Voice (SSAA) - Level 3 - Digital Download SKU: A0.1170248 By Publick Domain. By Words by Oscar Hammerstein II, Music by Jerome Kern. Arranged by Julie Gaulke. A Cappella,Barbershop,Broadway,Jazz,Musical/Show,Standards. Barbershop Quartet. 4 pages. Julie Gaulke #770613. Published by Julie Gaulke (A0.1170248). This is Julie Gaulke's original arrangement of Can’t Help Lovin’ Dat Man (from the musical Showboat) for SSAA a cappella in the key of C. See full performance video here: Julie's Youtube Channel (Please note: This performance video is in the original key of Bb)(NOTE: Since this is a quartet, you are allowed FOUR print copies with a single purchase of this title. Thank you! -Julie Gaulke)LEARNING TRACKS AVAILABLE FOR THIS SCORE HERE: Julie Gaulke TracksPlease visit Julie's website Pianomom's Sheet Music for more great arrangements! Pianomom's Sheet Music

By Pentatonix. Arranged by Rebecca de Bruin. 6 pages. Published by Rebecca de Bruin

SSAA choir unaccompanied - Moderately Difficult - Digital Download SKU: MQ.8438-E Composed by Robert Applebaum. Advanced/Collegiate. Chanukah, 21st Century. Octavo. 10 pages. Duration 3 minutes, 45 seconds. E. C. Schirmer Music Company - Digital #8438-E. Published by E. C. Schirmer Music Company - Digital (MQ.8438-E). UPC: 600313484377. English, Hebrew.Three Pieces for Chanukah is not so much a set of arrangements of familiar words and tunes than it is a set of original compositions based on them. The first two settings feature jazz-influenced, classical harmonic and melodic treatment of the tunes. The mood of the first setting is upbeat and the mood of the second one is more subdued. The mood of the third setting is extremely upbeat; it is composed in a straight funk style, albeit contrapuntal. The front matter to each edition features program notes, a pronunciation guide for the Hebrew words and the Hebrew and English texts.Duration: 3:45.

SSAA choir and piano - Medium - Digital Download SKU: MQ.8439-E Composed by Robert Applebaum. Advanced/Collegiate. Secular, Chanukah, 21st Century. Octavo. 17 pages. Duration 3 minutes, 30 seconds. E. C. Schirmer Music Company - Digital #8439-E. Published by E. C. Schirmer Music Company - Digital (MQ.8439-E). UPC: 600313484391. English, Hebrew.Three Pieces for Chanukah is not so much a set of arrangements of familiar words and tunes than it is a set of original compositions based on them. The first two settings feature jazz-influenced, classical harmonic and melodic treatment of the tunes. The mood of the first setting is upbeat and the mood of the second one is more subdued. The mood of the third setting is extremely upbeat; it is composed in a straight funk style, albeit contrapuntal. The front matter to each edition features program notes, a pronunciation guide for the Hebrew words and the Hebrew and English texts.Duration: 3:30.

SSAA choir unaccompanied - Medium - Digital Download SKU: MQ.8437-E Composed by Robert Applebaum. Advanced/Collegiate. Chanukah, 21st Century, Folk Song. Octavo. 15 pages. Duration 3 minutes, 15 seconds. E. C. Schirmer Music Company - Digital #8437-E. Published by E. C. Schirmer Music Company - Digital (MQ.8437-E). UPC: 600313484384. English, Hebrew.Three Pieces for Chanukah is not so much a set of arrangements of familiar words and tunes than it is a set of original compositions based on them. The first two settings feature jazz-influenced, classical harmonic and melodic treatment of the tunes. The mood of the first setting is upbeat and the mood of the second one is more subdued. The mood of the third setting is extremely upbeat; it is composed in a straight funk style, albeit contrapuntal. The front matter to each edition features program notes, a pronunciation guide for the Hebrew words and the Hebrew and English texts.Duration: 3:15.

SSAA choir and piano - Medium - Digital Download SKU: MQ.8807-E Composed by Stephen Chatman. 6 pages. E. C. Schirmer Music Company - Digital #8807-E. Published by E. C. Schirmer Music Company - Digital (MQ.8807-E). English.The opening lines, “Listen, I love you. Do not turn your face / Nor touch me.�, reflect the somber feelings encompassing Sara Teasdale’s poem. Paired voices initially express contrapuntal melodic lines enhanced by underlying harmony and slow syncopation in the piano accompaniment. The middle and final sections, imbued with sad words such as “let me ease my heart,� “with broken wing� and “Forget that I am speaking,� evolve beautifully within contrasting tonal regions, supported by undulating keyboard arpeggios. One of a set of six of Teasdale's love songs. Duration: 2:00.

SSAA choir and piano - Moderately Difficult - Digital Download SKU: MQ.8041-E Composed by Joshua Fishbein. Instrument part. 11 pages. E. C. Schirmer Music Company - Digital #8041-E. Published by E. C. Schirmer Music Company - Digital (MQ.8041-E). English.This piece is dedicated to WomenSing, Martín Benvenuto, artistic director, and was commissioned through the Marcia Hodges New Music Fund as part of the Youth Inspiring Youth Project. The poem used in this setting was written by Quinn H. Whitlow of St. Louis Park, Minnesota, at age 7. This poem was the 2009 Grand Prize Winner for the Grades K-2 Poetry category in the 2009 River of Words® Environmental Poetry & Art International Competition. Duration: 3:00.

SSAA choir and piano - Medium - Digital Download SKU: MQ.8811-E Composed by Stephen Chatman. 9 pages. Duration 1 minute, 45 seconds. E. C. Schirmer Music Company - Digital #8811-E. Published by E. C. Schirmer Music Company - Digital (MQ.8811-E). English.The opening line of Sara Teasdale’s poem, After Love, “There is no magic any more,� establishes the theme of vanishing love. Stephen Chatman’s setting of the poignant text, in the key of E flat major, emphasizes the natural rhythm of the words, mixed meters, and irregular phrase lengths. The climax of the melody embraces sustained, intense vocal lines in contrary motion supported by an undulating piano accompaniment. One of a set of six of Teasdale's love songs. Duration: 1:45.

SSAA choir and piano, or optional oboe, string quartet, and suspended cymbal - Moderately Easy - Digital Download SKU: MQ.4807A-E Composed by Libby Larsen. Score. 6 pages. E. C. Schirmer Music Company - Digital #4807A-E. Published by E. C. Schirmer Music Company - Digital (MQ.4807A-E). English.Missa Gaia: Mass for the Earth is a creed for our times. The form and spirit of the traditional Mass combines with words that speak of human beings’ relationship to the Earth. The texts are drawn from the Bible, from Native American poets Joy Harjo and Maurice Kenny, from medieval mystic Meister Eckhart, from the Chinook Psalter and from poets M. K. Dean, Wendell Berry and Gerard Manley Hopkins.

Barbershop Quartet - Early Intermediate - Digital Download By David Guetta and Sia. Arranged by Rebecca (Boo) de Bruin. Score. 16 pages. Published by Rebecca de Bruin

Choral Choir (SSAA) - Level 2 - Digital Download SKU: A0.1087101 By Erasure. By Andy Bell and Vince Clarke. Arranged by Rebecca (Boo) de Bruin. A Cappella,Contemporary,Pop. Octavo. 13 pages. Rebecca de Bruin #691297. Published by Rebecca de Bruin (A0.1087101). Words and Music by Vince Clarke and Andy Bell in 1988. Arranged in 2021 by Boo de Bruin. 13 pages for Sweet Adelines (ladies' barbershop) chorus. (Tenor, lead, baritone, bass are roughly equivalent to SSAA, although lead and baritone have similar - in this case, identical! - ranges, but perform different functions). A Little Respect was written and recorded by English synth-pop duo Erasure, and is known as one of their signature songs. It reached #4 on the UK singles chart, #14 on the US Billboard Hot 100, and #2 on the US Hot Dance Club Songs chart. This arrangement uses words from the song in place of neutral vowels to create an early ostinato (without boring the harmony parts!) before expanding into homorhythm in verse 2. The melody is mainly in the lead part, with the final motif from the chorus passed to the tenors. In the final verse, a key change moves the melody to the basses and baritones, with the leads taking the final phrase. This arrangement was written for a barbershop chorus, and as such the lowest voice part has a lower range than is custom for choral SSAA writing. However, the range of the entire arrangement is quite narrow, and so it could be sung in a higher tessitura without undo strain on the upper voices. Please note: in keeping with normal barbershop practice the men's barbershop voicing names are used (tenor, lead, baritone and bass) and an octave-shifted bass clef is used for the baritone and bass parts. Vocal ranges are: Tenor: D4 - F5 (D above middle C to F above high C) Lead: G3 - C5 (G below middle C to high C) Baritone: G3 - C5 (G below middle C to high C) Bass: D3 - F4 (D below middle C to F above middle C).

Choral Choir (SSAA) - Level 2 - Digital Download SKU: A0.881168 By Miley Cyrus. By Robert Hazard. Arranged by Rebecca de Bruin. Film/TV. Octavo. 9 pages. Rebecca de Bruin #6497333. Published by Rebecca de Bruin (A0.881168). Words and Music by Robert Hazard. Arranged in 2013 by Boo de Bruin (nee Lewis). 9 pages for Sweet Adelines (ladies' barbershop) chorus or girls' choir. Girls just want to have fun was Cyndi Lauper's break through single as a solo artist, reaching number one in ten countries including Australia, Canada and New Zealand. It is a feminist reimagining of the 1979 song by Robert Hazard. It received Grammy nominations for Best Female Pop Vocal Performance and Record of the Year.This arrangement was written for a chorus of young women, and as such the ranges are relatively narrow. Vocal ranges are:Soprano 1: Eb4 - F#5 (Eb above middle C to F# above high C)Soprano 2: Bb3 - E5 (Bb below middle C to E above high C)Alto 1: B3 - B4 (B below middle C to B above middle C)Alto 2: F3 - G4 (F below middle C to G above middle C)For four bars in the penultimate chorus, there is one split in the parts, to allow for the girls they wanna, wanna have fun call back. In a quartet, this line could be omitted. 

Choral Choir (SSAA) - Level 4 - Digital Download SKU: A0.1111174 By Neil Sedaka. By Neil Sedaka. Arranged by Rebecca (Boo) de Bruin. A Cappella,Barbershop,Contemporary,Pop. Octavo. 11 pages. Rebecca de Bruin #713452. Published by Rebecca de Bruin (A0.1111174). Words and Music by Neil Sedaka in 1972. Arranged in 2022 by Boo de Bruin. 11 pages for Sweet Adelines (ladies' barbershop) chorus. (Tenor, lead, baritone, bass are roughly equivalent to SSAA, although lead and baritone have similar ranges, but perform different functions). That's when the music takes me is taken from Neil Sedaka's Solitaire LP. The song was notable as it was one of the only songs for which Sedaka wrote the lyrics in addition to the music. He often finishes his song using the song. (The ending of the arrangement is inspired by how he performs the song live, rather than the recording edit). It reached #18 on the UK singles chart, #27 on the US Billboard Hot 100, and #7 on the US Billboard Easy Listening chart. This arrangement was written for a barbershop chorus, and as such the lowest voice part has a lower range than is custom for choral SSAA writing. The melody sits with the lead for the vast majority of the song, but with the bass part taking a few of the lowest notes. Please note: in keeping with normal barbershop practice the men's barbershop voicing names are used (tenor, lead, baritone and bass) and an octave-shifted bass clef is used for the baritone and bass parts. Vocal ranges are: Tenor: D4 - G5 (D above middle C to G above high C) Lead: B3 - D5 (B below middle C to D above high C) Baritone: G3 - C5 (G below middle C to D above high C) Bass: D3 - D4 (D below middle C to D above middle C).

Choral Choir (SSAA) - Level 2 - Digital Download SKU: A0.881167 By Sara Bareilles. By Sara Bareilles. Arranged by Rebecca de Bruin. Pop. Octavo. 7 pages. Rebecca de Bruin #6492785. Published by Rebecca de Bruin (A0.881167). Words and Music by Sara Bareilles. Arranged in 2020 by Boo de Bruin. 7 pages for Sweet Adelines (ladies' barbershop) quartet. (Tenor, lead, baritone, bass are roughly equivalent to SSAA).Love Song was Sara Bareilles' debut single, reaching number four in the Billboard chart. It received Grammy Award nominations for Song of the Year and Best Female Pop Vocal Performance.This arrangement was written for a barbershop quartet, and as such the lowest voice part has a lower range than is custom for choral SSAA writing. However, the range of the entire arrangement is quite narrow, and so it could be sung in a higher tessitura without undo strain on the upper voices. Please note: in keeping with normal barbershop practice the men's barbershop voicing names are used (tenor, lead, baritone and bass) and an octave-shifted bass clef is used for the baritone and bass parts. Vocal ranges are:Tenor: F4 - E5 (F above middle C to E above high C)Lead: G3 - D5 (Gb below middle C to D above high C)Baritone: B3 - A4 (B below middle C to A above middle C)Bass: D3 - G4 (D below middle C to G above middle C)

Choral Choir (SSAA) - Level 2 - Digital Download SKU: A0.856218 By Dolly Parton. By Dolly Parton. Arranged by Liz Garnett. Country. Octavo. 2 pages. Liz Garnett #4331261. Published by Liz Garnett (A0.856218). This is a short, two-page arrangement of irrepressibly catchy theme-tune of the 1980 movie of the same title. The words describe the central problem of the film, the music tells you how life-affirming and entertaining the solving it is going to prove.The chart was written to be workshopped, and can be learned and performed in an afternoon, and features vocal ranges accessible to relatively inexperienced singers.N.B. This arrangement is notated in treble and bass alta (i.e. sung an octave higher than written) clefs.Vocal Ranges:Tenor: C#4 - C#5Lead: C#4 - C#5Bari: C#4 - A4Bass: E3 - F#4www.HelpingYouHarmonise.com