Choral Choir,Choral (SSAA) - Level 3 - Digital Download SKU: A0.853852 Composed by Irving Berlin. Arranged by Larry Wright. A Cappella,Barbershop. 8 pages. Larry Wright #4717191. Published by Larry Wright (A0.853852). A MEN/WOMEN 8-part barbershop arrangement. This is the COMBINED SCORE for both the MEN'S and WOMEN'S quartets. Not contestable ,... but what a fun piece and a definite audience pleaser! IMPORTANT NOTE: by FIRST purchasing the COMBO of this song from my website store <www.larrywrightmusic.com>, you'll not only be getting the EXCELLENT part predominant, vocal learning trax, but also be able to purchase the sheet music from SMP for their lowest $1.89/$1.99 per-copy price,... NOT the currently posted much higher $14.25 per-copy price. PLUS, you also get tyo select a second Arrmt/Trax COMBO of your choice from my website store for FREE!!!! Of course, you'll still need to pay the per-copy fees to SMP (or the publisher) who controls the song licensing. Quartets and choruses singing at a B- contest level should be able to successfully learn and perform this arrangement making good use of the available EXCELLENT Vocal Learning Trax.

Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.928358 By The Temptations. By Barrett Strong and Norman Whitfield. Arranged by Thomas J. West. A Cappella,Hip-Hop,R & B. Octavo. 11 pages. Thomas J. West #5801575. Published by Thomas J. West (A0.928358). This SSAA a cappella arrangement of The Temptations classic was originally commissioned for an American treble voices barbershop quartet to expand their repertoire past the traditional barbershop homophonic style. It features lead lines for all four singers reminiscent of the original Temptations recording, with a contemporary a cappella approach to the backgrounds that is still palatable by the avid barbershopper. Also a great piece to showcase your strong treble singers in a high school choral program. Parts are labeled in traditional barbershop style (tenor, lead, baritone, bass) but apply to the SSAA vocal ranges using the standard barbershop clefs (bass clef for alto parts). The bass part range is from D3 to F4. Tenor part range is from D4 to A5. www.thomasjwestmusic.com .

Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.853786 Composed by Leland Michael Postil and Stephen Geyer. Arranged by Larry Wright. A Cappella,Barbershop. Octavo. 6 pages. Larry Wright #4622807. Published by Larry Wright (A0.853786). A WOMEN'S 4-part, a cappella, barbershop arrangement of the uptempo hit song from the TV series show; not contestable for SAI.Quartets and choruses singing at a B- contest level should be able to successfully learn and perform this arrangement making good use of the available excellent part-predominant, vocal Learning Trax <www.larrywrightmusic.com>. If you've FIRST purchased my learning trax fromk my website store,... and the per-copy price on the SMP website store is anything more than $1.89 per-copy, DON'T PAY IT!!! Email me <larry@larrywrightmusic.com>. NOTE: SMP requires a minimum purchase of 10 copies for all choral selections. Sorry quartets!

Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.1040537 By Alan Wagstaff. By Alan Wagstaff. Arranged by Alan Wagstaff. Celtic,Folk,Irish,Traditional. Octavo. 36 pages. Alan Wagstaff #645329. Published by Alan Wagstaff (A0.1040537). This haunting, new song, in the mixolydian mode (Bb), is in the Irish tradition. It is written for a female choir (SSAA) with an additional solo part; the accompaniment is for harp, accordion, flute, fiddle, and bass. This song was inspired by J.M. Synge's 1904 play 'Riders of the Storm' and quotes a line from it. The chorus quotes from the Irish version of 'Fhir a Bhartain' a song written in the late 19th century by Sìne NicFhionnlaigh of Tong, Lewis, Scotland. Fear A Bháta The Boatman A fhir a bháta is na horó eile Man of the boat and no one else. A fhir a bháta is na horó eile Man of the boat and no one else. A fhir a bháta is na horó eile Man of the boat and no one else. Mo shoraid slán leat gach áit a dtéid thú. My safe blessing with you everywhere you go. Lyrics O, Bryan McCauley the boats are still moored. and down in Kilronan only ghosts are aboard. The calico is furled and the tide is still low, so rest a while longer, till the time comes to go. It’s the life of a young man to be fishing far from shore. For there’s scant other work on the wild Inishmore. Fhir a bharta na horo – fhir a bharta is-na eile. Mo shor slan leat gach ait a dteid thu. The herring are sleeping and safe from the net. So rest my fisher lad - do not rise yet. The hillcrests of Galway are scarce tinged with red. O, sleep a while longer and keep to your bed. It’s the life of a young man to be fishing far from shore. For there’s scant other work on the wild Inishmore. Fhir a bharta na horo – fhir a bharta is-na eile. Mo shor slan leat gach ait a dteid thu. The cold-hearted Ocean knows nothing of men; it takes them or leaves them, with no heed where or when. The candles are out in the homes round the Bay, so stay in my arms, love, till the first light of day. It’s the life of a young man to be fishing far from shore. For there’s scant other work on the wild Inishmore. Fhir a bharta na horo – fhir a bharta is-na eile. Mo shor slan leat gach ait a dteid thu.

Choral Choir (SSAA) - Level 5 - Digital Download SKU: A0.512520 By Barbra Streisand And Andrea Bocelli. By Bernie Herms, Charlie Midnight, and Jay Landers. Arranged by David Wright. Contemporary. Octavo. 4 pages. David Wright #4888415. Published by David Wright (A0.512520). This arrangement is for women's barbershop chorus, suitable for contest.

Choral Choir,Choral,SSAA Chorus - Level 3 - Digital Download SKU: A0.1416550 By Rammstein. By Christoph Doom Schneider, Doktor Christian Lorenz, Oliver Riedel, Paul Landers, Richard Kruspe, and Till Lindemann. Arranged by Don Henken. 20th Century,Contemporary,Halloween,Pop,Thriller. 17 pages. Don Henken #998229. Published by Don Henken (A0.1416550). For Learning files you can contact me info@donhenken.nl

Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.856253 Composed by George Gershwin and Ira Gershwin. Arranged by Liz Garnett. Contemporary. Octavo. 4 pages. Liz Garnett #6295443. Published by Liz Garnett (A0.856253). This classic ballad by the Gerswhin brothers has a flexible, soaring melody that drapes the emotional narrative over expansive ranges of musical time. At the same time, it scintillates with beautifully-crafted internal rhyme schemes, pointed up by mouth-watering details of alliteration. So, whether you feel the song leads with its melody or its lyrics, it is always going to be one you can sing with relish.N.B. This arrangement is notated in treble and bass alta (i.e. sung an octave higher than written) clefs.Vocal Ranges:Tenor: F4 - E flat 5

Choral Choir (SSAA) - Level 4 - Digital Download SKU: A0.762507 By Blondie. By Howard Barrett, John Holt, and Tyrone Evans. Arranged by Rowena Harper. A Cappella,Barbershop,Pop. Octavo. 6 pages. Rowena Harper #6341467. Published by Rowena Harper (A0.762507). Pop with a dash of reggae rhythm, and of course you can add percussion as you please! This is a fun arrangement of the Blondie cover which includes a fair dash of bass melody with three part rhythmic overlay, and a baritone feature utilising the trumpet line as their very own theme near the end which will require the leads to sing a simple harmony. Oodles of fun, although the rhythms change frequently - semiquavers to triplets - but give it a go! ;-)Purchasing allows printing of one copy, and one copy per singer is required.Range (Lowest-Highest): Bass G-E, Baritone C#-B, Lead B-D, Tenor G-G.Key = CThis is a per copy price. Also available as a set of parts (four copies).(Note: This sheet music is notated in barbershop format: Tenor (S.1) and Lead (S.2) in treble clef , Baritone (A.1) and Bass (A.2) in bass clef. The bass clef parts are sung an octave higher than written.Contact: acappellatenor@gmail.com

Voice (SSAA) - Level 4 - Digital Download SKU: A0.762506 By Blondie. By Howard Barrett, John Holt, and Tyrone Evans. Arranged by Rowena Harper. A Cappella,Barbershop,Pop. Barbershop Quartet. 6 pages. Rowena Harper #6341465. Published by Rowena Harper (A0.762506). Pop with a dash of reggae rhythm, and of course you can add percussion as you please! This is a fun arrangement of the Blondie cover which includes a fair dash of bass melody with three part rhythmic overlay, and a baritone feature utilising the trumpet line as their very own theme near the end which will require the leads to sing a simple harmony. Oodles of fun, although the rhythms change frequently - semiquavers to triplets - but give it a go! ;-)Range (Lowest-Highest): Bass G-E, Baritone C#-B, Lead B-D, Tenor G-G.Key = CThis price is for a set of parts (four copies). Available also as a per copy price - minimum 10 copies.(Note: This sheet music is notated in barbershop format: Tenor (S.1) and Lead (S.2) in treble clef , Baritone (A.1) and Bass (A.2) in bass clef. The bass clef parts are sung an octave higher than written.Contact: acappellatenor@gmail.com

Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.853725 By The Shangri-Las. By Ellie Greenwich, George Morton, and Jeff Barry. Arranged by Larry Wright. A Cappella,Barbershop. Octavo. 6 pages. Larry Wright #4601543. Published by Larry Wright (A0.853725). A WOMEN'S 4-part, a cappella, barbershop, non-contest, uptempo arrangement of the 50's big hit song. IMPORTANT NOTE: this arrangement must be performed using an iPhone and very small (4x4x1.5) cordless (bluetooth), battery powered BOSE speaker for the pre-recorded motorcycle, etc. FX sounds. The speaker would be velcro'd(?) to a very small, detachable, shelf attached to the mic stand, close as possible to the mic. These shelves can be inexpensively purchased. It would (of course) be attached prior to the performance. One of the singers holds the iPhone (concealed) and triggers (starts/stops) the FX track. The track doesn't have to be stopped until you exit the stage,... as long as there's nothing else on the track!!! The iPhone must be on silent mode, of course! Quartets and choruses singing at a B- contest level should be able to successfully learn and perform this arrangement making good use of the available excellent  part-predominant vocal Learning Trax <www.larrywrightmusic.com>. If you've FIRST purchased my learning trax from my website store and the SMP per-copy price is not $1.89, email me <larry@larrywrightmusic,com>. SMP requires a minimum purchase of 10 copies for all choral selections.

Choral Choir,Choral (SSAA) - Level 2 - Digital Download SKU: A0.1280004 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Dylan Tran. A Cappella,Contemporary,Film/TV,Pop,Singer/Songwriter. 7 pages. Dylan Trần #871424. Published by Dylan Trần (A0.1280004). Accesible yet moving, this arrangement of What Was I Made For? from the blockbuster movie, Barbie, is fit for professional choir, college choir, community choir, highschool choir, a capella groups, vocal pop groups, and more. Renowned composer Dylan Trần uses idiomatic, yet evocative voicings that will immediately reward on first reading as well as in polished performance. Learn more at www.dylantranmusic.comHere's why your choir should embrace Billie Eilish's captivating music— (professional choir, large ensemble, small ensemble, community choir, college choir, highschool choir, pop a capella choir, etc.)Contemporary Relevance: Billie Eilish's music is a cultural phenomenon, deeply resonating with today's generation. By incorporating her songs into your repertoire, your choir can connect with younger audiences, enhancing its relevance and expanding its fan base.Empowering Lyrics: Billie Eilish's lyrics tackle meaningful and often profound subjects, from mental health to self-discovery and social issues. Singing her songs empowers your choir to explore important themes, fostering empathy and emotional depth in their performances.Dynamic Vocal Range: Billie Eilish's music offers a diverse range of vocal styles, from hauntingly soft whispers to powerful belting. Your choir members can showcase their versatility and vocal prowess, honing their skills and challenging their vocal boundaries.Artistic Expression: Embrace the opportunity for creative expression! Billie Eilish's music encourages innovative interpretations, allowing your choir to infuse each performance with its unique artistic flair and captivate audiences with fresh renditions.Fusion of Genres: With elements of pop, alternative, and electronic music, Billie Eilish's songs provide an exciting fusion of genres. Your choir can explore new musical horizons, enriching its repertoire and broadening its musical diversity.Emotional Resonance: Billie Eilish's music evokes a wide range of emotions, from introspection to empowerment. Singing her songs allows your choir to tap into these emotions, forging a deep connection with audiences and leaving a lasting impact.Collaborative Learning: Billie Eilish's intricate compositions present an excellent opportunity for collaborative learning within your choir. By working together to master the nuances of her music, your choir members can strengthen their bonds and elevate their collective musicality.Pushing Boundaries: Billie Eilish's music is known for its boundary-pushing and innovative soundscapes. Embracing her songs encourages your choir to explore new musical territories, pushing the boundaries of traditional choral performances.Embrace the audacious spirit of Billie Eilish's music and witness your choir's performances soar to unprecedented heights of creativity and artistry. Unleash the power of her captivating melodies and thought-provoking lyrics, leaving audiences awestruck and craving more of your choir's extraordinary renditions.

Unison treble, 2-part equal voices, 2-part mixed voices, 2-part treble voices, 3-part women's voices, SSAA choir, 3-part men's voices, TTBB choir, 3-part treble voices, 4-part treble voices, SATB choir, and keyboard, optional Orff or handbells ensemble - Easy to Medium - Digital Download SKU: MQ.50-9807A-E Composed by Michael Burkhardt. Instrument parts. 18 pages. MorningStar Music Publishers - Digital Sheet Music #50-9807A-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.50-9807A-E). Nine folk song arrangements celebrating the Life of Christ for Children's, Youth, and Adult choirs throughout the Church Year. Function as processions, calls to worship, introits, anthems, parts of appointed scripture readings. Related scripture readings included offer additional possibilities for use. Variety of styles and textures.Includes:Promised Son (Aztec: HYMN TO THE SUN)Lo Yissa Goi El Goi Cherev(HEBREW FOLK SONG)Holy Child (SOUGAN)Rise Up, Shepherd(AFRICAN-AMERICAN SPIRITUAL)Sing Noel (LIBERIAN FOLK SONG)Tinga Layo (WEST INDIES FOLK SONG)Life Stood Still (CHEROKEE LULLABY)Noel, Noel, Hear the Angel Voices (CZECH FOLK SONG)Jesus, Lord, with Us Abide(PALESTINIAN FOLK SONG).

Choral Choir (SSAA) - Level 1 - Digital Download SKU: A0.856222 By Elvis Presley. By John Rostill. Arranged by Liz Garnett. Rock. Octavo. 3 pages. Liz Garnett #4594611. Published by Liz Garnett (A0.856222). This song was first recorded by Olivia Newton John, and then covered by Elvis Presley the following year, which tells you a good deal about the range of voices and performing personas it can suit. The arrangement was commissioned to form part of the polecat collection (common repertoire that all members can sing together) for the Ladies Association of Barbershop Singers, and is thus designed to be accessible to singers and audiences alike.N.B. This arrangement is notated in treble and bass alta (i.e. sung an octave higher than written) clefs.Vocal Ranges:Tenor: G4 - E flat 5Lead: B flat 3 - C5Bari: B flat 3 - B flat 4Bass: E flat 3 - G4www.HelpingYouHarmonise.com