Choral Choir,Choral (SSAA) - Level 2 - Digital Download SKU: A0.1353397 Composed by Lois J Henrickson (Lytingale). Arranged by Lois J Henrickson (Lytingale). Contemporary,Pop. 17 pages. Lytingale Music #938156. Published by Lytingale Music (A0.1353397). Written for SSAA chorus. Theme: empowerment, activism. We are the ones who can fix this world!Accompanied by piano, with optional violin (or flute) partAvailable formats: full score with piano, lead sheet (no piano, for singers), violin part, piano reduction. The mp3 is a rough mix of the parts recordings created for rehearsal (which are available).My community chorus memorizes, so I write with repetition and consistency! Our chorus found this exciting and inspirational to sing.  This piece was also chosen to be performed as a mass chorus piece for the national Sister Singers Network Festival 2023 in Cleveland.Lyrics:Movin' and a-shakin' and a-shakin' and a-movin',Movin' and a-shakin' and a-shakin' and a-movin', Movin' and a-shakin' and a-shakin' and a-movin',  Movin' and a-shakin' and a-shakin' and a-movin', Rock on, sisters! Rock on! Awaken the world, sisters.  Awakenin', awakenin' the world. Wake up! Awaken the world, sisters.  Awakenin', awakenin' the world. We are the ones   Who get things done.We are the ones   Who make it run.We are the ones   Who work together. Together we can change the world. Honor the mothers. Honor the mothers who carried us through, to get us to a world of possibility where we can see how to be more, how to live free. We stand on the shoulders. We stand on the shoulders of women who died, and women who cried out for freedom, for justice, for life. Some of us rock the cradle. Some of us rock the boat. Giving what we are able    to do, to see, to be. Standing on the rock of community.Standing on the rock of community. We're standing on the rock of community.  Makin' a way to grow and live the power,     the power of our own truth. Together we can change the world. Liberty! Together we can change the world. Equality! Together we can change the world. Community! Together we can change the world. Fix this world. There's a whole lot to do.Fix this world. Gonna make it new.Fix this world. It's up to me and you. I witnessed.  Because it needed to be done.I spoke out.  Because it needed to be done. I stood up.    Because it needed to be done. I did what needed, I did what needed, I did what needed to be done.Awaken the world, sisters. Awakenin', awakenin' the world. Wake up! Awaken the world, sisters. Awakenin', awakenin' the world. Wake up! We are the ones   Who get things done.We are the ones   Who make it run.We are the ones   Who work together, Together we can change the world. Movin' and a-shakin' and a-shakin' and a-movin', Together we can change the worldMovin' and a-shakin' and a-shakin' and a-movin', Together we can change the world.Together, Together, Together, Together,Together we can change the world. (2021) Lois J Henrickson (Lytingale).

Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.849297 Composed by Alan Menken. Arranged by Sarah Jaysmith. Contemporary. Octavo. 12 pages. Sarah Jaysmith #4979005. Published by Sarah Jaysmith (A0.849297). This beautiful song has been arranged for women's choir as a wonderful message about the power of sisterhood! The arrangement is lush and perfectly suited to women's voices, and will be a delight for any audience.The arrangement is for SSAA (with some slight divisi at the end) with piano accompaniment. The vocal parts are suitable for early intermediate choir onwards. The duration is c. 3'22''. The recording is a MIDI file.Sarah Jaysmith has been composing and arranging music for many years. Find her at www.sarahjaysmith.com

Choral Choir,Choral,SSAA Chorus - Level 3 - Digital Download SKU: A0.1506018 Composed by Richard M. Sherman and Robert B. Sherman. Arranged by Sam Hubbard. A Cappella. 12 pages. Sam Hubbard #1081401. Published by Sam Hubbard (A0.1506018). Octet arrangement for two SSAA barbershop quartets.

Choral Choir (SSAA) - Digital Download SKU: A0.927003 Composed by W. Benton Overstreet & Billy Higgins. Arranged by Randi Grundahl Rexroth. A Cappella. Octavo. 10 pages. Randi Rexroth #4291401. Published by Randi Rexroth (A0.927003). Inspired by The Boswell Sisters There'll Be Some Changes Made provides an opportunity for SSAA ensembles to strut their stuff. This setting will be satisfying for intermediate to advanced ensembles and is the perfect addition to any program. Purchasers of this arrangement receive live performance rights, recordings rights (live or remote), and the right to post your recording on social media. **Please note that this is for the choir(s) for whom the purchase is being made. Please do not share the resources with other choirs/choir directors. **

Choral Choir,Choral (SSAA) - Level 2 - Digital Download SKU: A0.1300240 By Donna Fargo. By Vaughn Horton. Arranged by Sheryl Neal. 20th Century,A Cappella,Barbershop,Country. 4 pages. Sheryl Neal #889980. Published by Sheryl Neal (A0.1300240). SSAA Barbershop style arrangement of this classic 1950's tune, made famous by Patti Page and The Lennon Sisters. Choral pricing requires purchase of one copy per singer. Also available in quartet pricing option. Barbershop style- Melody in second voice from top, and bass clef is sung an octave higher than written.My name is Sheryl Neal, and I'm a singer, pianist, and a cappella arranger. Arranger’s website:https://www.arrangementsbysheryl.comLike my page on Facebook, Arrangements by Sheryl Neal. Questions or comments? Email me at ArrangementsbySheryl@gmail.com.

Voice (SSAA) - Level 2 - Digital Download SKU: A0.1300246 By Donna Fargo. By Vaughn Horton. Arranged by Sheryl Neal. 20th Century,A Cappella,Barbershop,Country. Barbershop Quartet. 4 pages. Sheryl Neal #889986. Published by Sheryl Neal (A0.1300246). SSAA Barbershop style arrangement of this classic 1950's tune, made famous by Patti Page and The Lennon Sisters. This quartet pricing includes permission to print four copies. Also available in choral pricing option. Barbershop style- Melody in second voice from top, and bass clef is sung an octave higher than written.My name is Sheryl Neal, and I'm a singer, pianist, and a cappella arranger. Arranger’s website:https://www.arrangementsbysheryl.comLike my page on Facebook, Arrangements by Sheryl Neal. Questions or comments? Email me at ArrangementsbySheryl@gmail.com.

Choral Choir (SSAA) - Level 4 - Digital Download SKU: A0.856241 By Sister Sledge. By Bernard Edwards and Nile Rodgers. Arranged by Liz Garnett. Contemporary. Octavo. 8 pages. Liz Garnett #5197047. Published by Liz Garnett (A0.856241). This arrangement of Sister Sledge's classic disco anthem of togetherness was created for Venus Effect, the first recipients of the Jen Mills award, which funds a quartet to commission a new arrangement in memory of Jen, a LABBS judge, coach and arranger who passed away far too young. I had helped Jen in her early years as an arranger, and she in turn had been Venus Effect's first coach, so we wanted this inaugural arrangement in her name to be a celebration of the bonds of love forged within singing organisations such as LABBS.

Choral Choir (SSAA) - Level 4 - Digital Download SKU: A0.930206 Composed by John Newell. A Cappella,Contemporary,Sacred. Octavo. 7 pages. Abierto Music #6113355. Published by Abierto Music (A0.930206). An intimate yet powerful invitation to come closer to the peace, the power, the wisdom that is within us. This three-minute work, for SSAA a cappella, is a setting of a text by Chameli Ardagh, a spiritual teacher and founder of Awakening Women, a global sisterhood and women’s wisdom school. Intended for either concert use or in sacred context.

Choral Choir (SSAA) - Level 4 - Digital Download SKU: A0.856175 By Christina Aguilera. By Christina Aguilera and Linda Perry. Arranged by Liz Garnett. Contemporary,Dance,Pop. Octavo. 9 pages. Liz Garnett #3916657. Published by Liz Garnett (A0.856175). This song was the third single released from Christina Aguilera's album Back to Basics, and earned her a Grammy nomination for Best Female Vocalist performance. The song harks back to the Andrews Sisters in texture and feel, though both the sexualised lyrics and the vocal licks give it a more modern feel. The arrangement was commissioned by Eu4ia for the Barbershop in Harmony show at the London Palladium in September 2009, and comes with both the original lyrics and G-rated alternatives.N.B. This arrangement is notated in treble and bass alta (i.e. sung an octave higher than written) clefs.Vocal Ranges:Tenor: E#4 - A5Lead: A3 - D5Bari: A3 - C5Bass: D3 - A4www.HelpingYouHarmonise.com

Choral Choir,Choral (SSAA) - Level 3 - Digital Download SKU: A0.1373590 By Sister Sledge. By Bernard Edwards and Nile Rodgers. Arranged by Katherine Bodor. A Cappella,Contemporary,Pop. 11 pages. Katherine Bodor #957966. Published by Katherine Bodor (A0.1373590). A cappella arrangement, voicing is SSSAAA +Lead +VP.

Choral Choir,Choral (SSAA) - Level 3 - Digital Download SKU: A0.1300190 Composed by Laura Rogers and Lydia Rogers. Arranged by Mason R. Eubank. A Cappella,Barbershop,Blues,Folk,Jazz. 7 pages. Mason Reed Eubank #889921. Published by Mason Reed Eubank (A0.1300190). A southern, jazzy, minor-key song from The Secret Sisters in the Barbershop Quartet style for SSAA voices.Features a haunting tenor and lead duet intro and a cooking bridge.

Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.856205 By The Pointer Sisters. By Anita Pointer, June Pointer, Ruth Pointer, and Trevor Lawrence. Arranged by Liz Garnett. Contemporary,Dance. Octavo. 6 pages. Liz Garnett #4293523. Published by Liz Garnett (A0.856205). This is one of those songs that wasn't a huge hit when it was first released, but has persisted in popular culture since. It has appeared in at least four movies, and was associated for years in the UK with commercials for Cadbury's Crunchie bars.Like the several cover versions of the song that have appeared this millenium, this arrangement takes a strong lead from the details of the original version, particularly in the use of vocalised embellishments that break out at phrase ends.N.B. This arrangement is notated in treble and bass alta (i.e. sung an octave higher than written) clefs.Vocal Ranges:Tenor: F4 - F5Lead: A flat 3 - C 5Bari: A flat 3 - B flat 5Bass: D flat 3 - F4www.HelpingYouHarmonise.com

Voice (SSAA) - Level 3 - Digital Download SKU: A0.1361653 By Perry Como & The Fontane Sisters. By Buddy Kaye, Fred Wise, and Sidney Lippman. Arranged by Julie Gaulke. A Cappella,Children,Standards. Barbershop Quartet. 7 pages. Julie Gaulke #946115. Published by Julie Gaulke (A0.1361653). This is Julie Gaulke's original arrangement of A - You're Adorable for SSAA a cappella. See full performance video here: Julie's Youtube Channel LEARNING TRACKS AVAILABLE FOR THIS SCORE HERE: Julie Gaulke TracksPlease visit Julie's website Pianomom's Sheet Music for more great arrangements! Pianomom's Sheet Music

Choral Choir (SSAA) - Level 2 - Digital Download SKU: A0.507766 By The Mcguire Sisters. By Calvin Carter, James Hudson, and Thornton James Hudson. Arranged by Dorothy Horn. A Cappella,Contemporary,Pop,Standards. Octavo. 4 pages. Dorothy Horn #6417581. Published by Dorothy Horn (A0.507766). This a cappella (SSAA) arrangement of Goodnight Sweetheart will be accessible by any community or school choir.  There is a short passage of divisi in the Soprano 1 part.

Choral Choir (SSAA) - Level 5 - Digital Download SKU: A0.1271651 By Madeleine Peyroux. By Leonard Cohen. Arranged by Joyce Todd McBride. A Cappella,Chamber,Singer/Songwriter. Octavo. 14 pages. Buckwheat Music #864041. Published by Buckwheat Music (A0.1271651). Treble-voice a cappella arrangement of Dance Me To The End Of Love, by Leonard Cohen.  SSAA, with S1 and S2 solos.  This arrangement begins with an unmeasured, medieval music-influenced statement of the opening 2 phrases sung by the whole the choir split into 2 parts.  The arrangement as a whole is lush, with lovely rhythmic variations, including a swing section inspired by Boswell sisters or other female vocal groups from the 1930's and 40's.  It is a bit of an epic treatment of this song, really builds nicely throughout, returning to the opening material at the end of the song.  Stunning.