Choral Choir,Choral (SSAA) - Level 2 - Digital Download SKU: A0.1373546 By Dodie. By Dorothy Clark, Greta Isaac, Martin Luke Brown, Mathew Swales, Orla Gartland, Peter Miles, and Soren Bryce. Arranged by Erin Hudkins Music. A Cappella,Contemporary,Folk,Pop,Singer/Songwriter. 12 pages. Erin Hudkins Music #957916. Published by Erin Hudkins Music (A0.1373546). A Cappella SSAA with Solo and Divisi (Soprano 1)Runtime 3:48With over a decade of arranging under their belt and a love for music that's lasted a lifetime, Erin (they/she) of Erin Hudkins Music brings you yet another arrangement from her collection.www.erinhudkinsmusic.com

Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.720813 By Ben Folds Five. By Ben Folds. Arranged by Julie Gaulke. A Cappella,Pop,Rock. Octavo. 11 pages. Julie Gaulke #6703163. Published by Julie Gaulke (A0.720813). This is Julie Gaulke's original arrangement of You Don't Know Me (by Ben Folds) for SSAA a cappella plus Solos. See full performance demo here: https://youtu.be/0YKc0WwikHk LEARNING TRACKS AVAILABLE FOR THIS SCORE HERE: https://www.juliegaulketracks.com/store/p253/youdontknowme.html Please visit Julie's website Pianomom's Sheet Music for more great arrangements! https://www.pianomomsheetmusic.com/

Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.1036284 By Randy Newman And Lyle Lovett. By Randy Newman. Arranged by Julie Gaulke. A Cappella,Broadway,Children,Contemporary,Musical/Show,Pop. Octavo. 7 pages. Julie Gaulke #641391. Published by Julie Gaulke (A0.1036284). This is Julie Gaulke's original arrangement of You've Got A Friend In Me (from TOY STORY by Randy Newman) for SSAA a cappella plus Solo. See full performance video here: https://youtu.be/SWNxmAxHkdY LEARNING TRACKS AVAILABLE FOR THIS SCORE HERE: https://www.juliegaulketracks.com/store/p260/youvegotafriendjg.html Please visit Julie's website Pianomom's Sheet Music for more great arrangements! https://www.pianomomsheetmusic.com/

Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.856194 By Colbie Caillat. By Hugh Martin and Ralph Blane. Arranged by Liz Garnett. Jazz. Octavo. 3 pages. Liz Garnett #4266619. Published by Liz Garnett (A0.856194). This Christmas classic is made for close-harmony. The arrangement clothes the flowing melody in lush chords, the harmonic flavours evoking shimmering strings of its iconic performance by Judy Garland. Sing it with lavish rubato for heart-warming seasonal show-closer.N.B. This arrangement is notated in treble and bass alta (i.e. sung an octave higher than written) clefs.Vocal Ranges:Tenor: E4 - D5Lead: A3 - D5Bari: A3 - A4Bass: E3 - A4www.HelpingYouHarmonise.com

Choral Choir,Choral (SSAA) - Level 3 - Digital Download SKU: A0.941929 By George Michael. By Allen Shamblin and Mike Reid. Arranged by Cris Conerty. 19th Century,A Cappella,Barbershop,Contemporary,Pop. 6 pages. Cris Conerty #5312539. Published by Cris Conerty (A0.941929). A simple but dramatic, modern a cappella interpretation of this timeless song, for SSAA and/or female barbershop ensembles.  Made popular by Bonnie Raitt and covered by many other artists.  Close harmonies, solos, and melody transfers add interest.  Put your own heart and emotion into this and make it yours.   .

Choral Choir,Choral,SSAA Chorus - Digital Download SKU: A0.1495392 By Donna Missal. By Daniel Dodd Wilson, Donna Missal, Jennifer Owen Youngs, and Thomas R Brenneck. Arranged by Mallika Purandare (JJ'20). A Cappella,Pop,Soul. 17 pages. Tufts Jackson Jills #1071905. Published by Tufts Jackson Jills (A0.1495392). This arrangement was performed by the Tufts University Jackson Jills in 2021 and recorded for their 2022 studio album, Couches & Crosswalks. The Jackson Jills are Tufts University’s oldest all-femme a cappella group, established in 1963. Visit jacksonjills.com for more info.

Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.856184 By Lena Zavaroni. By Con Conrad. Arranged by Liz Garnett. Contemporary. Octavo. 4 pages. Liz Garnett #3918931. Published by Liz Garnett (A0.856184). This song from a largely-forgotten 1940 movie is generally associated in British minds with the child star Lena Zavaroni, who had a hit with it when she was far too young to be worried about boys wanting to marry her. This arrangement sits squarely in the barbershop tradition in its treatment of the song, though it also takes more than a slight hint from Connie Francis's rendition from 1964.N.B. This arrangement is notated in treble and bass alta (i.e. sung an octave higher than written) clefs.Vocal Ranges:Tenor: E flat 4 - G5Lead: A flat 3 - E flat 5Bari: B flat 3 - D flat 5Bass: D3 - F4www.HelpingYouHarmonise.com

Choral Choir,Choral (SSAA) - Level 3 - Digital Download SKU: A0.941930 By Styx. By Dennis Deyoung. Arranged by Cris Conerty. A Cappella,Barbershop,Contemporary,Pop,Rock. 6 pages. Cris Conerty #5728763. Published by Cris Conerty (A0.941930). This arrangement stays true to STYX's iconic anthem about maintaining faith and hope amidst adversity and inhumanity - still relevant today. 4 min. in length, but easy to learn with repeating musical phrases. Imagine your bass section belting out their feature at the bridge: And if I see a light, will I believe? Tell me, how will I know?! The counterpoint between parts during the repeated chorus sections are fun and breaths have been built in so no one needs to run out of air!  Tenors will love their melody moments and the baritone voice leading brings ease and flow to their part. This song could be the focal point fo your next show!

Choral Choir,Choral (SSAA) - Level 3 - Digital Download SKU: A0.1394287 Composed by Irish Traditional Air / Lyrics: Thomas Moore. Arranged by Thomas Quigley. A Cappella,Celtic,Contest,Festival,Irish. 8 pages. Thomas Quigley #977764. Published by Thomas Quigley (A0.1394287). If you need an Irish traditional air, then try this gorgeous arrangement with words by Thomas Moore. Rich harmonies support the melody, making it enjoyable to perform, whilst presenting an opportunity to demonsrate the expressive, cantabile singing quality of your ensemble. Ideal for a concert of Celtic music, this is an excellent piece to have in your repertoire.

Choral Choir (SSAA) - Level 4 - Digital Download SKU: A0.1040536 By Alan Wagstaff. By Alan Wagstaff. Arranged by Alan Wagstaff. Celtic,Folk,Irish,Traditional. Octavo. 45 pages. Alan Wagstaff #639233. Published by Alan Wagstaff (A0.1040536). 'Do As You Will' is a folksy, Celtic feel choral song arranged for SSAA -with harp, flute, fiddle, and accordion accompaniment. Its shifting tonality adds complexity. The lyric is female point of view: Do As You Will Once I had a soldier lad who swore he’d love me truly. Ah! But now those days are gone! When the battle raged he turned his heel and followed duly. I gave him the salute and soldiered on. The wind’s about the barley and the mice are in the meal, so rise up bright and early all young lasses if you would do as you will. Then I loved a farmer’s son whose trinkets were his kisses. Ah! But now those days are gone! But on the road to market he had scores of narrow misses. I tossed him out for chaff and ploughed straight on. The wind’s about the barley and the mice are in the meal, so rise up bright and early all young lasses if you would do as you will. Next I had a blacksmith who was swarthy, dark, and handsome. Ah! But now those days are gone! He stole away my store of coin and ran off with the ransom. I hope he finds the fires! I’m forging on! The wind’s about the barley and the mice are in the meal, so rise up bright and early all young lasses if you would do as you will. Jack the Tinker courted me, and he was ever willing. Ah! But now those days are gone! Everywhere he plied his trade he fell to Jack and Jilling. I rattled his old pans and wandered on. The wind’s about the barley and the mice are in the meal, so rise up bright and early all young lasses if you would do as you will. There’s no faith in any man, not even my own brother. Ah! But would those days were gone! Girls, if you but would, or can, you’d best love one another and leave them all behind and carry on! The wind’s about the barley and the mice are in the meal, so rise up bright and early all young lasses if you would do as you will.

Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.856142 Composed by Joe McCarthy, James Monaco. Arranged by Liz Garnett. A Cappella. Octavo. 4 pages. Liz Garnett #3023075. Published by Liz Garnett (A0.856142). Written just before the First World War, this flirtatious song anticipates that world where women were finding a new independence and power, and trying to work out what to do with it. On the one hand, the singer doesn’t want to be unfeminine by making the first move, on the other, she’s going to make a bid for what she wants. Go girl, is what I say.This arrangement is suitable for performance in a barbershop contest, and the Southern Comfort Barber Gals won a bronze medal in the Holland Harmony 2009 chorus contest with this it. It is notated in the traditional clefs for women's barbershop: treble and bass alta (i.e. sung an octave higher than written)Ranges:Tenor: F4 - E5Lead: A flat 3 - C#5Bari: B flat 3 - B4Bass: E flat 3 - F#4www.HelpingYouHarmonise.com

Choral Choir,Choral (SSAA) - Level 4 - Digital Download SKU: A0.1344227 By Grace Featuring G-eazy. By Grace. Arranged by Liz Garnett. A Cappella,Barbershop,Pop. 5 pages. Liz Garnett #929713. Published by Liz Garnett (A0.1344227). This is a song that, paradoxically, feels both evocative of a particular historical moment and timeless. In it's first guise, as sung by Lesley Gore in 1963, it is a harbinger of both the sexual revolution and Second Wave feminism. Three decades later, as the closing sequence to the movie The First Wives Club, it is full of  confidence and joie de vivre, but by 2016, when released by Grace, it has turned darker, as G-Eazy's rap dramatises the controlling man the song addresses.This arrangement positions the song as a statement of strength and defiance, and re-appropriates material from the rap to craft an original bridge.n.b. This arrangement is notated in treble and bass alta (i.e. sounding an octave higher than written) clefs.Vocal Ranges:Tenor: E flat 4 - F5Lead: G3 - D5Bari: G3 - C5Bass: D3 - F#4www.HelpingYouHarmonise.com

Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.752259 By Jason Mraz. By Jason Mraz. Arranged by Glenda Lloyd. A Cappella,Contemporary,Pop,Rock. Octavo. 13 pages. Glenda Lloyd #4621827. Published by Glenda Lloyd (A0.752259). Four part a cappella harmony in the barbershop style.A really fun arrangement of this popular song, the melody is in the lowest voice (women's barbershop bass) while the top three voices imitate a ukulele for parts of the song and have other fun counterpoint sections. Towards the end, the melody shifts to the second lowest voice while the lowest voice sings the fun overlay. A great song for an ensemble with strong melodic low voices.You can make one print for each unit purchased. This arrangement is also available priced for small ensembles/quartets - see my other listings.Visit www.lloydsong.com to see more of my work, or see me on Facebook at https://www.facebook.com/Glenda.LloydSong/

Choral Choir (SSAA) - Level 2 - Digital Download SKU: A0.856161 Composed by Benj Pasek and Justin Paul. Arranged by Helping You Harmonise. Contemporary. Octavo. 9 pages. Liz Garnett #3674081. Published by Liz Garnett (A0.856161). This ballad from The Greatest Showman carries a powerful message of the inherent worth of all humans that resonates far beyond the context of the film's story. The arrangement includes an optional double descant for the final passage to add extra opulence to the ending.The arrangement is notated in the traditional clefs for women's barbershop: treble and bass alta (i.e. sung an octave higher than written)Vocal Ranges: Tenor: D4 - G5Lead: A3 - E5Bari: C#4 - D4Bass: G3 - E4Descant 1: D4 - F#5Descant 2: D4 - D5www.HelpingYouHarmonise.com

Choral Choir (SSAA) - Level 2 - Digital Download SKU: A0.1111748 By Willie Nelson. By Arthur Kent and Sylvia Dee. Arranged by Liz Garnett. A Cappella,Barbershop. Octavo. 4 pages. Liz Garnett #714010. Published by Liz Garnett (A0.1111748). Originally recorded by the Mills Brothers, this song was made famous in the UK by the comedy due Morecombe and Wise in the 1970s. The song is as sunny as its title would suggest, with a gentle swing in the rhythm and a melodic contour that almost traces the shape of a smile. The arrangement is primarily homophonic, and whilst it has a few more added 6th chords than you'd find in traditional barbershop, it clearly has its roots in that idiom. The second pass through the chorus shares the melody around so that everybody gets some candy. N.B. This arrangement is notated in treble and bass alta (i.e. sung an octave higher than written) clefs. Vocal Ranges: Tenor: E4 - E5 Lead: B3 - C5 Bari: B3 - B4 Bass: D3 - G4 www.HelpingYouHarmonise.com.