Choral Choir,Choral (SSAA) - Level 4 - Digital Download SKU: A0.1163839 Composed by anonymous/traditional. Arranged by Stella Claire ter Hart. Celtic,Contest,Festival,Folk,Historic,Irish,Multicultural,World. 14 pages. Stella ter Hart #749496. Published by Stella ter Hart (A0.1163839). A new, exciting arrangement for SSAA choir of this much loved Scottish folk song. Stirring, powerful, harmonically rich and innovative, Skye Boat Song arranged by Stella ter Hart is perfect for advanced high school choirs, community and professional choirs. The words behind this well-known song carry significant historical significance. The piece is actually not just a isn't that a lovely tune folksong. The familiar main chorus Speed bonny boat like a bird on the wing... is repeated between the four verses which tell the story of the brutal battle of Culloden in Scotland and the end of the Highland way of life. The accompanying violin and piano are characters in their own right and use word painting to highlight the emotional text. Scottish snare adds drama! The vocal writing uses different effects to ensure each verse has its own impact and expression. Sure to be a favourite with intermediate and higher level treble choirs!Speed bonny boat like a bird on the wing. Onward! the sailors cry. Carry the lad that is born to be King over the sea to Skye. Loud the winds howl, loud the waves roar. Thunder clouds rend the air. Baffled our foes stand by the shore. Follow they do not dare. Though the waves leap soft shall ye sleep ocean's a royal bed. Rocked in the deep, Flora will keep watch by your weary head. Many's the lad fought on that day. Well the claymore did wield. When the night came silently lay Dead in Culloden's field. Burned are our homes. Exile and death scatter the loyal men. Yet e'er the sword cools in the sheath Charlie will come again. Speed bonny boat like a bird on the wing. Onward! the sailor’s cry. Carry the lad that is born to be King over the sea to Skye.

Choral Choir,Choral (SSAA) - Level 2 - Digital Download SKU: A0.1280004 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Dylan Tran. A Cappella,Contemporary,Film/TV,Pop,Singer/Songwriter. 7 pages. Dylan Trần #871424. Published by Dylan Trần (A0.1280004). Accesible yet moving, this arrangement of What Was I Made For? from the blockbuster movie, Barbie, is fit for professional choir, college choir, community choir, highschool choir, a capella groups, vocal pop groups, and more. Renowned composer Dylan Trần uses idiomatic, yet evocative voicings that will immediately reward on first reading as well as in polished performance. Learn more at www.dylantranmusic.comHere's why your choir should embrace Billie Eilish's captivating music— (professional choir, large ensemble, small ensemble, community choir, college choir, highschool choir, pop a capella choir, etc.)Contemporary Relevance: Billie Eilish's music is a cultural phenomenon, deeply resonating with today's generation. By incorporating her songs into your repertoire, your choir can connect with younger audiences, enhancing its relevance and expanding its fan base.Empowering Lyrics: Billie Eilish's lyrics tackle meaningful and often profound subjects, from mental health to self-discovery and social issues. Singing her songs empowers your choir to explore important themes, fostering empathy and emotional depth in their performances.Dynamic Vocal Range: Billie Eilish's music offers a diverse range of vocal styles, from hauntingly soft whispers to powerful belting. Your choir members can showcase their versatility and vocal prowess, honing their skills and challenging their vocal boundaries.Artistic Expression: Embrace the opportunity for creative expression! Billie Eilish's music encourages innovative interpretations, allowing your choir to infuse each performance with its unique artistic flair and captivate audiences with fresh renditions.Fusion of Genres: With elements of pop, alternative, and electronic music, Billie Eilish's songs provide an exciting fusion of genres. Your choir can explore new musical horizons, enriching its repertoire and broadening its musical diversity.Emotional Resonance: Billie Eilish's music evokes a wide range of emotions, from introspection to empowerment. Singing her songs allows your choir to tap into these emotions, forging a deep connection with audiences and leaving a lasting impact.Collaborative Learning: Billie Eilish's intricate compositions present an excellent opportunity for collaborative learning within your choir. By working together to master the nuances of her music, your choir members can strengthen their bonds and elevate their collective musicality.Pushing Boundaries: Billie Eilish's music is known for its boundary-pushing and innovative soundscapes. Embracing her songs encourages your choir to explore new musical territories, pushing the boundaries of traditional choral performances.Embrace the audacious spirit of Billie Eilish's music and witness your choir's performances soar to unprecedented heights of creativity and artistry. Unleash the power of her captivating melodies and thought-provoking lyrics, leaving audiences awestruck and craving more of your choir's extraordinary renditions.

Choral Choir,Choral (SSAA) - Level 4 - Digital Download SKU: A0.1268169 Composed by William Fosdick and George Poulton. Arranged by Howard Ward. 19th Century,A Cappella,Traditional. 3 pages. Howard Ward #860730. Published by Howard Ward (A0.1268169). Aura Lea (Aura Lee) is a song written in the mid-19th century just prior to the American Civil War.  As a ballad about a maiden it was readily taken up by soldiers on both sides, often being sung around camp fires.The tune is perhaps best known for being used by Elvis Presley in his hit song ‘Love Me Tender’.This arrangement, for ‘a cappella’ SSAA choir, provides some close harmony challenges, although the voice-leading is, in the main, intuitive,  Written mostly in 4 parts, there are the occasional divided voices.

Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.856168 By Take That. By Gary Barlow, Howard Donald, Jason Orange, Mark Owen, and Stephen Robson. Arranged by Liz Garnett. Contemporary. Octavo. 13 pages. Liz Garnett #3876235. Published by Liz Garnett (A0.856168). Shine was Take That's 10th number one single, appearing in 2007, and it won Single of the Year at the 2008 Brit awards. It features an infectious beat right from the get-go and builds into an extravagant, gospel-inspired finale. This arrangement splits into five parts to capture the richness of the call-and-response texture.The arrangement is notated in the traditional clefs for women's barbershop: treble and bass alta (i.e. sung an octave higher than written).Vocal Ranges:Tenor: F4 - F5Lead 1: A3 - D flat 5Lead 2: A3 - D flat 5Bari: B flat 3 - B flat 4Bass: D3 - F4www.HelpingYouHarmonise.com

Choral Choir,Choral,SSAA Chorus - Level 3 - Digital Download SKU: A0.1514111 By Jan-Ake Westin. By Traditional. Words by GEORGE RATHCLIFFE WOODWARD. Arranged by Jan-Ake Westin. A Cappella,Barbershop,Christmas,Early Music,Traditional. 2 pages. Jan-Ake Westin #1088574. Published by Jan-Ake Westin (A0.1514111). SSAA 4-part a cappella.Learning tracks by Donya Metzger.School choirs.Women vocal ensembles.Barbershop singers.Traditional Christmas Carol.The song is particularly noted for the Latin refrain: Gloria, Hosanna in excelsis![Glory! Hosanna in the highest!] where the sound o of Gloria is fluidly sustained through a lengthy rising and falling melodic sequence.

Choral Choir (SSAA) - Level 2 - Digital Download SKU: A0.1216447 Composed by Patty & Mildred Hill. Arranged by Beverley J Mason. A Cappella,Barbershop,Standards,Traditional. Octavo. 3 pages. Beverley J Mason #813050. Published by Beverley J Mason (A0.1216447). A fun, cheeky little arrangement for female voices of one THE most recognised songs worldwide!  Easy to learn, with a slightly jazzy feel, this will be a popular addition to any A Capella groups' repertoire.  NB: Top Voice splits towards the end of the piece.

Choral Choir (SSAA) - Level 2 - Digital Download SKU: A0.534768 Composed by Guy Lawrence, Howard Lawrence, John H Mercer, Reuben James, and Rube Bloom. Arranged by E.C. Hudd. 20th Century,A Cappella,Standards,Traditional,Wedding. Octavo. 6 pages. Eleanor Hudd #145002. Published by Eleanor Hudd (A0.534768). Short SSAA a cappella arrangement of Fools Rush In (Where Angels Fear to Tread). Leaves out first verse (starts with fools rush in...). Can be transposed upon request.

Choral Choir (SSAA) - Level 4 - Digital Download SKU: A0.1215346 Composed by Traditional Cowboy Song. Arranged by Jordan Mongell. Contemporary,Country,Folk,Traditional. Octavo. 9 pages. Jordan Mongell #812147. Published by Jordan Mongell (A0.1215346). This piece was completed by December 2021, and is based on the ‘Cowboy’s Lament’ folk song, sometimes called ‘Streets of Laredo’. Much of Jordan’s compositional influence comes from early American folk music and cowboy songs. This particular one has been sung by many country artists including Johnny Cash, Don Edwards, and most notably Marty Robbins. The acoustic guitar as accompaniment pays homage to this style, as does the three-part harmony.

Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.912076 By Clifford W. King. By American Folk Song. Arranged by Clifford W. King. A Cappella,Folk,Sacred,Spiritual,Traditional. Octavo. 6 pages. Clifford W. King #518005. Published by Clifford W. King (A0.912076). Traditional American Folk Song ( s s a ) a cappella For Bonneville High School Lake Unity Women's Choir, 2002; Mishy Kirby Director. Wayfaring Stranger in 4-part women’s voicing is a beautifully pensive arrangement of the traditional folk song. It is one of those pieces that will make a women’s chorus shine. A soloist begins the familiar melody followed by the addition of rich, angelic harmonies. A few stunning chord progressions lend to the unique and reflective quality of this arrangement. Singers and audiences will fall in love with this piece. Duration: 4:00 Clifford W. King is an award-winning Salt Lake City-based composer, teacher and singer. Recent commissions include the Salt Lake Choral Artists, Cantorum Chamber Choir and Wasatch Chorale. His recording credits include the soundtrack to various video games and television programs. His teachers and mentors include Brady Allred, Clayton Furch, Mark Henderson, Evelyn Harris, Miguel Chuaqui, and Igor Iacimciuc among many others His music is published by Carus-Verlag and Hinshaw Music. He is the composer for the popular YouTube series and podcast Profiling Evil. Cliff loves slightly out-of-tune pianos, bighorn sheep, and rooibos tea. www.cliffordwking.com.

Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.856164 Composed by Jule Styne. Arranged by Liz Garnett. Contemporary. Octavo. 5 pages. Liz Garnett #3866281. Published by Liz Garnett (A0.856164). Marilyn Monroe's famous number from Gentlemen Prefer Blondes received an update with Nicole Kidman's performance in the film Moulin Rouge. This arrangement uses both as reference points, but its rhythm is characterised throughout by a riff from the latter. Both the rhythmic flavour and the embellishment strategy - which involves a good deal of melody-swapping in the second half - give plenty of opportunities for visual entertainment. It is a song that can't afford to take itself too seriously, but rewards a combination of self-deprecation and unashamed glitz.The arrangement is notated in the traditional clefs for women's barbershop: treble and bass alta (i.e. sung an octave higher than written).Vocal Ranges:Tenor: C#4 - F5Lead: A3 - E flat5Bari: G3 - E flat5Bass: D3 - A flat5www.HelpingYouHarmonise.com

Female choir (SSAA) a cappella - advanced - Digital Download SKU: S9.Q21552 (The Tomtit's Message). Composed by Peteris Vasks. This edition: choral score. Schott Chamber Choir. Downloadable, Choral score. Duration 10 minutes. Schott Music - Digital #Q21552. Published by Schott Music - Digital (S9.Q21552). Latvian.It is particularly in his choral music that Peteris Vasks reveals his strong attachment to his Latvian home country. Nature, customs and traditions and the idea of freedom are the central themes of the texts he sets to music, while carefully using modern techniques of choral singing as well. Alternating with traditional, even archaic singing, the music creates a multi-faceted, immediately effective sound image in the listener's mind. The poem 'Ziles zina' by the contemporary Latvian poet Uldis Berzins (*1944) centres on the themes of man, nature and transience in aphoristic brevity. Vasks wrote a piece of music on this poem which contains downright rewarding tasks for the choir and opens up to the listener a fascinating world of sound.

Choir, SSAA, female barbershop - Digital Download By Norah Jones. Arranged by Liz Garnett. 4 pages. Published by Helping You Harmonise