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Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.856142 Composed by Joe McCarthy, James Monaco. Arranged by Liz Garnett. A Cappella. Octavo. 4 pages. Liz Garnett #3023075. Published by Liz Garnett (A0.856142). Written just before the First World War, this flirtatious song anticipates that world where women were finding a new independence and power, and trying to work out what to do with it. On the one hand, the singer doesn’t want to be unfeminine by making the first move, on the other, she’s going to make a bid for what she wants. Go girl, is what I say.This arrangement is suitable for performance in a barbershop contest, and the Southern Comfort Barber Gals won a bronze medal in the Holland Harmony 2009 chorus contest with this it. It is notated in the traditional clefs for women's barbershop: treble and bass alta (i.e. sung an octave higher than written)Ranges:Tenor: F4 - E5Lead: A flat 3 - C#5Bari: B flat 3 - B4Bass: E flat 3 - F#4www.HelpingYouHarmonise.com
You Made Me Love You
Chorale SSAA

$3.25 2.81 € Chorale SSAA PDF SheetMusicPlus

Choral Choir (SSAA) - Level 4 - Digital Download SKU: A0.856151 By Perry Como. By Don McLean. Arranged by Liz Garnett. Contemporary. Octavo. 5 pages. Liz Garnett #3588251. Published by Liz Garnett (A0.856151). Don McLean's heartfelt declaration of love has been covered by many artists over the years - it speaks so clearly and honestly of the human condition that its truths aren't restricted to any single style. Bringing it into the harmonic world of contest barbershop raises the emotional temperature of the ballad, and the implicit contrasts of passion and reflection in the original become much more explicit.It is notated in the traditional clefs for women's barbershop: treble and bass alta (i.e. sung an octave higher than written)Vocal Ranges:Tenor: D4 - F#5Lead: G3 - E5Bari: G3 - C#5Bass: D3 - A4www.HelpingYouHarmonise.com
And I Love You So
Chorale SSAA
Perry Como
$2.99 2.59 € Chorale SSAA PDF SheetMusicPlus

Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.856152 By Billy Joel. By Bob Dylan. Arranged by Liz Garnett. Rock. Octavo. 4 pages. Liz Garnett #3593807. Published by Liz Garnett (A0.856152). This ballad is I think the only song by a Nobel Laureate that I have arranged . It is in many ways, both melodically and lyrically, a simple and classic declaration of love, but manages to typify the genre without losing any sense of freshness. This is archetypal human experience, felt authentically.The arrangement is notated in the traditional clefs for women's barbershop: treble and bass alta (i.e. sung an octave higher than written)Vocal Ranges:Tenor: F4 - D flat 5Lead: B3 - C5Bari: C4 - A flat 4Bass: E flat 3 - E flat 4www.HelpingYouHarmonise.com
To Make You Feel My Love
Chorale SSAA
Billy Joel
$2.99 2.59 € Chorale SSAA PDF SheetMusicPlus

Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.928368 By Adele. By Adele Adkins and Tobias Jesso Jr. Arranged by Thomas J. West. A Cappella,Hip-Hop,Pop,R & B. Octavo. 16 pages. Thomas J. West #5896795. Published by Thomas J. West (A0.928368). This arrangement of one of Adele's chart-topping hits was originally commissioned by a treble voices barbershop chorus. It features a soprano lead vocal over a full SSAA chorus. The choral parts are written with a contemporary a cappella approach to the backgrounds that is still palatable by the avid barbershopper. Also a great piece to showcase your strong treble singers in a high school choral program. Parts are labeled in traditional barbershop style (tenor, lead, baritone, bass) but apply to the SSAA vocal ranges using the standard barbershop clefs (bass clef for alto parts). The bass part range is from Eb3 to Eb4. Tenor part range is from Eb4 to D5. www.thomasjwestmusic.com
When We Were Young
Chorale SSAA
Adele
$1.99 1.72 € Chorale SSAA PDF SheetMusicPlus

Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.928358 By The Temptations. By Barrett Strong and Norman Whitfield. Arranged by Thomas J. West. A Cappella,Hip-Hop,R & B. Octavo. 11 pages. Thomas J. West #5801575. Published by Thomas J. West (A0.928358). This SSAA a cappella arrangement of The Temptations classic was originally commissioned for an American treble voices barbershop quartet to expand their repertoire past the traditional barbershop homophonic style. It features lead lines for all four singers reminiscent of the original Temptations recording, with a contemporary a cappella approach to the backgrounds that is still palatable by the avid barbershopper. Also a great piece to showcase your strong treble singers in a high school choral program. Parts are labeled in traditional barbershop style (tenor, lead, baritone, bass) but apply to the SSAA vocal ranges using the standard barbershop clefs (bass clef for alto parts). The bass part range is from D3 to F4. Tenor part range is from D4 to A5. www.thomasjwestmusic.com .
I Can't Get Next To You
Chorale SSAA
The Temptations
$1.99 1.72 € Chorale SSAA PDF SheetMusicPlus

Choral Choir (SSAA) - Level 2 - Digital Download SKU: A0.928366 By Whitney Houston. By Michael Masser. Arranged by Thomas J. West. A Cappella,Contemporary,Pop. Octavo. 11 pages. Thomas J. West #5892529. Published by Thomas J. West (A0.928366). This SSAA a cappella with lead soprano vocalist arrangement of the hit song by Whitney Houston was originally commissioned for an British treble voices barbershop chorus to expand their repertoire past the traditional barbershop homophonic style. The arrangement features a contemporary a cappella approach to the backgrounds that is still palatable by the avid barbershopper. Also a great piece to showcase your strong treble singers in a high school choral program. This piece would also be a great showcase piece for a treble-voices high school ensemble with a strong lead singer and strong low alto section. The Alto 2 part range is from E3 to F#4. Soprano 1 part range is from C#4 to E5. www.thomasjwestmusic.com
Saving All My Love For You
Chorale SSAA
Whitney Houston
$1.99 1.72 € Chorale SSAA PDF SheetMusicPlus

Choral Choir (SSAA) - Digital Download SKU: A0.843718 Composed by Traditional. Arranged by Debbie Warren. Folk,Traditional. Octavo. 7 pages. Keep Calm and Keep Singing #450402. Published by Keep Calm and Keep Singing (A0.843718). A fishing song from the North East of England, this became popular as the theme tune to 1970’s TV show When the Boat Comes In. However, there is also another melody (in the minor key) also believed to originate from the North East but which was collected by Cecil Sharp in Berkshire. I have combined both melodies giving one to the sops and the other to the altos. Each section then forms an ostinato accompaniment while the other is singing the tune. These “Dance†“Sing†notes although written as dotted minims are to be performed short and light – like bells. The song also works best with a slight northern accent – particularly the short northern ‘a’ vowel on the word Dance and in the phrase “When the boat comes inâ€. NB Although this is written for 4 parts the second alto is optional and the arrangement works just as well without it for SSA choirs. FREE resources are available (backing track, teach tracks) just email keepcalmkeepsinging@gmail.com with proof of purchase Easy Level Duration: 3'30.
Dance to Your Daddy (When the Boat Comes In) SSAA
Chorale SSAA

$1.99 1.72 € Chorale SSAA PDF SheetMusicPlus


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