7 pages. Dylan Trần #871424. Published by Dylan Trần (A0.1280004). Accesible yet moving, this arrangement of What Was I Made For? from the blockbuster movie, Barbie, is fit for professional choir, college choir, community choir, highschool choir, a capella groups, vocal pop groups, and more. Renowned composer Dylan Trần uses idiomatic, yet evocative voicings that will immediately reward on first reading as well as in polished performance. Learn more at www.dylantranmusic.comHere's why your choir should embrace Billie Eilish's captivating music— (professional choir, large ensemble, small ensemble, community choir, college choir, highschool choir, pop a capella choir, etc.)Contemporary Relevance: Billie Eilish's music is a cultural phenomenon, deeply resonating with today's generation. By incorporating her songs into your repertoire, your choir can connect with younger audiences, enhancing its relevance and expanding its fan base.Empowering Lyrics: Billie Eilish's lyrics tackle meaningful and often profound subjects, from mental health to self-discovery and social issues. Singing her songs empowers your choir to explore important themes, fostering empathy and emotional depth in their performances.Dynamic Vocal Range: Billie Eilish's music offers a diverse range of vocal styles, from hauntingly soft whispers to powerful belting. Your choir members can showcase their versatility and vocal prowess, honing their skills and challenging their vocal boundaries.Artistic Expression: Embrace the opportunity for creative expression! Billie Eilish's music encourages innovative interpretations, allowing your choir to infuse each performance with its unique artistic flair and captivate audiences with fresh renditions.Fusion of Genres: With elements of pop, alternative, and electronic music, Billie Eilish's songs provide an exciting fusion of genres. Your choir can explore new musical horizons, enriching its repertoire and broadening its musical diversity.Emotional Resonance: Billie Eilish's music evokes a wide range of emotions, from introspection to empowerment. Singing her songs allows your choir to tap into these emotions, forging a deep connection with audiences and leaving a lasting impact.Collaborative Learning: Billie Eilish's intricate compositions present an excellent opportunity for collaborative learning within your choir. By working together to master the nuances of her music, your choir members can strengthen their bonds and elevate their collective musicality.Pushing Boundaries: Billie Eilish's music is known for its boundary-pushing and innovative soundscapes. Embracing her songs encourages your choir to explore new musical territories, pushing the boundaries of traditional choral performances.Embrace the audacious spirit of Billie Eilish's music and witness your choir's performances soar to unprecedented heights of creativity and artistry. Unleash the power of her captivating melodies and thought-provoking lyrics, leaving audiences awestruck and craving more of your choir's extraordinary renditions.

Choral Choir (SSAA) - Level 4 - Digital Download SKU: A0.1040536 By Alan Wagstaff. By Alan Wagstaff. Arranged by Alan Wagstaff. Celtic,Folk,Irish,Traditional. Octavo. 45 pages. Alan Wagstaff #639233. Published by Alan Wagstaff (A0.1040536). 'Do As You Will' is a folksy, Celtic feel choral song arranged for SSAA -with harp, flute, fiddle, and accordion accompaniment. Its shifting tonality adds complexity. The lyric is female point of view: Do As You Will Once I had a soldier lad who swore he’d love me truly. Ah! But now those days are gone! When the battle raged he turned his heel and followed duly. I gave him the salute and soldiered on. The wind’s about the barley and the mice are in the meal, so rise up bright and early all young lasses if you would do as you will. Then I loved a farmer’s son whose trinkets were his kisses. Ah! But now those days are gone! But on the road to market he had scores of narrow misses. I tossed him out for chaff and ploughed straight on. The wind’s about the barley and the mice are in the meal, so rise up bright and early all young lasses if you would do as you will. Next I had a blacksmith who was swarthy, dark, and handsome. Ah! But now those days are gone! He stole away my store of coin and ran off with the ransom. I hope he finds the fires! I’m forging on! The wind’s about the barley and the mice are in the meal, so rise up bright and early all young lasses if you would do as you will. Jack the Tinker courted me, and he was ever willing. Ah! But now those days are gone! Everywhere he plied his trade he fell to Jack and Jilling. I rattled his old pans and wandered on. The wind’s about the barley and the mice are in the meal, so rise up bright and early all young lasses if you would do as you will. There’s no faith in any man, not even my own brother. Ah! But would those days were gone! Girls, if you but would, or can, you’d best love one another and leave them all behind and carry on! The wind’s about the barley and the mice are in the meal, so rise up bright and early all young lasses if you would do as you will.

Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.856184 By Lena Zavaroni. By Con Conrad. Arranged by Liz Garnett. Contemporary. Octavo. 4 pages. Liz Garnett #3918931. Published by Liz Garnett (A0.856184). This song from a largely-forgotten 1940 movie is generally associated in British minds with the child star Lena Zavaroni, who had a hit with it when she was far too young to be worried about boys wanting to marry her. This arrangement sits squarely in the barbershop tradition in its treatment of the song, though it also takes more than a slight hint from Connie Francis's rendition from 1964.N.B. This arrangement is notated in treble and bass alta (i.e. sung an octave higher than written) clefs.Vocal Ranges:Tenor: E flat 4 - G5Lead: A flat 3 - E flat 5Bari: B flat 3 - D flat 5Bass: D3 - F4www.HelpingYouHarmonise.com