Choral Choir (SSAA) - Level 4 - Digital Download

SKU: A0.1040536

By Alan Wagstaff. By Alan Wagstaff. Arranged by Alan Wagstaff. Celtic,Folk,Irish,Traditional. Octavo. 45 pages. Alan Wagstaff #639233. Published by Alan Wagstaff (A0.1040536).

'Do As You Will' is a folksy, Celtic feel choral song arranged for SSAA -with harp, flute, fiddle, and accordion accompaniment. Its shifting tonality adds complexity. The lyric is female point of view: Do As You Will Once I had a soldier lad who swore he’d love me truly. Ah! But now those days are gone! When the battle raged he turned his heel and followed duly. I gave him the salute and soldiered on. The wind’s about the barley and the mice are in the meal, so rise up bright and early all young lasses if you would do as you will. Then I loved a farmer’s son whose trinkets were his kisses. Ah! But now those days are gone! But on the road to market he had scores of narrow misses. I tossed him out for chaff and ploughed straight on. The wind’s about the barley and the mice are in the meal, so rise up bright and early all young lasses if you would do as you will. Next I had a blacksmith who was swarthy, dark, and handsome. Ah! But now those days are gone! He stole away my store of coin and ran off with the ransom. I hope he finds the fires! I’m forging on! The wind’s about the barley and the mice are in the meal, so rise up bright and early all young lasses if you would do as you will. Jack the Tinker courted me, and he was ever willing. Ah! But now those days are gone! Everywhere he plied his trade he fell to Jack and Jilling. I rattled his old pans and wandered on. The wind’s about the barley and the mice are in the meal, so rise up bright and early all young lasses if you would do as you will. There’s no faith in any man, not even my own brother. Ah! But would those days were gone! Girls, if you but would, or can, you’d best love one another and leave them all behind and carry on! The wind’s about the barley and the mice are in the meal, so rise up bright and early all young lasses if you would do as you will.

Choral Choir (SSAA) - Level 2 - Digital Download

SKU: A0.874616

By Deja Vu. By James Horner. Arranged by Chris Arnold. A Cappella,Pop. Octavo. 6 pages. Chris Arnold #4283663. Published by Chris Arnold (A0.874616).

Haunting ballad made famous by Celine Dion, this arrangement is elegant in its simplicity.

Written for women's barbershop ensemble, the melody is in the second voice, shown as Lead. The baritone and bass parts are written using the Bass 8va alta clef, meaning their pitches are sung one octave higher than the traditional bass clef. Middle C is found on the second space of the staff.

This arrangement would also be suitable for SSAA high-school/college ensembles; alternate notes have been included for younger voices.

$1.99 US per copy, suitable for choruses and choirs. For quartets, look for the same title available under small ensembles.

Visit us at https://qsvp.com if you have any questions or are looking for learning tracks.

Choral Choir (SSAA) - Level 2 - Digital Download

SKU: A0.874601

By Deja Vu. By James Horner. Arranged by Chris Arnold. A Cappella,Pop. Octavo. 6 pages. Chris Arnold #3478501. Published by Chris Arnold (A0.874601).

Haunting ballad made famous by Celine Dion, this arrangement is elegant in its simplicity.

Written for women's barbershop ensemble, the melody is in the second voice, shown as Lead. The baritone and bass parts are written using the Bass 8va alta clef, meaning their pitches are sung one octave higher than the traditional bass clef. Middle C is found on the second space of the staff.

This arrangement would also be suitable for SSAA high-school/college ensembles; alternate notes have been included for younger voices.

$12.99 US price includes 4 copies per purchase, suitable for quartets. For choruses, look for the same title available under choral ensembles.

Visit us at https://qsvp.com if you have any questions or are looking for learning tracks.

Choral Choir,Choral (SSAA) - Level 3 - Digital Download

SKU: A0.1350904

By Frank Sinatra. By Carolyn Leigh and Johnny Richards. Arranged by Cris Conerty. A Cappella,Barbershop,Comedy,Standards. 5 pages. Cris Conerty #935736. Published by Cris Conerty (A0.1350904).

A BASS SOLO from start to finish! Show off your talented and loveable barbserdhop quartet bass with this arrangement - complete with comical elements that will give your audience some chuckles.  An optional intro adds even more laughs!  

Choral Choir (SSAA) - Level 4 - Digital Download

SKU: A0.1032834

By Owl City. By Adam Young. Arranged by William Torres Jr. A Cappella. Octavo. 11 pages. William Torres Jr. #5725107. Published by William Torres Jr. (A0.1032834).

• in a Contemporary/Vocal Jazz style
• suitable for High School & Collegiate ensembles
• Showcase your Soprano/Alto section
• Perfect with/without a sound system
• approx. 4 minutes
• Website: https://www.williamtorresjr.com/

Choral Choir (SSAA) - Level 3 - Digital Download By Panic! At the Disco. By Brendon Urie, Ilsey Juber, Jacob Sinclair, Jenny Owen Youngs, Jonas Jeberg, Lauren Pritchard, Samuel Hollander, Tayla Parx, Taylor Parks, and William Lobban Bean. Arranged by Emily Moriarty. A Cappella, Pop, Punk. Octavo. 12 pages. Emily Maree Moriarty #5758553. Published by Emily Maree Moriarty

Choral Choir (SSAA) - Level 4 - Digital Download By Panic! At the Disco. By Brendon Urie, Ilsey Juber, Jacob Sinclair, Jenny Owen Youngs, Jonas Jeberg, Lauren Pritchard, Samuel Hollander, Tayla Parx, Taylor Parks, and William Lobban Bean. Arranged by Mel Daneke. A Cappella, Pop, Punk. Octavo. 13 pages. Mel Daneke #4298291. Published by Mel Daneke

By Panic! At the Disco. By Brendon Urie, Ilsey Juber, Jacob Sinclair, Jenny Owen Youngs, Jonas Jeberg, Lauren Pritchard, Samuel Hollander, Tayla Parx, Taylor Parks, and William Lobban Bean. Arranged by Emily Moriarty. A Cappella, Pop. Octavo. 8 pages. Emily Maree Moriarty #5758227. Published by Emily Maree Moriarty

Choral Choir,Choral (SSAA) - Level 3 - Digital Download

SKU: A0.941930

By Styx. By Dennis Deyoung. Arranged by Cris Conerty. A Cappella,Barbershop,Contemporary,Pop,Rock. 6 pages. Cris Conerty #5728763. Published by Cris Conerty (A0.941930).

This arrangement stays true to STYX's iconic anthem about maintaining faith and hope amidst adversity and inhumanity - still relevant today. 4 min. in length, but easy to learn with repeating musical phrases. Imagine your bass section belting out their feature at the bridge: And if I see a light, will I believe? Tell me, how will I know?! The counterpoint between parts during the repeated chorus sections are fun and breaths have been built in so no one needs to run out of air!  Tenors will love their melody moments and the baritone voice leading brings ease and flow to their part. This song could be the focal point fo your next show!

Choral Choir,Choral (SSAA) - Level 2 - Digital Download

SKU: A0.1280004

By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Dylan Tran. A Cappella,Contemporary,Film/TV,Pop,Singer/Songwriter. 7 pages. Dylan Trần #871424. Published by Dylan Trần (A0.1280004).

Accesible yet moving, this arrangement of What Was I Made For? from the blockbuster movie, Barbie, is fit for professional choir, college choir, community choir, highschool choir, a capella groups, vocal pop groups, and more. Renowned composer Dylan Trần uses idiomatic, yet evocative voicings that will immediately reward on first reading as well as in polished performance. 

Learn more at www.dylantranmusic.com

Here's why your choir should embrace Billie Eilish's captivating music— (professional choir, large ensemble, small ensemble, community choir, college choir, highschool choir, pop a capella choir, etc.)

Contemporary Relevance: Billie Eilish's music is a cultural phenomenon, deeply resonating with today's generation. By incorporating her songs into your repertoire, your choir can connect with younger audiences, enhancing its relevance and expanding its fan base.

Empowering Lyrics: Billie Eilish's lyrics tackle meaningful and often profound subjects, from mental health to self-discovery and social issues. Singing her songs empowers your choir to explore important themes, fostering empathy and emotional depth in their performances.

Dynamic Vocal Range: Billie Eilish's music offers a diverse range of vocal styles, from hauntingly soft whispers to powerful belting. Your choir members can showcase their versatility and vocal prowess, honing their skills and challenging their vocal boundaries.

Artistic Expression: Embrace the opportunity for creative expression! Billie Eilish's music encourages innovative interpretations, allowing your choir to infuse each performance with its unique artistic flair and captivate audiences with fresh renditions.

Fusion of Genres: With elements of pop, alternative, and electronic music, Billie Eilish's songs provide an exciting fusion of genres. Your choir can explore new musical horizons, enriching its repertoire and broadening its musical diversity.

Emotional Resonance: Billie Eilish's music evokes a wide range of emotions, from introspection to empowerment. Singing her songs allows your choir to tap into these emotions, forging a deep connection with audiences and leaving a lasting impact.

Collaborative Learning: Billie Eilish's intricate compositions present an excellent opportunity for collaborative learning within your choir. By working together to master the nuances of her music, your choir members can strengthen their bonds and elevate their collective musicality.

Pushing Boundaries: Billie Eilish's music is known for its boundary-pushing and innovative soundscapes. Embracing her songs encourages your choir to explore new musical territories, pushing the boundaries of traditional choral performances.

Embrace the audacious spirit of Billie Eilish's music and witness your choir's performances soar to unprecedented heights of creativity and artistry. Unleash the power of her captivating melodies and thought-provoking lyrics, leaving audiences awestruck and craving more of your choir's extraordinary renditions.

Choral Choir (SSAA) - Level 3 - Digital Download

SKU: A0.916676

Composed by George Young and Harry Vanda. Arranged by Lyndal Thorburn. Contemporary. Octavo. 6 pages. Lyndal Thorburn #5726399. Published by Lyndal Thorburn (A0.916676).

Women's Barbershop/SSAA. This iconic Latin-disco song featured in that great Australian movie Strictly Ballroom and it was sung at the closing ceremony to the Sydney 2000 Olympic Games. One of the memorable and most popular songs of the 70's, it has a snappy rhythm and catchy chorus that your group will love to sing. Audiences around the world will taps their toes and sing along! The Youtube link is to John Paul Young's original recording and the arrangement faithfully reproduces its vibe.

Voice (SSAA) - Digital Download

SKU: A0.1272868

By Billy Williams. By Fred E. Ahlert and Joe Young. Arranged by Kimberly Heilbrun. A Cappella,Barbershop. Barbershop Quartet. 5 pages. Kimberly Heilbrun #865066. Published by Kimberly Heilbrun (A0.1272868).

This pricing is for a Quartet. $12.99 gives you permission to print four copies.

Choral Choir (SSAA) - Digital Download

SKU: A0.1270973

By Billy Williams. By Fred E. Ahlert and Joe Young. Arranged by Kimberly Heilbrun. A Cappella,Barbershop. Octavo. 5 pages. Kimberly Heilbrun #863359. Published by Kimberly Heilbrun (A0.1270973).

Voice (SSAA) - Level 2 - Digital Download

SKU: A0.1240428

Composed by Anastasio Rossi. Arranged by Anastasio Rossi. A Cappella,Barbershop. Barbershop Quartet. 3 pages. Anastasio Rossi #835806. Published by Anastasio Rossi (A0.1240428).

Think of the story behind this music as about a young lady who  just loves the waltz, and loves to sing and dance to its lilting triple time.  Her dancing partner is a dashing, ever so handsome young man, who sweeps her off her feet and takes her breath away with his charm and grace, as they float away on the wings of A Dance In Triple Time!

I originally composed this piece as a little warm up ditty for my chorus, but as I worked the melody and the harmony, it grew into just a little bit more than a warm up exercise. We always enjoyed singing this little piece for our audiences. And they always enjoyed hearing it.

One caveat; The lyrics go by quickly! Leads, use your best diction and pronunciation, so the story doesn't get lost. Harmony voices, keep the melody prominent, by always singing your la-las at least one dynamic notch below the melody!

Choose the waltz tempo of your choice - very relaxed to very lilting in 1.  Base your choice on being able to deliver the lyrics with great clarity, especially in the faster passages. Be sure to observe the accelerandos, broadening tempos, a tempos, legatos, and staccatos. They all have much to do with delivering the style of this piece, especially the off beat la-las. Some pairs are staccato, in other pairs, the first la is legato, the second la is staccato.

The metronome marks more accurately describe the accelerandos and broadenings. On the repeat at 11, a slight increase in the tempo will add urgency and intensity. Keep the melody prominent as it moves to different voices, beginning at 37. Maintain the crisp staccato harmony against the legato melody, and enjoy the change to full legato for all voices.  

Anastasio Rossi May 2023

Learning tracks are available at no cost from the composer: AAR@prodigy.net.