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Choral Choir,Choral (SSAA) - Level 3 - Digital Download SKU: A0.853700 By Neil Sedaka. By Howard Greenfield and Neil Sedaka. Arranged by Larry Wright. A Cappella,Barbershop. 5 pages. Larry Wright #4412137. Published by Larry Wright (A0.853700). A WOMEN'S 4-part, barbershop arrangement of this classic, medium tempo'd ballad song; it can be sung a cappella or performed using either the available piano/bass parts or the pre-recorded, fully orchestrated accompaniment track. The arrangement for both the accompanied and a cappella versions is EXACTLY THE SAME. Sung a cappella, it's a very nice piece. Sung using the accompaniment, it's a show stopper... and, with that in mind, I recommend it being performed as the last song in your program. IMPORTANT NOTE: by FIRST purchasing the $100 COMBO of this song from my website store <www.larrywrightmusic.com>, you'll not only be getting the EXCELLENT part-predominant vocal learning trax, but also be able to purchase the sheet music from SMP for their lowest $1.89/$1.99 per-copy price,... NOT the current much higher $14.25 per-copy price. PLUS, you also get to select a second Arrmt/Trax COMBO of your choice from my website store for FREE!!!! Of course, you'll still need to pay the per-copy fees to the publisher who controls the song licensing of the second song. Quartets and choruses singing at a B- contest level should be able to successfully learn and perform this arrangement making good use of the available EXCELLENT  part-predominant vocal Learning Trax <www.larrywrightmusic.com>.
Breaking Up Is Hard To Do
Chorale SSAA
Neil Sedaka
$15.00 12.88 € Chorale SSAA PDF SheetMusicPlus

Choral Choir,Choral (SSAA) - Level 2 - Digital Download SKU: A0.1280004 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Dylan Tran. A Cappella,Contemporary,Film/TV,Pop,Singer/Songwriter. 7 pages. Dylan Trần #871424. Published by Dylan Trần (A0.1280004). Accesible yet moving, this arrangement of What Was I Made For? from the blockbuster movie, Barbie, is fit for professional choir, college choir, community choir, highschool choir, a capella groups, vocal pop groups, and more. Renowned composer Dylan Trần uses idiomatic, yet evocative voicings that will immediately reward on first reading as well as in polished performance. Learn more at www.dylantranmusic.comHere's why your choir should embrace Billie Eilish's captivating music— (professional choir, large ensemble, small ensemble, community choir, college choir, highschool choir, pop a capella choir, etc.)Contemporary Relevance: Billie Eilish's music is a cultural phenomenon, deeply resonating with today's generation. By incorporating her songs into your repertoire, your choir can connect with younger audiences, enhancing its relevance and expanding its fan base.Empowering Lyrics: Billie Eilish's lyrics tackle meaningful and often profound subjects, from mental health to self-discovery and social issues. Singing her songs empowers your choir to explore important themes, fostering empathy and emotional depth in their performances.Dynamic Vocal Range: Billie Eilish's music offers a diverse range of vocal styles, from hauntingly soft whispers to powerful belting. Your choir members can showcase their versatility and vocal prowess, honing their skills and challenging their vocal boundaries.Artistic Expression: Embrace the opportunity for creative expression! Billie Eilish's music encourages innovative interpretations, allowing your choir to infuse each performance with its unique artistic flair and captivate audiences with fresh renditions.Fusion of Genres: With elements of pop, alternative, and electronic music, Billie Eilish's songs provide an exciting fusion of genres. Your choir can explore new musical horizons, enriching its repertoire and broadening its musical diversity.Emotional Resonance: Billie Eilish's music evokes a wide range of emotions, from introspection to empowerment. Singing her songs allows your choir to tap into these emotions, forging a deep connection with audiences and leaving a lasting impact.Collaborative Learning: Billie Eilish's intricate compositions present an excellent opportunity for collaborative learning within your choir. By working together to master the nuances of her music, your choir members can strengthen their bonds and elevate their collective musicality.Pushing Boundaries: Billie Eilish's music is known for its boundary-pushing and innovative soundscapes. Embracing her songs encourages your choir to explore new musical territories, pushing the boundaries of traditional choral performances.Embrace the audacious spirit of Billie Eilish's music and witness your choir's performances soar to unprecedented heights of creativity and artistry. Unleash the power of her captivating melodies and thought-provoking lyrics, leaving audiences awestruck and craving more of your choir's extraordinary renditions.
What Was I Made For?
Chorale SSAA
Billie Eilish
$6.00 5.15 € Chorale SSAA PDF SheetMusicPlus

Choral Choir (SSAA) - Level 4 - Digital Download SKU: A0.1205942 Composed by Linda Stalls. Arranged by Thomas J. West. A Cappella,Barbershop,Christian,Country,Religious. Octavo. 7 pages. Thomas J. West #804128. Published by Thomas J. West (A0.1205942). SSAA Barbershop Style, Grade 4Parts labeled for barbershop quartet (tenor, lead, baritone, bass) with the bari and bass parts written in bass claf 8va.Ranges:Tenor: C4-F5Lead: C4-E5Baritone: Ab3-C5Bass: Eb3-Ab4www.thomasjwestmusic.comThis upbeat Contemporary Christian chart has elements of gospel music along with good old American country swing using the barbershop style, but with the bass voice as a walking bass line during the choruses. Multiple key changes, including a higher, higher, higher chromatic climb make this arrangement an exciting showcase piece. Note: this arrangement is not suitable for barbershop harmony competitions and adjudications.Audio sample is a MIDI file. Fully recorded studio version available soon.
Stepping On The Clouds
Chorale SSAA

$1.99 1.71 € Chorale SSAA PDF SheetMusicPlus

Choral Choir,Choral,SSAA Chorus - Level 3 - Digital Download SKU: A0.1462843 By Demi Lovato. By Anne Preven, Demi Lovato, Felicia Barton, and Matt Radosevich. Arranged by Andrew M. Wallace. 21st Century,A Cappella,Contemporary,Pop,Singer/Songwriter. 9 pages. Andrew M. Wallace #1041600. Published by Andrew M. Wallace (A0.1462843). Immerse yourself in the emotional depth of Nightingale by Demi Lovato with this mesmerizing SSAA a cappella arrangement. This inspirational power ballad is perfectly suited for an amazing soloist, blending intricate harmonies and heartfelt melodies to captivate audiences. Ideal for concerts, competitions, or special performances, this arrangement offers a dynamic showcase for treble voices, delivering a poignant message of strength and solace through music.Key Features: SSAA A Cappella Arrangement: Tailored for soprano, mezzo-soprano, and alto voices, this arrangement of Nightingale harnesses the expressive range of a cappella singing, highlighting the vocal prowess of each section while maintaining the song's emotional core. Inspirational Power Ballad: Nightingale resonates with themes of resilience and hope, making it a compelling choice for choirs seeking to convey a message of inner strength and healing. The song's evocative lyrics and powerful melodies create a heartfelt atmosphere that connects deeply with singers and audiences alike. Soloist Showcase: Featuring opportunities for a standout soloist, our arrangement allows performers to shine with heartfelt interpretations of Demi Lovato's soulful vocals. Whether as a solo feature or integrated within the ensemble, the soloist adds a layer of personal expression to the song's narrative, enhancing its emotional impact.
Nightingale
Chorale SSAA
Demi Lovato
$3.99 3.42 € Chorale SSAA PDF SheetMusicPlus

Choral Choir,Choral (SSAA) - Level 3 - Digital Download SKU: A0.853802 By Little Big Town. By Jimi Westbrook, Karen Fairchild Childers, Kimberly Roads, Phillip Sweet, and Wayne Kirkpatrick. Arranged by Larry Wright. A Cappella,Barbershop. 8 pages. Larry Wright #4625303. Published by Larry Wright (A0.853802). A WOMEN'S 7-part (choruses only), a cappella, barbershop arrangement of this hit song Down In The Boondocks recorded by the group Big Little Town back in the 70's. If you have the vocal horses, this one can be fun, fun! It has some overlay parts, though,... so, sorry quartets,... it's only for choruses. IMPORTANT NOTE: by FIRST purchasing the COMBO of this song from my website store <www.larrywrightmusic.com>, you'll not only be getting the EXCELLENT vocal learning trax, but also be able to purchase the sheet music from SMP for their lowest $1.89/$1.99 per-copy price,... NOT the currently posted much higher $14.25 per-copy price. PLUS, you also get to select a second COMBO of your choice from my website store for FREE!!!! Of course, you'll still need to pay the per-copy fees to the publisher that controls the song licensing for that second song.  Choruses singing at a B- contest level should be able to successfully learn and perform this arrangement making good use of the available EXCELLENT part-predominant vocal Learning Trax <www.larrywrightmusic.com>.
Boondocks
Chorale SSAA
Little Big Town
$15.00 12.88 € Chorale SSAA PDF SheetMusicPlus

Choral Choir (SSAA) - Level 4 - Digital Download SKU: A0.1111174 By Neil Sedaka. By Neil Sedaka. Arranged by Rebecca (Boo) de Bruin. A Cappella,Barbershop,Contemporary,Pop. Octavo. 11 pages. Rebecca de Bruin #713452. Published by Rebecca de Bruin (A0.1111174). Words and Music by Neil Sedaka in 1972. Arranged in 2022 by Boo de Bruin. 11 pages for Sweet Adelines (ladies' barbershop) chorus. (Tenor, lead, baritone, bass are roughly equivalent to SSAA, although lead and baritone have similar ranges, but perform different functions). That's when the music takes me is taken from Neil Sedaka's Solitaire LP. The song was notable as it was one of the only songs for which Sedaka wrote the lyrics in addition to the music. He often finishes his song using the song. (The ending of the arrangement is inspired by how he performs the song live, rather than the recording edit). It reached #18 on the UK singles chart, #27 on the US Billboard Hot 100, and #7 on the US Billboard Easy Listening chart. This arrangement was written for a barbershop chorus, and as such the lowest voice part has a lower range than is custom for choral SSAA writing. The melody sits with the lead for the vast majority of the song, but with the bass part taking a few of the lowest notes. Please note: in keeping with normal barbershop practice the men's barbershop voicing names are used (tenor, lead, baritone and bass) and an octave-shifted bass clef is used for the baritone and bass parts. Vocal ranges are: Tenor: D4 - G5 (D above middle C to G above high C) Lead: B3 - D5 (B below middle C to D above high C) Baritone: G3 - C5 (G below middle C to D above high C) Bass: D3 - D4 (D below middle C to D above middle C).
That's When The Music Takes Me
Chorale SSAA
Neil Sedaka
$1.99 1.71 € Chorale SSAA PDF SheetMusicPlus

Choral Choir,Choral (SSAA) - Level 2 - Digital Download SKU: A0.1320209 By ABBA. By Benny Andersson, Bjorn Ulvaeus, Buddy Mccluskey, and Mary Mccluskey. Arranged by Jay Dougherty. A Cappella,Barbershop,Pop,Rock,Singer/Songwriter. 11 pages. Jay Dougherty #908719. Published by Jay Dougherty (A0.1320209). Se Me Está Escapando is the Spanish Language version of ABBA's Slipping Through My Fingers. The song was released as a single in Spanish-speaking countries in 1982.This arrangement by Jay Dougherty is for SSAA a cappella voices in the contestable barbershop style.NOTE: There is a 10-copy minimum purchase. However, the per-copy price is set to the lowest possible setting at $1.99. If you want this song for a quartet, please understand that with the 10-copy minimum (10 x $1.99), you're still paying only $20 for legal access to this music. The arranger gets nearly nothing, and you're getting great legal music for $5 per quartet member. Learning tracks are available at: (coming soon)For more information on arrangements and compositions by Jay Dougherty, visit www.jmdougherty.com
Se Me Esta Escapando
Chorale SSAA
ABBA
$1.99 1.71 € Chorale SSAA PDF SheetMusicPlus

Choral Choir (SSAA) - Level 2 - Digital Download SKU: A0.1087101 By Erasure. By Andy Bell and Vince Clarke. Arranged by Rebecca (Boo) de Bruin. A Cappella,Contemporary,Pop. Octavo. 13 pages. Rebecca de Bruin #691297. Published by Rebecca de Bruin (A0.1087101). Words and Music by Vince Clarke and Andy Bell in 1988. Arranged in 2021 by Boo de Bruin. 13 pages for Sweet Adelines (ladies' barbershop) chorus. (Tenor, lead, baritone, bass are roughly equivalent to SSAA, although lead and baritone have similar - in this case, identical! - ranges, but perform different functions). A Little Respect was written and recorded by English synth-pop duo Erasure, and is known as one of their signature songs. It reached #4 on the UK singles chart, #14 on the US Billboard Hot 100, and #2 on the US Hot Dance Club Songs chart. This arrangement uses words from the song in place of neutral vowels to create an early ostinato (without boring the harmony parts!) before expanding into homorhythm in verse 2. The melody is mainly in the lead part, with the final motif from the chorus passed to the tenors. In the final verse, a key change moves the melody to the basses and baritones, with the leads taking the final phrase. This arrangement was written for a barbershop chorus, and as such the lowest voice part has a lower range than is custom for choral SSAA writing. However, the range of the entire arrangement is quite narrow, and so it could be sung in a higher tessitura without undo strain on the upper voices. Please note: in keeping with normal barbershop practice the men's barbershop voicing names are used (tenor, lead, baritone and bass) and an octave-shifted bass clef is used for the baritone and bass parts. Vocal ranges are: Tenor: D4 - F5 (D above middle C to F above high C) Lead: G3 - C5 (G below middle C to high C) Baritone: G3 - C5 (G below middle C to high C) Bass: D3 - F4 (D below middle C to F above middle C).
A Little Respect
Chorale SSAA
Erasure
$1.99 1.71 € Chorale SSAA PDF SheetMusicPlus

Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.953625 Composed by Adrienne Inglis (ASCAP). Contemporary,Latin. Octavo. 5 pages. Adrienne Inglis (ASCAP) #6405603. Published by Adrienne Inglis (ASCAP) (A0.953625). La ciudad sumergida (The Submerged City) for four-part treble chorus and nature soundtrack by Adrienne Inglis (ASCAP) Commissioned for Dr. Ramona M. Wis and the North Central College Women’s Chorale A setting of an excerpt of Río de La Plata en lluvia from Mascarilla y Trébol (1938) by Alfonsina Storni (1938) Copyright © 2020 Adrienne Inglis Founder, composer, and singer with Inversion Ensemble of Austin, Texas, Adrienne Inglis also serves as principal flute with the Central Texas Philharmonic, flute instructor at Southwestern University, and flutist with flute/harp duo Chaski. She has music degrees from Lewis and Clark College and the University of Texas at Austin. An avid birder and environmentalist, she lives in the rural hill country of Central Texas. Poet Alfonsina Storni began writing during a tumultuous childhood fraught with economic hardships, many disruptive moves, and an alcoholic father. She danced with a theatrical troupe and then became a teacher and journalist. She bore a child out of wedlock and found herself working as a single mother during socially oppressive times. In Buenos Aires she joined the emerging world of women’s rights, becoming an important literary voice in the movement. When her breast cancer returned, her lifelong passion for the sea culminated in her suicide off of the coast of Argentina. Río de La Plata en lluvia from Mascarilla y Trébol (1938) lines 1-4 by Alfonsina Storni in the public domain Ya casi el cielo te apretaba, ciego, y sumergida una ciudad tenías en tu cuerpo de grises heliotropos neblivelado en su copón de llanto. [The sky was about to embrace you, blind, and you had in your body of gray heliotropes a submerged city, with the misty sky like a chalice about to overflow with tears.] Program note: Commissioned for Dr. Ramona M. Wis and the North Central College Women’s Chorale of Naperville, Illinois, La ciudad sumergida (The Submerged City) by Adrienne Inglis for four-part treble chorus with nature soundtrack captures the mood of a river, a city, the cloudy sky, and the poet’s own profound melancholy. The sound of rain creates both the ambiance of a misty day on the river and the sensation of cathartic crying from great sadness and pain. The city’s reflection on the river’s surface gives the illusion that the city is submerged in the water. The reflection of the clouds hovering low over Río de La Plata looks like gray heliotrope flowers. The apocalyptic images of a submerged city and of tears overflowing from the chalice-sky eerily foreshadow rising sea levels due to anthropogenic global warming. The nature soundtrack of rain was recorded by the composer in the hill country of central Texas, July 2020. Performance note: This aleatoric, asynchronous composition is suitable for remote singing along with the video score and nature soundtrack. Observe the order of entrances, but know that it’s not meant to line up exactly. Finish a phrase even if another phrase has started. Diphthongs move immediately to the second vowel sound. Ya begins with the [dÊ’] sound and llanto begins with the [Ê’] sound, both typical of the Buenos Aires accent. Sing quite expressively except for the neblivelado section which is misty and veiled. The director may wish to indicate the rehearsals numbers or the singers may follow the time on the video-or both. Duration: 3:08 Link to video with soundtrack is available from the composer (http://adrienneinglis.com). Acknowledgements: The composer warmly thanks Pablo and Diana Donatti, Ãngeles Rodríguez Cadena, and Emilio Torres for their contributions to this project and to Dr. Ramona M. Wis and the North Central College Women’s Chorale for the generous commission. Copyright © 2020 Adrienne Inglis | http://adrienneinglis.com
La ciudad sumergida (The Submerged City) for SSAA treble voices and nature soundtrack
Chorale SSAA

$3.99 3.42 € Chorale SSAA PDF SheetMusicPlus

Choral Choir (SSAA) - Level 5 - Digital Download SKU: A0.762509 By ABBA. By Benny Andersson and Bjorn Ulvaeus. Arranged by Rowena Harper. A Cappella,Barbershop,Broadway,Musical/Show,Pop. Octavo. 7 pages. Rowena Harper #6341475. Published by Rowena Harper (A0.762509). A full bodied ABBA spectacular with a few twists and turns that make this a fun chart to sing thanks to some interesting chord additions and treatments.  The verse starts squarely in low baritone land to kick the song off.  Some interesting embellishments are used to mimic the instrumental sections of the song, the key change is there, as is the final flourish - all hallmarks of the song, which add interest but also complexity for the singer.  Not for the faint hearted, but the potential to be dramatic, as well as the potential for corn-row performance elements should a chorus wish to mimic Mamma Mia the stage show with chorus members peeking out from behind and popping out for that's too bad!  Have a lot of fun with this one!Purchasing allows printing of one copy, and one copy per singer is required.Range (Lowest-Highest): Bass E-D, Baritone B-B, Lead C-D, Tenor G-F#.Key = GThis is a per copy price. Also available as a set of parts (four copies).(Note: This sheet music is notated in barbershop format: Tenor (S.1) and Lead (S.2) in treble clef , Baritone (A.1) and Bass (A.2) in bass clef. The bass clef parts are sung an octave higher than written.Contact: acappellatenor@gmail.com.
Money, Money, Money
Chorale SSAA
ABBA
$3.00 2.58 € Chorale SSAA PDF SheetMusicPlus

Choral Choir (SSAA) - Level 1 - Digital Download SKU: A0.820835 By The Cookie Monster. By Joe Raposo. Arranged by Jay Dougherty. A Cappella,Barbershop,Children,Film/TV. Octavo. 3 pages. Jay Dougherty #426790. Published by Jay Dougherty (A0.820835). This arrangement of Cookie Monster's beloved song, C is for Cookie, is written for SSAA/treble voices in the a cappella barbershop style. It's the perfect song for any quartet or chorus looking for a fun addition to their show repertoire! Audiences are sure to love this jovial crowd-pleaser. Its simple and repetitive nature will make for a very quick learn! Note: there are also TTBB and SATB versions available. Be sure to search for those if you're looking for alternate voicing.NOTE: There is a 10-copy minimum purchase. However, the per-copy price is set to the lowest possible setting at $1.99. If you want this song for a quartet, please understand that with the 10-copy minimum (10 x $1.99), you're still paying only $20 for legal access to this music. The arranger gets nearly nothing, and you're getting great legal music for $5 per quartet member. Learning tracks are available at: www.jmdougherty.comFor more information on arrangements and compositions by Jay Dougherty, visit www.jmdougherty.com.
"c" Is For Cookie
Chorale SSAA
The Cookie Monster
$1.99 1.71 € Chorale SSAA PDF SheetMusicPlus






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