Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.853751 By Andy Williams. By George Wyle and Mort Green. Arranged by Larry Wright. A Cappella,Barbershop. Octavo. 4 pages. Larry Wright #4604743. Published by Larry Wright (A0.853751). A WOMEN'S 4-part, a cappella, barbershop, non-contest, ballad, arrangement. Nice Show Closer... as Andy Williams used it for his TV Show.Quartets and choruses singing at a B- contest level should be able to successfully learn and perform this arrangement making good use of the available excellent Vocal Learning Trax <www.larrywrightmusic.com>. If you've FIRST purchased my learning trax from my website store... and the per-copy price on the SMP website is anything more than $1.89 per-copy, DON'T PAY IT!!! Email me. NOTE: SMP requires a minimum purchase of 10 copies for all choral selections. Sorry quartets!

By Leonard Cohen. Arranged by Joshua Tamayo. Octavo, Score. 9 pages. Published by Joshua Tamayo (

Choral Choir (SSAA) - Digital Download SKU: A0.762558 By Queen. By Brian May. Arranged by Carolyn Goates. Pop,Rock. Octavo. 7 pages. Carolyn Goates #4320175. Published by Carolyn Goates (A0.762558). How did they miss this from Bohemian Rhapsody? Maybe it will appear in the sequel. This arrangement of the song by Brian May contains a solo for piano that emulates the first guitar solo.  (Arrangements also available for SAB, TTBB and SATB)My other arrangements of Queen songs include:Love Of My Life, '39 and Crazy Little Thing Called Love

Choral Choir,Choral,SSAA Chorus - Level 3 - Digital Download SKU: A0.1431147 Composed by Mayim Stith. A Cappella,Chamber,Praise & Worship,Religious,Sacred. 16 pages. Prairie Rose Press #1011612. Published by Prairie Rose Press (A0.1431147). There is no one holy like the Lord; there is no one besides you; there is no Rock like our God! -1 Samuel 2:2Rejoice in the Lord using the words of Hannah's song with There Is No Rock! This new a cappella piece for a four-part treble quartet or ensemble takes its primary inspiration from the song of Hannah as recorded in 1 Samuel chapter 2. Commissioned and premiered by SSAA quartet The Deers, its joyful rhythms, powerful language, and dramatic tonal landscape will thrill your audience and invigorate your singers!Looking for a digital download? Support the composer directly (and enjoy a small discount!) by purchasing this music on mayimstith.com/there-is-no-rock.Ranges:Soprano 1: A3 - A5Soprano 2: A3 - F5Alto 1: A3 - D5Alto 2: G3 - A4.

Choral Choir,Choral (SSAA) - Level 3 - Digital Download SKU: A0.1268807 By Mocedades. By Juan C. Calderon. Arranged by Michael Thomas Coull. 20th Century,Contemporary,Multicultural,Pop,Standards,World. 16 pages. MTC Publishing #861339. Published by MTC Publishing (A0.1268807). Eres Tu/Touch The Wind - Choral Arrangement for SSAA and Piano arranged by Michael Thomas CoullEres Tú is a popular Spanish language song written in 1973 by Juan Carlos Calderón and performed by the Spanish band Mocedades, with Amaya Uranga performing the lead vocal.  It was chosen as Spain's entry in the 1973 Eurovision Song Contest, and after reaching second place in the contest, was released as a single.This SSAA arrangment is such a delight that it will be popular with both choir and audience.  Ideal for your choirs next concert.

Choral Choir (SSAA) - Level 2 - Digital Download SKU: A0.1281354 By Cory Wong With Chromeo. By Cory Wong, David Macklovitch, Patrick Gemayel, and Robert Harris. Arranged by Jeff Tincher. Contemporary,Funk,Jazz. Octavo. 40 pages. Jeff Tincher #872697. Published by Jeff Tincher (A0.1281354). If you want Funk, this is the song for you. In the original key from Cory Wong's Powerstation project, this song will have your audience up and dancing. Duration = 3:41. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing/.

SSAA choir, keyboard (organ or piano) - Moderately Difficult - Digital Download SKU: MQ.50-9601-E Composed by Michael Burkhardt. Instrument part. 8 pages. MorningStar Music Publishers - Digital Sheet Music #50-9601-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.50-9601-E). A moving setting of the familiar William Blake poem. A flowing piano accompaniment accompanies the SSAA chorus. The piece may be adapted to unison or two-part voices.

Choral Choir (SSAA) - Level 4 - Digital Download SKU: A0.1178138 Composed by Adrienne Inglis (ASCAP). Christian,Classical,Early Music,Sacred,Spiritual. Octavo. 14 pages. Adrienne Inglis (ASCAP) #778101. Published by Adrienne Inglis (ASCAP) (A0.1178138). Gorgeous sacred piece in Middle English for SSAA and Bb clarinet! Perfect for Holy Week, Easter, Good Friday, Maundy Thursday, environmental, nature, mystical, contemplative concerts! Julian’s Hazelnut (2022) by Adrienne Inglis (ASCAP)SSA treble chorus and B flat clarinetText: The Shewings of Julian of Norwich, Part 1 Lines 148-154 by Julian of Norwich (about 1343 - after 1416)Commissioned by Inversion Ensemble for Da Capo’s Origins concertDuration 3:50 minutesDifficulty 4 (Auditioned Chorus)Language — Middle English (with Original Pronunciation from David Crystal)Original Pronunciationhttp://originalpronunciation.com/GBR/Home The perusal score video will be included on this YouTube playlist soon.https://www.youtube.com/playlist?list=PLY9Jh0jT7VQvcM78yozLNYpIXeWzJjMPsPerformances:21 Jan 2023 at 7 PM Inversion Ensemble and clarinetist Brendan Fairleigh (world premiere) in Austin, TexasCommissioned by Inversion Ensemble for Da Capo’s January 2023 Origins concert, Julian’s Hazelnut (2022) by Adrienne Inglis sets text by Julian of Norwich for treble voices and B flat clarinet. Born in about 1343 in Norwich, England, Julian survived the Black Plague as a girl of six. She became an anchoress at St. Julian’s Church in Norwich where she lived in prayerful seclusion. In 1373, she became very sick at age 30. Near the point of death, a curate showed her a crucifix for comfort. She then experienced a series of intense visions of Christ and recovered from her illness to write eloquently about her “shewings.� The beautiful Medieval English text for this piece is from The Shewings of Julian of Norwich, Part I lines 148-154 in which Julian reflects on the vision she experienced about a hazelnut in the palm of her hand. She comes to understand that God loves even a small, ordinary thing like a hazelnut, such that it will not disintegrate but last forever because of God’s love for it. In Julian’s vision, the hazelnut symbolizes all that is made — all of Creation that God made and loves forever. The music combines Medieval sounds and counterpoint with lush, modern harmonies, woven together with the smooth color and elegant lines of the clarinet. Singers use Original Pronunciation to capture the lyricism of Julian’s words. May this piece inspire the same awe and amazement at God’s beloved Creation that Julian felt centuries ago.http://adrienneinglis.com.

Choral Choir (SSAA) - Level 1 - Digital Download SKU: A0.956413 Arranged by Glenda E. Franklin. A Cappella,Folk. Octavo. 8 pages. Glenda E. Franklin Publications #6269585. Published by Glenda E. Franklin Publications (A0.956413). This SSAA traditional folksong from Georgia's Sea Island offers middle school treble choirs an opportunity to successfully sing four-part music with melodies in a partner song format. Building to a big finish, the arrangement sounds must more complicated than it is and will definitely be a crowd pleaser. It may also be performed a cappella.

Choral Choir,Choral (SSAA) - Level 2 - Digital Download SKU: A0.1298105 By Benny Goodman. By Irving Berlin. Arranged by Anastasio Rossi. A Cappella,Barbershop,Broadway,Contest,Festival,Holiday,Musical/Show. 4 pages. Anastasio Rossi #888020. Published by Anastasio Rossi (A0.1298105). Great for developing diction and harmonic skills. I've Got My Love to Keep Me Warm - The cold wind may be blowing, but your audiences will weather the storm with this warm and cozy classic by Irving Berlin. Set in an easy swing, this is a great feature number for holiday concerts. From the MGM film comes this song sung by the great Judy Garland. This arrangement has a casual swing, making it appealing to many ages, and perfect for any holiday program. SINGERS.COM says, Anastasio Rossi's treatment of Irving Berlin's I've Got My Love To Keep Me Warm is a treat.Learning tracks are available from the arranger: AAR@prodigy.net.

Voice (SSAA) - Level 2 - Digital Download SKU: A0.1240428 Composed by Anastasio Rossi. Arranged by Anastasio Rossi. A Cappella,Barbershop. Barbershop Quartet. 3 pages. Anastasio Rossi #835806. Published by Anastasio Rossi (A0.1240428). Think of the story behind this music as about a young lady who  just loves the waltz, and loves to sing and dance to its lilting triple time.  Her dancing partner is a dashing, ever so handsome young man, who sweeps her off her feet and takes her breath away with his charm and grace, as they float away on the wings of A Dance In Triple Time!I originally composed this piece as a little warm up ditty for my chorus, but as I worked the melody and the harmony, it grew into just a little bit more than a warm up exercise. We always enjoyed singing this little piece for our audiences. And they always enjoyed hearing it. One caveat; The lyrics go by quickly! Leads, use your best diction and pronunciation, so the story doesn't get lost. Harmony voices, keep the melody prominent, by always singing your la-las at least one dynamic notch below the melody!Choose the waltz tempo of your choice - very relaxed to very lilting in 1.  Base your choice on being able to deliver the lyrics with great clarity, especially in the faster passages. Be sure to observe the accelerandos, broadening tempos, a tempos, legatos, and staccatos. They all have much to do with delivering the style of this piece, especially the off beat la-las. Some pairs are staccato, in other pairs, the first la is legato, the second la is staccato.The metronome marks more accurately describe the accelerandos and broadenings. On the repeat at 11, a slight increase in the tempo will add urgency and intensity. Keep the melody prominent as it moves to different voices, beginning at 37. Maintain the crisp staccato harmony against the legato melody, and enjoy the change to full legato for all voices.  Anastasio Rossi May 2023Learning tracks are available at no cost from the composer: AAR@prodigy.net.

SSAA choir and piano - Moderately Difficult - Digital Download SKU: MQ.1.3535-E Composed by Thomas Juneau. Christmas-Sacred. 13 pages. Duration 3 minutes, 20 seconds. Galaxy Music Corporation - Digital #1.3535-E. Published by Galaxy Music Corporation - Digital (MQ.1.3535-E). Latin. Luke 1:38.Utilizing the Advent text from Luke 1:38, Dixit Maria presents the moment of ecstatic joy during the Annunciation. The work opens with a choral fanfare, setting a tone of grandeur. This is followed by a playful melody which features interjections of exaltation. The music then moves to a lyrical tune through which singers may take the opportunity to showcase attention to tone and phrasing. The music then transitions back to the playful melody, and the work ends in a triumphant exclamation. This work will be a tremendous addition to your treble repertoire and bring joy to performers and audiences alike. Duration 3:20.

Choral Choir,Choral,SSAA Chorus - Level 1 - Digital Download SKU: A0.1459454 Composed by Caccini. Arranged by arr. Mario Pearson. 19th Century,Contest,Festival. 11 pages. Empee music #1038407. Published by empee music (A0.1459454). Caccini's beautiful musical piece has been arranged with various texts. This is a fresh musical arrangement and new text: A Plea for Peace. Scored for SSAA choir with keyboard and flute accompaniment, it is an accessible arrangement that reflects the need for peace in our world now more than ever.Peace in our hearts,Peace in our cities.Peace when nations disagree. Let swords find their rest; weary hearts find sweat release. Let vengeance fade, and anger cool, In gentle hands, the seeds of peace we'll pull. From mountains high, To oceans floor, Let doves of peace forever soar. May understanding bridge the gap, And kindness fill each empty lap. Oh, grant us peace, our spirits mend, And hope, reborn, will know no end.

Choral Choir (SSAA) - Level 4 - Digital Download SKU: A0.546820 By Whitney Houston. By Gerry Goffin and Michael Masser. Arranged by Paul K Heatley. 20th Century,A Cappella,Jazz,Pop. Octavo. 6 pages. Paul K Heatley #156755. Published by Paul K Heatley (A0.546820). Whitney Houston's first smash hit from 1985 is arranged here for a quartet of female voices by Paul Heatley, founder of London-based acapella pop choir Kitsch in Sync. Serious pipes are required for the lead vocal, while the supporting parts add soul to this sultry arrangement, emphasizing the bittersweet lyrics - in true Heatley style, each part gets plenty of actual words to sing. Amateur ensembles may find this a challenge to learn, but the effort will be well worth it!

Choral Choir,Choral,SSAA Chorus - Level 3 - Digital Download SKU: A0.1475304 Composed by Jocelyn Scofield. 21st Century,A Cappella,Singer/Songwriter. 33 pages. Bilsco Music #1052847. Published by Bilsco Music (A0.1475304). SCORES INCLUDED:Full Score & Parts Scores: Solo+Sopranos, Mezzos+Altos, CajonPERFORMANCE NOTES FROM THE COMPOSER:I AM is a singing meditation. It is both a piece that honors the individual and the whole. It is meant to affirm an individual's worth, as well as the whole collective. When a choir prepares for a performance, they rehearse a piece dozens if not hundreds of times. I wanted the experience of rehearsing I AM to be an ongoing declaration of the singer’s value. Therefore, every phrase in this piece is an affirmation. When a singer finds themselves singing the piece outside of rehearsal, they will be singing words that are positive and affirming. I cannot express how much joy that brings me as a composer.Musically, I AM is both complex, with its 7-part vocal split, contrasting rhythms, and varying accents, yet simple in its repetition, lyrics, and tonality. Each of the 7 parts sings a unique affirmation throughout the piece. They are simple statements like, I am enough and I am love, but can hold so much complexity depending on an individual's relationship with the statement. In the middle of the piece, there is an aleatoric section where each singer contributes their unique affirming statement. It creates a chaotic building of sound before coming together for the first and only time in the piece to sing I AM as a whole choir in block chords.  It is one of my favorite moments in the piece because simple and complex are just a beat apart.I AM was commissioned by the Grand Rapids Women's Chorus and premiered on May 10, 2024.  If you would like to hear more about the creation of the piece, you can hear the composer's original explantions on Youtube.