Choral Choir (SSAA) - Level 4 - Digital Download SKU: A0.736334 Composed by Jerry Bock. Arranged by Joey Minshall. A Cappella. Octavo. 3 pages. Joey Minshall #4363007. Published by Joey Minshall (A0.736334). SSAA a cappella barbershop style, 4 voice parts. Gorgeous contest ballad, from the musical Fiorello!   Challenging, rangy, but worth it!

Choral Choir,Choral,SSAA Chorus - Level 4 - Digital Download SKU: A0.1455569 By ABBA. By Benny Andersson and Bjorn Ulvaeus. Arranged by Joseph Hollings. 20th Century,Broadway,Musical/Show,Pop. 17 pages. Joseph Hollings Publishing #1034662. Published by Joseph Hollings Publishing (A0.1455569). Duration: 5m 15sIntroducing a stunning SSAA (two soprano and two alto parts) a cappella arrangement of ABBA's iconic hit, The Winner Takes It All. This choir sheet music arrangement includes multiple solo opportunities, making it perfect for showcasing individual talents. Ideal for high school, college, amateur, and professional female choirs, it captures the emotional depth and melodic beauty of the original song. Key Features: Suitable for a variety of performance levels. Multiple solo opportunities allows for individual showcases within the choir. Poignant themes of love, loss, and acceptance, making it a moving addition to any performance. Versatile Use: Ideal for concerts, festivals, and special events, bringing a touch of ABBA's classic pop sound to your repertoire. The Winner Takes It All, released in 1980, is one of ABBA's most beloved songs, topping charts in multiple countries. Written by Björn Ulvaeus and Benny Andersson, the song deals with the aftermath of a breakup, blending personal reflection with universal themes of heartache and resilience. The song has been prominently featured in the musical Mamma Mia! and covered by numerous artists, making it a timeless classic that resonates with audiences worldwide.? Enhance your choir's repertoire with this beautifully crafted SSAA a cappella arrangement of The Winner Takes It All. Perfect for adding a touch of classic pop to your next performance, this piece will captivate both singers and audiences alike. Download now and make your choir the winner!

Choral Choir,Choral,SSAA Chorus - Level 3 - Digital Download SKU: A0.1474359 By Bjork. By Bert Reisfeld, Erich Meder, and Hans Lang. Arranged by Susie Kelly. A Cappella,Jazz,Pop. 15 pages. Susie Kelly #1051977. Published by Susie Kelly (A0.1474359). A fun acapella version of Bjork's It's oh so quiet which will have your choir and audience smiling in no time. From the melodious and barbershop harmonies of the quiet verses to the crazy energy of the upbeat choruses, this is one that choirs love to sing.Arranged for four-part choir (SSAA or SSAT)To find out more about other Susie Kelly arrangements, please visitsusiekelly.weebly.com.

Choral Choir,Choral (SSAA) - Level 3 - Digital Download SKU: A0.1385881 By Brian McKnight. By Brandon Barnes and Brian McKnight. Arranged by David Das. A Cappella,Pop,R & B,Soul,Wedding. 13 pages. Records Room Music #969824. Published by Records Room Music (A0.1385881). A soulful four-part a cappella arrangement, available for either SSAA or TTBB a cappella group or ensemble, of Brian McKnight's beautiful love ballad from his 1995 album I Remember You. This arrangement features no divisi and is easily attainable for an intermediate high school level group. It's got some beautiful close harmonies, but the voice leading is easy and makes it very singable. Suitable for concert or wedding use. Groups will love digging into the R&B/soul flavor of this romantic classic.

Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.492058 Composed by Fred Rogers. Arranged by Nate Terry (ASCAP). 20th Century,A Cappella,Children,Film/TV. Octavo. 6 pages. Major 7 Publishing #107441. Published by Major 7 Publishing (A0.492058). This arrangement, for SSAA Choir (with soloist) is a quick and fun piece for any 4 part children's choir or treble ensemble. It is an enjoyable and entertaining way to bring a new generation to Mr. Roger's works, while still maintaining the integrity of good choral singing.

Choral Choir,Choral (SSAA) - Level 2 - Digital Download SKU: A0.1295449 By Boz Scaggs. By Boz Scaggs and David Paich. Arranged by Jeff Tincher. Contemporary,Pop,Rock,Singer/Songwriter. 11 pages. Jeff Tincher #885732. Published by Jeff Tincher (A0.1295449). Here is a great song from one of the pop kings of the 70s. In the original key from Boz Scaggs' Silk Degrees LP, this song was a single from the album. This arrangement proves that it's still a staple of his live concerts with the live ending from his 2023 concert at TPAC. Duration = 3:17. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing/.

Choral Choir,Choral,SSAA Chorus - Level 5 - Digital Download SKU: A0.1462569 Composed by Leeann Starkey. A Cappella,Christian,Praise & Worship,Religious,Sacred. 2 pages. Leeann Starkey #1041325. Published by Leeann Starkey (A0.1462569). Based on Psalm 46:10, this short a cappella composition embraces simplicity and quietness, allowing singers and listeners alike to immerse themselves in a moment of peaceful reflection. The gentle SSAA harmonies and unadorned melody create a calming atmosphere, making it perfect for contemplative worship settings or serene concert interludes.

Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.945543 By The Rescues. By Adrianne Gonzalez, Gabriel Mann, Gabriel Rutman, Kyler Austin England, Kyler England, and Rob Giles. Arranged by Celine Durney. A Cappella. Octavo. 6 pages. Celine Mireille Durney #5987653. Published by Celine Mireille Durney (A0.945543). From Crazy Ever After (2008) by The Rescues~LOVELY piece for treble-voice a cappella groups~If performed by more than 4 singers, mm.1-10 are typically sung by soloists, and then the ensemble joins in at m. 11. The Soprano 2s sing the melody of each verse until it is then passed on to the Soprano 1s within the refrain sections; all throughout, the arrangement contains rich and vibrant harmonies within a more folk-like, homophonic style~Can be performed for end-of-year choral concerts, graduation ceremonies, funerals, etc. as its reflective lyrics and vulnerable vocal textures cater to honoring the thought of maintaining connection with loved ones while moving on to new and exciting things in lifeRanges:S1 - B3-E5S2 - A3-C#5A1 - F#3-G#4A2 - E3 - E4.

Choral Choir (SSAA) - Digital Download SKU: A0.960977 By Portugal. The Man. By Asa Taccone, Brian Holland, Eric Andrew Howk, Freddie Gorman, Georgia Dobbins, Jason Wade Sechrist, John Baldwin Gourley, John Hill, Kyle O'Quin, Robert Bateman, William Garrett, and Zachary Scott Carothers. Arranged by William Brimer/AKA Will Dah Beast. A Cappella,Rock. Octavo. 14 pages. William Brimer #4980791. Published by William Brimer (A0.960977). The alto reading the tenor clef should have access to a vocal pedal that displaces the voice down the octav.  Other than that, this piece is pretty good for an all women's intermediate high school group to a college women's a capella group.  .

Choral Choir,Choral,SSAA Chorus - Level 3 - Digital Download SKU: A0.1412785 By Billy Joel. By Billy Joel. Arranged by Paul Langford. A Cappella,Barbershop,Pop. 8 pages. Paul Langford #994789. Published by Paul Langford (A0.1412785). SSAA acappella Barbershop voicing.

Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.1040537 By Alan Wagstaff. By Alan Wagstaff. Arranged by Alan Wagstaff. Celtic,Folk,Irish,Traditional. Octavo. 36 pages. Alan Wagstaff #645329. Published by Alan Wagstaff (A0.1040537). This haunting, new song, in the mixolydian mode (Bb), is in the Irish tradition. It is written for a female choir (SSAA) with an additional solo part; the accompaniment is for harp, accordion, flute, fiddle, and bass. This song was inspired by J.M. Synge's 1904 play 'Riders of the Storm' and quotes a line from it. The chorus quotes from the Irish version of 'Fhir a Bhartain' a song written in the late 19th century by Sìne NicFhionnlaigh of Tong, Lewis, Scotland. Fear A Bháta The Boatman A fhir a bháta is na horó eile Man of the boat and no one else. A fhir a bháta is na horó eile Man of the boat and no one else. A fhir a bháta is na horó eile Man of the boat and no one else. Mo shoraid slán leat gach áit a dtéid thú. My safe blessing with you everywhere you go. Lyrics O, Bryan McCauley the boats are still moored. and down in Kilronan only ghosts are aboard. The calico is furled and the tide is still low, so rest a while longer, till the time comes to go. It’s the life of a young man to be fishing far from shore. For there’s scant other work on the wild Inishmore. Fhir a bharta na horo – fhir a bharta is-na eile. Mo shor slan leat gach ait a dteid thu. The herring are sleeping and safe from the net. So rest my fisher lad - do not rise yet. The hillcrests of Galway are scarce tinged with red. O, sleep a while longer and keep to your bed. It’s the life of a young man to be fishing far from shore. For there’s scant other work on the wild Inishmore. Fhir a bharta na horo – fhir a bharta is-na eile. Mo shor slan leat gach ait a dteid thu. The cold-hearted Ocean knows nothing of men; it takes them or leaves them, with no heed where or when. The candles are out in the homes round the Bay, so stay in my arms, love, till the first light of day. It’s the life of a young man to be fishing far from shore. For there’s scant other work on the wild Inishmore. Fhir a bharta na horo – fhir a bharta is-na eile. Mo shor slan leat gach ait a dteid thu.

Choral Choir,Choral (SSAA) - Level 3 - Digital Download SKU: A0.1398246 By Crosby Stills and Nash. By Stephen Stills. Arranged by Erica Kelch-Slesnick. 20th Century,A Cappella,Barbershop,Folk,Pop. 6 pages. Erica Kelch-Slesnick #981517. Published by Erica Kelch-Slesnick (A0.1398246). This is a four-part women/treble/SSAA a cappella arrangement of the Crosby Stills and Nash favorite Helplessly Hoping.  It's written in the barbershop format, so please note that the bass clef is sung an octave above what is written.  Learning tracks are available from the arranger at EKSarrangements@gmail.com.

Choral Choir,Choral (SSAA) - Level 2 - Digital Download SKU: A0.1294673 By Crosby Stills Nash and Young. By Neil Young. Arranged by Jeff Tincher. Country,Historic,Rock. 11 pages. Jeff Tincher #885028. Published by Jeff Tincher (A0.1294673). Here is the one song that really portrays the time of the Vietnam War. It memorializes the tragic event on the Kent State University campus on May 4, 1970. In the original key from the single, this song tells the story in such a short period of time. In this arrangement I also included a short history behind that song that could be used as a narration at performances. This arrangement include the live ending from Crosby, Stills, Nash and Young's 4-Way Street double LP. Duration = 3:15. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing/.

Choral Choir,Choral (SSAA) - Level 3 - Digital Download SKU: A0.1290533 Composed by Amelia Wellers. Arranged by Amelia Wellers. 21st Century,Chamber,Contemporary,Folk,New Age. 4 pages. Awelia Music #881249. Published by Awelia Music (A0.1290533). From the arranger: I first came across this traditional English folk ballad on the podcast mini-series “Dolly Parton’s America�. Dolly’s version was fast-based and up-beat, but the melody struck me as distant yet clear, mournful yet timeless. When I could not find a version that let the voice further explore these qualities, I made my own. The first exists on my record (WALLFLOWER by Aerhart), the second as a live solo act accompanied by a Yamaha Reface CS Synth, and the third as a Silver Dagger choral arrangement, made with and for the Young New Yorker's Chorus Treble Ensemble. The original Silver Dagger tune is a haunting memory in its spirit as much as its history (its many possible origins trace back to the early 1800s). To this day, we wonder whether it’s love, fear or both that sway our overprotected heroine’s decision to “sleep alone all of my life.� Despite her careful consideration, the melody never grants the finality of her decision. This arrangement holds this dissonance within a meditative space - a small moment of stillness in which to let all the big thoughts and emotions come and go. We begin with the memory of the melody, gather momentum and clarity in its pulsing visceral storytelling, then release it, unresolved yet somehow changed.